The exhibition at RAUM SCHROTH presents international works and artistic concepts that focus on the material itself and explore its elementary nature, characteristics and behaviour. These reflections include, in particular, possibilities of the material that run counter to customary uses, as well as surprising properties that the material does not usually display. The basic material is extremely diverse, ranging from solid substances that are also used to produce goods, to vegetable and ephemeral elements – the reference to the surrounding space, to change and transience is inextricably linked to the concept of material. This opens up the broad field of meanings that are gained in the artistic transformation of the material and which in turn interweave it with existential, everyday and social experiences and concepts.

material messenger is curated by berlin-based artist Elisabeth Sonneck and Juliane Rogge, curator at Stiftung Konzeptuelle Kunst (Conceptual Art Foundation). A programme of musical performances, lectures and talks is being planned to accompany the exhibition.

Participating artists: Aram Bartholl, Zach Blas, Nolan Oswald Dennis, Charles & Ray Eames, Sasha Litvintseva & Beny Wagner, Timo Nasseri, Norbert Pape & Simon Speiser, Trevor Paglen, Katie Paterson, Marie Pietsch, Agnieszka Polska, Jana Schumacher, Hoda Tawakol.

How do we navigate a world in which our actions have a planetary impact? In our post-global era, we cannot see ourselves merely as inhabitants of the Earth. Essentially, we are geological actors whose economic, ecological and political decisions leave profound marks on the globe. From this perspective, the Earth can be viewed as a dynamic system within a much larger cosmic structure.

The group exhibition Between Stars and Signals at the Kunsthaus Hamburg focuses on the bigger picture and spans an arc from humanity’s early understanding of the world and its orientation on the stars all the way to the planetary paradigm and modern technologies such as GPS. The participating artists have engaged in the topic of physical movement through space and time along with its philosophical and social implication. The works on view, spanning video, wall and spatial installations, reflect complex relationships between humans, nature and the cosmos – and make us think. For the question remains whether the digital transformation will lead to a deeper cosmic consciousness or whether it will distance us even further from our immediate experience of the world.

From the Cosmos to the Commons marks the beginning of the five-year programme conceived by City Curator Joanna Warsza. In 2025, it includes exhibitions at the Planetarium Hamburg, Stadtpark, the Kunsthaus Hamburg and a symposium at the Warburg Haus. Since 2024, the project City Curator Hamburg has been hosted by Kunsthaus Hamburg.

Curated by Anna Nowak

Loops is the public event series of New Practice in cooperation with the Berlin University Alliance exploring current questions facing our society at the intersection of art, science and technology in a unique discursive format. Afterwards, the Bar provides a space for exchange between guests, researchers, students and the public.

This session welcomes Aram Bartholl, a seminal voice in contemporary media art whose work interrogates the blurred threshold between digital systems and physical life. Merging conceptual art, hacker culture, and urban intervention, Bartholl’s installations and performances expose the hidden infrastructures of the internet while playfully reanimating digital symbols into everyday public space.

Jahrestagung 2025 | Digital Interventions. Bodies, Infrastructures, Politics
09.05.2025 – 10.05.2025

Veranstaltung in englischer Lautsprache | Eintritt frei | Anmeldung erforderlich | teilweise barrierefreier Zugang: Bedarfe bitte bei Anmeldung angeben
Ob wir online sind oder nicht, es gibt kein Außerhalb des Digitalen. Das Digitale ist immer schon in uns und in unserer alltäglichen Umgebung eingewoben. Unsere Körper, Infrastrukturen und Politiken sind grundlegend mit digitalen Technologien und Praktiken verflochten. Die Tagung Digital Interventionsuntersucht die Möglichkeitsräume künstlerischer Praktiken, die darauf abzielen, emanzipatorische Räume des Digitalen zu schaffen und zu sichern oder die vielfältigen Formen von digitaler Überwachung, Ausbeutung und Unterdrückung herauszufordern. An der Schnittstelle von Kunst, Aktivismus und Hacking wird auf der Tagung die konkrete Materialität und Verkörperung des Digitalen als Ort und Mittel digitaler Interventionen analysiert.

Der Begriff „digitale Interventionen“ selbst offenbart dabei grundlegende und unlösbare Widersprüche. Denn die digitale Sphäre ist ein Raum der Zuflucht und des Widerstands, in dem Anonymität und vertrauliche Kommunikation vor Gewalt schützen. Zugleich ist der digitale Raum massiver Überwachung, Trolling und Desinformation ausgesetzt, die den Raum politischer Meinungsäußerung kapern und zersetzen. Wenn soziale Medien von der Aufmerksamkeitsökonomie bestimmt sind, das Internet vom Plattformkapitalismus strukturiert und der politische Diskurs durch Algorithmen untergraben sind, welche Praktiken und Bruchstellen bieten sich Kunstschaffenden und Aktivist*innen, um in diese Entwicklungen zu intervenieren und sie zu hinterfragen? Wann kann Komplizenschaft in Kritik umschlagen?

