Decisions are the result of complex cognitive processes. Considering them collectively when they involve our shared futures makes them harder to make. But, more and more often, we include machines into such processes through algorithms qualified as decisional. Of course, it raises questions that artists know how to put into perspective. Because of the age that we are currently living in, a brief instant regarding the whole history of our planet, is decisive considering the choices available to us for a responsible development of Artificial Intelligence. Therefore, it is now that human rights are at stake, for instance, about what will emerge from the use of our personal data. The consideration of artworks coming from decisive processes connecting humans to machines could only spring us into an immediate future that still belongs to us.
Curated by Dominique Moulon & Alain Thibault
2021 году в Москве откроется первый в России Музей криптографии.
Широкой аудитории будет представлено прошлое, настоящее и будущее криптографии, математики и смежных дисциплин. Музей криптографии станет новой точкой притяжения на карте города — местом, где доступно и просто говорят о развитии современных технологий.
Здание, в котором будет расположен Музей криптографии, впервые откроет свои двери для широкой публики. В советские годы это была знаменитая «шарашка» в Марфино, где ученые разрабатывали аппаратуру для шифрования телефонной связи.
Важной частью музея станут мультимедийные экспонаты, инфографика и интерактивные островки формата look&feel, а также редкие экземпляры научных трудов.
Внимание! Молодежная команда Музея криптографии сформирована. Подробности
How to Win at Photography – Image-Making as Play explores the relationship between photography and play. It investigates the notion of image play, creating unexpected connections between the history of photography, the gamification of the visible as well as practices of image making with and within computer games.
The group exhibition How to Win at Photography includes more than forty positions from contemporary and 20th century photography. Through an assemblage of multimedia artworks and vernacular images, the exhibition questions the very meaning and function of photography today.
Are we playing with the camera or is the camera ultimately playing us? Are we really in charge or are we mere pawns in larger technical, social, cultural and economic networks? What can a playful photographer achieve on a political and socio-cultural level? Who and what is performing the act of seeing and capturing – humans, machines or a combination of both? Who is playing along? And finally, can this game be won? These are just some of the questions posed by How to Win at Photography.
The exhibition invites visitors to focus on the playful aspects of photography. The exhibition looks at artists and photographers who play with – and sometimes against – the camera, document the environments of videogames and question the notion of identity, gender and class.
With works by: Cory Arcangel, Aram Bartholl, Dorothée Elisa Baumann, Justin Berry, Julius Brauckmann, Alan Butler, Claude Cahun, Cibelle Cavalli Bastos, Dries Depoorter & Max Pinckers, Philipp Dorl, Constant Dullaart, Harun Farocki, Christopher Graves, Aneta Grzeszykowska, Beate Gütschow, Jon Haddock, Emily Hadrich, Florence Henri, Roc Herms, John Hilliard, Yuyi John, Rindon Johnson, Andy Kassier, Sherrie Levine, Gloria López Cleries & Sive Hamilton Helle, René Mächler, Taiyo Onorato & Nico Krebs, Joan Pamboukes, Steven Pippin, Michael Reisch, Tabor Robak, Ria Patricia Röder, Lorna Ruth Galloway, Ed Ruscha, Emma Agnes Sheffer, Cindy Sherman, Guido Segni, Andrew Stine, Petra Szemán, Akihiko Taniguchi, Danielle Udogaranya, Coralie Vogelaar, Tamás Waliczky and Ai Weiwei.
In collaboration with the Lucerne University of Applied Sciences and Arts and the Centre for the Study of the Networked Image at London South Bank University.
“Dust” part of the New Viewings exhibition series.
New Viewings is an experimental exhibition platform, a utopian space, a generator which invites curators and artists to develop projects free from limitations. Visitors get an overview of current discourses, curators and artist positions. Browsing through the ongoing carousel of shows and works you can discover and buy from upcoming and established artists as well as commission new projects. New Viewings was founded by Galerie Barbara Thumm. Although this project was inspired as a response to the pandemic lockdown, New Viewings has matured into its own destination. New Viewings has become a pioneering platform which explores new modes of gallery presentation and new ways to create market access. It has created a diverse network of artistic positions and ideas. The gallery has invited curators to host a series of four solo shows. A virtual gallery space was provided as a blank canvas to the artists, inviting them to experiment, to test new ideas. It is an opportunity to the artists to create a presentation of their work that would either be impossible due to resource constraints, gallery spaces or even strategic confines as determined by expectations of that artist’s oeuvre.
Red Brick Art Museum will present Le supermarché des images on May 28 thanks to the efforts of Chief Curator Peter Szendy, professor of Comparative Literature and Humanities at Brown University, and assistants Emmanuel Alloa and Marta Ponsa. 39 artists and groups will participate and offer over 50 works using a variety of media, such as photography, painting, sculpture, videos, and installations. Artists include Maurizio Cattelan, Yves Klein, Andreas Gursky, Robert Bresson, William Kentridge, Sophie Calle, and Kevin Abosch, the last being an NFT artist who has recently found himself standing in the limelight.
