Laufende Termine

Kunstsurfer

1. – 31. March 2025
Einzelausstellung, Your Browser, Internet

KUNSTSURFER is a browser-based art space. It runs on an add-on that recognises advertisements and replaces them with digital exhibitions. KUNSTSURFER brings art into your daily browsing. It plays with the ways online advertisements look and work. It takes over commercial space to host experimental, digital site-specific curatorial and artistic projects.‍

Facts, Fakes and Fears

22. February – 29. March 2025
Gruppenausstellung, Galerie Eigenheim, Weimar

FACTS, FAKES AND FEARS
Desinformationen im Zeitalter von künstlicher Intelligenz und Sozialen Medien
Die Auftaktausstellung zum Jahresprogramm von EIGENHEIM Weimar 2025

Ort: EIGENHEIM Weimar, Gärtnerhaus im Weimarhallenpark, Asbachstraße 1, 99423 Weimar
Eröffnung: 21.02.2025 um 19 Uhr
Dauer: 22.02. – 29.03.2025

teilnehmende Künstler*innen: Gökçen Dilek Acay, Benedikt Braun, Cosima Göpfert, Frankfurter Hauptschule, Alison Jackson, Tea Mäkipää, Tommy Neuwirth, Sarah Oh-Mock, Julian Palacz, Michal Schmidt, Julia Scorna, Marcus Sternbauer, Anke Stiller, Addie Wagenknecht, Moritz Wehrmann, Lars Wild, The Yes Man, 庄睿哲 Ruizhe Zhuang

Are we there yet?

14. February – 16. May 2025
Gruppenausstellung, Nome gallery, Berlin

NOME is pleased to announce are we there yet?, a group exhibition that critically examines issues of police brutality, mass incarceration, discrimination, immigration, and state surveillance. The show draws its title from a work by Kameelah Janan Rasheed, whose aphoristic text-based practice often grapples with complex societal questions. As with many of her works, are we there yet? carries multiple meanings, symbolizing both a push for equality and the darker undercurrents of state violence. The exhibition invokes Rasheed’s question to probe the spread of authoritarianism in contemporary society.

Artists: Camae Ayewa, Sadie Barnette, Aram Bartholl, Danielle Brathwaite-Shirley, James Bridle, Paolo Cirio, Cian Dayrit, Priscilla Dobler Dzul, Navine G. Dossos, Igor Grubić, Kite, Kameelah Janan Rasheed, Voluspa Jarpa, Ahmet Öğüt, Dread Scott, Myriam Zarhloul

Moving Image Perspectives

22. December 2024 – 30. June 2025
Einzelausstellung, Annka Kultys Gallery, London

ANNKA KULTYS GALLERY is pleased to present Greetings From Germany! (2024), a single-channel video by German artist Aram Bartholl, a poignant critique of police activities on the streets of Berlin, underscoring the potential of art to confront and illuminate complex truths. This presentation is part of Illuminated: Moving Image Perspectives, the gallery digital programme, which will take place over the course of a year, and offer unique insights into new media artists using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI.

Aram Bartholl’s, video Greetings from Germany! (2024), uses the technology of AI as a space of opportunities to explore disturbing policies around modern urban policing. The ironic title belies a serious underlying message about police activity on the streets of Berlin — a reminder that art can be a powerful tool to consider truth more fully.

For this work Bartholl chose a single image from a recording of an anti-war demonstration in Berlin where police were involved. Using this single frame, Greetings from Germany! presents six alternative realities generated by different AI video systems. The unfolding events are unsettling, playing with notions of certainty. It is difficult to know precisely what is happening as figures morph into one another. Lines are blurred between police, demonstrators and bystanders and precisely what is happening – one figure appears to dance. As the video is shot from the point of view of the audience, (reminiscent of smartphone streaming), the work gives the impression of the viewer being a witness to events unfolding. This creates a sense of immediacy, yet questions of veracity soon arise. The use of a variety of video generators shows how each of these commercial AI models give a slightly different angle to the ambiguous narrative. Shockingly, however, in the final shot, the ambiguity disappears as the viewer is confronted by a distressing clip of found footage of the incident.

This work is about holding a mirror to society, making visible aspects of public policy that might be easily overlooked or disregarded. By using one of the major tools of contemporary society – AI, Bartholl here encourages the viewer to look again, reconsider definitions of what constitutes the real, and catalyse conversations around critical issues.

Grand Snail Tour

26. September 2024 – 29. August 2025
Gruppenausstellung, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Instruments of Surveillance

21. September 2024 – 2. May 2025
Gruppenausstellung, National Communications Museum, Hawthorn, Melbourne

As the race to create an artificial general intelligence (AGI) accelerates, questions of surveillance are more important than ever. Is it human or machine? And how can people equip themselves with the tools and knowledge they need to navigate technological futures?

Instruments of Surveillance grounds an age-old and contentious topic in the human and the everyday. From government spooks, data-extraction and activism through to generative AI, this exhibition unravels the interface between human and machine, inviting audiences to unpack the technologies that people use to surveil and their role in it.

