Kunstforum International

Oliver Zybok „Memes – Ursprünge und Gegenwart“ Kunstforum International #297 Jan-Feb 2022, page 55
By occupying nearly a third of our waking hours, screens are profoundly reshaping the contours of our relationships with others. In response, numerous journalistic and academic discourses echo concerns about the digital migration of our social lives: the idea frequently arises that the socio-technical systems at work in this migration are making us more resistant to diversity.
Our intention is to nuance this concern by acknowledging a foundational aspect of the internet—its original design to facilitate the virtuous and unprecedented emergence of communities of specific interests, often far more specialized than what our traditional offline social circles can accommodate. This utopia inevitably carries a tension between, on the one hand, the benefits of more efficient and far-reaching sociability, and on the other, the widely discussed risks of a social life limited to alters who are most similar to ourselves.
Curated by Aurélie Clémente-Ruiz, director of the Musée de l’Homme in Paris, and Camille Roth, a researcher at CNRS in social sciences.
With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas
A look at how our online practices leave a trace and shape our rights. Drawing on the Charter of Digital Rights (2021), the exhibition explores seven key areas with humour and everyday examples. Framed within the Observatory of Digital Rights and curated by Fundación Telefónica and Domestic Data Streamers, the show encourages reflection and debate around the safe, responsible, critical, and creative use of technology.
We accept cookies as if they were freshly baked biscuits, without having the slightest idea of what ingredients they contain. We share photos of our children’s birthdays or family trips as if they were WhatsApp stickers, without knowing where they might end up. We use the same password for our bank account and our grocery app (spoiler: not a good idea). We check a website to see if it’s going to rain, only to give away our data like candy on Halloween.
The exhibition Today Is a Good Day to Discuss Digital Rights seeks to raise awareness about the rights and duties that citizens exercise and develop in the digital sphere. Moreover, the show invites us to keep debating and building a system of guarantees around the digital ecosystem — a kind of ethical guide that helps us understand what digital rights and duties are, what they imply, and the opportunities the technological environment offers citizens.
Framed within the initiative of the Observatory of Digital Rights and curated by Fundación Telefónicatogether with the artistic collective Domestic Data Streamers — which presents six installations —, the exhibition features works by contemporary artists such as United Visual Artists, Eva & Franco Mattes, Paolo Cirio, Noemí Iglesias Barrios, Theresa Reiwer, Hasan Elahi, and Aram Bartholl, among others. Their works challenge visitors, help them understand, and encourage reflection on our actions as digital beings. A much-needed exhibition, it fuels the debate around digital rights and duties, and calls for a safe, responsible, critical, and creative use of technology. Because today is a good day to discuss Digital Rights.
GOGBOT 2025
SCROLL PANIC REPEAT
18-21 september @ ENSCHEDE
festival for art music technology
Join us live-in-studio with season two of the Radio Spaetkauf x Europäische Akademie Berlin podcast collaboration. This year we focus on CULTURE. Each episode features fresh voices and perspectives representing a wide array of backgrounds, expertise and disciplines. Host Daniel Stern is joined by researchers, academics, independent artists, journalists and community leaders with unique insights into our evolving cultural interactions.
September 13th: Museums are more than just buildings that house objects. They are sites of memory, meaning, and power – spaces where stories are told, preserved, and sometimes contested. But who decides what’s worth keeping? And how do museums evolve in response to the cultures and technologies of their time?
As boundaries blur between archive and activism, exhibition and experience, we ask: What is a museum today? And what should it be? Together we explore the shifting roles of museums in shaping public understanding, identity, and imagination.
Guests include:
Michael Soltau – Synthesizer Museum Berlin
Aram Bartholl – Media and concept artist
Lilja-Ruben Vowe – PhD in cultural history, curator and inclusive mediator
Dr. Wenke Wegner – Prussian Palaces and Gardens Foundation
Host: Dan Stern
The festival brings artistic short films into public space – presented in a mobile, seemingly improvised exhibition object: a transport cart with pneumatic tires, stacked with various boxes, crates and bags, all secured with colorful tension straps. Through peepholes in these containers, passersby can watch the films on hidden tablets or smartphones. The route leads through five locations in the district (Goslaer Platz, Mierendorffplatz, Österreichpark, Schustehruspark, Lietzenseepark). At each stop, the “mini-museum” stays for about one hour. The project is accompanied throughout the day by the two artists and curators Marian Luft and Moritz Frei, who will be present to assist and engage with the audience.
Curated by Marian Luft & Moritz Frei
With:
Iván Argote, Sophia Süßmilch, Björn Melhus, Hansol Kim, Barış Çavuşoğlu, Lorna Mills, Andrew Birk, Peng Li
This exhibition brings together models by artists whose works have been realized in public spaces across the world. These small-scale forms are not mere sketches; they were once proposals, prototypes, and poetic blueprints — early traces now translated into permanent works in the city.
with: Yasmin Alt, Aram Barthol, Jessica Buhlman, Moritz Frei, Gfeller Hellsgard, Andrea Pichl, Alona Rodeh, Andrea Zaumseil, Joshua Zielinski
curated by: Jay Gard

