Laufende Termine

Kunst gegen Rechts

18. November 2022 – 8. January 2023
Gruppenausstellung, https://www.haeselburg.org, Mieze Südlich, Häselburg Gera

Eingeladene Künstler:innen:
Ulf Arminde, Stefan Alber, Aram Bartholi, Fehmi Baumbach, Marc Bijl,  Jessica Buhlmann/Zao, Zuzanna Czebatul, Moritz Frei, Jana Gunstheimer, Christian Henkel, Verena Issel, Zoe C. Miller, Anne Mundo, Rainer Neumeier,  Angelika Nguyen, Thomas Prochnow, Regina Schmeken, Schroeter&Berger, Kristina Schuldt, Raul Walch, Christian Werner, Ina Wudtke

Die siebte Ausstellung der Reihe KUNST GEGEN RECHTS nimmt den 30. Jahrestag der Pogrome von Rostock-Lichtenhagen als Anlass, um kritisch auf aktuelle, gesellschaftliche Konflikte einzugehen.

Deutschland ist eine postmigrantische Gesellschaft der Vielen. Immer noch wird diese Tatsache viel zu wenig zur Kenntnis genommen. Der Wiedervereinigung am 3. Oktober 1990 folgten rassistische Ausschreitungen und Mordanschläge in Rostock, Mannheim, Hoyerswerda, Mölln und Solingen bis zur Terrorserie des NSU. Es folgten Anschläge auf jüdische Friedhöfe und emanzipatorische Projekte. Eine wiedererwachte deutsche Volksgemeinschaft kroch aus den Löchern hervor.

Der rechte Populismus, der die Kultureinrichtungen als Akteure einer gesellschaftlichen demokratischen Vision angreift, steht der Kunst der Vielen feindselig gegenüber. Die Neue Rechte hat die Kulturpolitik als Kampffeld entdeckt, um ihre völkischen Vorstellungen umzusetzen. Rechte Gruppierungen und Parteien stören Veranstaltungen, verhindern Ausstellungen, greifen in Theater-Spielpläne ein, polemisieren gegen die Freiheit der Kunst, gegen Dekoloniale Erinnerungsprojekte und arbeiten an einer Renationalisierung der Kultur. Es wird einFeldzug gegen zeitgenössische, „undeutsche“ Kunst geführt, die als „neumodische Extravaganzen“ und „exzentrische Randgruppenkunst“ bezeichnet wird, wie aktuell gegen den Kunstverein in Zwickau.

Seit dem Ausbruch der Pandemie, stehen viele Dinge auf dem Prüfstand. Es zeigte sich, wer ein solidarisches Miteinander praktiziert und wer als Pandemiegewinnler oder Coronaleugner die Krise für eigene Interessen nutzt. Bei den sogenannten Querdenken-Demonstrationen kommt es zu einer fatalen Zusammenarbeit verschiedener Akteure. Rechte Gruppierungen und Parteien gewinnen immer mehr an Einfluss. Antisemitismus ist in der neuen Bewegung stark vertreten, wie auch eine Verharmlosung der Shoa und der Gleichsetzung der NS-Zeit mit der aktuellen Situation.

Playmode

26. October 2022 – 16. January 2023
Gruppenausstellung, CCBB – Centro Cultural Banco do Brasil, Sao Paulo

Since very early on, artists have understood the power of transformation of play, integrating it into their works with distinct purposes -evasion of reality, social construction and transformation, subversion or criticism of the very mechanisms of play and games. The exhibition Playmode proposes a reflection on these aspects and on the period of ludification that contemporary societies are going through, bringing together the work of several artists who adopt the theme and explore new ways of seeing, participating in, and transforming the world, using play in a critical manner.

with:

Aram Bartholl, Bill Viola + Game Innovation Lab, Bobware, Brad Downey, Brent Watanabe, Coletivo Beya Xinã Bena + Guilherme Meneses, David OReilly, Filipe Vilas-Boas, Harum Farocki, Isamu Noguchi, Jaime Lauriano, Joseph DeLappe, Laura Lima + Marcius Galan, Lucas Pope, Mary Flanagan, !Mediengruppe Bitnik, Milton Manetas, Molleindustria, Nelson Leirner, Pippin Barr, Priscila Fernandes, Raquel Fukuda + Ricardo Barreto, Samuel Bianchini, Shimabuku, Tale of Tales (Auriea Harvey e Michaël Samyn) e The Pixel Hunt.

