Laufende Termine

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

The World In My Hand

18. April – 31. October 2024
Gruppenausstellung, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

Bilder

Decoding the Black Box

27. January – 2. June 2024
Gruppenausstellung, Galerie Stadt Sindelfingen, Sindelfingen

Die Ausstellung Decoding the Black Box bringt Künstlerinnen und Künstler zusammen, die Licht in diesen dunklen Raum und die Prozesse werfen, die sich in ihm ereignen. Sie legen dabei nicht nur die Funktionsweisen digitaler Technologien wie beispielsweise von künstlicher Intelligenz offen, sondern visualisieren zugleich die Auswirkungen, die sie auf unsere Wahrnehmung von Realität und unser In-der-Welt-Sein haben. Während sie die ökonomischen und machtpolitischen Strukturen der digitalen Technologien und insbesondere des Internets transparent machen, zeigen sie Gegenentwürfe für eine dezentralisierte, humanere und demokratischere Nutzung ebendieser auf.

Bilder

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Kommende Termine

Flussbad Berlin

11. – 30. September 2024
Gruppenausstellung, Roter Saal, Berlin

Vergangene Termine

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archiv für Schlagwort: deaddrops

#BrechtDrop

Februar 16, 2020

As part of a discussion panel at the Brecht Haus Berlin last thursday I made a Dead Drop in the entrance hallway. Come by visit the house and drop some files!

Die kleine Intervention: Weniger Spektakel, mehr Wirkung?

Do 13.02.19:30
Installation und Gespräch
Brecht-Tage 2020, Literaturforum im Brecht-Haus

Mit Aram Bartholl und Helgard Haug (Rimini Protokoll)
Moderation Cornelius Puschke

Anhand von Aram Bartholls „Dead Drops“ (mit Live-Installation) und Projekten von Rimini Protokoll geht es um die Frage, ob die kleine, unauffällige oder parasitäre Aktionsform wirksamer ist als die skandalösen Groß-Interventionen, die ebenso schnell wieder verschwinden wie sie erschienen sind.

Dead Drops appear on Elementary

November 3, 2016

@arambartholl dead drop on Elementary 🙂 pic.twitter.com/BslUrpBKrv

— Theodore Watson (@theowatson) https://twitter.com/theowatson/status/793612879928885248 November 2, 2016

Thanks to Jonah Brucker-Cohen & Theo Watson for pointing out the appearance of a Dead Drop in the TV show ‚Elementary‚. Cool! 🙂

Interview – Dead Drops on Huffpo

September 1, 2016


The internet revolutionized information sharing, allowing people all over the world to post content and distribute it among networks. But as the internet has grown, surveillance on the web has exploded as well. So one artist is encouraging people to forget the cloud and share information in a totally anonymous way.
In 2010, Berlin-based media artist Aram Bartholl started “Dead Drops,” his participatory file-sharing art project, by cementing a USB drive into a brick wall in New York City.

Save The Data

September 24, 2015

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Save the data!
27.09. –  22.11.15
Von Kunst und datenträgern
Kunstpalais Erlangen · www.kunstpalais.de
In Erlangen, der Stadt, in der mit Entwicklung des mp3-Formats die Digitalisierung einen ganz bedeutenden Entwicklungsschritt getan hat, fokussiert mit der Gruppenschau „Save the Data!“ erstmals eine Ausstellung das Zusammenspiel von bildender Kunst und verschiedenen Speichermedien.
Auf welche Weise werden die technischen Speichermedien – aktuelle und überholte – für den künstlerischen Ausdruck genutzt, und wie werden deren unterschiedliche Bedeutungsebenen miteinander verwoben? Welchen Einfluss hat die Digitalisierung auf die Bildgenerierung in den Medien Fotografie, Film und Skulptur? Inwieweit wird der Bedeutungswandel, den die Speichermedien von analog bis digital in den letzten Jahren und Jahrzehnten erfahren haben, durch den künstlerischen Umgang mit ihnen hinterfragt?
Schallplatten, Compact Discs und CD-ROMs, vor allem aber Musikkassetten, Disketten und VHS-Tapes verschwinden einerseits zunehmend aus dem täglichen Gebrauch –andererseits taucht solcherlei Hardware in den letzten Jahren vermehrt in Museen und Galerien auf. Als künstlerischer Werkstoff sind sie für viele Künstler zunehmend von Interesse, und auch der Betrachter freut sich über die Wiederbegegnung mit solchem zum Teil allzu vertrauten Material. Der einst gefürchtete Bandsalat, das Rattern des Filmprojektors, die Mixkassette für die Liebste oder das Bild von Regalen voller Videokassetten gehören im täglichen Leben zwar meist der Vergangenheit an, doch die damit verbundenen Gefühle zwischen Nostalgie und Zukunftseuphorie kommen umso stärker zum Tragen und werden von den Künstlern ganz gezielt eingesetzt. Der Aspekt des verborgenen Gehalts, den die gespeicherten, aber dennoch unsichtbaren Daten den Werken hinzufügen, spielt hierbei für viele eine weitere große Rolle.
Zum anderen entstehen mit Elementen des ganz zeitgenössischen Umgangs mit Dateien und Speicherstrukturen auch neue ästhetische Prototypen: so beispielsweise das Fenster im Internetbrowser oder das Raster des Bildbearbeitungsprogramms. Auch diese haben seit einiger Zeit in der künstlerischen Produktion ihren festen Platz. Vergangenheit und Zukunft werden auf diese Weise in der Schau „Save the Data!“ dicht verwoben – spannend, sinnlich wie intellektuell ansprechend und nicht zuletzt durchaus humorvoll.
with: Timo Arnall (GB), Aram Bartholl (DE), Viktoria Binschtok (RU), Gregor Hildebrandt (DE), Ronnie Yarisal und Katja Kublitz (CH und DK), Via Lewandowsky (DE), Joep van Liefland (NL), Florian Meisenberg (DE), Yuri Pattison (IE), Gebhard Sengmüller (AT)

