Laufende Termine

Liebe auf den ersten Blick

26. October – 3. December 2024
Gruppenausstellung, Springhornhof, Neuenkirchen

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

Singularity

4. October – 15. December 2024
Gruppenausstellung, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an „intelligence explosion.“

Grand Snail Tour

26. September 2024 – 29. August 2025
Gruppenausstellung, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

Staged at the UNESCO World Heritage Site Völklingen Ironworks, the Urban Art Biennale is one of the world’s largest exhibitions of this anarchic form of art. Departing from a conventional white cube aesthetic, the entire site of the Völklingen Ironworks is given over to a fruitful dialogue with an art form that has evolved from street art or graffiti. Established in 2011, the 2024 edition will focus on participatory urban art projects as well as political works in situ.

The World In My Hand

18. April – 31. October 2024
Gruppenausstellung, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

Bilder

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Kommende Termine

Moving Image Weekly

22. December – 3. November 2024
Gruppenausstellung, Annka Kultys Gallery, London

Welcome to MOVING IMAGE — the gallery new weekly digital programme will be announced soon!

This project will offer unique insights into artists using film, video animation, and digital media, as well as their latest technological explorations, including blockchain and advanced technologies such as AI. Our goal is to contextualise their work within digital art themes and promote their practices to both our digital and traditional art collectors.

Our debut newsletter, introducing the first four featured artists, will be released on the Full Moon on the 15th November 2024! Subsequently, each artist will be highlighted every Sunday beginning on the 17th November 2024 with weekly updates.

Total Screen Time

23. November 2024
Curatorial, tba, Athens

Kill Your Phone

16. November 2024
Workshop, Super Duper Store, Athens

Vergangene Termine

Fix your phone shop

19. – 27. October 2024
Workshop, Dutch Design Week, Eindhoven

Your smartphone is broken – and it’s not just a cracked screen. The problem is in the apps, the operating system, the hardware, and it affects your privacy, your health, and the health of our planet. During Dutch Design Week, visit the Fix Your Phone Shop by Waag Futurelab and learn what to do to fix it!

Killyourphone.com workshop at Fix Your Phone Shop

Low Resolution

19. October 2024
Gruppenausstellung, Transfergallery / Postmasters, NYC

ʟᴏ ᴀɴᴅ ʙᴇʜᴏʟᴅ, ɪᴛ’ꜱ ᴛɪᴍᴇ ꜰᴏʀ ʟᴏᴡ ʀᴇꜱᴏʟᴜᴛɪᴏɴ. Postmasters 5.0 and TRANSFER present a show within a show to celebrate the finissage of ‘High Resolution’ on October 19th, 6-9PM 🗓️

​🎥 LOW RESOLUTION GIF SCREENING 🎥

Shiny renders, ‘poor images’, generative art, and everything in between – ‘Low Resolution’ features looped moving images from the internet and beyond, screening for one night only in SoHo.

​Featured Artists: @pr_x_s @anamariacaballero @arambartholl @auriea.harvey.studio @danieltemkin_ @fabiolalariosm @asugarhigh @joemckay5 @mrkdrf @machewtops @mayaontheinternet @yoururgetobreatheisalie @moisesdsanabria @made.by.oona @rodellwarner @rothbergrothberg @sashastiles @fakeshamus @nihil_diamond @taramoves @travisleroysouthworth @pipizzy02 + more announced soon.

​Join us for an evening of Animated GIFs from invited artists in the expanded community around ‘High Resolution’ to celebrate the close of the exhibition.

🎥 Sneak peek 👀 a special contribution from Auriea Harvey ‘Madame Archive’ 1996-1999 a sequential archive of the GIF the artist used online on Entropy8.com in the 90s

RSVP link in bio 🔗
https://lu.ma/q9mrjdnm

High Resolution

28. September – 19. October 2024
Gruppenausstellung, Postmaster 5.0 & TRANSFER gallery, New York

Postmasters 5.0 and TRANSFER
are excited to present a collaborative exhibition

It’s high time for High Resolution.