The theme is inspired by the concept of “iconomy” that developed in Peter Szendy’s 2017 book Visible Supermarkets: The Universal Economy of Images. Living during an era marked by image overproduction, he sought to explore a new way of understanding these icons. It was more appropriate than ever to ask questions about the economic importance of images and their storage, velocity of circulation, component materials, and fluctuations in value. how to represent economic processes that often escape our mind, and how to think about the image from an economic standpoint. In short, how images have become a new form of capital.
In concert with the “supermarket” metaphor, the exhibition discusses five image-based perspectives: “Stocks, Raw Materials, Work, Values and Exchanges”. The event aims to take a keen look at the profit and loss of the image economy and shall present current hot topics including the abuses of images, internet giants and their fingers in every pie, the protection of personal information, “micro jobs” and digital labor, and cryptocurrencies. Those are the “bricks” that we use to construct the world we live in today and our modern lifestyle which undergoes reshaping and changing.
As part of the 15th Le Festival Croisements, Le supermarché des images (The Supermarket of Images) is organized by the Jeu de Paume and the Ambassade de France en Chine, with the support of the Institut français de Pékin.
KÖNIG GALERIE is happy to present the exhibition THE ARTIST IS ONLINE curated Anika Meier & Johann König
with works by:
Trey Abdella, Ai-Da, Gretchen Andrew, Daniel Arsham, Banz & Bowinkel, Aram Bartholl, Arno Beck, Lydia Blakeley, Ry David Bradley, Arvida Byström, Damjanski, Stine Deja, Rachel de Joode, Maja Djordjevic, Chris Drange, Johanna Dumet, Hannah Sophie Dunkelberg, Ben Elliot, Oli Epp, Liam Fallon, Travis Fish, Rosie Gibbens, Evgen Copi Gorišek, Cathrin Hoffmann, Andy Kassier, Nik Kosmas, Brandon Lipchik, Jonas Lund, Miao Ying, Pascal Möhlmann, Rose Nestler, Hunter Potter, Grit Richter, Rachel Rossin, Manuel Rossner, David Roth, Aaron Scheer, Pascal Sender, Sarah Slappey, Fabian Treiber, Theo Triantafyllidis, Anne Vieux, Amanda Wall, Fabian Warnsing, Thomas Webb, Jessica Westhafer, Anthony White, Chloe Wise, Hiejin Yoo, Janka Zöller
Conference by École supérieure d’arts plastiques de la Ville de Monaco
In 2015 I projected 10k leaked passwords on the national library Quebec as part of a public art show in Montreal. It’s 2021 and the library is closed because of a hacked database and leaked personal info etc … ¯\_ (ツ) _/¯
Grand Facades, March 16, 2021 • Kristian Vistrup Madsen on the Humboldt Forum in Berlin
https://www.artforum.com/architecture/kristian-vistrup-madsen-on-the-humboldt-forum-in-berlin-85258
Posthumanism Explained, online exhibition, opening!! Tuesday 23.2. 18:00 -> https://posthumanism-explained.common.garden/ (computer browser recommended!) Results of the Blockseminar “Virtual Reality – Real Virtuality”, 3D and VR experiments, WiSe20/21, Prof. A.Bartholl, Kunst mit digitalen Medien, Design, DMI, HAW Hamburg.
with: Tobias Bartenschlager, Lukas Besenfelder, Stefano Dealessandri, Frederik Engelbrecht, Julika Hother, Vanessa Könemund, Katharina Mumme, Amyra Radwan, Sandy Richter, Luisa Striepe, Alexandra Vögtle & Sebastian Ziemann
The Danger Of A Single Story, online exhibition, opening!! 23.2. 18:00 -> https://the-danger-of-a-single-story.common.garden/ (computer browser recommended!) Projects on the topic of memorials and postcolonial discourse, results of the class “Denkmal”, WiSe20/21, Prof. A. Bartholl, Kunst mit digitalen Medien, Design, DMI, HAW Hamburg
with: Stefano Dealessandri, Konstantinas Grigalaitis, Stephan Kraus, Julia Löffler, Matasova Mariia, Sandy Rrichter, Janna Thaden, Anna Wank & Lorenz Wendt
Both exhibitions build with https://common.garden , thx!
‘Daten am Ort’ (Bits on location) is a research project and website I made in 2001. How could Internet and data affect communication based on space? With this project I also graduated in architecture at the art school UdK Berlin back then. The whole website is programmed in flash which will be discontinued on all the big browsers for ever at the end of 2020. Therefore I recorded this short video tour of this website.
You are also invited to visit this website itself – http://datenamort.de – it will certainly stay online but it might be more difficult to access the flash content in the future.
Full website, no voice over, with all links and clicks, complete screen capture here.
A swan obsessed with Obsolete Presence. Picture by Simon Fischer: CC BY 2.0
Seasons of Mediaarts, ZKM Karlsruhe 2020
This is a physical and metaphorical pool.