I wrote an article about the Neue Nationalgalerie and its initial design as headquater for Bacardi on Cuba. It is available to read at monopol magazin (in german).
In 2015 I projected 10k leaked passwords on the national library Quebec as part of a public art show in Montreal. It’s 2021 and the library is closed because of a hacked database and leaked personal info etc … ¯\_ (ツ) _/¯



Grand Facades, March 16, 2021 • Kristian Vistrup Madsen on the Humboldt Forum in Berlin
https://www.artforum.com/architecture/kristian-vistrup-madsen-on-the-humboldt-forum-in-berlin-85258

Posthumanism Explained, online exhibition, opening!! Tuesday 23.2. 18:00 -> https://posthumanism-explained.common.garden/ (computer browser recommended!) Results of the Blockseminar “Virtual Reality – Real Virtuality”, 3D and VR experiments, WiSe20/21, Prof. A.Bartholl, Kunst mit digitalen Medien, Design, DMI, HAW Hamburg.
with: Tobias Bartenschlager, Lukas Besenfelder, Stefano Dealessandri, Frederik Engelbrecht, Julika Hother, Vanessa Könemund, Katharina Mumme, Amyra Radwan, Sandy Richter, Luisa Striepe, Alexandra Vögtle & Sebastian Ziemann

The Danger Of A Single Story, online exhibition, opening!! 23.2. 18:00 -> https://the-danger-of-a-single-story.common.garden/ (computer browser recommended!) Projects on the topic of memorials and postcolonial discourse, results of the class “Denkmal”, WiSe20/21, Prof. A. Bartholl, Kunst mit digitalen Medien, Design, DMI, HAW Hamburg
with: Stefano Dealessandri, Konstantinas Grigalaitis, Stephan Kraus, Julia Löffler, Matasova Mariia, Sandy Rrichter, Janna Thaden, Anna Wank & Lorenz Wendt
Both exhibitions build with https://common.garden , thx!
‘Daten am Ort’ (Bits on location) is a research project and website I made in 2001. How could Internet and data affect communication based on space? With this project I also graduated in architecture at the art school UdK Berlin back then. The whole website is programmed in flash which will be discontinued on all the big browsers for ever at the end of 2020. Therefore I recorded this short video tour of this website.
You are also invited to visit this website itself – http://datenamort.de – it will certainly stay online but it might be more difficult to access the flash content in the future.
Full website, no voice over, with all links and clicks, complete screen capture here.

A swan obsessed with Obsolete Presence. Picture by Simon Fischer: CC BY 2.0
Seasons of Mediaarts, ZKM Karlsruhe 2020

