Laufende Termine

Kunstsurfer

1. – 31. March 2025
Einzelausstellung, Your Browser, Internet

KUNSTSURFER is a browser-based art space. It runs on an add-on that recognises advertisements and replaces them with digital exhibitions. KUNSTSURFER brings art into your daily browsing. It plays with the ways online advertisements look and work. It takes over commercial space to host experimental, digital site-specific curatorial and artistic projects.‍

Facts, Fakes and Fears

22. February – 29. March 2025
Gruppenausstellung, Galerie Eigenheim, Weimar

FACTS, FAKES AND FEARS
Desinformationen im Zeitalter von künstlicher Intelligenz und Sozialen Medien
Die Auftaktausstellung zum Jahresprogramm von EIGENHEIM Weimar 2025

Ort: EIGENHEIM Weimar, Gärtnerhaus im Weimarhallenpark, Asbachstraße 1, 99423 Weimar
Eröffnung: 21.02.2025 um 19 Uhr
Dauer: 22.02. – 29.03.2025

teilnehmende Künstler*innen: Gökçen Dilek Acay, Benedikt Braun, Cosima Göpfert, Frankfurter Hauptschule, Alison Jackson, Tea Mäkipää, Tommy Neuwirth, Sarah Oh-Mock, Julian Palacz, Michal Schmidt, Julia Scorna, Marcus Sternbauer, Anke Stiller, Addie Wagenknecht, Moritz Wehrmann, Lars Wild, The Yes Man, 庄睿哲 Ruizhe Zhuang

Are we there yet?

14. February – 16. May 2025
Gruppenausstellung, Nome gallery, Berlin

NOME is pleased to announce are we there yet?, a group exhibition that critically examines issues of police brutality, mass incarceration, discrimination, immigration, and state surveillance. The show draws its title from a work by Kameelah Janan Rasheed, whose aphoristic text-based practice often grapples with complex societal questions. As with many of her works, are we there yet? carries multiple meanings, symbolizing both a push for equality and the darker undercurrents of state violence. The exhibition invokes Rasheed’s question to probe the spread of authoritarianism in contemporary society.

Artists: Camae Ayewa, Sadie Barnette, Aram Bartholl, Danielle Brathwaite-Shirley, James Bridle, Paolo Cirio, Cian Dayrit, Priscilla Dobler Dzul, Navine G. Dossos, Igor Grubić, Kite, Kameelah Janan Rasheed, Voluspa Jarpa, Ahmet Öğüt, Dread Scott, Myriam Zarhloul

Moving Image Perspectives

22. December 2024 – 30. June 2025
Einzelausstellung, Annka Kultys Gallery, London

ANNKA KULTYS GALLERY is pleased to present Greetings From Germany! (2024), a single-channel video by German artist Aram Bartholl, a poignant critique of police activities on the streets of Berlin, underscoring the potential of art to confront and illuminate complex truths. This presentation is part of Illuminated: Moving Image Perspectives, the gallery digital programme, which will take place over the course of a year, and offer unique insights into new media artists using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI.

Aram Bartholl’s, video Greetings from Germany! (2024), uses the technology of AI as a space of opportunities to explore disturbing policies around modern urban policing. The ironic title belies a serious underlying message about police activity on the streets of Berlin — a reminder that art can be a powerful tool to consider truth more fully.

For this work Bartholl chose a single image from a recording of an anti-war demonstration in Berlin where police were involved. Using this single frame, Greetings from Germany! presents six alternative realities generated by different AI video systems. The unfolding events are unsettling, playing with notions of certainty. It is difficult to know precisely what is happening as figures morph into one another. Lines are blurred between police, demonstrators and bystanders and precisely what is happening – one figure appears to dance. As the video is shot from the point of view of the audience, (reminiscent of smartphone streaming), the work gives the impression of the viewer being a witness to events unfolding. This creates a sense of immediacy, yet questions of veracity soon arise. The use of a variety of video generators shows how each of these commercial AI models give a slightly different angle to the ambiguous narrative. Shockingly, however, in the final shot, the ambiguity disappears as the viewer is confronted by a distressing clip of found footage of the incident.

This work is about holding a mirror to society, making visible aspects of public policy that might be easily overlooked or disregarded. By using one of the major tools of contemporary society – AI, Bartholl here encourages the viewer to look again, reconsider definitions of what constitutes the real, and catalyse conversations around critical issues.

Grand Snail Tour

26. September 2024 – 29. August 2025
Gruppenausstellung, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Instruments of Surveillance

21. September 2024 – 2. May 2025
Gruppenausstellung, National Communications Museum, Hawthorn, Melbourne

As the race to create an artificial general intelligence (AGI) accelerates, questions of surveillance are more important than ever. Is it human or machine? And how can people equip themselves with the tools and knowledge they need to navigate technological futures?

