Current Events

50 für Bad Berlin

11. – 15. September 2024
Group Show, Roter Saal, Berlin

For Berlin Art Week, the non-profit organisation Flussbad Berlin will be presenting the exhibition and auction “50 Für Bad Berlin” in the Red Salon of the Bauakademie. Fluss Bad Berlin is a civil society initiative for urban development committed to making swimming possible in the Spree Canal and, in the long run, in other sections of the Berlin Spree.

“50 Für Bad Berlin” will present works by mostly Berlin-based artists and architects who show solidarity with the objectives of the Fluss Bad Berlin project and the team behind it. They advocate a sustainable development of Berlin for the common good. They oppose the tendency to restrict for ideological reasons the debate on the future of the city (centre) to the historicising reconstruction of the Berlin of the early 20th century and the attempt to appropriate “art and culture” for that purpose. They want to emphasise instead that art and culture are closely linked to development initiatives such as Fluss Bad Berlin, which promote a more social, ecological, sustainable, and futureproof urban development.

While the works on display cover a wide range of types and techniques, they all relate to themes the Fluss Bad project addresses: for instance, in their interpretation of the essential significance of water for our world and for life, and the diverse relationships between humans and the element. They analyse the sensory, political and technical significance of water as a cultural asset, and the meaning of a free and equal access to it. They remind us that the river belongs to the city, that everyday culture belongs to high culture, and that the city is shaped by social values, which –at the same time– it is capable to mediate.

All of the pieces shown at the “50 Für Bad Berlin” exhibition will be auctioned on September 12.

List of participating artists:
Rosa Barba, Barkow Leibinger, Aram Bartholl, John Bock, Stefanie Bürkle, Thomas Demand, Oswald Egger, Olafur Eliasson, Elmgreen & Dragset, Estudio Herreros, Nina Fischer & Maroan El Sani, Simon Fujiwara, Filomeno Fusco & Victor Kégli, Graft, Katharina Grosse, Esra Gülmen, Asmund Hansteen-Mikkelsen, Annette Hauschild, Heide von Beckerath Alberts, Robert Hermann, Katharina Hinsberg, Moon Hoon, Bjarke Ingels, Inges Idee, Christian Jankowski, Peter K. Koch, Annette Kisling, Mischa Kuball, Götz Lemberg, Susanne Lorenz, Regula Lüscher, Maciej Markowicz, Maix Mayer, Jürgen Mayer H, Bjørn Mehlhus, Fernando Menis, Christian Möller, Olaf Nicolai, Lewis Pugh, Raumlabor, realities:united, Anselm Reyle, Shirin Sabahi, Michael Sailstorfer, Karin Sander, Tomás Saraceno, Sauerbruch Hutton, Erik Schmidt, Something Fantastic, Carlo Stanga, Wolfgang Tillmans, Clement Valla x Certain Measures, Michael Wesely, Haegue Yang, Tobias Zielony

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

Staged at the UNESCO World Heritage Site Völklingen Ironworks, the Urban Art Biennale is one of the world’s largest exhibitions of this anarchic form of art. Departing from a conventional white cube aesthetic, the entire site of the Völklingen Ironworks is given over to a fruitful dialogue with an art form that has evolved from street art or graffiti. Established in 2011, the 2024 edition will focus on participatory urban art projects as well as political works in situ.

The World In My Hand

18. April – 31. October 2024
Group Show, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

pictures

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Upcoming Events

Catalog release: “Ihr Paket ist abholbereit”

16. November 2024
Talk, Kunsthalle Onsabrück, Osnabrück

25 Jahre Stiftung Springhornhof

26. October – 3. December 2024
Group Show, Springhornhof, Neuenkirchen

Grand Snail Tour

26. September 2024 – 29. August 2025
Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Recent Events

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archive for Month: May 2008

BeggingBot

May 30, 2008

Bettelbot / BeggingBot by Alexander Gurko from Aram Bartholl on Vimeo.