This is a physical and metaphorical pool.
19. & 20.9.2020
THE POOL
Heybeliada – İstanbul
Curated by Ece Cangüden & Marian Luft
View documentation –> http://thepool.space/the-days-are-just-packed
with/ Accel Arcana, Adrian Altman, Albin Looström, Alessandro Nucci, Alexandra Koumantaki, Ana Castillo, Anastasia Bay, Andrew Rutherdale, Anna Slama & Marek Delong, Anna Walther, Aram Bartholl, Arthur Golyakov, Ben Sang, Berkin Gülten, Bernhard Holaschke, Bob Bickell-Knight, Bora Akıncıtürk, Buğra Erol, Botond Keresztesi, Cem Örgen, Christian Bär, Christian Kölbl, Christian Schellenberger, Clemens Reinecke, Daniel Peder Askeland, Don Elektro, Felix Amerbacher, Felix Thiele, Filippo de Marchi, Florian Birk, František Hanousek, George Jacotey, Naomi Gilon, Hanna Stiegeler, Hugo Laporte, Iain Ball, İlayda Tunca, Ivan Pérard, Jakub Hajek, Jakub Hošek, Jean-Damien Charmoille, Jennifer İpekel, NDRAP Development / Jens Ivar Kjetså, Jeronim Horvat, Jirka Pfahl, Joachim Coucke, Johanna Blank, Johanna Invrea, Julie Maurin, Julien Saudubray, Julius Heinemann, Julius Pristauz, Justin Ortiz, Kaan Ülgener, Karoline Schneider, Katya Quel Elizarova, Kerim Zapsu, Kid Xanthrax, Kıvılcım Güngörün, Korto Bojovic Amar, KOTZ, Leon Leube, Lucia Leuci, Maya Hottarek, Mert Diner, Undergroundflower, Merve İşeri, Michala Paludan, Michèle Pagel, Miguel Martin, Mikkel Carl, Naomi Gilon, Neckar Doll, Nicolas Pelzer, Nik Timková, Omsk Social Club, Oya Kalkavan, Özgür Can Taşcı, Paul Barsch, Paul Bowler, Peggy Pehl, Pınar Marul, Salvador Marino, Sarah Ancelle Schönfeld, Sascha Mikloweit, Selver Yıldırım, Seyhan Musa, Şiir, Sirmon SR, Sophia Oppel, Ștefan Tănase, Steffen Zillig, Stine Deja, Süper Normal, Szilvia Bolla, Thea Mantwill, Tissue Hunter, Ute Richter, Vanya Venmer, Vilte Fuller, Vitaly Bezpalov, Vojtěch Hlaváček, Yein Lee, Zeynep Birced
In the swimming pool of the lost paradise that keeps its former glory alive by the wildness of weeds. We take you in from the lower entrance of the land, which is covered with iron bars. You climb up the ivy tunnel wrapped in rusty iron construction and reach into the realm of that anything and everything is true if you simply believe it to be true!
THE POOL sustains the future, where the dirty, deadly and almost lost one will be reproduced as a magnificent source of life.
THE DAYS ARE JUST PACKED
The physical manifestation of our online beings
As a fluid leaking out of the digital purgatory
We are spreading momentary existences
Ruins from today‘s prophecies
Just as stone tablets
Mutating in reverse
Dear post-social primates
You are the territory
Even if you are far
You can be close
Creations from a Polluted Lagoon: The Pool’s debut show on Heybeliada / Review by Matt Hanson on Exhibist.
https://exhibist.com/creations-from-a-polluted-lagoon-the-pools-debut-show-on-heybeliada/
I m very pleased to announce that my work Obsolete Presence, currently on view at ZKM Karlsruhe has finally made it to the stock photo website Shutterstock. This is in particular interesting because I’ve been working with watermarked stock photo since a few years now. The circle has finally closed. :))
All pics tagged with Bartholl on Shutterstock here.

Aleksandra Domanovic talking about an original robot arm from Yugoslavia of the 70’s.
Vienna Contemporary
Sunday, 27 September 2020, 1:30-2:30 pm
ArtTech Talk: Technology Off Screen
Artists are increasingly using new techniques and materials that address our relationship to a technological world. Artist Aleksandra Domanovic emerged with work that directly addressed a screen context with her collaborative project vvork.com before establishing a largely sculptural practice that incorporates 3D printing and ideas around the use of technology and biological innovations. Aram Bartholl is a Berlin-based conceptual artist whose work unpicks the digital and the physical in inventive ways.
Speakers:
Aleksandra Domanovic, artist
Aram Bartholl, artist
Moderated by Francesca Gavin, art theorist, curator and writer