Instruments of Surveillance grounds an age-old and contentious topic in the human and the everyday. From government spooks, data-extraction and activism through to generative AI, this exhibition unravels the interface between human and machine, inviting audiences to unpack the technologies that people use to surveil and their role in it.

Interact with a robotic commission by Louis-Philippe Demers. See an original WWII Enigma Machine, along with wiretaps and prototypes from the Australian Federal Police. Engage with commissions by Leah Heiss and Emma Luke, Kate Crawford, Aram Bartholl and Weniki Hensch among others.

This exhibition is curated by Jemimah Widdicombe (NCM) in collaboration with Dr. Tyne Sumner, current ARC DECRA fellow at the Australian National University.

Bilder

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Kommende Termine

Jahrestagung Intervenierende Künste

9. – 10. May 2025
Talk, Hau 2, Berlin

Die Jahrestagung 2025 des SFB Intervenierende Künste findet statt am:

Freitag, 9. Mai 2025, 18 bis 22 Uhr und
Samstag, 10. Mai 2025, 10 bis 20 Uhr

Sie wird organisiert von der Arbeitsgruppe „Digitaler Aktivismus“ in Kooperation mit dem HAU Hebbel am Ufer.

Programm und weitere Informationen folgen.
Zeit & Ort
09.05.2025 – 10.05.2025

HAU 2, Hallesches Ufer 34, 10963 Berlin

Vergangene Termine

Total Screen Time: BRAINROT

1. February 2025
Gruppenausstellung, panke.gallery, Berlin

After the success of the Athenian version of Total Screen Time, and after ‘Brainrot’ was voted last year’s word of the year, we are back in Berlin! No,no we are so,so back! Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care.

Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Curated by:
Aram Bartholl & Socrates Stamatatos

Participating artists:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić, Afroditi Panagiotakou & Manolis Manousakis, Aleksandra Domanović, Clusterduck, Constant Dullaart, Cory Arcangel, Danielle Brathwaite-Shirley, Darsha Hewitt, Dirk Paesmans, Esben Holk, Evan Roth, Igor Štromajer, Ingrid Hideki, Ipek Burçak, Jan Berger, Joan Heemskerk, Joana Moll, Joanna Bacas, Jonas Lund, Katerina Baxevani, Kathrin Hunze, Marsunev, Miltos Kontogiannis, Nadja Buttendorf, Nestor Siré, Niko Princen, Nora Al-Badri, Olaf Val, Ria Schöneberger, Theo Trianfyllidis

Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones immersing into their artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment we asked all artists and visitors to share their daily phone screen time during the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

Bilder

Graphic Matters

29. November 2024
Talk, TURF festival, Breda

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Total Screen Time

21. November 2024
Curatorial, Ithakis 28, Kypseli-Athens, Athens


Total Screen Time is a
one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ‚em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Blog Archiv für Schlagwort: google portrait

Jean-Paul Sartre en Libération

Oktober 28, 2013


During the fiac art fair the newspaper Libération had a special edition (October 24, 2013)  in which all pictures where replaced by pictures of art pieces. Ususally Liberation features every day on their last page a portrait of a person. I had the honor to draw the Jean Paul Sartre portrait for this special edition…
Aram Bartholl, «Portrait Google de Jean-Paul Sartre», 2013, fusain, 1m x 1m. Courtesy XPO GALLERY, Paris.
La 40e édition de la FIAC coïncide avec les 40 ans de Libération. Il fallait à cette occasion lier la création contemporaine à l’histoire du quotidien fondé en 1973 sous l’égide de Sartre.
L’artiste allemand Aram Bartholl signe un hommage à l’auteur des Mots, sans en écrire un seul. Ce QR code tracé au fusain, une fois scanné sur un smartphone, renvoie automatiquement vers les dix premières pages Google de la recherche «Jean-Paul Sartre». Aussitôt archivé et sans cesse actualisé, le visage du philosophe est sanctuarisé par l’information.
Alexis Jakubowicz et Jean-Brice Moutout Fondateurs de NonPrintingCharacter
http://www.liberation.fr/culture/2013/10/23/aram-bartholl_941821

Google Portrait: Kate Middleton

Februar 26, 2013


Google Portrait: Kate Middleton
Charcoal on Paper
100 x 100 cm
Aram Bartholl, 2013
On display at DAM Berlin at Art13 London  March 1-3 2013

Good by Kate! Was cool hanging out! :))
 
 

Google portraits at 'Reply All'

Februar 10, 2012


3 new Google Portraits currently on show at ‚Reply All‘ [DAM] Berlin

Petra Cortright – eng., ink on paper, 80 x 80 cm

Vera Molnar – eng., ink on paper, 80 x 80 cm

Olia Lialina – eng., ink on paper, 80 x 80 cm
 

Pieces at Pace

September 21, 2011


Google Portrait series at ‚Social Media‘ Pace gallery NYC, Sept. 2011, 70 x 70 cm, edding, edding, char coal, stamp ink, all on paper

Are You Human? series at ‚Social Media‘ Pace gallery NYC, Sept. 2011, dimension variable, up to 100 x 45 cm, 3 mm aluminum anodized, laser cut

'Social Media'

September 5, 2011

I’ll show new work from the ‚Google Portrait‘ series and ‚Are you human?‘ series at ‚Social Media‘, Pace Gallery, opening mid September… CU there!


