Laufende Termine

Singularity

4. October – 15. December 2024
Gruppenausstellung, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an „intelligence explosion.“

Grand Snail Tour

26. September 2024 – 29. August 2025
Gruppenausstellung, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

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Kommende Termine

Moving Image Perspectives

22. December 2024 – 30. June 2025
Gruppenausstellung, Annka Kultys Gallery, London

Coinciding with its 9th anniversary, ANNKA KULTYS GALLERY is delighted to announce the launch of its new digital programme Illuminated: Moving Image Perspectives, which will take place over the course of a year, and elaborates on the gallery’s expertise in moving image and reaffirms its ongoing commitment to this field.

On a weekly basis, Illuminated will offer unique insights into a new media artist using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI. This project aims to showcase and contextualise diverse digital art practices, while introducing international artists and their distinctive approaches to the gallery’s audience.

The online streams will be augmented by physical presentations of digital artworks in a private home setting at the gallery founder’s loft in Shoreditch. These installations will be accompanied by regular, invitation-only dinners and carefully curated exclusive viewings for art professionals, fostering deeper connections between artists, collectors, journalists, and museum curators.

Vergangene Termine

Graphic Matters

29. November 2024
Talk, TURF festival, Breda

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Total Screen Time

21. November 2024
Curatorial, Ithakis 28, Kypseli-Athens, Athens


Total Screen Time is a
one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ‚em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Kill Your Phone (with style!)

16. November 2024
Workshop, Super Duper Store, Athens

KILLYOURPHONE.COM is an open workshop format. Participants are invited to make their own signal blocking phone pouch.📶 In the pouch the phone can’t send or receive any signals. It is dead! 📵This time we are adding a cute twist 🥰 your phone is going down with style 💖

Join @arambartholl & @socratesstamatatos on 16.11.2024 from 12:00-17:00 at our beloved @super_duper_wow 🎀

Liebe auf den ersten Blick

26. October – 3. December 2024
Gruppenausstellung, Springhornhof, Neuenkirchen

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

Blog Archiv für Monat: Juni 2018

Le Grand Monnayage

Juni 20, 2018

Le Grand Monnayage

Biennale d’art contempoirain de Melle

30.6. – 23.9.2018, preview 29.6.2018
Melle, Deux-Sèvres, France
https://biennale-melle.fr

curated by: Chloé Hipeau-Disko & Frédéric Legros

with:
Ghada Amer, Jannis Kounellis, Aram Bartholl, Jean-François Krebs, Xinyi Liu, Cécile Beau & Emma Loriaut, Renata Lucas, Brognon Rollin, Clemens Botho Goldbach, Pierre Mercier, Guglielmo Castelli, Otobong Nkanga, Ali Cherri, Yoko Ono, Pauline Curnier Jardin, Christodoulos Panayiotou, Hubert Duprat, Pieter Vermeersch, Jimmie Durham, Philip Wiegard, Elsa Fauconnet, Kimsooja, Gloria Zein

Statement

The city of Melle is unique because of the presence of its mines and its minting which placed it in the heart of Europe for centuries. Quickly, this specificity of the city seemed to us a quite contemporary angle which allowed us to approach subjects such as money, exchange, circulation, value and quite simply stone and ore.

With „Le Grand Monnayage“ we had this desire to tell stories and share experiences and as such Melle is a considerable source of inspiration. Here, no white cubes, but a multitude of heritage places open to artists and visitors: three Romanesque churches, one of which was a prison, an ancient court that inspired Jean de La Fontaine, and the silver mines, forgotten for several centuries, which remind us that Melle was the city whose production of silver and coins was the most important in all Western Europe at the time of Carolingians and until the tenth century.

Melle and its many curiosities are a reality that one contemplates only by staying there. Carried by the stories specific to each place, the artists‘ investment in this adventure has been total. Fascinated by the Mines, walking the streets of Melle, taking advantage of this unique framework of creation and exchanges, they have made the city a place of projects and production, a territory of art.

Translated with www.DeepL.com/Translator

 

Otra visita a la escultura

Juni 12, 2018

Otra visita a la escultura

Laboratorio ArteAlameda, Mexico city
29.6. – 2.9.2018
Inauguracion: 28 de junio 19:30 h

curated by: Violeta Horcasitas

with:
Aram Bartholl, Detanicolain, Gino de Dominicis, Roberto Garcia Hernandez, VerOnica Gerber Bicecci, Julieta Gil, Lindsay Lawson, Sara Ludy, Lina Mazenett & David Quiroga, Lorna Mills, Sabrina Ratte, Jason Ronallo, Miguel Angel Salazar, Rick Silva

From the Earth, it seems that it is the Sun that revolves around the planet, it is a so-called apparent movement that gives rise to another concept which is solar time. Two categories have been created to measure this time: true solar time and average solar time. The first one, is based on direct observation, i.e. what we could see thanks to a sundial; the second is based on a so-called fictitious sun, which would be a sun „moving“ at a constant speed around the earth all year round.

Another visit to the sculpture is an exhibition that talks about error and success and brings together the work of artists from different generations, but above all, that work from different artistic practices: contemporary artists, visual artists, visual artists or post-internet dialog about repetition, attempts and processes. The pieces move between the dichotomy of the exact and the vague while blurring that dividing line when generating, almost like a sculptural act, a discovery. Some of the pieces can be stated as philosophical, scientific or mathematical axioms as they build and mold matter, whether it’s digital or analog.

Another visit to the sculpture subverts the title of one of the pieces included in the exhibition, which in turn, is based on and modifies the title of one of the pieces. Don Martin’s comic strip: Another visit with the sculptor. It is the story of an artist who after finishing what he considers his masterpiece, shares his work with a collector. For a brief moment, he is recognized by the magnificence of his work. Seconds The sculptor is then surprised to realize that what the collector sees is a residue of marble on the floor and not the sculpture. that he considers his greatest work of art.

Translated with www.DeepL.com/Translator

Laboratorio ArteAlameda Ciudad de Mexico
http://artealameda.bellasartes.gob.mx

This is my old blog!! New posts at -> http://arambartholl.com/news/

Juni 3, 2018

This is my old blog from back in the days when blogging was a cool thing ;)) Things moved to my new website but everything here will stay online. New blog posts can be found at arambartholl.com/news