Current Events

After Memory

10. July 2026 – 10. September 2026
Group Show, Kunstraum Kreuzberg, Berlin

AFTER MEMORY reflects on how memory is affected by endless social media feeds, clouded storage spaces, automated data storage, and networked communication technologies. This bears both challenges and chances, as practices of remembering and forgetting are reconfigured and their competences are transferred from institutional actors to civic initiatives and individuals. In turn, the role of museums and archives is redefined, too, whose collections no longer preside over a sovereign narration of the past, but constitute shared repositories for the future.

AFTER MEMORY is a project by: Nathalia Lavigne, Lisa Deml, Víctor Fancelli Capdevila

Unfinished Reality

10. April – 30. August 2026
Group Show, United Art Museum, Wuhan

Moi et les autres

12. March – 13. September 2026
Group Show, Fondation EDF, Paris

By occupying nearly a third of our waking hours, screens are profoundly reshaping the contours of our relationships with others. In response, numerous journalistic and academic discourses echo concerns about the digital migration of our social lives: the idea frequently arises that the socio-technical systems at work in this migration are making us more resistant to diversity.

Our intention is to nuance this concern by acknowledging a foundational aspect of the internet—its original design to facilitate the virtuous and unprecedented emergence of communities of specific interests, often far more specialized than what our traditional offline social circles can accommodate. This utopia inevitably carries a tension between, on the one hand, the benefits of more efficient and far-reaching sociability, and on the other, the widely discussed risks of a social life limited to alters who are most similar to ourselves.

Curated by Aurélie Clémente-Ruiz, director of the Musée de l’Homme in Paris, and Camille Roth, a researcher at CNRS in social sciences.

With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas

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Upcoming Events

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24. September 2026 – 20. August 2027
Group Show, Le Cube Garges, Paris

Still Unstable

24. – 26. September 2026
Group Show, V2 Lab, Rotterdam

Still Unstable – 45 Years of V2_
For 45 years, V2_ has been a space where artists, researchers and technologists come together to question, explore and experiment with emerging technologies. To mark this anniversary, V2_ presents Still Unstable: a programme of exhibitions, talks, interviews and live performances exploring the hidden systems that shape technological innovation today.

Rather than looking back, Still Unstable looks ahead. In a world increasingly shaped by artificial intelligence, algorithms and digital infrastructures, the programme asks what remains unseen: the labour, resources, ecologies and power structures behind contemporary technologies, and how artistic practice can make these visible.

Exhibition
24 September – 18 October 2026

The exhibition brings together works by Rosa Menkman, Aram Bartholl, Anna Ehrenstein, knowbotiq, Kaisa Molga, Morehshin Allahyari and more to be announced. Through installations, moving image and artistic research, the participating artists examine the infrastructures, relationships and systems that underpin today’s technological landscape.

Unstable Talks & Interviews
24–26 September 2026

Alongside the exhibition, Still Unstable presents three days of talks, artist talks and interviews reflecting on 45 years of media art and the challenges of contemporary technological culture.

Confirmed speakers are Andreas Broeckmann, Annet Dekker, Aram Bartholl, Anna Ehrenstein & Yara Makawei, and Marijn Bril. Interviews feature Joost Rekveld, Joana Chicau, Gökay Atabekand Rosa Menkman.

Self Storage

15. – 20. September 2026
Group Show, Espace Commines, Paris

We are made of memory, but memory itself is a fiction 

The exhibition Self Storage investigates how individuals construct identity through personal and intimate recollections, as well as through the technical and social systems that shape their traces. Memory is not an objective recording: it is an assemblage, a selective construction built from both forgetting and persistence. A memory emerges within a space shaped by desire, loss, and reconstruction. Self Storage foregrounds this subjective and unstable dimension of remembering. Diaries, family archives, obsolete technologies, and bodily reminiscences become raw materials to examine the materiality of memory and its capacity for reinvention.