As the much needed antidote to a week of overwhelmingly static art at the fairs and the season opener shows, Postmasters 5.0 and TRANSFER will present a large-scale collaborative exhibition of digital art.

High Resolution will include several classics by pioneers of time-based media art shown along the hot-from-the-studio works by the new generation of digital artists. This high resolution, high energy, high bar exhibition will center around current ideas and technologies befitting 2024 and looking forward.

Tamas Banovich and Magda Sawon of Postmasters 5.0 and Kelani Nichole of TRANSFER are veterans who do not think like veterans.

with:

GRETCHEN ANDREW
VUK ĆOSIĆ
DAMJANSKI
CARLA GANNIS
HUNTREZZ JANOS
MARTA KUCSORA
LOVID
JENNIFER & KEVIN McCOY
ROSA MENKMAN
LORNA MILLS
EVA PAPAMARGARITI
FRANK WANG YEFENG

special appearance
ARAM BARTHOLL

50 für Bad Berlin

11. – 15. September 2024
Gruppenausstellung, Bauakademie Berlin, Berlin

For Berlin Art Week, the non-profit organisation Flussbad Berlin will be presenting the exhibition and auction „50 Für Bad Berlin“ in the Red Salon of the Bauakademie. Fluss Bad Berlin is a civil society initiative for urban development committed to making swimming possible in the Spree Canal and, in the long run, in other sections of the Berlin Spree.

„50 Für Bad Berlin“ will present works by mostly Berlin-based artists and architects who show solidarity with the objectives of the Fluss Bad Berlin project and the team behind it. They advocate a sustainable development of Berlin for the common good. They oppose the tendency to restrict for ideological reasons the debate on the future of the city (centre) to the historicising reconstruction of the Berlin of the early 20th century and the attempt to appropriate „art and culture” for that purpose. They want to emphasise instead that art and culture are closely linked to development initiatives such as Fluss Bad Berlin, which promote a more social, ecological, sustainable, and futureproof urban development.

While the works on display cover a wide range of types and techniques, they all relate to themes the Fluss Bad project addresses: for instance, in their interpretation of the essential significance of water for our world and for life, and the diverse relationships between humans and the element. They analyse the sensory, political and technical significance of water as a cultural asset, and the meaning of a free and equal access to it. They remind us that the river belongs to the city, that everyday culture belongs to high culture, and that the city is shaped by social values, which –at the same time– it is capable to mediate.

All of the pieces shown at the „50 Für Bad Berlin“ exhibition will be auctioned on September 12.

List of participating artists:
Rosa Barba, Barkow Leibinger, Aram Bartholl, John Bock, Stefanie Bürkle, Thomas Demand, Oswald Egger, Olafur Eliasson, Elmgreen & Dragset, Estudio Herreros, Nina Fischer & Maroan El Sani, Simon Fujiwara, Filomeno Fusco & Victor Kégli, Graft, Katharina Grosse, Esra Gülmen, Asmund Hansteen-Mikkelsen, Annette Hauschild, Heide von Beckerath Alberts, Robert Hermann, Katharina Hinsberg, Moon Hoon, Bjarke Ingels, Inges Idee, Christian Jankowski, Peter K. Koch, Annette Kisling, Mischa Kuball, Götz Lemberg, Susanne Lorenz, Regula Lüscher, Maciej Markowicz, Maix Mayer, Jürgen Mayer H, Bjørn Mehlhus, Fernando Menis, Christian Möller, Olaf Nicolai, Lewis Pugh, Raumlabor, realities:united, Anselm Reyle, Shirin Sabahi, Michael Sailstorfer, Karin Sander, Tomás Saraceno, Sauerbruch Hutton, Erik Schmidt, Something Fantastic, Carlo Stanga, Wolfgang Tillmans, Clement Valla x Certain Measures, Michael Wesely, Haegue Yang, Tobias Zielony

