Laufende Termine

Liebe auf den ersten Blick

26. October – 3. December 2024
Gruppenausstellung, Springhornhof, Neuenkirchen

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

Fix your phone shop

19. – 27. October 2024
Workshop, Dutch Design Week, Eindhoven

Your smartphone is broken – and it’s not just a cracked screen. The problem is in the apps, the operating system, the hardware, and it affects your privacy, your health, and the health of our planet. During Dutch Design Week, visit the Fix Your Phone Shop by Waag Futurelab and learn what to do to fix it!

Killyourphone.com workshop at Fix Your Phone Shop

Singularity

4. October – 15. December 2024
Gruppenausstellung, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an „intelligence explosion.“

Grand Snail Tour

26. September 2024 – 29. August 2025
Gruppenausstellung, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

Staged at the UNESCO World Heritage Site Völklingen Ironworks, the Urban Art Biennale is one of the world’s largest exhibitions of this anarchic form of art. Departing from a conventional white cube aesthetic, the entire site of the Völklingen Ironworks is given over to a fruitful dialogue with an art form that has evolved from street art or graffiti. Established in 2011, the 2024 edition will focus on participatory urban art projects as well as political works in situ.

The World In My Hand

18. April – 31. October 2024
Gruppenausstellung, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

Bilder

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Kommende Termine

Moving Image Weekly

22. December – 3. November 2024
Gruppenausstellung, Annka Kultys Gallery, London

Welcome to MOVING IMAGE — the gallery new weekly digital programme will be announced soon!

This project will offer unique insights into artists using film, video animation, and digital media, as well as their latest technological explorations, including blockchain and advanced technologies such as AI. Our goal is to contextualise their work within digital art themes and promote their practices to both our digital and traditional art collectors.

Our debut newsletter, introducing the first four featured artists, will be released on the Full Moon on the 15th November 2024! Subsequently, each artist will be highlighted every Sunday beginning on the 17th November 2024 with weekly updates.

Total Screen Time

23. November 2024
Curatorial, tba, Athens

Kill Your Phone

16. November 2024
Workshop, Super Duper Store, Athens

Vergangene Termine

Low Resolution

19. October 2024
Gruppenausstellung, Transfergallery / Postmasters, NYC

ʟᴏ ᴀɴᴅ ʙᴇʜᴏʟᴅ, ɪᴛ’ꜱ ᴛɪᴍᴇ ꜰᴏʀ ʟᴏᴡ ʀᴇꜱᴏʟᴜᴛɪᴏɴ. Postmasters 5.0 and TRANSFER present a show within a show to celebrate the finissage of ‘High Resolution’ on October 19th, 6-9PM 🗓️

​🎥 LOW RESOLUTION GIF SCREENING 🎥

Shiny renders, ‘poor images’, generative art, and everything in between – ‘Low Resolution’ features looped moving images from the internet and beyond, screening for one night only in SoHo.

​Featured Artists: @pr_x_s @anamariacaballero @arambartholl @auriea.harvey.studio @danieltemkin_ @fabiolalariosm @asugarhigh @joemckay5 @mrkdrf @machewtops @mayaontheinternet @yoururgetobreatheisalie @moisesdsanabria @made.by.oona @rodellwarner @rothbergrothberg @sashastiles @fakeshamus @nihil_diamond @taramoves @travisleroysouthworth @pipizzy02 + more announced soon.

​Join us for an evening of Animated GIFs from invited artists in the expanded community around ‘High Resolution’ to celebrate the close of the exhibition.

🎥 Sneak peek 👀 a special contribution from Auriea Harvey ‘Madame Archive’ 1996-1999 a sequential archive of the GIF the artist used online on Entropy8.com in the 90s

RSVP link in bio 🔗
https://lu.ma/q9mrjdnm

High Resolution

28. September – 19. October 2024
Gruppenausstellung, Postmaster 5.0 & TRANSFER gallery, New York

Postmasters 5.0 and TRANSFER
are excited to present a collaborative exhibition

It’s high time for High Resolution.

As the much needed antidote to a week of overwhelmingly static art at the fairs and the season opener shows, Postmasters 5.0 and TRANSFER will present a large-scale collaborative exhibition of digital art.

High Resolution will include several classics by pioneers of time-based media art shown along the hot-from-the-studio works by the new generation of digital artists. This high resolution, high energy, high bar exhibition will center around current ideas and technologies befitting 2024 and looking forward.

Tamas Banovich and Magda Sawon of Postmasters 5.0 and Kelani Nichole of TRANSFER are veterans who do not think like veterans.

with:

GRETCHEN ANDREW
VUK ĆOSIĆ
DAMJANSKI
CARLA GANNIS
HUNTREZZ JANOS
MARTA KUCSORA
LOVID
JENNIFER & KEVIN McCOY
ROSA MENKMAN
LORNA MILLS
EVA PAPAMARGARITI
FRANK WANG YEFENG

special appearance
ARAM BARTHOLL

50 für Bad Berlin

11. – 15. September 2024
Gruppenausstellung, Bauakademie Berlin, Berlin

For Berlin Art Week, the non-profit organisation Flussbad Berlin will be presenting the exhibition and auction „50 Für Bad Berlin“ in the Red Salon of the Bauakademie. Fluss Bad Berlin is a civil society initiative for urban development committed to making swimming possible in the Spree Canal and, in the long run, in other sections of the Berlin Spree.