Curators: Filipe Pais and Patrícia Gouveia.

 

?>

Kommende Termine

REMINDER! – Package Ready for Pickup

8. July 2023 – 25. February 2024
Einzelausstellung, Kunsthalle Osnabrück, Osnabrück

Enigma

23. February 2023 – 23. February 2024
Gruppenausstellung, Museum of Communication, Kopenhagen

Communication pervades our lives more than ever before. With the digital channels, we are constantly accessible and can publish ourselves wherever and whenever we want. But despite the many great opportunities, the tide of information may often appear confusing, polarizing or hateful, and our public conversation is challenged.

On November 19, 2022, ENIGMA will open new exhibition areas and a large children’s area, in which we look forward to welcoming everyone.

Behind the screens. 50 Jahre Komputerkunst.

22. January – 4. June 2023
Gruppenausstellung, CODA Museum, Appeldorn

Vergangene Termine

Safe Mode: Amplified Realities

8. October 2022 – 8. November 2022
Gruppenausstellung, TILT Platform, The Project Gallery, MISC, BHD Hub Athens, Athens

The current mutated “epidemiological” societies within which we exist reveal that any previous indication we had about the term “safety” is now in limbo. TILT Platform has started exploring and developing the concept “Safe Mode” likening it to the indication safe mode appearing on our computers and smart devices, when they stop functioning properly after a major technical crisis. The process of safe mode emerges as the only possible solution. Comparing this state of technological malfunction to the processes of contemporary life, psychology and human behaviour, the term safe mode acquires an anthropological character.

Participating Artists
Nikos Arvanitis (GR), Aram Bartholl (DE), Browser Based (Zsolt Mesterhazy & Alex Zakkas) (NLD / GR), Sofia Caesar (BR), Paolo Cirio (IT), Manja Ebert (DE), Adrianos Efthymiadis (GR) & Iria Vrettou (GR), For Cancel (Makis Faros, Zoi Pirini, Takis Zerdevas) (GR), Elisa Giardina Papa (IT), Basim Magdy (EGY), Theophanis Melas (GR), Simon Menner (DE), Yorgos Papafigos (GR), Michalis Zacharias (GR), Apostolos Zerdevas (GR)

Curated by
Foteini Vergidou in collaboration with TILT Platform (Makis Faros, Zoi Pirini, Apostolos Zerdevas, Takis Zerdevas)

Bilder

Bridging Differences

1. – 30. October 2022
Gruppenausstellung, T3 Photo Festival Tokyo, Tokio

T3 PHOTO FESTIVAL TOKYO is a photo festival that develops three pillars: (1) photo exhibitions, (2) talks and events, and (3) student projects, with the vision of becoming „an Asian hub for nurturing the next generation of photography culture. After holding its predecessor „Tokyo International Photography Festival“ in Jonanjima, Ota-ku, Tokyo in 2015, the first festival was held in Ueno Park in 2017 as Tokyo’s first outdoor international photography festival. From 2020, the Tokyo International Photography Festival will be held as an urban outdoor photography festival using public open spaces in Tokyo Station and the east side area (Yaesu, Nihonbashi, Kyobashi). The festival will take the margins of the city as a medium to challenge new interpretations of urban space and the possibilities of photography by exhibiting works by photographers and developing events that will generate new human interaction.

