Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archive for Month: August 2013

Post Politics

August 22, 2013


(lucky shot! 🙂 found at Nettelbergplatz, Berlin Wedding)

Hello world!

August 21, 2013

You are cordially invited to the opening of Hello World! by Aram Bartholl, Thursday, August 29, 7pm at Kasseler Kunstverein.

Hello world!
Aram Bartholl
August 30 – October 13, 2013
opening August 29, 7pm, RSVP on FB
Kasseler Kunstverein

The Kasseler Kunstverein is proud to present Aram Bartholl’s first institutional solo show
featuring new works and central pieces of his oeuvre.

Flyer / Press Release PDF german english

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Calendar Update

August 21, 2013

Current & upcoming shows / talks / workshops:
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9.-.10.12
Play & Make
Conference, Düsseldorf, Germany
7.-10.11. 2013
The Influencers Festival
theinfluencers Barcelona, Spain
27.10.2013
YIA ART FAIR #03 Paris
with XPO gallery, Paris,, France
24.10. – 30.11.2013
Echtzeit
Stadtgalerie Bern, Switzerland
8 -11.10.2013
RENEW
Rixc festival, Riga, Latvia
27/28/29.9.2013
Todaysart
Todaysart festival, The Hague, Netherlands
27.9.- 6.12. 2013
FACELESS part 2
quartier 21/ INTERNATIONAL
Museums Quartier, Vienna
group show
20. – 27.09.2013
local.#non.access
KM temporär, Berlin, Germany
group show
14.9.2013
Synthesize!
Symposium , FHNW, Basel , Switzerland
11.9.- 30.10.2013
In Medias Res
Galerie Verney-Carron, Lyon, France
Curateur : Alexis Jakubowicz
with: Rodrigo Arteaga (Chili), Aram Bartholl (allemagne), Patricia Camet (Pérou), Gloria Friedmann (France), Eva Jospin (France), Benjamin Mecz (France), Genêt Mayor (suisse), Simon Nicaise (France)
30.8.-13.10.2013
OFFLINE ART: Hardcore
at Kasseler Kunstverein, Germany
curation Aram Bartholl
with: Constant Dullaart, Deanna Havas
Ei Jane Janet Lin, Eva & Franco Mattes aka 0100101110101101.org, Evan Roth, JODI, Jon Cates, Lorna Mills, Jeremiah Johnson, Penelope Umbrico, Rosa Menkman, Sakrowski aka curatingYouTube, UBERMORGEN, Vuk Ćosić
30.8.-13.10.2013
Hello world!
solo show at Kasseler Kunstverein, Germany
 
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past shows …

OFFLINE ART: Hardcore

August 7, 2013

OFFLINE ART: Hardcore

Kasseler Kunstverein, Kassel, Germany
August 30  – October 13 2013
Opening August 29, 7pm, rsvp on fb

curated by Aram Bartholl

‘Hardcore’ features a selected group of artists representing a wide range of radical approaches contrasting the mainstream idea of the digital image and web culture. Referring to subcultures in music during the 80s & 90s todays hardcore attitude can be found in various media and genres on the Internet. In the glossy controlled era of Facebook, Apple, and Google hardcore artists challenge conventions with radical points of view and hard core works.

with:
Constant Dullaart
Deanna Havas
Ei Jane Janet Lin
Eva & Franco Mattes aka 0100101110101101.org
Evan Roth
JODI
Jon Cates
Lorna Mills
Jeremiah Johnson
Penelope Umbrico
Rosa Menkman
Sakrowski aka curatingYouTube
UBERMORGEN
Vuk Ćosić

production: Klara Pietrzak
code: Matthias Strubel
credits: xpo gallery

The show will take place parallel to Aram Bartholls solo show “Hello World!” at Kasseler Kunstverein in the same period of time.

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The OFFLINE ART exhibition format:

Browser-based digital art works are broadcast locally from wifi routers which are not connected to the Internet.  Each art work is assigned a single wifi router which is accessible through any device, like smart-phones, tablets or laptops.  To access the different art works, the visitor has to connect to each network individually. The name of the network reflects the name of the artist. No matter what URL is opened, only the specific artwork appears in the browser. A small web server holding the art piece is installed on a USB flash drive which is connected to the router. Like frames holding the art, the routers are hung in the exhibition space which is otherwise empty. The art i tself becomes visible only on the visitor’s private screen.The pieces are locally widely accessible but disconnected from the Internet

see also the documentation of the first OFFLINE ART show new2 at xpo gallery Feb 2013 http://datenform.de/offline-art-new2-eng.html

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Dust Excerpt 1, Winter Prison

August 2, 2013





All pics o flickr

Dust Excerpt 1
at Winter Prison, Sherbrooke, Quebec
part of the show http://espaceimmedia.org/ August 1 – 17, 2013
Wow!! the production and installation of this piece went really well, and the outcome is beyond expectations! :)) Thx so much to the whole team at sporobole.org making this possible and thx for all the excellent work! Special thx to Éric Desmarais & François Quévillon!!

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