„Social Media“
The Pace Gallery & Pace/McGill
510 West 25th Street, NYC
from September 16 through October 15, 2011.

Opening, on Thursday, September 15 from 6–8 p.m.
SOCIAL MEDIA
September 16 – October 15, 2011
Video stills from I Love Your Work, 2011, by Jonathan Harris
NEW YORK, August 22, 2011—The Pace Gallery, Pace/MacGill Gallery and the MFA Photography, Video
and Related Media Department at the School of Visual Arts are pleased to present Social Media. The
exhibition focuses on contemporary artists exploring public platforms for communication and social networks
through an aesthetic and conceptual lens. In an era of increasingly omnipresent new technologies, Social Media
examines the impact of these systems as they transform human expression, interaction, and perception. The
exhibition will feature works by Christopher Baker, Aram Bartholl, David Byrne, Jonathan Harris, Robert
Heinecken, Miranda July & Harrell Fletcher, Sep Kamvar and Penelope Umbrico
.

Art Amsterdam

Mai 27, 2010


The Google Portraits Series is currently on display at Art Amsterdam 26.-30. of May represented by Multiple Gallery XX (via Walter thx!)

4 Google self-portraits

November 12, 2009

g-portraits-9
A Google Portrait is a drawing which contains the Google URL search string of the portrayed person in encoded form. Any camera smart phone is capable to decode the matrix-code with the help of barcode reader like software. The result points the mobile phone browser to a a search on the portrayed person’s name at Google…
full text and more pictures on Google Portrait series project page.
4 Google self-portraits commissioned by Microwave Festival, Hong Kong , 2009
‚Aram Bartholl‘, search german
75 x 75 cm, transparent paper, edding 850
‚Aram Bartholl‘, search english
75 x 75 cm, transparent paper, edding 750
‚Aram Bartholl‘, search chinese
75 x 75 cm, transparent paper stamp, stamp ink
‚Aram Bartholl‘, search korean
75 x 75 cm, transparent paperpastel chalk

„Nature Transformer“

November 12, 2009

Web
I am showing 4 new self-portraits of the ‚Google portrait series‚ commissioned by Microwave at the project room exhibition, Microwave festival, Hong Kong. Visitors are invited to draw their own Google self-portrait in a drop-in workshop during the festival.
„Nature Transformer“
Microwave festival
,
Hong Kong

13.11.-11.12.2009
Participating Artists:
Aram Bartholl / Germany
Petko Dourmana / Bulgaria
Tiffany Holmes / USA
Colin Ives / Canada
Natalie Jeremijenko / USA
Akio Kamisato, Satoshi Shibata, Takehisa Mashimo / Japan
Kult / Singapore
Joao Vasco / Hong Kong
Victoria Vesna / USA

More Google Portraits

Juni 21, 2007


Being busy with my new project Google Portrait Series I found this nice drawing by MIT student Ben Dalton who did an analysis on portraiture in general and related to internet development.

„I decided to produce a portrait sketch based on a google search. Google only provides an outline of an individual if their name is very well know on the web, or it is unusual. I chose the ‚guru‘ and web celebrity Jacob Nielsen, who’s website useit.com provides his thoughts on design and usability.

In searching for someone’s name, text that uses the persons full name is retrieved. This tends to result in formal descriptuions of the individual. I wanted to contrast a style that used distraction and detail with the stark refined simplicity of google and Jacob’s own design style.

By picking out words, and reforming them into my own phrases I have tried to alter the meaning of the search results to reflect my own interpretations and bias. This form of artistic sketching and wordplay has been explored by an artist who took a whole book, drew on each page (highlighting new phrases to produce a new narrative), and republishing the book (Unfortunately I cannot remember the details of this project to link to it).

Below is the final sketch. i couldn’t help putting a recognisable face in there (after much debate). I think it would be enhanced with the addition of colour wash, coffee cup stains or colour pencil marks.“

New Project: „Google Portrait Series“

Juni 20, 2007


Finally I have this new project online. I am using the same technique as in the Tagging project but on a different and very appropriate topic.

„A Google Portrait is an interactive painting which contains the Google search string of the portrayed person in encoded form. Every java enabled camera phone is capable to decode the „Semacode“ called 2D-code by taking a picture of the portrait. The result leads the mobile phone browser to Google doing a search on the portrayed person’s name…“

read on at project page Google Portrait Series

Thx to Daniel, my first victim. 😉