19. & 20.9.2020
THE POOL
Heybeliada – İstanbul
Curated by Ece Cangüden & Marian Luft
View documentation –> http://thepool.space/the-days-are-just-packed
with/ Accel Arcana, Adrian Altman, Albin Looström, Alessandro Nucci, Alexandra Koumantaki, Ana Castillo, Anastasia Bay, Andrew Rutherdale, Anna Slama & Marek Delong, Anna Walther, Aram Bartholl, Arthur Golyakov, Ben Sang, Berkin Gülten, Bernhard Holaschke, Bob Bickell-Knight, Bora Akıncıtürk, Buğra Erol, Botond Keresztesi, Cem Örgen, Christian Bär, Christian Kölbl, Christian Schellenberger, Clemens Reinecke, Daniel Peder Askeland, Don Elektro, Felix Amerbacher, Felix Thiele, Filippo de Marchi, Florian Birk, František Hanousek, George Jacotey, Naomi Gilon, Hanna Stiegeler, Hugo Laporte, Iain Ball, İlayda Tunca, Ivan Pérard, Jakub Hajek, Jakub Hošek, Jean-Damien Charmoille, Jennifer İpekel, NDRAP Development / Jens Ivar Kjetså, Jeronim Horvat, Jirka Pfahl, Joachim Coucke, Johanna Blank, Johanna Invrea, Julie Maurin, Julien Saudubray, Julius Heinemann, Julius Pristauz, Justin Ortiz, Kaan Ülgener, Karoline Schneider, Katya Quel Elizarova, Kerim Zapsu, Kid Xanthrax, Kıvılcım Güngörün, Korto Bojovic Amar, KOTZ, Leon Leube, Lucia Leuci, Maya Hottarek, Mert Diner, Undergroundflower, Merve İşeri, Michala Paludan, Michèle Pagel, Miguel Martin, Mikkel Carl, Naomi Gilon, Neckar Doll, Nicolas Pelzer, Nik Timková, Omsk Social Club, Oya Kalkavan, Özgür Can Taşcı, Paul Barsch, Paul Bowler, Peggy Pehl, Pınar Marul, Salvador Marino, Sarah Ancelle Schönfeld, Sascha Mikloweit, Selver Yıldırım, Seyhan Musa, Şiir, Sirmon SR, Sophia Oppel, Ștefan Tănase, Steffen Zillig, Stine Deja, Süper Normal, Szilvia Bolla, Thea Mantwill, Tissue Hunter, Ute Richter, Vanya Venmer, Vilte Fuller, Vitaly Bezpalov, Vojtěch Hlaváček, Yein Lee, Zeynep Birced
In the swimming pool of the lost paradise that keeps its former glory alive by the wildness of weeds. We take you in from the lower entrance of the land, which is covered with iron bars. You climb up the ivy tunnel wrapped in rusty iron construction and reach into the realm of that anything and everything is true if you simply believe it to be true!
THE POOL sustains the future, where the dirty, deadly and almost lost one will be reproduced as a magnificent source of life.
THE DAYS ARE JUST PACKED
The physical manifestation of our online beings
As a fluid leaking out of the digital purgatory
We are spreading momentary existences
Ruins from today‘s prophecies
Just as stone tablets
Mutating in reverse
Dear post-social primates
You are the territory
Even if you are far
You can be close
Creations from a Polluted Lagoon: The Pool’s debut show on Heybeliada / Review by Matt Hanson on Exhibist.
https://exhibist.com/creations-from-a-polluted-lagoon-the-pools-debut-show-on-heybeliada/
I m very pleased to announce that my work Obsolete Presence, currently on view at ZKM Karlsruhe has finally made it to the stock photo website Shutterstock. This is in particular interesting because I’ve been working with watermarked stock photo since a few years now. The circle has finally closed. :))
All pics tagged with Bartholl on Shutterstock here.
Aleksandra Domanovic talking about an original robot arm from Yugoslavia of the 70’s.
Vienna Contemporary
Sunday, 27 September 2020, 1:30-2:30 pm
ArtTech Talk: Technology Off Screen
Artists are increasingly using new techniques and materials that address our relationship to a technological world. Artist Aleksandra Domanovic emerged with work that directly addressed a screen context with her collaborative project vvork.com before establishing a largely sculptural practice that incorporates 3D printing and ideas around the use of technology and biological innovations. Aram Bartholl is a Berlin-based conceptual artist whose work unpicks the digital and the physical in inventive ways.
Speakers:
Aleksandra Domanovic, artist
Aram Bartholl, artist
Moderated by Francesca Gavin, art theorist, curator and writer
Mitschnitt aus der Podiumsdiskussion am 10 SEP 2020 mit Regine Keller, Aram Bartholl, Ludwig Engel und Peter Haimerl in der Akademie der Künste.
AKADEMIE DER KÜNSTE
EC(centri)City—Die exzentrische Stadt
10 SEP 2020
Ganztägiges Filmprogramm ab 12 Uhr, diskursives Programm ab 16 Uhr
urbainable—stadthaltig. Positionen zur europäischen Stadt im 21. Jahrhundert
5 SEP—22 NOV 2020