Interact with a robotic commission by Louis-Philippe Demers. See an original WWII Enigma Machine, along with wiretaps and prototypes from the Australian Federal Police. Engage with commissions by Leah Heiss and Emma Luke, Kate Crawford, Aram Bartholl and Weniki Hensch among others.

This exhibition is curated by Jemimah Widdicombe (NCM) in collaboration with Dr. Tyne Sumner, current ARC DECRA fellow at the Australian National University.

Bilder

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Kommende Termine

Jahrestagung Intervenierende Künste

9. – 10. May 2025
Talk, Hau 2, Berlin

Die Jahrestagung 2025 des SFB Intervenierende Künste findet statt am:

Freitag, 9. Mai 2025, 18 bis 22 Uhr und
Samstag, 10. Mai 2025, 10 bis 20 Uhr

Sie wird organisiert von der Arbeitsgruppe „Digitaler Aktivismus“ in Kooperation mit dem HAU Hebbel am Ufer.

Programm und weitere Informationen folgen.
Zeit & Ort
09.05.2025 – 10.05.2025

HAU 2, Hallesches Ufer 34, 10963 Berlin

Vergangene Termine

Total Screen Time: BRAINROT

1. February 2025
Gruppenausstellung, panke.gallery, Berlin

After the success of the Athenian version of Total Screen Time, and after ‘Brainrot’ was voted last year’s word of the year, we are back in Berlin! No,no we are so,so back! Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care.

Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Curated by:
Aram Bartholl & Socrates Stamatatos

Participating artists:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić, Afroditi Panagiotakou & Manolis Manousakis, Aleksandra Domanović, Clusterduck, Constant Dullaart, Cory Arcangel, Danielle Brathwaite-Shirley, Darsha Hewitt, Dirk Paesmans, Esben Holk, Evan Roth, Igor Štromajer, Ingrid Hideki, Ipek Burçak, Jan Berger, Joan Heemskerk, Joana Moll, Joanna Bacas, Jonas Lund, Katerina Baxevani, Kathrin Hunze, Marsunev, Miltos Kontogiannis, Nadja Buttendorf, Nestor Siré, Niko Princen, Nora Al-Badri, Olaf Val, Ria Schöneberger, Theo Trianfyllidis

Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones immersing into their artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment we asked all artists and visitors to share their daily phone screen time during the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

Bilder

Graphic Matters

29. November 2024
Talk, TURF festival, Breda

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Total Screen Time

21. November 2024
Curatorial, Ithakis 28, Kypseli-Athens, Athens


Total Screen Time is a
one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ‚em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Blog Archiv für Monat: Januar 2009

„Here is looking at you, Kid.“

Januar 23, 2009


Or how to have eye contact during video chat by using a low tech screen addon.
The concept of video telephony is quite old. It has been around in any Sience Fiction movie or book and different telecommunication companies tried to establish such a service in the 90s or earlier. They all more or less failed. The german Telekom offered i.e. a very expensive ISDN video phone in ’97 but had to draw back soon. But in the meanwhile cheap web cams and fast internet connections made video chat on the computer quite popular. (And it’s also possible to place video calls on all new mobile phones and networks but i ve never seen anybody using it. It’s still just to expensive.)
The general idea of video telephony is quite obvious and seams to be the next step after the good old telephone wich has been around for someting like 100 years. But is the image really a usefull addition to the voice? Is it maybe more interesting to see what the telephone partner is seeing? In fact I am myself not a very big fan of video chat. It does often distract me, there is certain loss of privacy and some people do look more at their own image than to the other person. I am sure there have been a lot of discussions, researches and PhDs on video telephony but I am not going into all these details and relations of sound, voice, image, no image etc.
I think there is one very crucial moment about the video image showing a portrait. If we talk to a person face to face (and this is what video chatting tries to imitate) you normally do have eye contact. You just look at each other, not all the time and depending on your personality and cultural background, but you do have certainly eye contact. And this is very important for communication. I believe one of the main reasons why video chat doesn’t really appeal to me is the missing eye contact. Both participants look at their screens but the web cam is next to the screen. Video chat today is more like observing your friend while he/she is looking at the screen. Even the tiny cams very close to the screen in notebooks don’t really help. Your partners view seams still a bit offset.
„Here is looking at you, Kid.“ is a low tech hardware work around for this serious problem. The simple screen addon is made of a mirror, some glass with spy mirror foil and an piece of card board and will bring the full experience of eye contact to you. The video image of the partner is literally detatched from the screen by two mirrors and shifted in front of the integrated notebook cam. While the viewer enjoys the vido image he/she is now looking at the same time exacly into the camera behind the spy mirror. In the field of TV industrie this setup is well known as a telepromter. Screen and notebook manufacturers should consider this phenomenon and should work on an idea how to integrate the web cam within/behind the TFT screen.
I’ll try to manage a full DIY manual ASAP but I assume you can already figure out by the pictures how to get this going. Please note that of course both participants need this screen addon to make the effect work.
Thx to Holger for bouncing ideas and photo shooting!
All pics on flickr.
Update:
Ah ok, there is a product like this already http://www.bodelin.com/se2e/
Thx for letting my know and thx for the MAKE post, Jonah!