Hard drives, clouds, online profi les, and social networks are gradually replacing notebooks and photo albums. This massive externalization questions the boundary between private memory and public exposure, between lived traces and standardized data. Self Storage extends this inquiry into a contemporary era where identity is stored, outsourced, and endlessly duplicated. Through the works assembled, the exhibition off ers a poetic and critical drift between real and invented memory, intimate and externalized. It prompts us to consider: What do we need to retain? What do we choose to forget? And what becomes of the “self” when it is reduced to archives, content, and imprints?

curation : Nicolas de Chérisey & Philippine de Salaberry in collaboration with Ellia gallery

participating artists:
Joël Andrianomearisoa, Maxime Antony, Marcella Barceló, Aram Bartholl, Federica Belli, Matthias Bitzer, Borgial, Victor Boyer, Amélie Caussade, Salomé Chatriot, Coucou Bébé, Nick Coutsier, Fleur Cozic, Paul Créange, Corentin Darré, Oli Epp, Léonor Fini, Nan Goldin, Gregor Hildebrandt, Ryoji Ikeda, Victoire Inchauspé, Éloïse Labarbe-Lafon, Octave Lauret, Louis Lekien, Inès Longevial, Keegan Luttrell, Shiva Lynn Burgos, Matisse Mesnil, Sabine Mirlesse, Polina Osipova, Louise des Places, Joséphine de Rohan-Chabot, Philippine de Salaberry, Tehotu, Egon Thuile, Thu-Van Tran, Louis Verret, Francesco Vezzoli, Rose Vidal, Xolo Cuintle, Kai Yoda, Yugnat999.

Grand Snail Tour

10. – 11. September 2026
Group Show, Urbane Künste Ruhr, Hattingen

The Grand Snail Tour activates public spaces in the region through artistic formats of exchange, participation, and co-production – often in collaboration with local actors. Over the course of three years, it will travel through all 53 cities in the Ruhr region. The project addresses important questions of social coexistence in an experimental and innovative way: Who owns public space and how can we create places for communal activities or activate existing spaces? What role does art play in this? The Grand Snail Tour aims to leave a variety of impressions, offer shared experiences and invite people to join the journey.

Recent Events

Rectangle Noir

28. May – 15. July 2026
Group Show, Avant Galerie Vossen, Paris

For its new exhibition, the Avant Galerie Vossen brings together some twenty artists around the theme of the Rectangle. With this exhibition, the gallery continues to forge links between traditional practices and digital forms. *Black Rectangle* brings together painting, sculpture, installation, and new technologies.

A legendary motif
In the Lascaux caves, beneath the deer and bison we’ve known since childhood, researcher Stanislas Dehaene uncovered something unexpected: a black rectangle beneath the painting of the deer. The first geometric shape drawn by humankind. A minimal yet decisive sign—the beginning of symbolic thought, according to the researcher; this ability to create symbols is what makes us human; we are symbolic beings. Several millennia later, the black rectangle is still there, more than ever. It has multiplied; it covers our phone screens and our digital interfaces. The black rectangle censors, protects, hides. It is the form of imposed silence as much as it is of minimalist art. It is the browser window and the redaction bar. And it covers the walls of the Avant Galerie Vossen.

The black rectangle—poetic, humorous, political, algorithmic…
In the exhibition, the black rectangle takes on a poetic form for painters and sculptors. It is a humorous form for Apolline Régent when she plays with the legacy of the painter Malevich. It is a political form when Enora Denis finds it in facial recognition patents, masking the faces that feed the algorithms. It is an algorithmic form when Olivain Porry programs an AI to lie to other AIs and other humans. It is a physical form, rooted in the street, when Aram Bartholl seals a USB drive into the wall on Rue Chapon. It is fabric and sound when Cécile Babiole weaves electrical cables as one would weave wool.

In collaboration with Galerie Placido, 41 rue Chapon, 75003 Paris

With:

Clarisse AÏN, Jean-Michel ALBEROLA, Cécile BABIOLE, Robbie BARRAT, Ronan BARROT, Aram BARTHOLL, Louise BELIN, Ross BLECKNER, Benoit de BRETTES, CÉSAR, Mattia CUTTINI, Judith DEGOULET, Enora DENIS, David GUEZ, Grégoire HESPEL, Denis LAGET, Takesada MATSUTANI, Albertine MEUNIER, Hélène MILAKIS, PIERRE EDOUARD, Piero PIZZI CANNELLA, Olivain PORRY, Michel POTAGE, Apolline RÉGENT, Park SEO-BO, James SIENA, u2p050, Bernar VENET

SPEED SHOW Paris: Black Rectangle

28. May 2026
Curatorial, MILK, Paris

SPEED SHOW is back! We are very pleased to present a super diverse field of artists from net.art of the 1st generation to current web and screen based practice turning away from the platforms and smartphones to make work for the computer screen again. Back in the days monitors were heavy and computers weren’t mobile. Internet cafes were social spaces to meet and to be on the internet together. Over the years screens became smaller and flatter. Today we spend most of our time isolated on the black rectangle of a smartphone screen but a general fatigue of social media filled with clickbait-aislop has been making its way in the last few years. A young generation of digital artists is again producing exciting works for the computer screen, with pixels, HTML, as games, interaction and with a deep understanding of the web as the true social space. CU you at the cyber cafe!