Bilder

Blog Archiv für Schlagwort: transmediale

Interview – Friendly Reminder – rbb

Februar 13, 2024

„Diese leicht passiv-aggressiven Erinnerungen findet man hin und wieder in seinen Mails. Eine Sache, die wir uns aber sehr deutlich und zu jeder Zeit verdeutlichen sollten ist der Klimawandel, der gerade unsere Atmosphäre anheizt. Dafür hat der Medien- und Konzeptkünstler Aram Bartholl einen ganz besonderen Reminder geschaffen: einen QR-Code als Emoji, der am Eingang der Ausstellung „this is perfect, perfect, perfect“ im Kunstraum Kreuzberg/Bethanien lodert. Was es damit und dem seltsam anmutenden gerahmten Bild auf der gegenüberliegenden Seite auf sich hat, erklärt uns Aram Bartholl etwas genauer.“

https://www.radioeins.de/programm/sendungen/sondersendung/transmediale-2024/friendly-reminder-.html

You are not checked in

Januar 14, 2015

you-are-not-checked-in-transmediale-2015

Offline Art: ‚Your are not checked in‘

at ‚Capture All!‘, Transmediale, Berlin, 28.1.-1.2. 2015
curated by Aram Bartholl
Six positions capturing the state of social, mobile and post anything.
High Retention – Slow Delivery!!
Constant Dullaart, video 10:00 min, 2014
Artificial quantified social capital redistributed, Social media Socialism. 2.5 million Instagram followers were bought and distributed amongst a personal selection of the art-world active on Instagram.
A Letter To Young Internet Artists
Emilie Gervais, website, 2014
Art movements are as irrelevant as categorizing art under medium labels, because 2014 is about life.
Anti-social media protest
Citizens Against Social Media, protest, 2014
PROTEST AT THE SOCIAL MEDIA WEEK ROTTERDAM 2014
*PLSS
Claudia Mate, video, 2:12min,  2014
Portable Life Support System for the contemporary man.
lotru-on-hotpink.com – No Original Research series
Evan Roth, website, 2014
A series of websites, each created from a single animation and audio file found on wikipedia.org
Excellences & Perfections Video Essay
Amalia Ulman, video, 10:31min, 2014
A scripted online performance on Instagram and Facebook.
——————————————————————————————————–
The OFFLINE ART exhibition format:
Browser-based digital art works are broadcast locally from wifi routers which are not connected to the Internet. Each art work is assigned a single wifi router which is accessible through any device, like smart-phones, tablets or laptops. To access the different art works, the visitor has to connect to each network individually. The name of the network reflects the name of the artist. No matter what URL is opened, only the specific artwork appears in the browser. A small web server holding the art piece is installed on a USB flash drive which is connected to the router. Like frames holding the art, the routers are hung in the exhibition space which is otherwise empty. The art i tself becomes visible only on the visitor’s private screen.The pieces are locally widely accessible but disconnected from the Internet.
prior show in the offline art exhibition format at xpo gallery 2013


Doors open at 5pm

Februar 2, 2010

Transmediale is about to it s doors. The opening is all public. Join the FAT lab party tonight and check ou the latest Fuck Google projects on fffff.at
Transmediale opening 5pm
HKW, Berlin

„Chat“ pics CTM

Februar 7, 2008


More „Chat„. Pics during CTM on flickr.

thx for the pics Ariel!
(his flickr is great!)

Photo booth

Februar 7, 2008


Very low low low tech photo booth during Club Transmediale CTM. In mechanical turk style somebody in the „machine“ draws your portrait by hand. „Sit still for 1 minute“. hehe

I think this piece was part of the Sick Girls on opening evening at CTM 25.1.2008.

TM08 video compilation

Februar 6, 2008


Nice video compilation of Transmediale 2008 on www.tagr.tv

Random Screen at Transmediale

April 7, 2007


Check out a new movie documenting my project „Random Screen“ at the Transmediale Berlin this year in feburary. I was lucky. The piece was placed right in the center of the exhibition entrance and you could already see it from the staircase. The audio in the background is Herwig Weisers „Death before Disco“, one of my favorite pieces at the Transmediale this year. Find quicktime movie in better quality here and some more pictures on flickr.