Current Events

Prototypen und andere seltsame Dinge

1. December 2023 – 28. January 2024
Group Show, Kunstverein Arnsberg, Arnsberg

Wenn Künstler*innen nach neuen Ideen suchen, erforschen sie Formen und Gestalten, um ihre Gedanken auszudrücken. Oft lassen sie sich von bestehenden Dingen inspirieren und bringen sie in unerwartete Konstellationen. Neue Bedeutungen und Verständnisse der Welt, in der wir leben, kommen so zum Ausdruck. Kunst entwickelt sich zur Formbehauptung. Das Erstellen eines künstlerischen Prototyps oder ein Prozess, den wir Materialisierung nennen, ist dafür ein Schritt zwischen der Formalisierung und der Bewertung einer Idee. Sie ermöglichen die Projektion und Imagination in etwas, das viel größer ist als die Dinge selbst. Für die diesjährigen Jahresgaben 2023/2024 hab en wir eine Auswahl von Arbeiten getroffen, die sich mit dieser Materialisierung künstlerischer Alternativideen befassen und sowohl nach innen als auch nach außen schauen. Sie sind Gedankenkörper und Schritte, um Ideen neue Formen zu geben, die wiederum neue Anfänge und Orientierung in einer Welt erm ö glichen, in der wir uns in zu vielen Bedeutungen verloren haben.

With: Aram Bartholl, Rana Hamadeh, Neda Saeedi, Marco Bruzzone, Aaajiao, Malte Bartsch, Thomas Kiesewetter, Jeewi Lee, Farkhondeh Shahroudi, Viron Erol Vert, Solweig de Barry, Sarah Kirsch

Ihr Paket ist abholbereit

8. July 2023 – 25. February 2024
Solo Show, Kunsthalle Osnabrück, Osnabrück

On the occasion of its 30th anniversary, the Kunsthalle Osnabrück is showing Aram Bartholl’s most comprehensive solo exhibition to date. Aram Bartholl is one of the pioneers in Germany who deals with socially relevant conflicts of digitality and automation through art. Originally coming from the field of architecture, he uses his performative interventions, sculptures and workshops to question our current media behaviour as well as the public economies that are linked to social networks, online platforms or digital distribution strategies. He puts socially relevant topics such as surveillance, data security or dependency on technology up for discussion by transferring the gaps, contradictions or absurdities of our digital everyday life into spatial settings.

For the Kunsthalle Osnabrück, Aram Bartholl transformed the Kunsthalle´s church space into a walk-in recycling yard for electronic waste. The scenery is illuminated by three sculptures hanging from the ceiling, reminiscent of chandeliers that are made from recycled televisions. The result is a sensual as well as functional installation of complementary exhibition parts that invite us to reflect on the cycles, consequences and future perspectives of our daily consumption of media and goods. The walk-through parcours made of piled up electronic waste makes the amount of recycled material of our belongings visible and creates a unique environment for a diverse art mediation programme  including workshops, plena by local climate activists, repair cafés, excursions, lectures and film screenings. Oversized QR codes on the church walls frame the setting and raise critical questions about our handling of energy resources, raw materials and labour rights in the digital society. Opposing the electronic waste, the exhibition contains a 30-metre-long DHL Packstation, which is put into operation during the exhibition period. Osnabrück citizens and visitors are able to pick up their parcels at the Kunsthalle Osnabrück and drop them off in the respective lockers.

Curators: Anna Jehle and Juliane Schickedanz
Curators public programme: Louisa Behr, Joscha Heinrichs, Anna Holms and Christel Schulte.

Funded by the Stiftung Niedersachsen (Foundation of Lower Saxony) and the Niedersächsische Ministerium für Wissenschaft und Kultur (Lower Saxony Ministry of Science and Culture). The VGH Stiftung (VGH Foundation) is funding the accompanying exhibition’s art mediation programme. With the kind support of Deutsche Post AG, Lerec Elektrorecycling GmbH and Osnabrücker ServiceBetrieb.