 

Bilder

I am not a Robot

16. September – 27. November 2022
Gruppenausstellung, Ludwig Múzeum, Budapest

I am not a Robot. On the Borders of the Singularity.

As a harbinger of the (supposedly) imminent arrival of the Singularity, the exhibition explores the powerful impact of technological development on our daily lives.

One of the defining global phenomena of our time is digitalisation, which has transformed human life in an evolutionary leap over the past decades, rewriting centuries of fixed habits, forms and behavioural patterns. The digital turn is still ongoing, with our lives moving from offline to online, and the digital presence growing rapidly. Digital technology in its current state is a new normativity that is part of work and life: not an enemy, not a friend, but a natural part of life…

with:
Memo AKTEN, BarabásiLab, Aram BARTHOLL, Katriona BEALES, BINAURA (NAGY Ágoston & SAMU Bence), BIRKÁS Mona, BIRÓ Dávid, Zach BLAS & Jemima WYMAN, James BRIDLE, Arvida BYSTRÖM, Juan COVELLI, Jake ELWES, FÜLÖP Szabolcs, Fabien GIRAUD & Raphaël SIBONI, Neil HARBISSON & Pol LOMBARTE, Vladan JOLER & Kate CRAWFORD, KÚTVÖLGYI-SZABÓ Áron, Lawrence LEK, Cristina DE MIDDEL, Joana MOLL, PÁLL Tamás, Wilfredo PRIETO, SoniLab (Marco Buongiorno Nardelli), ZÁMORI Eszter

Curators: KÉSZMAN József, MAJ Ajna, NOLASCO-RÓZSÁS Lívia, ÜVEGES Krisztina

Bilder

Kunst gegen Rechts

15. – 25. September 2022
Gruppenausstellung, Uferhallen, Berlin

Eingeladene Künstler:innen:
Ulf Arminde, Stefan Alber, Aram Bartholi, Fehmi Baumbach, Marc Bijl,  Jessica Buhlmann/Zao, Zuzanna Czebatul, Moritz Frei, Jana Gunstheimer, Christian Henkel, Verena Issel, Zoe C. Miller, Anne Mundo, Rainer Neumeier,  Angelika Nguyen, Thomas Prochnow, Regina Schmeken, Schroeter&Berger, Kristina Schuldt, Raul Walch, Christian Werner, Ina Wudtke

Die siebte Ausstellung der Reihe KUNST GEGEN RECHTS nimmt den 30. Jahrestag der Pogrome von Rostock-Lichtenhagen als Anlass, um kritisch auf aktuelle, gesellschaftliche Konflikte einzugehen.

Deutschland ist eine postmigrantische Gesellschaft der Vielen. Immer noch wird diese Tatsache viel zu wenig zur Kenntnis genommen. Der Wiedervereinigung am 3. Oktober 1990 folgten rassistische Ausschreitungen und Mordanschläge in Rostock, Mannheim, Hoyerswerda, Mölln und Solingen bis zur Terrorserie des NSU. Es folgten Anschläge auf jüdische Friedhöfe und emanzipatorische Projekte. Eine wiedererwachte deutsche Volksgemeinschaft kroch aus den Löchern hervor.

Der rechte Populismus, der die Kultureinrichtungen als Akteure einer gesellschaftlichen demokratischen Vision angreift, steht der Kunst der Vielen feindselig gegenüber. Die Neue Rechte hat die Kulturpolitik als Kampffeld entdeckt, um ihre völkischen Vorstellungen umzusetzen. Rechte Gruppierungen und Parteien stören Veranstaltungen, verhindern Ausstellungen, greifen in Theater-Spielpläne ein, polemisieren gegen die Freiheit der Kunst, gegen Dekoloniale Erinnerungsprojekte und arbeiten an einer Renationalisierung der Kultur. Es wird einFeldzug gegen zeitgenössische, „undeutsche“ Kunst geführt, die als „neumodische Extravaganzen“ und „exzentrische Randgruppenkunst“ bezeichnet wird, wie aktuell gegen den Kunstverein in Zwickau.