„50 Für Bad Berlin“ will present works by mostly Berlin-based artists and architects who show solidarity with the objectives of the Fluss Bad Berlin project and the team behind it. They advocate a sustainable development of Berlin for the common good. They oppose the tendency to restrict for ideological reasons the debate on the future of the city (centre) to the historicising reconstruction of the Berlin of the early 20th century and the attempt to appropriate „art and culture” for that purpose. They want to emphasise instead that art and culture are closely linked to development initiatives such as Fluss Bad Berlin, which promote a more social, ecological, sustainable, and futureproof urban development.

While the works on display cover a wide range of types and techniques, they all relate to themes the Fluss Bad project addresses: for instance, in their interpretation of the essential significance of water for our world and for life, and the diverse relationships between humans and the element. They analyse the sensory, political and technical significance of water as a cultural asset, and the meaning of a free and equal access to it. They remind us that the river belongs to the city, that everyday culture belongs to high culture, and that the city is shaped by social values, which –at the same time– it is capable to mediate.

All of the pieces shown at the „50 Für Bad Berlin“ exhibition will be auctioned on September 12.

List of participating artists:
Rosa Barba, Barkow Leibinger, Aram Bartholl, John Bock, Stefanie Bürkle, Thomas Demand, Oswald Egger, Olafur Eliasson, Elmgreen & Dragset, Estudio Herreros, Nina Fischer & Maroan El Sani, Simon Fujiwara, Filomeno Fusco & Victor Kégli, Graft, Katharina Grosse, Esra Gülmen, Asmund Hansteen-Mikkelsen, Annette Hauschild, Heide von Beckerath Alberts, Robert Hermann, Katharina Hinsberg, Moon Hoon, Bjarke Ingels, Inges Idee, Christian Jankowski, Peter K. Koch, Annette Kisling, Mischa Kuball, Götz Lemberg, Susanne Lorenz, Regula Lüscher, Maciej Markowicz, Maix Mayer, Jürgen Mayer H, Bjørn Mehlhus, Fernando Menis, Christian Möller, Olaf Nicolai, Lewis Pugh, Raumlabor, realities:united, Anselm Reyle, Shirin Sabahi, Michael Sailstorfer, Karin Sander, Tomás Saraceno, Sauerbruch Hutton, Erik Schmidt, Something Fantastic, Carlo Stanga, Wolfgang Tillmans, Clement Valla x Certain Measures, Michael Wesely, Haegue Yang, Tobias Zielony

Bilder

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archiv für Schlagwort: sociial

Site Update & „Sociial“ text

Januar 21, 2009

It took me a while but I finally managed to update my website with these ‚recent‘ projects: China Channel, Jump’n Run Shanghai and Sociial. Nothing really new but now also featuring a full translation for the Sociial project.

Sociial from Aram Bartholl on Vimeo.
Sociial is a 17-minute performance presented by four protagonists and an announcer in a stage-like situation. The four „dancers“ play tennis on a Nintendo Wii game console while every 10 seconds the announcer reads out descriptions a selection of 100 Web 2.0 services. The Nintendo Wii game console, which came onto the market in 2006, has a new kind of user interface. In contrast to the usual couch potato playing modus, Wii players must exert themselves physically. A sensor can locate the position of up to four game controllers in the playing area…
… read on

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„Sociial“ Pictures

Dezember 6, 2008


All pictures of the „Sociial“ performance 5.12.2008 at Weserburg Bremen on flickr. Movie documentation etc coming soon ….

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Sociial

Dezember 1, 2008


On next friday I’ll be showing my new performance piece „Sociial“ at Weserburg Art Museum Bremen, DE. There will be a a new microbutton t-shirt, wii action and Kosmar will ‚explain‘ 100 Web2.0 services in 20 minutes.

17th Video Art Award Bremen

Aram Bartholl „Sociial“ – Performance during the opening

Maximilian Moll „Keep the fire burning“
Stephane Leonard „The Bridge’s Song“

6.12.2008 – 4.1.2009
Opening 5.12.2008 7pm

Speakers:
Ingo Clauss / Curator of the Weserburg
Klaus W. Becker / Film-Office Bremen
Dr. Wulf Herzogenrath / Director of Kunstahalle Bremen
Anouncement of the Video Art Award winner of 2008
Guided tour through the exhibition by the Curator Marikke Heinz-Hoek on 7.12. 11:30 am.