Credits:

Curated by: Anna Jehle, Juliane Schickedanz (duo team, directors of Kunsthalle)
Curatorial assistance: Anna Holms
Public Programming: Aram Bartholl, Louisa Behr, Joscha Heinrichs, Anna Holms, Christel Schulte
Installation team: Norbert Hillebrand, Timo Katz, Andreas Zelle
Exhibition office: Natali Märtin
Visitor service: Frank Berger, Ulla Brinkmann, Harcharan Gill, Sina Lichtenberg, Kaan Ege Önal, Josef Wegmann
Finances: Viktoria Puskar
Janitor: Wilfried Wienstroer
Janitorial assistance: Frank Berger
PR: Kristina Helena Pavićević
Art mediation and education: Christel Schulte

pictures

Enigma

25. February 2023 – 25. February 2024
Group Show, Museum of Communication, Kopenhagen

Communication pervades our lives more than ever before. With the digital channels, we are constantly accessible and can publish ourselves wherever and whenever we want. But despite the many great opportunities, the tide of information may often appear confusing, polarizing or hateful, and our public conversation is challenged.

On November 19, 2022, ENIGMA will open new exhibition areas and a large children’s area, in which we look forward to welcoming everyone.

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Upcoming Events

Did you get my message?

8. March – 30. May 2024
Solo Show, Kunstverein Rotenburg, Rotenburg

Der Kunstturm
4 Etagen – 122 Stufen – 24 m

Eigentlich sollte der nicht mehr benötigte Schlauchturm der Feuerwehr Mitte der 90er Jahre abgerissen werden, um Parkraum für das Erlebnisbad “Ronolulu” zu schaffen. Aber Peter Möhl, damaliger Geschäftsführer der Stadtwerke und damit Eigentümer des Turms, schwebte eine sinnvolle Nachnutzung vor. Zusammen mit dem 2. Vorsitzenden des Kunstvereins, dem Architekten Jürgen Lohmann, wurde die Idee geboren, den Turm zu einer Galerie umzubauen.
Lohmann entwarf einen modernen Anbau als Entree, ließ vier Ebenen in den Turm einbauen und führte die erforderlichen Sanierungsmaßnahmen mit viel Rücksicht auf die vorhandene Bausubstanz durch. Seit 1996 ist der “Kunstturm” Domizil des Kunstvereins Rotenburg e.V. und, wie es der Kulturminister des Bundes (Beauftragter der Bundesregierung für Kultur und Medien), Bernd Neumann, anlässlich eines Besuchs seinerzeit formulierte, “ein Leuchtturm der Kunst in Niedersachsen”.

Transmediale Exhibition: you’re doing amazing sweetie

31. January – 29. February 2024
Group Show, Kunstraum Kreuzberg, Berlin

Exploring the horror of content, the 37th edition of transmediale you’re doing amazing sweetie questions how logics of content production determine and frustrate our relations to technology. The festival takes place from January 31 to February 4, 2024 at silent green Kulturquartier, Akademie der Künste, and Haus der Kulturen der Welt. The festival’s main exhibition will be on view at Kunstraum Kreuzberg/Bethanien.

Decoding the Black Box

27. January – 2. June 2024
Group Show, Galerie Stadt Sindelfingen, Sindelfingen

Die Ausstellung Decoding the Black Box bringt Künstlerinnen und Künstler zusammen, die Licht in diesen dunklen Raum und die Prozesse werfen, die sich in ihm ereignen. Sie legen dabei nicht nur die Funktionsweisen digitaler Technologien wie beispielsweise von künstlicher Intelligenz offen, sondern visualisieren zugleich die Auswirkungen, die sie auf unsere Wahrnehmung von Realität und unser In-der-Welt-Sein haben. Während sie die ökonomischen und machtpolitischen Strukturen der digitalen Technologien und insbesondere des Internets transparent machen, zeigen sie Gegenentwürfe für eine dezentralisierte, humanere und demokratischere Nutzung ebendieser auf.

Street 3.0

23. – 28. December 2023
Group Show, Osaka Kansai International Art Festival, Osaka

Osaka Kansai International Art Festival Vol.3

Ai Hasegawa / AQV-EIKKKMA / Algorythmic Perfumery / Aram Bartholl / BYNAM / ETAT LIBRE D’ORANGE /FISHKOM / Goo Nakayama / Hisashi Yamamoto / Kimihiko Hino /Makoto Aida / MOCAF / NEANDERTAL / II / Rintaro Hashiguchi / @shashinn / STORA SKUGGAN / Takehiro Ishitani + Chim Pom from Smappa!Group / Thomas Vautier / Tomotosi / VERYONE / Simon Weckert / Yuichi Inoue / YAP / ZOOLOGIST

