Current Events

Kunst gegen Rechts

18. November 2022 – 8. January 2023
Group Show, https://www.haeselburg.org, Mieze Südlich, Häselburg Gera

Eingeladene Künstler:innen:
Ulf Arminde, Stefan Alber, Aram Bartholi, Fehmi Baumbach, Marc Bijl,  Jessica Buhlmann/Zao, Zuzanna Czebatul, Moritz Frei, Jana Gunstheimer, Christian Henkel, Verena Issel, Zoe C. Miller, Anne Mundo, Rainer Neumeier,  Angelika Nguyen, Thomas Prochnow, Regina Schmeken, Schroeter&Berger, Kristina Schuldt, Raul Walch, Christian Werner, Ina Wudtke

Die siebte Ausstellung der Reihe KUNST GEGEN RECHTS nimmt den 30. Jahrestag der Pogrome von Rostock-Lichtenhagen als Anlass, um kritisch auf aktuelle, gesellschaftliche Konflikte einzugehen.

Deutschland ist eine postmigrantische Gesellschaft der Vielen. Immer noch wird diese Tatsache viel zu wenig zur Kenntnis genommen. Der Wiedervereinigung am 3. Oktober 1990 folgten rassistische Ausschreitungen und Mordanschläge in Rostock, Mannheim, Hoyerswerda, Mölln und Solingen bis zur Terrorserie des NSU. Es folgten Anschläge auf jüdische Friedhöfe und emanzipatorische Projekte. Eine wiedererwachte deutsche Volksgemeinschaft kroch aus den Löchern hervor.

Der rechte Populismus, der die Kultureinrichtungen als Akteure einer gesellschaftlichen demokratischen Vision angreift, steht der Kunst der Vielen feindselig gegenüber. Die Neue Rechte hat die Kulturpolitik als Kampffeld entdeckt, um ihre völkischen Vorstellungen umzusetzen. Rechte Gruppierungen und Parteien stören Veranstaltungen, verhindern Ausstellungen, greifen in Theater-Spielpläne ein, polemisieren gegen die Freiheit der Kunst, gegen Dekoloniale Erinnerungsprojekte und arbeiten an einer Renationalisierung der Kultur. Es wird einFeldzug gegen zeitgenössische, „undeutsche“ Kunst geführt, die als „neumodische Extravaganzen“ und „exzentrische Randgruppenkunst“ bezeichnet wird, wie aktuell gegen den Kunstverein in Zwickau.

Seit dem Ausbruch der Pandemie, stehen viele Dinge auf dem Prüfstand. Es zeigte sich, wer ein solidarisches Miteinander praktiziert und wer als Pandemiegewinnler oder Coronaleugner die Krise für eigene Interessen nutzt. Bei den sogenannten Querdenken-Demonstrationen kommt es zu einer fatalen Zusammenarbeit verschiedener Akteure. Rechte Gruppierungen und Parteien gewinnen immer mehr an Einfluss. Antisemitismus ist in der neuen Bewegung stark vertreten, wie auch eine Verharmlosung der Shoa und der Gleichsetzung der NS-Zeit mit der aktuellen Situation.

Playmode

26. October 2022 – 16. January 2023
Group Show, CCBB – Centro Cultural Banco do Brasil, Sao Paulo

Since very early on, artists have understood the power of transformation of play, integrating it into their works with distinct purposes -evasion of reality, social construction and transformation, subversion or criticism of the very mechanisms of play and games. The exhibition Playmode proposes a reflection on these aspects and on the period of ludification that contemporary societies are going through, bringing together the work of several artists who adopt the theme and explore new ways of seeing, participating in, and transforming the world, using play in a critical manner.

with:

Aram Bartholl, Bill Viola + Game Innovation Lab, Bobware, Brad Downey, Brent Watanabe, Coletivo Beya Xinã Bena + Guilherme Meneses, David OReilly, Filipe Vilas-Boas, Harum Farocki, Isamu Noguchi, Jaime Lauriano, Joseph DeLappe, Laura Lima + Marcius Galan, Lucas Pope, Mary Flanagan, !Mediengruppe Bitnik, Milton Manetas, Molleindustria, Nelson Leirner, Pippin Barr, Priscila Fernandes, Raquel Fukuda + Ricardo Barreto, Samuel Bianchini, Shimabuku, Tale of Tales (Auriea Harvey e Michaël Samyn) e The Pixel Hunt.

Curators: Filipe Pais and Patrícia Gouveia.

 

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Upcoming Events

Ihr Paket ist ab sofort abholbereit!

8. July 2023 – 25. February 2024
Solo Show, Kunsthalle Osnabrück, Osnabrück

Enigma

23. February 2023 – 23. February 2024
Group Show, Museum of Communication, Kopenhagen

Communication pervades our lives more than ever before. With the digital channels, we are constantly accessible and can publish ourselves wherever and whenever we want. But despite the many great opportunities, the tide of information may often appear confusing, polarizing or hateful, and our public conversation is challenged.