The Videokunst Förderpreis Bremen has advanced to become an important art prize. It is not awarded to completed works, but to concepts that the prize money makes possible to be brought to fruition. This is extremely important in the area of video art, as works of video art are frequently elaborate productions that cannot be realized without financial support in the first place. Within the scope of the competition, high-quality works on video have been being produced on a regular basis since 1992. Due to the Filmbüro Bremen’s keen commitment, this success story can continue be written this year as well. The works by last year’s recipients of the prize—Aram Bartholl, Maximilian Moll, Stephane Leonard—are now being presented for the first time at a four-week exhibition
The exhibition will open with Aram Bartholl’s performance Sociial, which features the games console Wii that Nintendo introduced to the market two years ago. One of the device’s special features is a novel interface between player and computer. Players are required to exert their full physical effort. Sensors register their movements and communicate them directly to the computer game. The in part ridiculous movements are accompanied by a lecture that is no less grotesque—in an endless litany, it presents the countless merits of online services. Facebook, Myspace, studiVZ, and all the other “social networks” are lastingly changing our everyday lives. Yet how social can software be? And what impact do digital developments have on the way we coexist? Against this backdrop, the insane contortions the computer game exacts appear to be thoroughly dubious operations.
Fire is the constitutive element in Maximilian Moll’s video installation Keep the fire burning. The artist uses several projections to set fire to the exhibition space, playing with the various qualities and meanings of fire. Whether forest fire or campfire, candlelight or blaze, humankind’s relationship with fire has always been ambivalent. Fire represents warmth and light, yet it can also escalate into a destructive force. A space-consuming dramaturgy has developed out of this field of tension. However, the digitally generated, in part apparently abstract images do not follow simple narrative patterns. They create a multi-layered resonating space in which personal memories are stimulated and connect up to the images of fire to produce a special form of aesthetic experience.
Stephane Leonard works as an artist, musician, composer, and filmmaker. In his multi-part video installation The Bridge’s Song, these areas team up in a singular way. One sees New York’s Queensboro Bridge. The impressive dimensions of the bridge, its enormous pillars are transferred into the exhibition space by means of a large-format projection. It is flanked by further projections that show the urban environment, the thunderous road traffic, skyscrapers, but also a view from a gondola slowly passing by the bridge. In an interplay with the sound level, the images of the city develop striking intensity. A complex audiovisual composition evolves from the background noises of the metropolis, the rhythm of the road traffic, in which even a bridge can release its very own sound: The Bridge’s Song.

Ingo Clauß

The Videokunst Förderpreis awarded by the Filmbüro Bremen is made possible by the Senator of Art, the Bremische Landesmedienanstalt, Radio Bremen, and the artists association GEDOK. The names of the new award winners will be announced on the evening of the opening, December 5, at 7:00 p.m.

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VKP 2008

November 19, 2008


Invitation to my upcoming project. More details coming soon.
[wow, the jpg algorithm has quite some problems with that color]
Wir laden Sie herzlich ein zur Eröffnung der Ausstellung am
Freitag, dem 05. Dezember 2008, um 19 Uhr.
Es sprechen
Ingo Clauß | Kurator der Weserburg
Klaus W. Becker | Geschäftsführer des Filmbüros
Dr. Wulf Herzogenrath | Direktor der Kunsthalle
Im Anschluss werden die neuen Preisträger des
Videokunst Förderpreis Bremen bekannt gegeben.
Die Kuratorin Marikke Heinz-Hoek führt am Sonntag,
dem 07. Dezember um 11:30 Uhr durch die Ausstellung.
Filmbüro Bremen e.V. | Die Kulturelle Filmförderung
Plantage 13, 28215 Bremen, Telefon (0421) 708 48 91
www.fi lmbuero-bremen.de, vkp@fi lmbuero-bremen.de
Videokunst Förderpreis | Kuratorin: Marikke Heinz-Hoek,
Organisation: Christian Meier-Kahrweg
Weserburg | Museum für moderne Kunst
Teerhof 20, 28199 Bremen, www.weserburg.de
Öffnungszeiten: Dienstag, Mittwoch und Freitag 10 – 18 Uhr,
Donnerstag 10 – 21 Uhr, Samstag und Sonntag 11 – 18 Uhr, Montag geschlossen

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Consumer Media Art

Mai 9, 2008

The success of Nintendo Wii shows very well how classic Media Art of the last 20 years has arrived in everyday consumer products. I am curious how the connection of physical body and digital space will evolve in day to day life in the future. This Wii Fit Parody is quite funny. Sure, you better would go out to play real soccer but the way Nintendo integrates the body as a game interface is for most people new and a striking experience. Next step is then to emancipate from the screen and to go for the physical interaction again. 😉
The concept for the performance piece „Sociial“ which won me the Video Award Bremen last year also involves physical Wii action. It’ll be shown in December 2008 in Bremen. Hmm, should I try to include the Wii Fit balance now?

Video Art Award – Bremen

Dezember 12, 2007


I am pleased to anounce that I won a first price for a concept I proposed to the 17th video art award Bremen. Planned by Filmbuero Bremen e.V and curated by Marikke Heinz-Hoek. The opening of the exhibition of last year winners took place on 9.12.07.

More details comming soon.

Pic by Marius Watz

Udate:
#17 video award Bremen

Jury:
Astrid Nippoldt
Christian Katti
Sönke Magnus Müller

Awarded concepts:

– Aram Bartholl „Sociial“
– Maximilaian Moll „Keep the fire burning“
– Stephane Leonard „New York Street Ensemble“