Recent Events

Perspektiven von Kunst im öffentlichen Raum

21. October 2023
Talk, Fachtagung der Kunstkommission Düsseldorf, Düsseldorf

Kunst im öffentlichen Raum – Wirken in der Stadtgesellschaft

5 Jahre Kunstkommission Düsseldorf
Fachtagung zu Perspektiven von Kunst im öffentlichen Raum der Stadt
Zur Sicherung künstlerischer Qualität und um eine neue Planungskultur sowie eine aktive Teilhabe an der Diskussion um die Kunst im öffentlichen Raum zu ermöglichen, hat der Rat der Stadt Düsseldorf die Kunstkommission Düsseldorf etabliert. Diese hat vor fünf Jahren ihre Arbeit aufgenommen und bereits diverse Projekte im öffentlichen Raum realisiert. Aus diesem Anlass lädt die Kommission am Samstag, 21. Oktober 2023, herzlich ein zur Fachtagung zum Thema

Perspektiven von Kunst im öffentlichen Raum.

In Podiumsgesprächen mit Impulsvorträgen sollen die verschiedenen Facetten von Kunst im öffentlichen Raum erörtert werden. Welche Bedeutung hat Kunst für die Stadtgesellschaft? Wie kommt Kunst in den öffentlichen Raum? Oder wie gehen wir mit Bestandskunst um? Das sind nur einige Fragen, die in diesem Zusammenhang diskutiert werden sollen.

Die Veranstaltung ist in zwei Blöcken gegliedert: vormittags werden Strukturen zur Organisation und Realisierung von Kunst für den öffentlichen Raum betrachtet werden, nachmittags liegt der Fokus auf “best practice” mit der Beleuchtung von Herausforderungen an beispielhaften Projekten.

Die Fachtagung findet statt von 10:00 – 18:00 Uhr im Palais Wittgenstein, Bilker Str. 7-9, 40213 Düsseldorf.

*cringe*

29. September – 8. October 2023
Group Show, HGW STD, Athens

The term “cringe” has resurfaced on the internet in recent years. According to Google Trends statistics, there has been a significant increase in searches for this term, which has been steadily rising since 2016. “Cringe” refers to a reaction of embarrassment or social awkwardness. This feeling arises when we become aware of our own uncomfortable actions or when we empathize, or even mock, someone else’s behavior that causes us secondhand embarrassment.

The term “cringe” encompasses a wide range of emotions, making it a versatile word to describe various incidents. However, its usage and application have been shaped by internet communities. Not only is it widely known and used, but it has also managed to bridge divergent identities.

People of different ages, races, genders, political affiliations, and other backgrounds find a common language of communication through “cringe” online. Similar to the existence of metaphorical languages for artistic subjects, “cringe” has spawned a metaphorical language for artistic expression. This is evident in many contemporary works, both digital and non-digital, and has given rise to new artistic media such as memes. “Cringe” has become an overarching concept that encompasses a broader range of social embarrassments.

The universality of identifying with “cringe” when faced with discomfort or socially awkward situations could position it as a contemporary Sublime. Historically, the Sublime has been associated with aesthetic theories heavily influenced by the social dynamics of the time. However, does “cringe” represent a modern form of the Sublime? Has it emerged in response to a shift away from a prescribed aesthetic? We currently exist in a time where collective digital languages are being created to understand a wider range of identities and where a diversity of aesthetic influences is prevalent.

Considering that aesthetics today are multifaceted due to the World Wide Web and the widespread dissemination of information, this exhibition aims to explore these ideas. Through artworks that construct an intimate fusion of references to our digital identity, it presents a familiar chaos that challenges viewers to organize it, while deeply engaging with their present human identity.

*cringe* Curated by: Socrates Stamatatos, Dimi Kalabo 29 SEPTEMBER-08 OCTOBER 2023

Artist talk

16. September 2023
Talk, Neues Museum Nürnberg, Nürnberg

Aram Bartholl stellt im Gespräch mit Kuratorin Susann Scholl seine aktuelle Installation auf dem Klarissenplatz vor. Anhand von weiteren Beispielen gibt er darüber hinaus einen vertiefenden Einblick in sein Werk, in dem Analoges und Digitales häufig auf feinsinnig-absurde Weise aufeinandertreffen.