Site Update & „Sociial“ text

Januar 21, 2009

It took me a while but I finally managed to update my website with these ‚recent‘ projects: China Channel, Jump’n Run Shanghai and Sociial. Nothing really new but now also featuring a full translation for the Sociial project.

Sociial from Aram Bartholl on Vimeo.
Sociial is a 17-minute performance presented by four protagonists and an announcer in a stage-like situation. The four „dancers“ play tennis on a Nintendo Wii game console while every 10 seconds the announcer reads out descriptions a selection of 100 Web 2.0 services. The Nintendo Wii game console, which came onto the market in 2006, has a new kind of user interface. In contrast to the usual couch potato playing modus, Wii players must exert themselves physically. A sensor can locate the position of up to four game controllers in the playing area…
… read on

Tags:

Calendar Update

Januar 21, 2009

Upcoming Events
______________________________________________________________

14.7.-21.10.09
„WoW“ workshop at Laguna Art Museum, US

25.5.-29.5.09
Guest teaching at Merz Akademie, DE

7.5.-17.5.09
„Random Screen“ at Kunstfrühling/Art Spring exhibition, Bremen, DE

3.-4.4.09
„Chat“ at STRP festival, Eindhoven, NL

19.3.-22.3.09
„Map“ installation at Inspiracje art festival, Szczecin, PL

22.-25.1.09
ChinaChannel“ at Mediaspace Filmwinter festival, Stuttgart, DE

1.1.-1.4.09
AIR residency program at V2 Lab. NL

Technology Wishlist

Januar 18, 2009


I want support hotlines to pick up my help request/complaints on my microblogging feed/twitter (FF3 does it).
I want to see a virtual machine running in a browser only operating system.
I want my fridge to use the winter cold instead of wasting electricity by generating cold. It ’s cold outside from October-March anyway.
I want a fast booting energy saving light bulp with adjustable light temperature.
I want the screen temperature of my mobile phone to auto adjust to the surrounding light atmosphere.
I want a break powered dynamo for my bicycle lights.
I want TV channels to stop broadcasting after each program. The viewer should hit play to continue.
I want real buttons on full glas auto sliding doors (ICE3).
….
to be continued
Update:
I want to be able to link to a specific position/frame in a movie (hello! vimeo, youtube ….)
(It’s possible. Take a look at http://yovisto.de , thx @hintz)
Udate:
I want to be able to rotate my web cam image 90° into portrait format for video chat. A face is a portrait and not a landscape. (Not so useful for notebook cams though.)

An Ode To My Best Friend

Januar 17, 2009


Without you my life was useless.
You are so universal.
You store my life at heart.
You keep my secrets safe from the chatty networks.
Your beauty grows by the amount of data you can take.
8gig, I just love you. 512 old man, your case is big, you have seen many machines. You are serving me for a long time already.
You gave me the power to defeat the curse of the small-minded silver disk.
I take you everywhere I go.
You are my personal R2D2 compatible to any system, robust to all physical harm.
Your single beautiful pulsing light adulates my eyes like gold.
Your high speed data rate feels like cocaine.
Plugging you in is always a bet like a 50/50 Russian Roulette.
Your ISO gives me a cold shiver running down my spine.
Without you in my pocket I feel naked and useless.
You, my physical presence of the essence of life, no one can seperate us.
In love, your best Friend.

Tags:

Preview

Januar 16, 2009


By the way, I am currently showing (since my bithday party) a preview of a new piece at Cafe Mörder http://tinyurl.com/a3b5pa. If you are interested just drop by and it’s worth going for a coffee there anyway…

„Rein Raus“

Januar 15, 2009


I wish I had a balcony 😉
Revisiting Realities United.
Nice one!
Year Start: 2001
Status: completed
Timeframe: permanent
Location: Falckensteinstrasse 47-48, 10997 Berlin, Germany
ReinRaus is the prototype of a standardized and serially producible mobile space extension for city apartments. The appliance can be installed on a wide variety of windows, apartments and types of dwellings. read on

Classic Train Information Display

Januar 13, 2009


(Beautiful but not in use any more, found at train station Eberswalde, DE)

Speakers

Januar 13, 2009


During a daytrip to Szczecin PL (actually really close to Berlin 2h, discussing my google „Map“ pin with inSPIRACJE for march) I took a quick look at the current show at galeria 13 muz. I liked the speaker arrangements of Michals Dudeks sound/video installations. Nice!

Michal Dudek
11.12.2008 – 31.01.2009
„Sounds of Room
Medianovercontrol“

Audio/Video Installations

at
galeria 13 muz
Szczecin, PL

Symetric

Januar 12, 2009

(Found installation in public space. Someone got rid of two screens and placed them in a nice symetric way in the street. „Untitled“ Mixed media, 2 computer screens, container, urban intervention. I bet thoses still work 😉 found at Borsigstrasse, Berlin)