Curated by: Aram Bartholl, Hugo Du Plessix & Emilie Blanchard / L’Avant Galerie Vossen

with: Cécile Babiole, Raphael Bastide, Nadja Buttendorf, Shu Lea Cheang, Vuk Ćosić, Insa Derk Wagner, Nathan Ghali, David Guez, Leander Herzog, Dasha Ilina, Jonas Lund, Stella Jacob, Cassie Mc Quater, Albertine Meunier, Vincent Moulinet, Rhea Myers, Nephilia, Eleonore Sense & Reem Saleh, Nicolas Sassoon, Antoine Schmitt, Florie Souday, Zero Crossing Point

May 28th 7:30-10:00pm, MILK cyber cafe, 31 BD SÉBASTOPOL, PARIS 1ER
Same night! ✨@avant.galerie opening „Rectangle noir“ group show! 6:00-9:00pm 58 rue chapon, 75003

Kunst Gegen Rechts

8. May – 7. June 2026
Group Show, Mieze Südlich in der NGfZK, Gera

From the exhibition flyer: ‘In our country, we are witnessing a strengthening AfD as a rallying party of the far-right and right-wing conservative spectrum. This year, significant events are taking place. On July 4th, the party intends to hold a federal party conference in Erfurt, the state capital of Thuringia — the very place where, exactly 100 years earlier, an NSDAP party conference was held. The NSDAP Reich Party Congress of 1926 is regarded as a turning point of the völkisch movement. At the time, the Nazis made a demonstrative march into the German National Theatre in Weimar…’

curated by Dirk Teschner und MIEZE SÜDLICH

Artists: Stefan Alber, Aram Bartholl, Benedikt Braun, Mirjam Dorsch, Thomas Draschan, Tony Franz, Tino Helbig, kanaluntersuchung (Frank Maibier / Andreas Winkler), Tonia Karn, Wilhelm Maria Elfriede Leithold, Dirk Leitloff, Eric Meier, MINETTA, Caterina Mitwalsky, Anne Mundo / Peter Wawerzinek, Ulrike Mundt, Alexander Neugebauer, Tommy Neuwirth, Thomas Prochnow, Christian Rothe, Hanna Schiller, Berni Bernchen feat Moritz Schleime, Marco Schmitt, Michal Schmidt, Bettina Scholz, Elisabeth Sonneck, Moritz Stumm, Ronny Szillo, Raul Walch, Ina Wudtke

readOn Konferenz

31. March 2026
Talk, LUX Pavillon, Hochschule Mainz, Mainz

Am 31. März findet im LUX Pavillon der Hochschule Mainz die ganztägige, vierte Ausgabe der readOn Konferenz unter dem Titel AT THE EDGE OF KNOWING statt.

Die Konferenz richtet den Blick auf jene Momente, in denen Wissen brüchig wird – wenn sich zwischen Gewissheit und Vermutung, Erkenntnis und Ahnung ein offener Raum auftut. Ein Raum, der sich eindeutigen Definitionen entzieht: Fragen werden wichtiger als Antworten, Prozesse bedeutsamer als Ergebnisse – und Unsicherheit erscheint nicht als Mangel, sondern als produktive Kraft.

AT THE EDGE OF KNOWING lädt dazu ein, diese Schwelle des Verstehens bewusst zu betreten. Gemeinsam suchen wir nach neuen Perspektiven auf Gestaltung, Begegnung und das Denken möglicher Zukünfte. Nicht-Wissen wird dabei nicht umgangen, sondern als Ausgangspunkt ernst genommen.