Kunst Basis Ebertplatz vol.2

15. September – 6. October 2023
Group Show, Ebertplatz Köln, Köln

Zwischen Unort und Denkmal – KUNST BASIS EBERTPLATZ

Un-möglich! Un-verschämt! Un-geheuerlich! So einfach und prägnant wie sich das ‚Un‘ den Worten voran- stellen lässt, voller Überzeugung und Empörung über einen Sachstand, so schnell ist es auch ausgespro- chen und damit in der Welt.

Im Hinblick auf den Eberplatz, den wir in den vergan- genen Jahrzehnten als einen mehr oder weniger un-gepflegten, un-instandgehaltenen und mit un-funk- tionierenden Rolltreppen und un-installierten Beleuch- tungssystemen kennenlernen durften, ist es ein Leichtes, das ‚Un‘ vor den Ort in der Kölner Neustadt
zu setzen. Der Un-Ort ist damit gemacht. Fertig. Und während seit Jahren auch die Empörung über das Un- Mögliche an der Präsenz des Ebertplatzes kultiviert wird – es braucht eben immer einen, der herhält und über den leicht zu schimpfen ist –, so stellt sich hier und da die Frage, wer denn nun genau gescholten wird.

Der Platz selbst kann nichts für sich, aber wer war es dann? Die un-mögliche Stadtverwaltung! Die Vernachlässigung des Platzes ist eine größere Sünde als die Architektur selbst!

Curated by Stefanie Klingemann

Blog Archive for Month: January 2009

“Here is looking at you, Kid.”

January 23, 2009


Or how to have eye contact during video chat by using a low tech screen addon.
The concept of video telephony is quite old. It has been around in any Sience Fiction movie or book and different telecommunication companies tried to establish such a service in the 90s or earlier. They all more or less failed. The german Telekom offered i.e. a very expensive ISDN video phone in ’97 but had to draw back soon. But in the meanwhile cheap web cams and fast internet connections made video chat on the computer quite popular. (And it’s also possible to place video calls on all new mobile phones and networks but i ve never seen anybody using it. It’s still just to expensive.)
The general idea of video telephony is quite obvious and seams to be the next step after the good old telephone wich has been around for someting like 100 years. But is the image really a usefull addition to the voice? Is it maybe more interesting to see what the telephone partner is seeing? In fact I am myself not a very big fan of video chat. It does often distract me, there is certain loss of privacy and some people do look more at their own image than to the other person. I am sure there have been a lot of discussions, researches and PhDs on video telephony but I am not going into all these details and relations of sound, voice, image, no image etc.
I think there is one very crucial moment about the video image showing a portrait. If we talk to a person face to face (and this is what video chatting tries to imitate) you normally do have eye contact. You just look at each other, not all the time and depending on your personality and cultural background, but you do have certainly eye contact. And this is very important for communication. I believe one of the main reasons why video chat doesn’t really appeal to me is the missing eye contact. Both participants look at their screens but the web cam is next to the screen. Video chat today is more like observing your friend while he/she is looking at the screen. Even the tiny cams very close to the screen in notebooks don’t really help. Your partners view seams still a bit offset.
“Here is looking at you, Kid.” is a low tech hardware work around for this serious problem. The simple screen addon is made of a mirror, some glass with spy mirror foil and an piece of card board and will bring the full experience of eye contact to you. The video image of the partner is literally detatched from the screen by two mirrors and shifted in front of the integrated notebook cam. While the viewer enjoys the vido image he/she is now looking at the same time exacly into the camera behind the spy mirror. In the field of TV industrie this setup is well known as a telepromter. Screen and notebook manufacturers should consider this phenomenon and should work on an idea how to integrate the web cam within/behind the TFT screen.
I’ll try to manage a full DIY manual ASAP but I assume you can already figure out by the pictures how to get this going. Please note that of course both participants need this screen addon to make the effect work.
Thx to Holger for bouncing ideas and photo shooting!
All pics on flickr.
Update:
Ah ok, there is a product like this already http://www.bodelin.com/se2e/
Thx for letting my know and thx for the MAKE post, Jonah!

Site Update & “Sociial” text

January 21, 2009

It took me a while but I finally managed to update my website with these ‘recent’ projects: China Channel, Jump’n Run Shanghai and Sociial. Nothing really new but now also featuring a full translation for the Sociial project.