On November 19, 2022, ENIGMA will open new exhibition areas and a large children’s area, in which we look forward to welcoming everyone.

Behind the screens. 50 Jahre Komputerkunst.

22. January – 4. June 2023
Group Show, CODA Museum, Appeldorn

Recent Events

Safe Mode: Amplified Realities

8. October 2022 – 8. November 2022
Group Show, TILT Platform, The Project Gallery, MISC, BHD Hub Athens, Athens

The current mutated “epidemiological” societies within which we exist reveal that any previous indication we had about the term “safety” is now in limbo. TILT Platform has started exploring and developing the concept “Safe Mode” likening it to the indication safe mode appearing on our computers and smart devices, when they stop functioning properly after a major technical crisis. The process of safe mode emerges as the only possible solution. Comparing this state of technological malfunction to the processes of contemporary life, psychology and human behaviour, the term safe mode acquires an anthropological character.

Participating Artists
Nikos Arvanitis (GR), Aram Bartholl (DE), Browser Based (Zsolt Mesterhazy & Alex Zakkas) (NLD / GR), Sofia Caesar (BR), Paolo Cirio (IT), Manja Ebert (DE), Adrianos Efthymiadis (GR) & Iria Vrettou (GR), For Cancel (Makis Faros, Zoi Pirini, Takis Zerdevas) (GR), Elisa Giardina Papa (IT), Basim Magdy (EGY), Theophanis Melas (GR), Simon Menner (DE), Yorgos Papafigos (GR), Michalis Zacharias (GR), Apostolos Zerdevas (GR)

Curated by
Foteini Vergidou in collaboration with TILT Platform (Makis Faros, Zoi Pirini, Apostolos Zerdevas, Takis Zerdevas)

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Bridging Differences

1. – 30. October 2022
Group Show, T3 Photo Festival Tokyo, Tokio

T3 PHOTO FESTIVAL TOKYO is a photo festival that develops three pillars: (1) photo exhibitions, (2) talks and events, and (3) student projects, with the vision of becoming “an Asian hub for nurturing the next generation of photography culture. After holding its predecessor “Tokyo International Photography Festival” in Jonanjima, Ota-ku, Tokyo in 2015, the first festival was held in Ueno Park in 2017 as Tokyo’s first outdoor international photography festival. From 2020, the Tokyo International Photography Festival will be held as an urban outdoor photography festival using public open spaces in Tokyo Station and the east side area (Yaesu, Nihonbashi, Kyobashi). The festival will take the margins of the city as a medium to challenge new interpretations of urban space and the possibilities of photography by exhibiting works by photographers and developing events that will generate new human interaction.

 

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I am not a Robot

16. September – 27. November 2022
Group Show, Ludwig Múzeum, Budapest

I am not a Robot. On the Borders of the Singularity.

As a harbinger of the (supposedly) imminent arrival of the Singularity, the exhibition explores the powerful impact of technological development on our daily lives.

One of the defining global phenomena of our time is digitalisation, which has transformed human life in an evolutionary leap over the past decades, rewriting centuries of fixed habits, forms and behavioural patterns. The digital turn is still ongoing, with our lives moving from offline to online, and the digital presence growing rapidly. Digital technology in its current state is a new normativity that is part of work and life: not an enemy, not a friend, but a natural part of life…

with:
Memo AKTEN, BarabásiLab, Aram BARTHOLL, Katriona BEALES, BINAURA (NAGY Ágoston & SAMU Bence), BIRKÁS Mona, BIRÓ Dávid, Zach BLAS & Jemima WYMAN, James BRIDLE, Arvida BYSTRÖM, Juan COVELLI, Jake ELWES, FÜLÖP Szabolcs, Fabien GIRAUD & Raphaël SIBONI, Neil HARBISSON & Pol LOMBARTE, Vladan JOLER & Kate CRAWFORD, KÚTVÖLGYI-SZABÓ Áron, Lawrence LEK, Cristina DE MIDDEL, Joana MOLL, PÁLL Tamás, Wilfredo PRIETO, SoniLab (Marco Buongiorno Nardelli), ZÁMORI Eszter

Curators: KÉSZMAN József, MAJ Ajna, NOLASCO-RÓZSÁS Lívia, ÜVEGES Krisztina

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On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

With:
Stefan Alber , Aram Bartholl , Antje Blumenstein , Benedikt Braun , Lou Cantor , Peter Dobroschke , Maria Eichhorn , FORT , Heiner Franzen , Wolfgang Ganter , Asta Gröting , Christian Henkel , IOCOSE , Šejla Kamerić , Bianca Kennedy , Peter Klare , Werner Liebmann , Tommy Neuwirth , Manfred Peckl , Alona Rodeh , Hansjörg Schneider , Bettina Scholz , Ann Schomburg , Mark Wallinger , Klaus Weber , Nicole Wermers

