Upcoming

Coventry Biennial of Contemporary Art

4. October – 24. November 2019
Group Show, Coventry, Coventry

The highly anticipated second Coventry Biennial will unfold across the city from the 4th October to the 24th November 2019 and we invite people to learn, look, make, talk, think and walk with us.

The biennial’s title this year is The Twin and it comprises a series of exhibitions, events and activities about relationships.

We are an international city; Coventry and Volgograd, Russia, were the first modern twin cities in the world and this year marks the 75th anniversary of that historic bond of friendship.

The core programme of The Twin will unfold across the city in medieval and modernist buildings as well as in artist studios, galleries and museums. We will be exhibiting new and existing artworks by individual artists, duos and groups from Coventry, across the UK and from many of our international twin cities as well as other international locations. We are delighted to be exhibiting the artists listed below and will be announcing a small number of additional practitioners over the coming weeks and months:

Isobel Adderley & Jazz Moreton, Tully Arnot, Art & Language, Jonny Bark, Aram Bartholl, Jordan Baseman, James Birkin, Simon & Tom Bloor, James Bridle, Lorsen Camps, Paul Chan & Badlands Unlimited, David Cheeseman, James Clarkson, Anna Columbine, Maud Cotter, Paul Crook, Matthew Darbyshire, Joseph DeLappe, Lisa Denyer, Jacqueline Donachie, Caitriona Dunnett, EVOL, Anne Forgan, Dylan Fox, Darryl Georgiou & Rebekah Tolley, Zuza Golinska, Noémie Goudal, Lawrence Abu Hamdan, Mona Hatoum, Corey Hayman, Nicky Hirst, Clare Holdstock, Fred Hubble, Andrew Jackson, Juneau Projects, Navi Kaur, Smirna Kulenović, Liz Lake, Ollie Ma, Ioana Marinescu, Tony McClure, Lorna Mills, Anna Molska, MTAA, Alexandra Muller, Edie Jo Murray, Uriel Orlow, OUTLINE & Smirna Kulenović, Paper Rad, Bharti Parmar, Parmar & Piper, Partisan Social Club, Mathew Parkin, Matthew Picton, Duncan Poulton, Adele Mary Reed, Lis Rhodes, Rafaël Rozendaal, Ana Rutter, Richard Scott, Shirana Shahbazi, Larissa Shaw, Thomson & Craighead, Leonid Toprover, Chidera Ugada, Mhairi Vari, Nilupa Yasmin

Immortality – The Ural Bienniale

12. September – 1. December 2019
Group Show, uralbiennale.ru, Ekaterinburg

The Ural Industrial Biennial is the largest regional art project with international participation among those existing on the territory of the Russian Federation. The Biennial takes place at former industrial and non-exhibition spaces in Ekaterinburg and other cities of the Ural region.

In its 5th edition, the Ural Biennial explores concepts behind the Immortality, both secular and sacred; it is seen as a powerful utopist idea, as technocratic obscurity, as a symbolic tool and as a condition which might cause evident ethical schisms.

One night stand

30. June – 1. July 2019
Group Show, Horse and Pony, Berlin

Please don’t stand in the middle of the road waiting for me to get you on camera

23. June – 22. July 2019
Group Show, isthisitisthisit.com, Online

Metanatural Landscapes

7. – 20. June 2019
Group Show, panke.gallery, Berlin

Vienna Biennale 2019

28. May 2019 – 27. May 2020
Group Show, MAK Design Labors, Vienna

SF MOMA: Snap + Share

24. March – 4. August 2019
Group Show, San Francisco Museum of Modern Art, San Francisco

SFMOMA: snap+share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
https://www.sfmoma.org/exhibition/snap/

The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.

Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.

curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet

Blog Archive for Month: July 2016

AV / DV

July 22, 2016

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AV / DV
intervention & object
rubber, metal, 40x5x2cm, video 1:49 min

AV /DV is a customized 40 cm pressure hose – AV  Auto valve / DV Dunlop valve adapter – to balance pressure between a car and bicycle tire. First tested and shown at Remind me later solo show at Kunstverein Arnsberg.

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#remindmelater DOCUMENTATION

July 14, 2016

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Aram Bartholl, ‘Aluthut Workshop (tinfoil hat workshop)’ 2016. Display view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Remind me later’ 2016. Exhibition view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Remind me later’ 2016. Exhibition view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Remind me later’ 2016. Exhibition view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘5 min, 1h, tonight, tomorrow…(Remind me later)’ 2016. Display view.  Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Aluthut Workshop (tinfoil hat workshop)’ 2016. Display view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Aluthut Workshop (tinfoil hat workshop)’ & Shooting Your Film With Quality’ 2016. Display view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Shooting Your Film With Quality’ 2016. Display view. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘AV/DV’ 2016. Performance in public, video still. Courtesy Kunstverein Arnsberg

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Aram Bartholl,  ‘AV/DV’ 2016. Display view. Courtesy Kunstverein Arnsberg


Aram Bartholl, ‘AV/DV’ 2016. Performance in public. Vdeo 1:49. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘The Internet’ 2015 & ‘Shake it!’ 2015. Display view. Courtesy Kunstverein

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Aram Bartholl, ‘Atlas Shrugged’ 2016. Display view. Courtesy Kunstverein

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Aram Bartholl, ‘Atlas Shrugged’ 2016. Display view. Courtesy Kunstverein

 

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Aram Bartholl, ‘Greenscreen Arnsberg’ 2016. Performance in public, video still.  Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Greenscreen Arnsberg’ 2016. Performance in public, video still.  Courtesy Kunstverein Arnsberg


Aram Bartholl, ‘Greenscreen Arnsberg’ 2016. Performance in public. Video 3:47. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Phone Zone’ 2016. Display view, installation in public. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Phone Zone’ 2016. Display view, installation in public. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Touch screen to begin’ 2016. Display view, installation in public. Courtesy Kunstverein Arnsberg

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Aram Bartholl, ‘Touch screen to begin’ 2016. Display view, installation in public. Courtesy Kunstverein Arnsberg

Thanks to the whole team of the Kunstverein Arnsberg!! It was a crazy good week putting this together with a lot of help of many people, thank you everyone! THX to Vlado Velkov making all this possible! :))

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Pressrelease:

ARAM BARTHOLL
Remind Me Later
8.07. – 28.09.2016

Kunstverein Arnsberg e.V.
Königstraße 24
59821 Arnsberg
www.kunstverein–arnsberg.de

Perhaps you are reading this text on your mobile device?.

Do you have your phone under control or does it have a grip on you in its grip?

The consequences of technological developments on our social lives and relationships is a central theme in the work of Aram Bartholl.

In the current exhibition, Bartholl looks into the digital everyday live. ‘Remind me later’ is a very well known term for us instantly recognisable to us as users. As a form of reflex and self-defence against the constant stream of new automatic updates, we immediately the click tap othe ‘Remind me later’ button has become a habitual immediate reaction.

Digitalisation can undoubtedly connect us, but can also produce alienation. Meet with friends? Spend time outdoors in nature? Remind me later. Often, the mobile phone is more captivating of attention than the person sitting opposite. The limitless possibilities of communication have more to offer than real life? Really?

Aram Bartholl investigates the social side effects of digitalisation, and examines their influence on our analogue lives. In doing so, his work often incorporates outdoor space and blends perceptions of the real and the virtual. His work in Arnsberg continues in this vein, with humour and great sensitivity.

Aram Bartholl was born in Bremen in 1972 and lives in Berlin. He is guest professor at the Kunstakademie in Kassel and at UCLA in Los Angeles.

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All pictures -> flickr.com/photos/bartholl/albums/72157670961661206/with/28305068065/