QM // Interview Aram Bartholl
Interview I gave beginning of 2012 at my solo show ‚Reply All‘Â at DAM Gallery, Berlin published at http://querbinder.com/
By occupying nearly a third of our waking hours, screens are profoundly reshaping the contours of our relationships with others. In response, numerous journalistic and academic discourses echo concerns about the digital migration of our social lives: the idea frequently arises that the socio-technical systems at work in this migration are making us more resistant to diversity.
Our intention is to nuance this concern by acknowledging a foundational aspect of the internet—its original design to facilitate the virtuous and unprecedented emergence of communities of specific interests, often far more specialized than what our traditional offline social circles can accommodate. This utopia inevitably carries a tension between, on the one hand, the benefits of more efficient and far-reaching sociability, and on the other, the widely discussed risks of a social life limited to alters who are most similar to ourselves.
Curated by AurĂ©lie ClĂ©mente-Ruiz, director of the MusĂ©e de l’Homme in Paris, and Camille Roth, a researcher at CNRS in social sciences.
With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas
A look at how our online practices leave traces and affect our rights. Based on the Digital Rights Charter (2021), the exhibition explores seven key areas using humor and everyday examples. Framed within the Digital Rights Observatory and curated by FundaciĂłn TelefĂłnica and Domestic Data Streamers, the exhibition invites reflection and debate on the safe, responsible, critical, and creative use of technology.
Framed within the initiative of the Digital Rights Observatory and curated by FundaciĂłn TelefĂłnica and the artistic collective Domestic Data Streamers, which presents six installations, the exhibition features works by contemporary artists such as United Visual Artists, Eva & Franco Mattes, Paolo Cirio, NoemĂ Iglesias Barrios, Theresa Reiwer, Hasan Elahi, and Aram Bartholl, among others. These works engage the viewer, help them understand, and encourage reflection on our actions as digital beings. A much-needed exhibition that fosters debate around digital rights and responsibilities, as well as the safe, responsible, critical, and creative use of technology. Because today is a good day to talk about Digital Rights.
GOGBOT 2025
SCROLL PANIC REPEAT
18-21 september @ ENSCHEDE
festival for art music technology
Join us on Saturday, September 13, 2025, 13–20h at Engeldamm 64, 10179 Berlin (Kreuzberg).
Solidarity Fundraiser for the
Gaza Biennale –- Berlin Pavilion
Works by 100+ Berlin artists
Each work €50
Over 120 Berlin-based artists have already donated works on paper in solidarity with colleagues in Palestine. The fundraiser will make the Berlin Pavilion possible: It will support the participating artists in Gaza by paying them artist fees, reproducing works that cannot leave Gaza under the siege, and expanding the ecosystem of the Biennale that allows the public to engage with their work.
If you are a Berlin-based artist and would like to contribute works on paper to the fundraiser, please email fundraising@gazabiennaleberlin.com for more information.
Join us live-in-studio with season two of the Radio Spaetkauf x Europäische Akademie Berlin podcast collaboration. This year we focus on CULTURE. Each episode features fresh voices and perspectives representing a wide array of backgrounds, expertise and disciplines. Host Daniel Stern is joined by researchers, academics, independent artists, journalists and community leaders with unique insights into our evolving cultural interactions.
September 13th: Museums are more than just buildings that house objects. They are sites of memory, meaning, and power – spaces where stories are told, preserved, and sometimes contested. But who decides what’s worth keeping? And how do museums evolve in response to the cultures and technologies of their time?
As boundaries blur between archive and activism, exhibition and experience, we ask: What is a museum today? And what should it be? Together we explore the shifting roles of museums in shaping public understanding, identity, and imagination.
Guests include:
Michael Soltau – Synthesizer Museum Berlin
Aram Bartholl – Media and concept artist
Lilja-Ruben Vowe – PhD in cultural history, curator and inclusive mediator
Dr. Wenke Wegner – Prussian Palaces and Gardens Foundation
Host: Dan Stern
The festival brings artistic short films into public space – presented in a mobile, seemingly
improvised exhibition object: a transport cart with pneumatic tires, stacked with various boxes,
crates and bags, all secured with colorful tension straps. Through peepholes in these containers,
passersby can watch the films on hidden tablets or smartphones.
The route leads through five locations in the district (Goslaer Platz, Mierendorffplatz,
Österreichpark, Schustehruspark, Lietzenseepark). At each stop, the “mini-museum” stays for
about one hour. The project is accompanied throughout the day by the two artists and curators
Marian Luft and Moritz Frei, who will be present to assist and engage with the audience.
Curated by Marian Luft & Moritz Frei
With:
Iván Argote, Sophia Süßmilch, Björn Melhus, Hansol Kim, Barış Çavuşoğlu, Lorna Mills, Andrew Birk, Peng Li
Interview I gave beginning of 2012 at my solo show ‚Reply All‘Â at DAM Gallery, Berlin published at http://querbinder.com/
v2_ Institure for unstable Media published an interview with me about the Tweet Bubble Series project I realized during my artist residency at V2_ Lab last spring.
by Piem Wirtz & Arie Altena
During the V2_ Wearable Technology workshop on May 19th 2009 Piem Wirtz and Arie Altena took the opportunity to interview the German artist Aram Bartholl. Bartholl had just finished the Tweet Bubble Series, four works that he developed during his artist in residence period at the V2_Lab. He presented the four T-shirts of the Tweet Bubble Series the next day at the Test-Lab Fashionable Technology.
Arie Altena: „Could you explain how the Tweet Bubble Series came about?“
Aram Bartholl: „The Tweet Bubble Series is about putting Twitter posts, so-called tweets, on clothing. Twitter a social web application that people use to tell each other what they are doing at the very moment. Twitter is in between chatting, blogging, text-messaging and email. Normally tweets are only on the web, by putting them on a T-shirt they they are brought from the digital platform to everyday life and physical space. That’s the basic explanation.
The Tweet Bubble Series relates specifically to Twitter, but it could also relate to another, similar service. Twitter is interesting because it is quite brutal in terms of privacy. On Twitter people are very private in public. Your tweets are public by default. You can hide your feed and make it available to certain people that you allow to see it, but most people do not use this option. Most twitter-feeds are just public. Every tweet is stored as a single html-page, Google will find and index it. It is just one of the examples of the increase in ‚transparency‘ in our society. …..
read on, full interview at v2 site
And here is the interview (german) at Giga TV introducing „1H“ I posted about lately.
Interview: Aram Bartholl at Giga.de from Aram Bartholl on Vimeo.
Video cast interview on Cebit 01blog.de by Johnny Häusler german
blogger who visited me in my workshop last monday.
(german)