On the occasion of the Bauhaus anniversary, the Werkleitz Festival 2019 will take place from May 25th to June 9th in Dessau-Roßlau. In the title model stands as a model for a future to be created and ruin as a testimony of a mostly idealized past. The aim of the festival is to locate the Bauhaus in a broader historical context. Thirteen artists are invited to this project, who dedicate themselves in Dessau from the current perspective to the poles of power model and ruin.
The Supermarket of Images
Vienna Biennale 2019
Modell und Ruine
Kunst und Kapital
Workshop: True Depth
If birds in a truck fly, does the truck get lighter?
SF MOMA: Snap + Share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.
Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.
curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet
Biennale d’art contemporain de Strasbourg
Blog Archive for Month: November 2014
Review of Hurt me plenty on Motherboard Vice http://motherboard.vice.com/read/hurt-me-plenty
by Doug Berend
A group of contemporary international artists take a critical approach to the complexities of the internet. Their artworks examine how the web alters social relations and raises questions about identity, privacy, and the ownership of information.
End User includes work by Cory Arcangel, Aram Bartholl, Ami Clarke, Tyler Coburn, Jon Rafman, Erica Scourti and Liz Sterry.
Thursday 27 November 2014 – Sunday 18 January 2015
Kritisches Lexikon der Gegenwartskunst
Aram Bartholl, 12 pages, 8 pages colored folded cover.
Erscheint viermal jährlich mit insgesamt
28 Künstlermonografien auf über 500 Text-
und Bildseiten und kostet im Jahresabonnement
Re-staging Jennifer in Paradise by Constant Dullaart at Bahia Honda State Park, Florida Keys. Thx for the cool photoshop replies Constant!! :))) Picture and concept by Meraz Tzur , “Fun Florida vacation” re-staging series during ACA residency 2014.