Mit dem Fokus auf Körper, Infrastrukturen und Politik, folgen wir der Hypothese, dass es eine zentrale Aufgabe der Künste ist, dysfunktionale Prozesse, falsche Kategorien und ideologische Reduktionen sowie die Komplizenschaft von Plattformen und Onlinediensten mit der Staatsmacht und dem militärisch-industriellen Komplex sichtbar zu machen, zu kritisieren und zu entwirren.

Die Jahrestagung 2025 des SFB Intervenierende Künste wird organisiert von der Arbeitsgruppe „Digitaler Aktivismus“ in Kooperation mit dem HAU Hebbel am Ufer.

Programm:

Freitag, 9. Mai 2025
HAU 2
18:00 – 18.30 Begrüßung/Einführung
Sarah Reimann (HAU Hebbel am Ufer)
Karin Gludovatz (Sprecherin SFB 1512)
Simon Teune und Iryna Kovalenko (Tagungsorganisation SFB 1512)

18:30 – 19:45 Keynote
Aria Dean: Labor, Art, and the Vernacular Aesthetic Online
Introduction: Brigitte WeingartWechsel ins HAU 3

21:00 – 21:45 Performance
Claudix Vanesix: Non-Fuckable Tokens (NFTs)
21:45 – 22:30 Artist Talk mit Claudix VanesixFür den Besuch der Abendveranstaltung von Claudix Vanesix: Non-Fuckable Tokens (NFTs) ist der Kauf einer Eintrittskarte erforderlich.

Samstag, 10. Mai 2025
HAU 209:30 – 10.00 Einführung
Florian Schlittgen und Naomi Boyce (Tagungsorganisation SFB 1512)10:00 – 11:00 Keynote
Brigitte Weingart: The (Micro-)Politics of Meme Culture
Introduction: Matthias Warstat

11:00 – 11:15 Pause

11:15 – 12:30 Roundtable
Aram Bartholl, Jean Peters und Şirin Fulya Erensoy: Art Challenging Digital Repression
Facilitation: Simon Teune

12:30 – 14:00 Lunch Break and Workshop
Kill Your Phone mit Aram Bartholl (Workshop 1) ODER Shrink Your Files mit Matthias Grotkopp (Workshop 2)14:00 – 15:15 Roundtable
Pekka Kallioniemi und Muriel Fischer: Desinformation (and) War
Facilitation: Florian Schlittgen und Iryna Kovalenko

15:15 – 15:45 Pause

15:45 – 16:45 Lecture Performance
Azadeh Ganjeh: Not a Body for Burial
Introduction: Matthias Grotkopp16:45 – 17:00 Pause

17:00 – 18:00 Keynote
Joana Moll: Follow the Body: Materiality and Resistance in the Age of Data Extraction
Introduction: Matthias Grotkopp18:00 – 19:00 Abschlussdiskussion
Facilitation: Margarita Tsomou19:00 – 20:30 Pause (Abendessen nicht inklusive)

Online-symposium, Thursday 8 May 2025, 15:00-17:30 CET, organized by Dani Ploeger

Contributors:
Aram Bartholl, Francis Hunger, Nora Nora O’Murchú, Dani Ploeger, Hito Steyerl, Florian Weigl

In February, Benjamin Netanyahu presented a gold plated pager device to Donald Trump, in reference of last year’s Mossad attack on suspected Hezbollah members, using explosive pagers. Not only did this gift mark another step in a seemingly escalating sequence of official glorifications of acts of state-sanctioned violence that are legally questionable at best (the United Nations Human Rights Office denounced the attack as a “terrifying violation of international law”). Its form also suggests that representatives of nation states in the Global North are shifting their previous focus on keeping up the appearances of an enlightened moral high-ground towards a strategy of prank-like utterances that blatantly display a politics of obscene violence that accompanies globalized power.

The hyperbolic representation and aestheticization of political transgression to expose the perverse implications and undercurrents of hegemonic power have long been a prominent tactic in critical art  practices. Now that this approach has been co-opted by the representatives of power themselves, thus normalizing the public display of violent excesses, what artistic and critical tactics – if any – might still have the potential to raise moral concerns and motivate resistance?