Seit dem Ausbruch der Pandemie, stehen viele Dinge auf dem Prüfstand. Es zeigte sich, wer ein solidarisches Miteinander praktiziert und wer als Pandemiegewinnler oder Coronaleugner die Krise für eigene Interessen nutzt. Bei den sogenannten Querdenken-Demonstrationen kommt es zu einer fatalen Zusammenarbeit verschiedener Akteure. Rechte Gruppierungen und Parteien gewinnen immer mehr an Einfluss. Antisemitismus ist in der neuen Bewegung stark vertreten, wie auch eine Verharmlosung der Shoa und der Gleichsetzung der NS-Zeit mit der aktuellen Situation.

Bilder

Blog Archiv für Monat: Juli 2008

Anti Sticker

Juli 20, 2008


(Traffic-light post sticker protection, found at downtown Seoul )

.com

Juli 20, 2008


It’s always fun to meet Evan and James from Graffitiresearchlab ( the mother cell of all GRLs! ;-). Last night we had a long and interesting discussion on all kinds of topics related to media art business, travel intense festivals and the fast consuming unprecise blog sphere.
Can you imagine getting kicked out by Google? Try to find Graffitiresearchlab.com within these Google results.

Seoul

Juli 19, 2008


(My first day in Seoul. I love the semi offical street sign objects.)

V.I.P.

Juli 16, 2008


(A V.I.P. gallery entrance in Berlin-style. There is always a way to attract people. I wish this ‚installation‘ was part of the exhibition. I love it. Found on Borsigstr. Berlin)

HOTELbich

Juli 16, 2008


HOTELbich is a temporay art venue in Brussels run by good friend and artist David Helbich in conjunction with NADINE. On sunday 20th there will be a full day of performances, walks, live music and exhibition. Don’t miss it!

„PARCOURS“
20.7.2008
at HOTELbich
Rue Gallaitstraat 80
1030 Brussels

Below you find an unsatisfying result of an automated text recognition program which I ran on the flyer. It is a bad habit that people just publish jpg-flyers which are a pain for search engines. Hey David! We need text!

Hey robot please follow here! There might be some usefull info –>
😉

PARCOURS
Compilothèque »
void`ptr »
HOTELbich »
L’Eléphant
13h
Ma CompilE à Toi
brunch bichromatique : a brunch In bi chromas Ladislas Kroitor live music (piano) to be confirmed)
experimental walk
Compilothèque » void’ptr
15h45
void‘ ptr (aka void pointer)
‚ ptr here / lineated silhouette public installation in the looking glas
‚coTab / Pieter Heremans, Johannes Taelman,TOm Schouten : tryout for coastomize
16h15 ~
experimental walk
voi plr » HOTELbich
17h
HOTELbich
Wieder-Aufbau 1/ live expo Travis Robertson, Tina Finnäs, Joanna Bailie, Christoph Ragg, Rinah Lang bichromatique cocktails by the T’shakers
18h
exopTerimental walk
H ELbich » L’Eléphant
19h
L’Eléphant
Les Terrils : concert ` BBO / drinks
adresses.
IaCOmpilo[hèque voitl’ptr HOTELbich L’Eléphan[
St Quai des Péniches PrinsesElisabe[hlaand6 ueGallaitstrsat80 53rueThiéfrystraa[
1000 Bruxelles 1030 Schaarbeek 1030 Brüssel (SChahrbeek) 10305chaerbeek

Calendar Update

Juli 14, 2008

My upcoming events:

