On the occasion of the Bauhaus anniversary, the Werkleitz Festival 2019 will take place from May 25th to June 9th in Dessau-Roßlau. In the title model stands as a model for a future to be created and ruin as a testimony of a mostly idealized past. The aim of the festival is to locate the Bauhaus in a broader historical context. Thirteen artists are invited to this project, who dedicate themselves in Dessau from the current perspective to the poles of power model and ruin.
The Supermarket of Images
Vienna Biennale 2019
Modell und Ruine
Kunst und Kapital
Workshop: True Depth
If birds in a truck fly, does the truck get lighter?
SF MOMA: Snap + Share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.
Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.
curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet
Biennale d’art contemporain de Strasbourg
Blog Archive for Month: November 2009
I’ ll participate in a radio panel discussion tonight. “Myth and media hype of Web2.0” Info Radio RBB.
Feel free to join at the Film and TV museum, Potsdamer Platz, Berlin, 7:30 pm.
Zweinull fürs Web: Mythos, Mode oder Medienhype? ( Update: incl. Podcast)
51. Zukunftsgespräch am 18.11.2009
Beim kommenden Zukunftsgespräch soll es um das Web 2.0 gehen.
Welche Anwendungen gibt es und wer nutzt sie? Wie werden Informationen verbreitet und wahrgenommen? Wie hat es das Verhalten der (aktiven und passiven) Nutzer verändert? Kann man damit Geld verdienen? Wie sehen Arbeits- und Lebenswelten im Zeichen von Web 2.0 aus? Und was kann und soll Web 3.0?
Für das Podium sind angefragt:
Regine Haschka-Helmer, Consultant interactive media
Aram Bartholl, Medienkünstler und -aktivist
Markus Beckedahl, newthinking communications
Sven Assmann, interface Berlin
Moderation: Harald Asel, Inforadio
Öffentliche Podiumsdiskussion und Aufzeichnung einer Radiosendung. Im Museum für Film und Fernsehen. Beginn: 19:30 Uhr. Eintritt frei. In Zusammenarbeit mit Inforadio des rbb.
How to build a pair of “First Person Shooter” glasses under consideration of health & safety regulations
This video addresses all curators and production managers who are interested in showing Aram Bartholl’s art piece “First Person Shooter” in a public exhibition but who are at the same time concerned about health and security issues. Yes, it is possible to show this piece with all it’s features and DIY part in a public place! Some simple rules and classic tools will prevent that exhibition visitors run amok or commit suicide in the show.
First released on fffff.at
Hilarious!!! Did you encourge them Ariel!?!! haha …
found by Ariel
A grandpa is tagging a train with his wife lipstick, on his way to visit his grandchildren somewhere in Poland.
A Google Portrait is a drawing which contains the Google URL search string of the portrayed person in encoded form. Any camera smart phone is capable to decode the matrix-code with the help of barcode reader like software. The result points the mobile phone browser to a a search on the portrayed person’s name at Google…
full text and more pictures on Google Portrait series project page.
4 Google self-portraits commissioned by Microwave Festival, Hong Kong , 2009
‘Aram Bartholl’, search german
75 x 75 cm, transparent paper, edding 850
‘Aram Bartholl’, search english
75 x 75 cm, transparent paper, edding 750
‘Aram Bartholl’, search chinese
75 x 75 cm, transparent paper stamp, stamp ink
‘Aram Bartholl’, search korean
75 x 75 cm, transparent paperpastel chalk
I am showing 4 new self-portraits of the ‘Google portrait series‘ commissioned by Microwave at the project room exhibition, Microwave festival, Hong Kong. Visitors are invited to draw their own Google self-portrait in a drop-in workshop during the festival.
Aram Bartholl / Germany
Petko Dourmana / Bulgaria
Tiffany Holmes / USA
Colin Ives / Canada
Natalie Jeremijenko / USA
Akio Kamisato, Satoshi Shibata, Takehisa Mashimo / Japan
Kult / Singapore
Joao Vasco / Hong Kong
Victoria Vesna / USA
Haha very nice! Love it! …
Lose/Lose is a video-game with real life consequences. Each alien in the game is created based on a random file on the players computer. If the player kills the alien, the file it is based on is deleted. If the players ship is destroyed, the application itself is deleted……
take a look at the The Drop Shadow Talks page Johannes setup for the talk series. It is much nicer than my copy-paste post here …
Artistic practice in the age of user experience
The digital drop shadow is the most popular effect in computer graphics today. Easily applied, it made its way to modern graphic design and advertising. It raises typography and objects from a flattened background into three-dimensionality—and thus significance.
With the current generation of operating systems the drop shadow effect entered the graphical user interface to a new extent. In this context it raises not only windows from background wallpapers; it also stands for a visually enriched interface that strives towards three-dimensionality. Loaded with rich imagery, photorealistic icons and pseudo three-dimensional configurations the graphical user interface yet remains tied to its ﬂat medium.
Bewildered by this paradox, the graphical user interface leaves the office it was made for and becomes a pop culture phenomenon.
This semester the Drop Shadow Talks reply to current developments on the visually enriched layer for machine interaction. In the shades of evening lectures the Drop Shadow Talks will present art and projects inﬂuenced and inspired by the baroque graphical user interface.
Artist talk, Nov 10 Tuesday 19:00
‘Fuck 3D’ Aram Bartholl, Datenform, Berlin
BTK’s campus is located at Bernburger Straße 24-25, very close to Potsdamer Platz.
U-Bahn: U2 to station Potsdamer Platz or to Mendelsson-Bartholdy-Park.
S-Bahn: S1, S2 or S25 to station Anhalter Bahnhof or to Potsdamer Platz.
Berliner Technische Kunsthochschule at Google Maps.
All talks will take place in room J/K on the second floor.
Admission is free.