Critical Art vs. Prank Politics is a one-day online symposium organized by Dani Ploeger, Professor of Performance and Technology at the University of Music and Theatre Munich in collaboration with  V2_Lab for the unstable media.

Join us for a live Gallery Surfing session at panke.gallery with NYC-based net artist Maya Manand Berlin-based media and concept artist Aram Bartholl as they browse the web together. The artists will talk about their practices, showcase current projects, surf their favorite websites, and share their open tabs and personal desktops.

In their works, Maya and Aram explore online economies, social media, and current technologies, as well as their aesthetic, personal and societal implications. Having participated in the early developments of AI applications – from glitchy GAN-generated animations, random text generators, and face filters to the current AI models that generate sophisticated videos from single images – Aram and Maya share the experiences they have gained by using these tools and reflect on the effects they’ve had on their own artistic practices, as well as the online and offline environments they inhabit.

As both Maya and Aram have been at the forefront of bringing net art into physical spaces, they will also share insights into the curatorial formats they have developed: from Aram’s speed showsand one-night group exhibitions on phones – one of which recently happened at panke.gallery – to Maya’s sacred screenshots, taken from the phones of 20 artists and exhibited at her project space HEART in NYC.
At panke.gallery, both artists will share the space and their screens.

Come surf the net with us!
…and don’t forget to visit the gift shop on your way out.

This Saturday (11AM-5PM) we welcome Ides Of March, a grass-roots initiative organised by local citizens seeking to raise awareness around the topic of police brutality, in collaboration with KOP Berlin, a campaign for victims of racist police violence.

On March 15th, 1997, the first observation of the international day against police brutality took place in Montreal, Canada, initiated by the Collective Opposed of Police Brutality as a response to extremely violent and racist behaviours perpetrated by authorities. We take this opportunity to explore the topic of police brutality on a local and global level, as well as interlinked practices of racial profiling. With the backdrop of weekly, if not daily, reports of police violence against protestors in Berlin, the topic is more relevant than ever. The event comprises an installation curated by Ides Of March with guest contributors including Aram Bartholl, which is open throughout the event, plus a panel talk from 2:30-3:30PM and free toolkits. The panel talk is titled Beyond The Shields: The Contemporary Function Of Police Brutality In Our Society and will take place in English. The speakers are Ignacio Rosaslanda (Unpublished), Gonca Sağlam (KOP Berlin), reporter Julian Daum and moderator Rahim Chattaika.

FACTS, FAKES AND FEARS
Desinformationen im Zeitalter von künstlicher Intelligenz und Sozialen Medien
Die Auftaktausstellung zum Jahresprogramm von EIGENHEIM Weimar 2025

Ort: EIGENHEIM Weimar, Gärtnerhaus im Weimarhallenpark, Asbachstraße 1, 99423 Weimar
Eröffnung: 21.02.2025 um 19 Uhr
Dauer: 22.02. – 29.03.2025

teilnehmende Künstler*innen: Gökçen Dilek Acay, Benedikt Braun, Cosima Göpfert, Frankfurter Hauptschule, Alison Jackson, Tea Mäkipää, Tommy Neuwirth, Sarah Oh-Mock, Julian Palacz, Michal Schmidt, Julia Scorna, Marcus Sternbauer, Anke Stiller, Addie Wagenknecht, Moritz Wehrmann, Lars Wild, The Yes Man, 庄睿哲 Ruizhe Zhuang

NOME is pleased to announce are we there yet?, a group exhibition that critically examines issues of police brutality, mass incarceration, discrimination, immigration, and state surveillance. The show draws its title from a work by Kameelah Janan Rasheed, whose aphoristic text-based practice often grapples with complex societal questions. As with many of her works, are we there yet? carries multiple meanings, symbolizing both a push for equality and the darker undercurrents of state violence. The exhibition invokes Rasheed’s question to probe the spread of authoritarianism in contemporary society.

Artists: Camae Ayewa, Sadie Barnette, Aram Bartholl, Danielle Brathwaite-Shirley, James Bridle, Paolo Cirio, Cian Dayrit, Priscilla Dobler Dzul, Navine G. Dossos, Igor Grubić, Kite, Kameelah Janan Rasheed, Voluspa Jarpa, Ahmet Öğüt, Dread Scott, Myriam Zarhloul

After the success of the Athenian version of Total Screen Time, and after ‘Brainrot’ was voted last year’s word of the year, we are back in Berlin! No,no we are so,so back! Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care.

Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Curated by:
Aram Bartholl & Socrates Stamatatos

Participating artists:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić, Afroditi Panagiotakou & Manolis Manousakis, Aleksandra Domanović, Clusterduck, Constant Dullaart, Cory Arcangel, Danielle Brathwaite-Shirley, Darsha Hewitt, Dirk Paesmans, Esben Holk, Evan Roth, Igor Štromajer, Ingrid Hideki, Ipek Burçak, Jan Berger, Joan Heemskerk, Joana Moll, Joanna Bacas, Jonas Lund, Katerina Baxevani, Kathrin Hunze, Marsunev, Miltos Kontogiannis, Nadja Buttendorf, Nestor Siré, Niko Princen, Nora Al-Badri, Olaf Val, Ria Schöneberger, Theo Trianfyllidis

Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones immersing into their artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment we asked all artists and visitors to share their daily phone screen time during the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

Bilder

ANNKA KULTYS GALLERY is pleased to present Greetings From Germany! (2024), a single-channel video by German artist Aram Bartholl, a poignant critique of police activities on the streets of Berlin, underscoring the potential of art to confront and illuminate complex truths. This presentation is part of Illuminated: Moving Image Perspectives, the gallery digital programme, which will take place over the course of a year, and offer unique insights into new media artists using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI.

Aram Bartholl’s, video Greetings from Germany! (2024), uses the technology of AI as a space of opportunities to explore disturbing policies around modern urban policing. The ironic title belies a serious underlying message about police activity on the streets of Berlin — a reminder that art can be a powerful tool to consider truth more fully.

For this work Bartholl chose a single image from a recording of an anti-war demonstration in Berlin where police were involved. Using this single frame, Greetings from Germany! presents six alternative realities generated by different AI video systems. The unfolding events are unsettling, playing with notions of certainty. It is difficult to know precisely what is happening as figures morph into one another. Lines are blurred between police, demonstrators and bystanders and precisely what is happening – one figure appears to dance. As the video is shot from the point of view of the audience, (reminiscent of smartphone streaming), the work gives the impression of the viewer being a witness to events unfolding. This creates a sense of immediacy, yet questions of veracity soon arise. The use of a variety of video generators shows how each of these commercial AI models give a slightly different angle to the ambiguous narrative. Shockingly, however, in the final shot, the ambiguity disappears as the viewer is confronted by a distressing clip of found footage of the incident.

This work is about holding a mirror to society, making visible aspects of public policy that might be easily overlooked or disregarded. By using one of the major tools of contemporary society – AI, Bartholl here encourages the viewer to look again, reconsider definitions of what constitutes the real, and catalyse conversations around critical issues.

Catalog release of the exhibition ‚Parcel ready for pickup!‘ at Kunsthalle Osnabrück (15.7.2023 – 25.2.2024)

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ‚em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

KILLYOURPHONE.COM is an open workshop format. Participants are invited to make their own signal blocking phone pouch.📶 In the pouch the phone can’t send or receive any signals. It is dead! 📵This time we are adding a cute twist 🥰 your phone is going down with style 💖

Join @arambartholl & @socratesstamatatos on 16.11.2024 from 12:00-17:00 at our beloved @super_duper_wow 🎀

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

ʟᴏ ᴀɴᴅ ʙᴇʜᴏʟᴅ, ɪᴛ’ꜱ ᴛɪᴍᴇ ꜰᴏʀ ʟᴏᴡ ʀᴇꜱᴏʟᴜᴛɪᴏɴ. Postmasters 5.0 and TRANSFER present a show within a show to celebrate the finissage of ‘High Resolution’ on October 19th, 6-9PM 🗓️

​🎥 LOW RESOLUTION GIF SCREENING 🎥

Shiny renders, ‘poor images’, generative art, and everything in between – ‘Low Resolution’ features looped moving images from the internet and beyond, screening for one night only in SoHo.

​Featured Artists: @pr_x_s @anamariacaballero @arambartholl @auriea.harvey.studio @danieltemkin_ @fabiolalariosm @asugarhigh @joemckay5 @mrkdrf @machewtops @mayaontheinternet @yoururgetobreatheisalie @moisesdsanabria @made.by.oona @rodellwarner @rothbergrothberg @sashastiles @fakeshamus @nihil_diamond @taramoves @travisleroysouthworth @pipizzy02 + more announced soon.

​Join us for an evening of Animated GIFs from invited artists in the expanded community around ‘High Resolution’ to celebrate the close of the exhibition.

🎥 Sneak peek 👀 a special contribution from Auriea Harvey ‘Madame Archive’ 1996-1999 a sequential archive of the GIF the artist used online on Entropy8.com in the 90s

RSVP link in bio 🔗
https://lu.ma/q9mrjdnm