Curated by  Sophia Gräfe und Arkadij Koscheew.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Blog Archive for Month: August 2015

Keepalive

August 26, 2015

Full project page here!!  –> http://www.datenform.de/keepalive-eng.html

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Keepalive
Aram Bartholl 2015
permanent outdoor installation
material:  rock, steel, router, usb-key, thermoelectric generator, fire, software, PDF database
size: 100 x 110 x 90 cm
at Landart Kunstverein Springhornhof Neuenkirchen, Niedersachsen, Germany
commissioned by Center for Digital Cultures, Leuphana University Lüneburg
curated by Andreas Broeckmann, Leuphana Arts Program
inauguration: Sunday, August 30, 2015, 11:00 am at Springhornhof
The boulder from the region Neuenkirchen, Niedersachsen contains a thermoelectric generator which converts heat directly  into electricity. Visitors are invited to make a fire next to the boulder to power up the wifi router in the stone which then reveals a large collection of PDF survival guides.  The piratebox.cc inspired router which is NOT connected to the Internet offers the users to download the guides and upload any content they like to the stone database .  As long as the fire produces enough heat the router will stay switched on. The title Keepalive refers to a technical network condition where two network endpoints send each other ’empty’ keepalive messages to maintain the connection. https://en.wikipedia.org/wiki/Keepalive   To visit the piece please arrange an appointment with Springhornhof.de.
The project “Keepalive” by Aram Bartholl was realised in the context of the research project “Art and Civic Media”, as part of the Innovation Incubator Lüneburg, a large EU project funded by the European Fund for Regional Development and the Germna State of Lower Saxony.
 
Press
http://hyperallergic.com/231483/fire-up-a-wifi-router-hidden-inside-a-rock/
Official Invitation (german)
http://springhornhof.de/aram-bartholl-keepalive/
Pictures
https://www.flickr.com/photos/bartholl/sets/72157655953293283


keepalive-flickrset
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You are warmly invited to the Keepalive opening on Sunday, 30th of August 2015
11.00 a.m. Meeting point at Kunstverein Springhornhof
Leave for Hartböhn by car (approx. 10 min) or by bicycle (approx. 20 min, rental bikes are available)
11.30 a.m.
Greeting: Prof. Dr. Martin Warnke (Chair of Art Association)
In discussion: Andreas Broeckmann (Leuphana Arts Program) & Aram Bartholl
Afterwards
Food, drinks and data sharing at the campfire
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“Keepalive” by Aram Bartholl (*1972 in Bremen) looks just like a normal rock from the outside. There is no sign that the stone, which lies inconspicuously in Lüneburger Heide on the edge of idyllic Hartböhn, contains hundreds of digital books. An internal thermoelectric generator and WiFi router must be activated by a lighting a fire under the rock before an electronic survival guide library can be accessed. Data and text can also be added by smartphone or laptop.
Media artist Aram Bartholl works with paths of knowledge and information communication that work against the developments of the digital age and question our handling of data. In this and other projects, he undermines power structures and control mechanisms in the use of internet services and data transmission, mostly through the introduction of a random, uncontrollable element.
In “Keepalive” the stone itself becomes the data medium. In a very archaic, but at the same time clandestine manner, information can be exchanged only locally — in contrast to networked servers, services and clouds worldwide, this rock is not connected to the internet. You have to get close to nature in the countryside, find the stone and make a fire to activate the data source. Anyone can do it once they have found out the exact location of the stone from either the nearby Kunstverein Springhornhof or another source.
Following the advice in the survival guides prepares you — this is the promise at least — for solo survival in the chaotic world of computer programming as much as for solo survival in the wilderness. “Keepalive” examines what “survival” really means and sounds out our true needs. The work resists the centralising forces of the Internet, raises questions about the democracy of knowledge management and ignites an autonomy backlash.” (Jennifer Bork)
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The “Keepalive” project by Aram Bartholl was created in conjunction with the research project “Art and Civic Media” as part of Innovations-Inkubators Lüneburg, a major EU project supported by the European Regional Development Fund and the State of Lower Saxony.

ALUHUT

August 13, 2015

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pictures! https://www.flickr.com/photos/bartholl/sets/72157658278862521
ALUHUT WORKSHOP  (tin foil hat workshop)
at Chaos Communication Camp 2015 http://events.ccc.de/camp/2015/wiki/Main_Page
Make your own aluminum hat (much better than tin foil!!) to protect yourself  from any waves and all surveillance!! It is very very safe! :)) Just drop by!
https://events.ccc.de/camp/2015/wiki/Projects:ALUHUT_workshop
https://frab.camp.berlin.ccc.de/en/ber15/public/events/72
Time:
DAY 2, Friday 14.8.2015, 14:00 – 18:00 h
Place:
C-base village, next to BER.

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