Laufende Termine

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

The World In My Hand

18. April – 31. October 2024
Gruppenausstellung, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

Bilder

Decoding the Black Box

27. January – 2. June 2024
Gruppenausstellung, Galerie Stadt Sindelfingen, Sindelfingen

Die Ausstellung Decoding the Black Box bringt Künstlerinnen und Künstler zusammen, die Licht in diesen dunklen Raum und die Prozesse werfen, die sich in ihm ereignen. Sie legen dabei nicht nur die Funktionsweisen digitaler Technologien wie beispielsweise von künstlicher Intelligenz offen, sondern visualisieren zugleich die Auswirkungen, die sie auf unsere Wahrnehmung von Realität und unser In-der-Welt-Sein haben. Während sie die ökonomischen und machtpolitischen Strukturen der digitalen Technologien und insbesondere des Internets transparent machen, zeigen sie Gegenentwürfe für eine dezentralisierte, humanere und demokratischere Nutzung ebendieser auf.

Bilder

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Kommende Termine

Flussbad Berlin

11. – 30. September 2024
Gruppenausstellung, Roter Saal, Berlin

Vergangene Termine

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archiv für Monat: Dezember 2008

„Sociial“ Pictures

Dezember 6, 2008


All pictures of the „Sociial“ performance 5.12.2008 at Weserburg Bremen on flickr. Movie documentation etc coming soon ….

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Weserburg Waterfalls

Dezember 5, 2008


Weserburg Bremen has some nice waterfalls. (No, it s not an Olaf Eliasson project 😉

Sociial

Dezember 1, 2008


On next friday I’ll be showing my new performance piece „Sociial“ at Weserburg Art Museum Bremen, DE. There will be a a new microbutton t-shirt, wii action and Kosmar will ‚explain‘ 100 Web2.0 services in 20 minutes.

17th Video Art Award Bremen

Aram Bartholl „Sociial“ – Performance during the opening

Maximilian Moll „Keep the fire burning“
Stephane Leonard „The Bridge’s Song“

6.12.2008 – 4.1.2009
Opening 5.12.2008 7pm

Speakers:
Ingo Clauss / Curator of the Weserburg
Klaus W. Becker / Film-Office Bremen
Dr. Wulf Herzogenrath / Director of Kunstahalle Bremen
Anouncement of the Video Art Award winner of 2008
Guided tour through the exhibition by the Curator Marikke Heinz-Hoek on 7.12. 11:30 am.

The Videokunst Förderpreis Bremen has advanced to become an important art prize. It is not awarded to completed works, but to concepts that the prize money makes possible to be brought to fruition. This is extremely important in the area of video art, as works of video art are frequently elaborate productions that cannot be realized without financial support in the first place. Within the scope of the competition, high-quality works on video have been being produced on a regular basis since 1992. Due to the Filmbüro Bremen’s keen commitment, this success story can continue be written this year as well. The works by last year’s recipients of the prize—Aram Bartholl, Maximilian Moll, Stephane Leonard—are now being presented for the first time at a four-week exhibition
The exhibition will open with Aram Bartholl’s performance Sociial, which features the games console Wii that Nintendo introduced to the market two years ago. One of the device’s special features is a novel interface between player and computer. Players are required to exert their full physical effort. Sensors register their movements and communicate them directly to the computer game. The in part ridiculous movements are accompanied by a lecture that is no less grotesque—in an endless litany, it presents the countless merits of online services. Facebook, Myspace, studiVZ, and all the other “social networks” are lastingly changing our everyday lives. Yet how social can software be? And what impact do digital developments have on the way we coexist? Against this backdrop, the insane contortions the computer game exacts appear to be thoroughly dubious operations.
Fire is the constitutive element in Maximilian Moll’s video installation Keep the fire burning. The artist uses several projections to set fire to the exhibition space, playing with the various qualities and meanings of fire. Whether forest fire or campfire, candlelight or blaze, humankind’s relationship with fire has always been ambivalent. Fire represents warmth and light, yet it can also escalate into a destructive force. A space-consuming dramaturgy has developed out of this field of tension. However, the digitally generated, in part apparently abstract images do not follow simple narrative patterns. They create a multi-layered resonating space in which personal memories are stimulated and connect up to the images of fire to produce a special form of aesthetic experience.
Stephane Leonard works as an artist, musician, composer, and filmmaker. In his multi-part video installation The Bridge’s Song, these areas team up in a singular way. One sees New York’s Queensboro Bridge. The impressive dimensions of the bridge, its enormous pillars are transferred into the exhibition space by means of a large-format projection. It is flanked by further projections that show the urban environment, the thunderous road traffic, skyscrapers, but also a view from a gondola slowly passing by the bridge. In an interplay with the sound level, the images of the city develop striking intensity. A complex audiovisual composition evolves from the background noises of the metropolis, the rhythm of the road traffic, in which even a bridge can release its very own sound: The Bridge’s Song.

Ingo Clauß

The Videokunst Förderpreis awarded by the Filmbüro Bremen is made possible by the Senator of Art, the Bremische Landesmedienanstalt, Radio Bremen, and the artists association GEDOK. The names of the new award winners will be announced on the evening of the opening, December 5, at 7:00 p.m.

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Artzilla

Dezember 1, 2008


Tobi-x will be launching the artzilla browser addon art platform soon.

artzilla.org launch party // browser hacks exhibition // 13.12.08 at
http://wormweb.nl/ Rotterdam, NL

The Worm crew will open it’s doors at 21.00, the whole thing will be in the cosy worm bar, there will be laptops on podiums standing around, people can mess with the exhibited add-ons, enjoy the best dutch beer ever, get into conversation and enjoy some solid DJ tunes. We’ll spit the talks from 10 to 11, and see where the night goes or where the DJs take us. Special guests are Florian Cramer and Hans Bernhard.

Fame

Dezember 1, 2008


I am pleased to anounce that I receieved the TANDA Fame Grant November 08. Hehe, I like the diploma paper style. thx Jerry!

Pirates of the Amazon

Dezember 1, 2008

There has been a great new Firefox addon released. Pirates of the Amazon! Nice one;-)
Congrats to Long John S.!

Pirates of the Amazon Screencast from pirates_of_the_amazon on Vimeo.

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