Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archive for Month: November 2015

How to Live? Visions of the Future Yesterday and Today

November 24, 2015

wie-leben-wilhelmhack-ludwigshafen
Wie leben?
Zukunftsbilder von Malewitsch bis Fujimoto
5. Dezember 2015 – 28. Februar 2016
Wilhelm-Hack-Museum Ludwigshafen am Rhein
www.wilhelmhack.museum
http://www.ludwigshafen.de/lebenswert/wie-leben-zukunftsbilder-von-malewitsch-bis-fujimoto/

People have been dealing with concepts and visions for shaping the world of tomorrow since time immemorial. How do we want to live? What kind of housing do we want to live in? How do we want to work? Our society is influenced by visions of the future, in particular those put forward by artists, architects, and scientists. And yet our present is always the future of yesterday, because many of these ideas remain visions, others have been brought to fruition. The exhibition How to Live? Visions of the Future Yesterday and Today at the Wilhelm-Hack-Museum presents designs for the future from the areas of art, architecture and design ranging from the Russian avant-garde to our current digital era, and plots a multifaceted history of the future.
participating artists: Otl Aicher, Josef Albers, Gerd Arntz, Aram Bartholl, Bernd und Hilla Becher, Max Bill, Martin Boyce, Marcel Breuer, Richard Buckminster-Fuller, Lee Bul, Ulrich Burandt, Vincent Callebout, Hussein Chalayan, Charlie Chaplin, Christo, Luigi Colani, Joe Colombo, Constant, Kate Cooper, COOP Himmelb(l)au, Le Corbusier, Karsten Crohn, CUCULA, Chris Cunningham, Björn Dahlem, Guy Debord, Theo van Doesburg, César Domela, Wolfgang Döring, Franz Dutler, Charles und Ray Eames, Hans-Georg Esch, Herbert Falk, Harun Farocki und Antje Ehmann, Luka Fineisen, Hermann Finsterlin, Christine Francis, Sou Fujimoto, Naum Gabo, Hans Rolf Garnich, Gebrüder Lumière, Frank Gehry, Sigfried Gideon, Christoph Girardet, Jean Gorin, Eileen Gray, Walter Gropius, Hans Gugelot, Andreas Gursky, Simon Gush, Haus-Rucker-Co, Pascal Häusermann, Robert Häusser, Paul Hildinger, Ryōji Ikeda, Arata Isozaki, Karl Hans Janke, Pierre Jeanneret, Walter Jonas, Hans von Klier, Frauke Koch-Weser, Rem Koolhaas, Paul Klee, Kisho Kurokawa, Hanns Lack, Mierle Laderman Ukeles, Fritz Lang, Hans-Jörg Lannoch, Bart van der Leck, Van Bo Le-Mentzel, Ila Bêka und Louise Lemoine, Hans Lindinger, El Lissitzky, Adolf Luther, Heinz Mack, Kasimir Malewitsch, Enzo Mari, Mathieu Mercier, Marlies Matthis, Bernd Meurer, Ludwig Mies van der Rohe, Ernst Möckl, Piet Mondrian, László Moholy-Nagy, Lucia Moholy-Nagy, Nicolas Moulin, Hans Nagel, Oskar Nerlinger, Constant Nieuwenhuys, Verner Panton, Charlotte Perriand, Giancarlo Piretti, Davide Quayola, Dieter Rams, Willi Ramstein, Heinz Rasch, Tobias Rehberger, Tejo Remy, Gerhard Richter, Gerrit Rietveld, Günter Ferdinand Ris, Alexander Rodtschenko, Hans Nick Roericht, Eric Rossicci, August Sander, Richard Sapper, Tomás Saraceno, Hans Scharoun, Antje Schiffers, Oskar Schlemmer, Klaus Schmitt, Jean-Louis Schoellkopf, Franz Wilhelm Seiwert, Herbert Selldorf, Dan Tobin Smith, Mart Stam, Anton Stankowski, Andrew Stanton, Philippe Starck, Markus Sternlieb, Robert Stieler, Jane Stockdale, Giotto Stoppino,  Ian Steyaer, Jacques Tati, Bruno Taut, Terreform ONE, Augustin Tschinkel, Günther Uecker, Friedrich Vordemberge-Gildewart, Wilhelm Wagenfeld, Michael Wallraff, Bruno Weil , Len Wiseman, Michael Wolf, Peter Würmli, Erwin Wurm, Tokujin Yoshioka, Walter Zeischegg, Heimo Zobernig,

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Absolut Aram

November 24, 2015


Artist profile, part of http://www.absolutart.com/de/
From 27th November – 6th December, AbsolutArt.com opens it’s doors to the public and welcomes you to the Absolut Art Apartment at Moritzplatz, where we will showcase our Berlin Edition featuring 40 of the most exciting artists from Germany’s capital!
Open Daily. Free Entry.
Over 50 artworks on display and for sale, 27th Nov – 6th Dec, 11am to 7pm
Atelier, Top Floor, Prinzenstrasse 84, 10969, Berlin
Absolut Art is on a mission to close the gap between artists creating and people collecting. We are an e-commerce entry-point to discover and collect contemporary art by promising and prominent artists from vibrant art scenes around the world, with 110 artists hailing from Los Angeles, Berlin, and Stockholm soon on offer.
 

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WTF 3D !?!!

November 20, 2015

When ever I see a product like this below I think WTF?!? I started this tumblr blog to collect these a while ago, feel free to submit!… –>> http://wtf3d.tumblr.com/

A blog about nonsense 3D marketing speak.
“Ultra 3D” products which have nothing to do with actual 3D (in terms of vision) and which are most of the times three dimensional anyway. But obviously they sell much better because they are 3D enhanced!! Totally unrelated…!! You are 3D too!!

3D ready mix for cleaner windows!! makes sense ….

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