Dead Drops at Palais de Tokyo

Juni 30, 2015

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Born in Germany in 1972, Bartholl focuses on interrelations between the digital world and our physical surroundings. He obtained his degree in architecture from the University of arts in Berlin, where he lives and works. His artistic work has been shown in numerous festivals and exhibitions in museums and galleries. In 2011, five Dead Drops were part of the “Talk to me” exhibition at the MoMA in New York and a new facet of the project saw the day in 2013 with the installation of a DVD Dead Drop at Museum of the Moving Image in New York as well. Palais de Tokyo is the first French institution to welcome Dead Drops.
Cited from “Somewhere between Cyber and Real: An interview with Aram Bartholl”, by Jillian Steinhauer, 2012, http://hyperallergic.com

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more pictures on flickr
Links for all four Dead Drops:

 

Comment exposer au Palais de Tokyo ?

Juni 18, 2015

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Dead Drops au Palais de Tokyo, à Paris

Vernissage public le lundi 22 juin à 21h

Comment exposer au Palais de Tokyo ?

  1. Apporter vos oeuvres sur votre ordinateur portable lors du vernissage
  2. Téléchargez-les sur l’une des 5 dead drops placées au Palais de Tokyo
  3. Dites à tout le monde que vous exposez au Palais de Tokyo

 
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HOW TO GET YOUR ART IN THE PALAIS DE TOKYO

Juni 18, 2015

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DEAD DROPS at Palais de Tokyo, Paris

Public OPENING, Monday  9:00pm 2015 June 22nd

How to get your art in the Palais de Tokyo

  1. BRING YOUR ART ON A LAPTOP TO THE GRAND OPENING.
  2. UPLOAD IT TO ONE OF THE 5 DEAD DROPS IN PALAIS DE TOKYO.
  3. TELL EVERYONE YOU HAVE ART IN THE PALAIS DE TOKYO.

 
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Dead Drops on Heute news

Juni 3, 2015

Dead Drops revistited!

März 19, 2015

In the past two months there has been again a lot of international press about DeadDrops. The DeadDrops project is running since November 2010, for four and a half years now. After the initial press buzz in 2010/11 the project kept spreading online with occasional press like after the Snowden releases etc. But just since the beginning of 2015 there was a lot of press all over again. It is really hard to tell how such a press wave is starting on a project which is already running for such a while but I assume after almost 5 years there is a new generation of Internet users and press people who haven’t heard about DeadDrops yet. Through some big blogs in the US it reached the south american news, spreaded there and also made it back to Europe.  I ve listed a selection of press links at the end of this post. Please also see the nice DeadDrops youtube playlist somebody made.
In Germany the recent reports about DeadDrops had a special twist. End of February the yellow press style news paper Kölner Express had a piece about a bomb making plan PDF which was supposedly found on a DeadDrop in Cologne. The local and national press picked up quickly the story and my phone kept ringing for two weeks. It is astonishing how in 2015 you still have to explain to people that it is of course not a problem to find such a PDF with illegal tutorials on the Internet. Or yes! there could be a virus on the USB drive, like there could be a virus in this blog post. But in an era of constant fear about terror the suspicious USB drive in wall was a perfect story for them. I was only waiting for the ISIS connection. But again this was a good opportunity to explain that there is no use in censoring or prohibiting encryption or anonymous communication technologies because there is illegal activities. Like back in the days the ruling class tried to banish the brand new dangerous technology ‚book printing‘ which radicalized all the young people. Especially journalists should be aware how important independent, encrypted, private communication is. In fact DeadDrops is not a very efficient communication technology but a good symbol on independent, open digital communication. So while the NSA has trojans installed on all our hard drives or access to millions of sim card keys we worry about a 20 year old anarchist cook book PDF on a flash drive in a wall in cologne.  What a crazy world! :))
The actual great story about the Cologne DeadDrop is that this specific DeadDrop, which I made myself as part of a duo show with JODI at DAM Cologne in 2011, was still existing and working in 2015!! Until the police ripped it out and broke it to then hand it in at the at the LKA cyber security department to get it fixed. Of course the highlight is how the two police men are kneeling in front of the yellow banana (the gallery „certificate“) trying to understand what’s going on. In fact later the Kriminalpolizei called DAM gallery to have them explain what exactly this USB stick is about and what the DeadDrops project is etc. On the same day I made this popular tweet about the whole story.
Of course I am very happy about all the attention for DeadDrops. It is very interesting to witness how the perspective on such a project has changed over the past five years, especially since 2013. I am glad to see how this project is still going on and how it has inspired so many people over the years. Thanks to all the deaddroppers out there!! You are awesome!!
Aram Bartholl, March 2015
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LINKS:

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Full Interview at Sueddeutsche.de:

 
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Guardian:

 

More press links:

German:

 
POPULAR TWEET


https://twitter.com/arambartholl/status/570195342253277185

 

Dead Drops YouTube playlist

März 13, 2015


The Youtube user #USBdeaddrop made an effort to collect all videos dealing with DeadDrops in one or the other way. The result is this beautiful playlist of news reports, tutorials, documentations and more. There are whole lot of clips I haven t even seen before. So cool!! Thx!!