Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archive for Month: January 2013

OFFLINE ART: new2

January 19, 2013

Upate: Picture documentation of the show here

I am very pleased to announce this upcoming show I curated for xpo gallery. The exhibition format is inspired by David Dart’s Piratebox. OFFLINE ART is some sort of cross-over of Speed Shows and Dead Drops bur still very different :)). Tech specs and software to be released soon! Credits to Matthias Strubel for code! Thx!!
CU there everyone!!

Si ce bulletin ne s’affiche pas correctement, veuillez cliquer ici.

save the date
21st February
Paris

SAVE THE DATE
Xpo Gallery is pleased  to announce the next exhibtion

OFFLINE ART: new2

curated by Aram Bartholl

participating artists : Cory Arcangel, Kim Asendorf, Claude Closky, Constant Dullaart, Dragan Espenschied, Faith Holland, JODI, Olia Lialina, Jonas Lund, Evan Roth, Phil Thompson, Emilie Gervais & Sarah Weis

Opening Thursday 21st  February, 6.30-9.30pm
7:00pm Introduction by Prof. Olia Lialina

exhibition until Saturday 14th March  2013
XPO GALLERY  17, rue Notre-Dame de Nazareth – 75003 Paris

new2 is the first show realized in the OFFLINE ART exhibition format.
Web based art works will be accessible via wireless network but disconnected from the internet .A high profile selection of 14 artists of various ‘Internet generations’ – who are all working digitally and online – will present  recent and new works. OFFLINE ART: new2 is a group show all about files, versions and copies that questions the endless ‘new’ in our era of the daily remix on the Internet. A digital file can be copied endlessly, without any loss of quality, and the web culture of nonstop creation, sharing and remixing of files has influenced a whole generation of artists.Over the last two decades, internet artists have been constantly and prolifically creating web-based works.  Often files are collected online, reused, recycled and remixed in varied and numerous ways. The next version is called ‘…-new.gif’ but is already outdated 5 minutes later, with the arrival of  ‘…new2.gif’. Computers and the Internet don’t require a final version. ‘I still need to make some changes….’.What is the current state of net art and what happens when works are taken offline??
What is the correct format in which to show a piece of art in a gallery space that has only previously existed on the web? And what is the relationship between internet art and the ever-growing number of mobile devices?OFFLINE ART: new2 reflects recent discussions among artists and curators on how and if pieces should be available offline. All pieces in this show are browser based and at the same time only locally accessible. In the end it is the decision of each artist how and which version will also be available on the INTERNET.
The OFFLINE ART exhibition format:
Browser-based digital art works are broadcast locally from wifi routers which are not connected to the Internet.  Each art work is assigned a single wifi router which is accessible through any device, like smart-phones, tablets or laptops.  To access the different art works, the visitor has to connect to each network individually. The name of the network reflects the name of the artist. No matter what URL is opened, only the specific artwork appears in the browser. A small web server holding the art piece is installed on a USB flash drive which is connected to the router. Like frames holding the art, the routers are hung in the exhibition space which is otherwise empty. The art i tself becomes visible only on the visitor’s private screen.The pieces are locally widely accessible but disconnected from the Internet
Aram Bartholl 2013
visitez  www.xpogallery pour connaitre les jours et horaires d’ouverture de la galerie ou pour réserver une visite privative de l’exposition
please visit www.xpogallery.com for opening times or require a private viewving
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Say something!

January 18, 2013


My current favorite clip. These sort of moments are the best in life!

Qualified Spam

January 18, 2013


My favorite email spam picture of the week! :))

Live

January 17, 2013


I was live today! On http://iphone-live.net/ by Johannes P Osterhoff. Also congrats to your new project bezos.cc :)) http://rhizome.org/editorial/2013/jan/12/dear-jeff-bezos/

Click anywhere to begin!

January 8, 2013


Click anywhere to begin! – or arambartholl.com is not my hompage but i saved the URL
Aram Bartholl 2013
#SPEEDPROJECT of the day! feels like there is a series coming of this … :))

Cafe in the middle attack

January 4, 2013


LOL!!
picture by Jason Eppink! THX!!

THX!!!

January 3, 2013




THX everyone!! YOUR ART!! party (my b-day party, 40!) at Panke, Berlin was a blast!! Thx for showing up, bringing and making all these beautiful necklaces. WoW!! When you see a workshop table like this above at the end of the night you know the concept worked really well ;)) Thx to Panke and team, was truly awesome!!

https://www.flickr.com/photos/bartholl/sets/72157632425447016/with/8342975330/
Bling & style credits to @TBX for http://fffff.at/maximum-web-cred-with-foxbling/

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