In Vorträgen und Diskussionen untersuchen geladene Gäste, welche Rolle Unsicherheit in gestalterischen Prozessen, in der Forschung und in unserer Haltung zur Zukunft spielen kann. Die Konferenz versteht sich nicht als abgeschlossener Zustand, sondern als Reflexion eines Prozesses, der sich in die Ungewissheit hinein entfaltet – und lädt dazu ein, gemeinsam an den Rand des Wissens zu treten und die Weite des Unscharfen zu erkunden. In ungewissen Zeiten möchten wir Raum schaffen, um zusammenzukommen – und statt am scheinbar Sicheren festzuhalten, bewusst loszulassen und neu zu denken. Die Teilnahme ist gegen eine freiwillige Spende möglich.

Organisiert von den Studierenden des Masterstudiengangs Kommunikationsdesign der Hochschule Mainz.

Blog Archive for Month: March 2015

#NEULAND at Kunsthaus Kaufbeuren

March 30, 2015

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#NEULAND
March 28 – June 28, 2015
Kunsthaus Kaufbeuren
with:
Aram Bartholl, JODI and Evan Roth
neuland-contact-sheet
flickr set
 

Dead Drops revistited!

March 19, 2015

In the past two months there has been again a lot of international press about DeadDrops. The DeadDrops project is running since November 2010, for four and a half years now. After the initial press buzz in 2010/11 the project kept spreading online with occasional press like after the Snowden releases etc. But just since the beginning of 2015 there was a lot of press all over again. It is really hard to tell how such a press wave is starting on a project which is already running for such a while but I assume after almost 5 years there is a new generation of Internet users and press people who haven’t heard about DeadDrops yet. Through some big blogs in the US it reached the south american news, spreaded there and also made it back to Europe.  I ve listed a selection of press links at the end of this post. Please also see the nice DeadDrops youtube playlist somebody made.
In Germany the recent reports about DeadDrops had a special twist. End of February the yellow press style news paper Kölner Express had a piece about a bomb making plan PDF which was supposedly found on a DeadDrop in Cologne. The local and national press picked up quickly the story and my phone kept ringing for two weeks. It is astonishing how in 2015 you still have to explain to people that it is of course not a problem to find such a PDF with illegal tutorials on the Internet. Or yes! there could be a virus on the USB drive, like there could be a virus in this blog post. But in an era of constant fear about terror the suspicious USB drive in wall was a perfect story for them. I was only waiting for the ISIS connection. But again this was a good opportunity to explain that there is no use in censoring or prohibiting encryption or anonymous communication technologies because there is illegal activities. Like back in the days the ruling class tried to banish the brand new dangerous technology ‘book printing’ which radicalized all the young people. Especially journalists should be aware how important independent, encrypted, private communication is. In fact DeadDrops is not a very efficient communication technology but a good symbol on independent, open digital communication. So while the NSA has trojans installed on all our hard drives or access to millions of sim card keys we worry about a 20 year old anarchist cook book PDF on a flash drive in a wall in cologne.  What a crazy world! :))
The actual great story about the Cologne DeadDrop is that this specific DeadDrop, which I made myself as part of a duo show with JODI at DAM Cologne in 2011, was still existing and working in 2015!! Until the police ripped it out and broke it to then hand it in at the at the LKA cyber security department to get it fixed. Of course the highlight is how the two police men are kneeling in front of the yellow banana (the gallery “certificate”) trying to understand what’s going on. In fact later the Kriminalpolizei called DAM gallery to have them explain what exactly this USB stick is about and what the DeadDrops project is etc. On the same day I made this popular tweet about the whole story.
Of course I am very happy about all the attention for DeadDrops. It is very interesting to witness how the perspective on such a project has changed over the past five years, especially since 2013. I am glad to see how this project is still going on and how it has inspired so many people over the years. Thanks to all the deaddroppers out there!! You are awesome!!
Aram Bartholl, March 2015
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LINKS:

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Full Interview at Sueddeutsche.de:

 
DD-presse-guardian
Guardian:

 

More press links:

German:

 
POPULAR TWEET


https://twitter.com/arambartholl/status/570195342253277185

 

