Laufende Termine

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

The World In My Hand

18. April – 31. October 2024
Gruppenausstellung, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer



Kommende Termine

25 Jahre Stiftung Springhornhof

21. September – 3. November 2024
Gruppenausstellung, Springhornhof, Neuenkirchen

Flussbad Berlin

11. – 30. September 2024
Gruppenausstellung, Roter Saal, Berlin

Vergangene Termine

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archiv für Schlagwort: press

Kunstforum Interview

Februar 19, 2024


Interview – Friendly Reminder – rbb

Februar 13, 2024

„Diese leicht passiv-aggressiven Erinnerungen findet man hin und wieder in seinen Mails. Eine Sache, die wir uns aber sehr deutlich und zu jeder Zeit verdeutlichen sollten ist der Klimawandel, der gerade unsere Atmosphäre anheizt. Dafür hat der Medien- und Konzeptkünstler Aram Bartholl einen ganz besonderen Reminder geschaffen: einen QR-Code als Emoji, der am Eingang der Ausstellung „this is perfect, perfect, perfect“ im Kunstraum Kreuzberg/Bethanien lodert. Was es damit und dem seltsam anmutenden gerahmten Bild auf der gegenüberliegenden Seite auf sich hat, erklärt uns Aram Bartholl etwas genauer.“

(Anti-)Konsumtempel – Foto des Monats, art Magazin

November 15, 2023
Radar: Bild des Monats, art Kunstmagazin, Oktober 2023

Radar: Bild des Monats, art Kunstmagazin, Oktober 2023


Schneiderei oder Zeitungskiosk: Was in den letzten Jahren alles zur Paketstation wurde, ist absurd genug. Der deutsche Künstler Aram Bartholl setzt für „Ihr Paket ist abholbereit!“ (bis 25.2.2024) noch einen drauf und macht das Kirchenschiff der KUNSTHALLE OSNABRÜCK zum DHL Shop. Sein Kommentar zu unserem grenzenlosen Güterkonsum – Elektroschrott türmt sich da in der Halle – soll aber auch neue Besuchergruppen erschließen: Der DHL-Shop wird bis Laufzeitende wirklich bedient.

(Anmerkung: Es handelt sich lediglich um eine Packstation 😉

Why Berlin, Why? ;)

Januar 7, 2020


Näh mir ein Funkloch

September 9, 2019

Näh mir ein Funkloch
Aram Bartholl zeigt mit „Strike Now!!“, wie unser Leben stetig, aber unaufhaltsam mit dem Internet verschmilzt
Anika Meier | Ausgabe 36/2019 |  der Freitag



Interview #RTIYWMF

Mai 28, 2013

An interview I gave at the opening of ★RETWEET★IF★YOU★WANT★MORE★FOLLOWERS★ by Yvette Neliaz THX!!
XPO gallery, Paris
17.5.-26.6.2013, opening May 16, 7pm

arte Tracks

Juni 17, 2012

Tags: + + +


Juni 4, 2012
 Article by Max Schreier, photos by Chloé Richard in Berlin; Saturday, June 2, 2012

Aram Bartholl is a tech artist who makes objects by capturing electronic moments, developing them into classical forms, and using the most analog processes to create digital forms. His work falls into the avant garde not by its innovative methods, but rather by its means of handling the often difficult-to-tame medium of the Web. When I visited Bartholl in his studio he humbly downplayed how innovative his work is, choosing instead to discuss the more abstract ideas that inform his process. For Bartholl the duality of analog and digital is a false exclusivity; his art is digital in its concepts but analog in its presentation, an execution that sets him apart from many of his peers in the tech art world.
Aram Bartholl, photo Chloé Richard
Bartholl moved to Berlin in 1995 to earn a degree in the architecture department of the UdK. After his initial two years of study he found himself more excited by the T1 connection in the computer lab than the plotters in the architecture studios. Unlike many of the programmers who were discussing the newfound wealth of information and visual possibilities of writing code to develop art, Bartholl was primarily interested in the front end of the Internet; the user experience with, and the presentation of, the aesthetic of the web. Instead of designing websites and becoming a student of online presentation, Bartholl started to observe the visual trends of the web and to interpret these tropes into handmade art works.
Aram Bartholl, photo Chloé Richard
The openness of the Internet is integral to the physicality as well as the philosophy of Bartholl’s work. He posts detailed instructions for the recreation of his works online, and some of his works are the instructional videos themselves. While many of Aram’s works question where the inherent value of an artworks lies, that is not the primary intention of his creations. Posting the intricacies of the work to the Internet is “obvious” to Bartholl; the fact that his work exists in three dimensions and in space, does not preclude it from also having the interactive and open elements that are intrinsic to the web. Just as an artwork posted on YouTube is viewed thousands of times, a physical work of Bartholl’s also has the same accessibility. It is this well-established openness along with the content that sets him apart as such a unique web artist.
Aram Bartholl, photo Chloé Richard
The ubiquitous conversation of how the Internet decreases our attention spans and thoughtfulness is universally accepted and derided, while at the same time we all participate in this perceived decline. Bartholl sees this haste as opportunity, creating Speed Projects — time restricted art events, self-monitored and self-approved — that are assigned their artistic merit by their completion and often uploading to the web. Bartholl calls these small works “freeing”, as he also considers the brevity of online media. Often he will work months on a work that is only appreciated for a second on the web before it is clicked through, and steadily decreases in viral significance because it is no longer new. The response is Speed Projects, some of which pick up Internet steam and find themselves trending on various forms of social and real media, and others that fall away as quickly as they were made.
Aram Bartholl is showing his work Online Gallery Playset at the group show, 404 Not Found, opening on Friday, June 8 at Berlin project space, Sur la Montagne.

Additional Information

See more of Aram Bartholl’s work:
Exhibition: Jun. 9, 2012; 12-5pm
Opening Recption: Friday, Jun. 8; 7-11pm
Torstrasse 170 (click here for map)
Max Schreier was born in 1985 in New York City. He is an independent curator and the Associate Director at DUVE Berlin.
Chloé Richard is a Berlin-based French photographer and a regular Berlin Art Link collaborator. Her portrait work is internationally published.

Tags: – ISEA2010

September 13, 2010

Documentation on ISEA 2010 by featuring ‚0,16‚ a.o. works. The umbrella is nice!

Tags: +