The “Bettelbot”/”BeggingBot” by Alexander Gurko plays music just by floppy and hard drive mechanics. A 3,75 and 2,5 inch floppy drive and a very old hard disk represent different instruments playing a nice tune by just moving their heads and motors. When the tune is finished the CD drive opens asking for money :-). Just pay some cents and the bot plays again.
Very nice piece. 🙂
Alexander Gurko is student at the New Media class Kunsthochschule Kassel.

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2HD

May 30, 2008

At Kaiser Supermarkt, Central Station Berlin you can buy floppy disks at the checkout. I could’t believe what my eyes saw there. Floppy disk?!?!? I wondered if this was an artistic intervention and talked to the cashier at the checkout. She said they had the discs since they openend in 2006 (!!!) and never sold one pack. Hehe nice. Ok, whenever you are in Berlin and might need some floppys for a DIY project just check Kaisers. They are totally up to date 😉

Talk at KHK

May 30, 2008


Yesterday I had a talk at the Art School Kassel. I enjoyed my one day trip to Kassel quite a lot. A nice modern concrete school from the 70ties is sitting right in the sunny parc in Kassel. It was a good experience to present and then really to discuss my work. An art school poses some more and critique questions then a usual audience in a conference. Afterwards the New Media class of Prof. Joel Baumann showed me some of their projects and we had more discussion.

Thanks a lot to Olaf Val, (assistant of the New Media class) for the invitation and good conversation. See you around Olaf!

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MÖRDER

May 27, 2008


I like the way how Tönjes serves coffee.
[and it s really good, hmm…]

German Finger

May 27, 2008


I already had a pic of the official german finger print scanner in my blog lately.
But this time I had to get a new passport which includes a scan of my left and right index finger.
~I am really so happy that I can help my country to save us from terrorism by having my fingers scanned, wonderfull ~ …. [hehe, but I didn t tell them they were scanning a Schäuble (Minister of Internal Affairs) replica ;-)]

More details about the fake fingerprint of german Minister of Internal Affairs on edri.org

UPDATE:
Before this goes out of control! I didn’t really do it. I haven’t used a Schäuble replica for my passport finger scans. But I just wanted to point out the possibility (as suggested by CCC last 24c3) .

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Hey NYC !

May 27, 2008


The very cool project “International Dance Party” by Niklas Roy and Addad Hannah was shown lately in Montreal at the Elektra festival.

Hey NYC, before this nice piece will be shipped to europe (ZKM) in Autum 2008 Ihighly recommend to get it to the US. Still fresh! Low cost shipping! Great artists! Buy now!
😉

Inflated Metal

May 23, 2008

Inflated Metal Chair from Aram Bartholl on Vimeo.

Yesterday I went to see the 8.1 Pechakucha Berlin at this year DMY organised by my good friend Joachim and Iepe (famous for chess boxing in DE). I enjoyed an excellent list of 20:20 talks. Best I did like the live presentation of Oskar Zieta. Hilarious! Two welded metal plates blown up to a chair. I like that a lot. Just think of all the possibilities.

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Sex And The City

May 23, 2008

untitled-1

May 21, 2008


“untitled-1”
mixed media: wood, stone
dimensions: 120 x 120 x 40 cm

by
unknown construction site worker

(Grosse Hamburger Str. , Berlin)

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Fake Real – Real Fake

May 21, 2008


I take it as a compliment like in chinese culture when I find reproductions of my work on the net. This Google Map marker is a nice and very subtle variation of my “Map” installation. And Paul The Wine Guy has a whole series of web/computer symbols in public space in his flickr set. Some well known graffiti artists are cited there, too. But the irony of the collection showed up while I was taking a closer look at the “photographs”. Most of them (or even all) turn out to be photoshoped. In case of the map marker is some 3D involved. Well done, good job, hehe.

The digital to real translation has become so much mainstream that it doesn’t need to be accomplished in physical space any more. Maybe time has come for me to change the plan and to go back into architecture again. 😉

Pic by Paul The Wine Guy cc

Thanks for the link Peter!

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