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Calendar Update

March 18, 2015

Current & upcoming shows / talks / workshops


 
29.8.2015
Keep Alive
Springhornhof Neuenkirchen, Germany
with Leuphana, curated by Andreas Broeckmann
16.6.-21.6. 2015
PBKAC IMHO
LISTE – Art Fair Basel with HeK , House of Electronic Arts Basel
with: Aram Bartholl, Constant Dullaart, Raquel Meyers, Evan Roth
30.5.-1.8.2015
AESTHETICA
50 Years of Computer Generated Art
DAM Gallery Berlin
with: Aram Bartholl, DE, Horst Bartnig, DE, Peter Beyls, BE, Vuk Cosic, SL, Hans Dehlinger, DE, Patrick Lichty, USA, Rafael Lozano-Hemmer, MEX-CAN, Manfred Mohr, DE, Vera Molnar, F, Frieder Nake, DE, Georg Nees, DE, Casey Reas, USA, Sommerer & Mignonneau, A – F, Roman Verostko, USA, Mark Wilson, USA and more….
28.5.-30.8.2015
Poetics and Politics of Data
HeK , House of Electronic Arts Basel
23.5.-31.5.2015
Human Futures: Shared Memories and Visions
Quartier des spectacles & MUTEK, Montreal
22.5. – 23.8.2015
Art In The Age Of… Planetary Computation
Witte de With Center for Contemporary Art, Rotterdam
with: Bartholl, Aram; Biscotti, Rossella; Canell, Nina; Gerrard, John; Herregraven, Femke; Hirsch, Antonia; Khan-Dossos, Navine G.; Mundy, Owen; Paglen, Trevor; Raven, Lucy
18.5.-30.5.2015
F.A.T. GOLD
at Gray Area Foundation for the Arts, San Francisco
by F.A.T. lab, curated by Lindsay Howard
9.5.-7.6.2015
#watch22
Bonifaziusturm A, Mainz, Essenheimer Kunstverein
5.5.-7.5.2015
finding europe
re:publica conference, Station Berlin
30.4.-10.5.2015
Kongress der Möglichkeiten
HATE, Kunstraum Kreuzberg Bethanien
27.4.-3.5.2015
NODE15
Forum For Digital Arts, Frankkfurt
24.4.-5.7.2015
Hamster und Hipster: Zur Konsumästhetik des Mobiltelefons
Museum Angewandte Kunst in Frankfurt
24.4.-5.7.2015
Offline Art: Are you still there?
Museum Angewandte Kunst in Frankfurt
curated by Aram Bartholl
with: Alma Alloro, Anthony Antonellis, LaTurbo Avedon, James Bridle, Constant Dullaart, Claudia Mate, Eva & Franco Mattes aka 0100101110101101.org, Niko Princen, Sebastian Schmieg, UBERMORGEN, Addie Wagenknecht
22.4.-1.6.2015
ANALOG DIGITAL: INTERFERENZ
Motorenhalle. Projektzentrum für zeitgenössische Kunst, Dresden
17.4.-19.4.2015
playin’siegen
Urban Games Festival, Universität Siegen
7.4.2015
KILLYOURPHONE.COM
workshop at Parsons School Paris
8.4.2015
FMAC à l’école
FMAC, primary school 19°, Paris
28.3.-28.6.2015
#NEULAND
at Kunsthaus Kaufbeuren, Germany
with: Aram Bartholl, JODI und Evan Roth
20.2.-10.4.2015
Point Of View
solo show at Babycastles, New York City


 
Past shows / talks / workshops …

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Dead Drops YouTube playlist

March 13, 2015


The Youtube user #USBdeaddrop made an effort to collect all videos dealing with DeadDrops in one or the other way. The result is this beautiful playlist of news reports, tutorials, documentations and more. There are whole lot of clips I haven t even seen before. So cool!! Thx!!

Tagged with:

#NEULAND

March 13, 2015

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#NEULAND Digitale Kunst
Arbeiten von Aram Bartholl, JODI und Evan Roth

28. März 2015 bis 28. Juni 2015

Das kunsthaus kaufbeuren zeigt erstmals Gegenwartskunst aus dem digitalen Bereich und präsentiert Arbeiten von Aram Bartholl, JODI und Evan Roth. Die Künstler visualisieren unsere digitale Identität, die durch Browserverlauf und Suchhistorie beim täglichen surfen durch das Netz entsteht. Sie versuchen sich vorzustellen, wie sich ein Computer mit einem Eigenleben verhalten würde. Sie hinterfragen kritisch aber durchaus auch humoristisch in Videoarbeiten, Objekten und Browserkunst alle Aspekte unseres technologisierten Alltags und enthüllen seine besondere Ästhetik. Tauchen Sie ein in die erstaunliche Vielfalt der Digitalen Kunst!
www.kunsthaus-kaufbeuren.de/