Sociial from Aram Bartholl on Vimeo.
Sociial is a 17-minute performance presented by four protagonists and an announcer in a stage-like situation. The four “dancers” play tennis on a Nintendo Wii game console while every 10 seconds the announcer reads out descriptions a selection of 100 Web 2.0 services. The Nintendo Wii game console, which came onto the market in 2006, has a new kind of user interface. In contrast to the usual couch potato playing modus, Wii players must exert themselves physically. A sensor can locate the position of up to four game controllers in the playing area…
… read on

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Calendar Update

January 21, 2009

Upcoming Events
______________________________________________________________

14.7.-21.10.09
“WoW” workshop at Laguna Art Museum, US

25.5.-29.5.09
Guest teaching at Merz Akademie, DE

7.5.-17.5.09
“Random Screen” at Kunstfrühling/Art Spring exhibition, Bremen, DE

3.-4.4.09
“Chat” at STRP festival, Eindhoven, NL

19.3.-22.3.09
“Map” installation at Inspiracje art festival, Szczecin, PL

22.-25.1.09
ChinaChannel” at Mediaspace Filmwinter festival, Stuttgart, DE

1.1.-1.4.09
AIR residency program at V2 Lab. NL

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Technology Wishlist

January 18, 2009


I want support hotlines to pick up my help request/complaints on my microblogging feed/twitter (FF3 does it).
I want to see a virtual machine running in a browser only operating system.
I want my fridge to use the winter cold instead of wasting electricity by generating cold. It ‘s cold outside from October-March anyway.
I want a fast booting energy saving light bulp with adjustable light temperature.
I want the screen temperature of my mobile phone to auto adjust to the surrounding light atmosphere.
I want a break powered dynamo for my bicycle lights.
I want TV channels to stop broadcasting after each program. The viewer should hit play to continue.
I want real buttons on full glas auto sliding doors (ICE3).
….
to be continued
Update:
I want to be able to link to a specific position/frame in a movie (hello! vimeo, youtube ….)
(It’s possible. Take a look at http://yovisto.de , thx @hintz)
Udate:
I want to be able to rotate my web cam image 90° into portrait format for video chat. A face is a portrait and not a landscape. (Not so useful for notebook cams though.)

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An Ode To My Best Friend

January 17, 2009


Without you my life was useless.
You are so universal.
You store my life at heart.
You keep my secrets safe from the chatty networks.
Your beauty grows by the amount of data you can take.
8gig, I just love you. 512 old man, your case is big, you have seen many machines. You are serving me for a long time already.
You gave me the power to defeat the curse of the small-minded silver disk.
I take you everywhere I go.
You are my personal R2D2 compatible to any system, robust to all physical harm.
Your single beautiful pulsing light adulates my eyes like gold.
Your high speed data rate feels like cocaine.
Plugging you in is always a bet like a 50/50 Russian Roulette.
Your ISO gives me a cold shiver running down my spine.
Without you in my pocket I feel naked and useless.
You, my physical presence of the essence of life, no one can seperate us.
In love, your best Friend.

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Preview

January 16, 2009


By the way, I am currently showing (since my bithday party) a preview of a new piece at Cafe Mörder http://tinyurl.com/a3b5pa. If you are interested just drop by and it’s worth going for a coffee there anyway…

“Rein Raus”

January 15, 2009


I wish I had a balcony 😉
Revisiting Realities United.
Nice one!
Year Start: 2001
Status: completed
Timeframe: permanent
Location: Falckensteinstrasse 47-48, 10997 Berlin, Germany
ReinRaus is the prototype of a standardized and serially producible mobile space extension for city apartments. The appliance can be installed on a wide variety of windows, apartments and types of dwellings. read on

Classic Train Information Display

January 13, 2009


(Beautiful but not in use any more, found at train station Eberswalde, DE)

Speakers

January 13, 2009


During a daytrip to Szczecin PL (actually really close to Berlin 2h, discussing my google “Map” pin with inSPIRACJE for march) I took a quick look at the current show at galeria 13 muz. I liked the speaker arrangements of Michals Dudeks sound/video installations. Nice!

Michal Dudek
11.12.2008 – 31.01.2009
“Sounds of Room
Medianovercontrol”

Audio/Video Installations

at
galeria 13 muz
Szczecin, PL

Symetric

January 12, 2009

(Found installation in public space. Someone got rid of two screens and placed them in a nice symetric way in the street. “Untitled” Mixed media, 2 computer screens, container, urban intervention. I bet thoses still work 😉 found at Borsigstrasse, Berlin)