Upcoming

Coventry Biennial of Contemporary Art

4. October – 24. November 2019
Group Show, Coventry, Coventry

The highly anticipated second Coventry Biennial will unfold across the city from the 4th October to the 24th November 2019 and we invite people to learn, look, make, talk, think and walk with us.

The biennial’s title this year is The Twin and it comprises a series of exhibitions, events and activities about relationships.

We are an international city; Coventry and Volgograd, Russia, were the first modern twin cities in the world and this year marks the 75th anniversary of that historic bond of friendship.

The core programme of The Twin will unfold across the city in medieval and modernist buildings as well as in artist studios, galleries and museums. We will be exhibiting new and existing artworks by individual artists, duos and groups from Coventry, across the UK and from many of our international twin cities as well as other international locations. We are delighted to be exhibiting the artists listed below and will be announcing a small number of additional practitioners over the coming weeks and months:

Isobel Adderley & Jazz Moreton, Tully Arnot, Art & Language, Jonny Bark, Aram Bartholl, Jordan Baseman, James Birkin, Simon & Tom Bloor, James Bridle, Lorsen Camps, Paul Chan & Badlands Unlimited, David Cheeseman, James Clarkson, Anna Columbine, Maud Cotter, Paul Crook, Matthew Darbyshire, Joseph DeLappe, Lisa Denyer, Jacqueline Donachie, Caitriona Dunnett, EVOL, Anne Forgan, Dylan Fox, Darryl Georgiou & Rebekah Tolley, Zuza Golinska, Noémie Goudal, Lawrence Abu Hamdan, Mona Hatoum, Corey Hayman, Nicky Hirst, Clare Holdstock, Fred Hubble, Andrew Jackson, Juneau Projects, Navi Kaur, Smirna Kulenović, Liz Lake, Ollie Ma, Ioana Marinescu, Tony McClure, Lorna Mills, Anna Molska, MTAA, Alexandra Muller, Edie Jo Murray, Uriel Orlow, OUTLINE & Smirna Kulenović, Paper Rad, Bharti Parmar, Parmar & Piper, Partisan Social Club, Mathew Parkin, Matthew Picton, Duncan Poulton, Adele Mary Reed, Lis Rhodes, Rafaël Rozendaal, Ana Rutter, Richard Scott, Shirana Shahbazi, Larissa Shaw, Thomson & Craighead, Leonid Toprover, Chidera Ugada, Mhairi Vari, Nilupa Yasmin

Immortality – The Ural Bienniale

12. September – 1. December 2019
Group Show, uralbiennale.ru, Ekaterinburg

The Ural Industrial Biennial is the largest regional art project with international participation among those existing on the territory of the Russian Federation. The Biennial takes place at former industrial and non-exhibition spaces in Ekaterinburg and other cities of the Ural region.

In its 5th edition, the Ural Biennial explores concepts behind the Immortality, both secular and sacred; it is seen as a powerful utopist idea, as technocratic obscurity, as a symbolic tool and as a condition which might cause evident ethical schisms.

Strike Now!!

11. – 15. September 2019
Solo Show, panke.gallery, Berlin

Strike Now is a platform for discussion and exhibition about today’s working conditions in the so called ‘gig economy’. The rise of service oriented Internet companies like Uber, Amazon and Deliveroo etc created massive amounts app based self employment under often harsh conditions. Is this the new slavery of the post digital Internet commercial revolution? In which ways can workers counteract the algorithmic chains of start-up venture capital? With  lectures, a panel and an exhibition Strike Now at panke.gallery will examine these and further questions. A project by Aram Bartholl, funded by Stiftung Kunstfonds.

Please don’t stand in the middle of the road waiting for me to get you on camera

23. June – 22. July 2019
Group Show, isthisitisthisit.com, Online

Vienna Biennale 2019

28. May 2019 – 27. May 2020
Group Show, MAK Design Labors, Vienna

SF MOMA: Snap + Share

24. March – 4. August 2019
Group Show, San Francisco Museum of Modern Art, San Francisco

SFMOMA: snap+share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
https://www.sfmoma.org/exhibition/snap/

The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.

Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.

curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet

Blog Archive for Month: February 2017

Artist Talk – Bard college Berlin

February 28, 2017

Poster_Aram Bartholl_small

On Monday, March 6th 2017 at 5:00pm, Bard College Berlin has the pleasure to host conceptual artist Aram Bartholl for a guest talk titled “Never Worry Again.” The artist will be speaking about his artistic practice as well as sharing and discussing a wide range of recent works. This talk is open to the public. Refreshments will be served afterwards.

Time: Monday, March 6, 2017 from 5:00pm
Venue: Bard College Berlin, Lecture Hall
Platanenstrasse 98a, 13156 Berlin (map)
Admission free

http://www.berlin.bard.edu/news/events/eventsview/archive/2017/february/article/march-6-never-worry-again-artist-talk-by-aram-bartholl/

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Leaving Facebook URL Generator

February 27, 2017

leaving-facebool-url-generator-1

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Leaving Facebook URL Generator
website, html, java script
Aram Bartholl
2017

https://leaving-facebook.com/

I stumbled over this funny facebook exit page a few days ago. It is quite standard for many Internet platforms to present you a warning like this: “do you really wanna go to that link?” or “see you again soon at our great platform….”. You are leaving the walled garden but they want you to stay. In this particular case I think it is hilarious that facebook titles one of its own pages ‘leaving facebook’. People been talking about leaving facebook since years.

As a fun (and rather useless) service I offer at leaving-facebook.com for everyone to create custom ‘leaving facebook’-URLs. There has been a bit confusion and questions about what this services actually does. It is very simple. If you enter a URL in the form and hit submit facebook will present you the according exit warning page.  Follow the link, that is the idea of the WWW.

Credits: Jonas Lund

Never Worry Again

February 24, 2017

never-worry-again-drone-strike-aram-bartholl-1-2000

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Never Worry Again
sculpture
medium: dash button, vinyl print; size: 2,5 x 6 x 1,5 cm
Aram Bartholl
2017

Amazon Dash is an Internet connected button to make online shopping as simple as possible. The ‚click-buy‘ interface from the website becomes a real button. For each brand series Amazon offers a different button which, when pressed will result in the delivery of a single product. „Never worry again“ [to run out of soap, shampoo or chocolate etc.] was the slogan Amazon used advertise this new invention in Spring 2016.

With each button press a complicated chain of logistics and automation is triggered. A hyper optimized series of commands is issued through networks, software, robots and low wage workers to make the perfect delivery chain work. We don‘t understand in detail how all this works. Where does the product come from? Who made it? How many robots or low wage workers were involved or what is their condition? We just press a button and like magic a new consumer good appears a day later.

The current worldwide drone war works in a similar way. Drone operations are highly automated and distributed among a series of specialists with different tasks. Only very few officials get the whole picture who and why someone is attacked. The drone soldier in the bunker in nevada (or else where) who presses the button to kill certainly doesn’t know.

All we know is that these soon to be automated wars are taking place to ‘protect’ our ‚freedom‘ to consume, to make sure the people in the western world keep buying more and more products every day.

Aram Bartholl 2017

PS:
The project started with a photoshop mockup and tweet in April 2016.