5.12.08 – 4.1.09
„Sociial“ Video Award Bremen at GAK, Bremen, DE

14.11.08
Talk at „Media Pavillions“ Symposium, Groninger Museum, NL

17.-20.9.08
Workshop, Creative Gaming Initiative, Potsdam, DE

5.9.-4.10.08
FPS“ at „Avatar“ Australian Centre for Photography, Sydney, AU

25.7.-30.7.08
Presentation at ISEA 2008 Conference, Singapore, SG

22.07.- 24.08.08
WoW“ at „Hack the City“ at TMCA, Seoul, CO.KR

Digital Playground „Hack the City“

Juli 14, 2008


Nathalie Boseul SHIN curator at Total Museum of Contemporary Art, Seoul, South Korea invited me to run the WoW workshop/performance for this exhibition. „Digital Playground“ is an annual media art exhibition started in 2005 at Eujeongbu International Media Art Festival. I am quite exited to run WoW in korean hangul letter system.

22.7.2008 – 24.8.2008

Total Museum of Contemporary Art
465-16 Pyeongchang-dong, Jongro-gu
Seoul 110-012, Korea
www.totalmuseum.org

Digital Playground 2008 “Hack the City!”

Recently, the outlook of Seoul is rapidly changing. It means we are surrounded by ‘under construction’ sign boards. Seoul is under-construction. One day, we have the artificial river, Cheonggae-cheon” at the down town, huge buildings, parks. What is changing is not only outlook, but our daily life is also changed. It is no longer surprise thing or imagination to watch TV or talk with friends face to face.
Last year, Seoul city government announced big plan ‘Seoul city gallery project’ which is for making Seoul as the art city. Many art works are installed on the street, overpasses. People can enjoy art in the park. However, take the different perspective, and ask to ourselves. for what we need art installations in public spaces? Furthermore, what is purpose of art in that sense? There are many kinds of arts, but if we can say about contemporary ‘media’ art, it should be more clear about that question. As I quoted above, “artists alone can’t change the world”, but I believe “artists can make people see or think the other side of what is actually happening with artworks or projects”

It is time to “Hack the city!”
The word of ‘hack’ ing does not mean the specific media oriented act in the computer science. It is not used in negative way which is stealing personal information without permission, either. Rather it is right to say that this word is chosen in the metaphorical context: critical thinking, reconsider of our social system and technology. If people think the place/space where they live, reconsider about the technologies which they use everyday like mobile phone, become unfamiliar with familiar things, then we can say that we are close to make the world what we dream.

This project is consists of two parts. First part is related with actual data which artists get from Seoul city such as traffic flow, sound capture and transfer, some official statistic data. For this TMCA collaborated with media lab in universities. EWHA Womans University and Chungang University join with . Through regular meetings and discussions, they are developing new projects for “Hack the City.” The second part is closed to media activism and performance. Like Balettikka Internettikka from Slovenia and Graffitti Research Lab from USA, they go into the society in order to re-thinking about social system by the intervention and physical hacking. Nanna from Korea is doing performance of asking people to buy or sell their time in the public space. She gets into people, and gives them a chance to think their busy life, or time in philosophical sense. Aram Bartholl (from Germany) make workshop which connected with computer game, but in a very analogical way. The results of performance from the workshop, for sure, bring fresh air to the people who will meet them on the street. Also they have a chance to think about computer game or virtuality.

by Nathalie Boseul SHIN

Tags:

Picture in Picture

Juli 12, 2008


(found on Zionskirchstr. , Cafe Ex, Berlin)

Broken Glas

Juli 12, 2008


(found on Rosenthalerstr, Berlin)

Google Car Berlin

Juli 10, 2008


And here is a picture of the Google Streetview car cruising in Berlin and rest of Germany (and Europe). Btw, I am still waiting for Miscrosoft going public with the praised Photosynth webservice. Just imagine it was possible to combine both of them…

via www.googlewatchblog.de

pic by jensminor

(Google is so green! The Opel corsa consumes just 5,5 liter per 100 km, which is 43 mpg. Well, they just save money: 1,45 €/l in Germany equals 8,66 US$/gallon)

Tags: