Laufende Termine

The Glass Room

18. January – 26. November 2022
Gruppenausstellung, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Kommende Termine

I am not a Robot

16. September – 27. November 2022
Gruppenausstellung, Ludwig Múzeum, Budapest

I am not a Robot. On the Borders of the Singularity.

As a harbinger of the (supposedly) imminent arrival of the Singularity, the exhibition explores the powerful impact of technological development on our daily lives.

One of the defining global phenomena of our time is digitalisation, which has transformed human life in an evolutionary leap over the past decades, rewriting centuries of fixed habits, forms and behavioural patterns. The digital turn is still ongoing, with our lives moving from offline to online, and the digital presence growing rapidly. Digital technology in its current state is a new normativity that is part of work and life: not an enemy, not a friend, but a natural part of life…

On Equal Terms

15. – 25. September 2022
Gruppenausstellung, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Vergangene Termine

DFG-Schwerpunktprogramms „Das digitale Bild“

7. – 9. July 2022
Talk, Online, München, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Gruppenausstellung, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Einzelausstellung, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns“

„TOP25“, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archiv für Schlagwort: privacy

Speculative Privacy: Practical and impractical things you can do to your phone

August 24, 2016

„Speculative Privacy: Practical and impractical things you can do to your phone“ is a lecture-workshop-performance format I presented at the Datapolitics conference track during the annual International Summer festival, Kampnagel, Hamburg on August 20th.
First the audience got stickers on their smart phone cameras at the entrance (in true Berghain manner) and then was instructed to do a few tests and look up settings on their devices during the talk. In the second half of the presentation everyone was invited to the stage to test different tools and materials on their phones while we kept discussing todays privacy questions. Some of the ‚mini workshops‘ are useful others don’t really make sense but offer a strong therapeutic moment to ‚grill‘ your mobile phone in a non destructive way.  You always wanted to flush your phone in the toilet or bury it in cement? This is your chance! Have it vacuumed in a plastic bag and dip it in paint or through it in other actions!
All slides of the talk and related links here! : http://datenform.de/talks/kampnagel/
Aram Bartholl, 2016
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…more pictures on flickr!!


How to cement in your phone in a non-destructive way!
Aram Bartholl: Speculative Privacy
Aram Bartholl ist Konzept- und Medienkünstler. Im Mittelpunkt seines Interesses steht die kritische Auseinandersetzung mit der zunehmenden Digitalisierung unseres Alltags. In seinen oft humorvollen Arbeiten überführt er Items aus der Netzwelt ins Analoge, um bspw. die Allgegenwärtigkeit von Internetunternehmen wie Google sichtbar zu machen. In seinem performativen Workshop TRANSPARENCY zeigt er welche digitalen Spuren bei der Benutzung von Smartphones entstehen und welche Möglichkeiten es gibt, diese zu verwischen.
Thanks to the Kampnagel team for making all this possible!
http://www.kampnagel.de/de/programm/datapolitics/
20. August 2016, 18:00 – 19:30 (Halle P1)
Kampnagel, Hamburg

„Fuck You Cookie“

September 29, 2009

fuck-cookies
„Fuck You Cookie“ Performance
Fridericianum Museum, Kassel
16.01.2009
by Philipp Teister and Kim Asendorf.
You want a cookie too? Check this!

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Gott sieht alles

Juli 13, 2009

goog-540
I am waiting for the day when Google will ask us to ’streetview‘ our own houses and apartments. „Look, Tobi has a new kitchen table. Ah, here is his bathroom.“
Check the Google streetview bike on searchengineland!

Transparent Society

Juni 17, 2009

5zehe_li
I feel so transparent today.  😉
‚Hey Google Health! Could you plz archive this for me. Thx!“
(Aua)

'Nice to see you'

Mai 31, 2009


It’s kind of natural nowadays that a meeting point is monitored by a surveillance cam. But in this particular case (at airport Tegel, Berlin, DE) it is interesting that the logo of the meeting point looks exactly like the cam itself.

Secure Lock

Juni 23, 2008


The Deutsche Post has a new high security „lock“ preventing customers from cash machine scam. This green plastic piece in front of the cash machine slot has a holographic lock on it. Wow! that makes me feel really safe.
Hmm … wait a moment. How do I know that Deutsche Post has placed it there?

Hey! How about some cash machine street art pieces? 😉

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German Finger

Mai 27, 2008


I already had a pic of the official german finger print scanner in my blog lately.
But this time I had to get a new passport which includes a scan of my left and right index finger.
~I am really so happy that I can help my country to save us from terrorism by having my fingers scanned, wonderfull ~ …. [hehe, but I didn t tell them they were scanning a Schäuble (Minister of Internal Affairs) replica ;-)]

More details about the fake fingerprint of german Minister of Internal Affairs on edri.org

UPDATE:
Before this goes out of control! I didn’t really do it. I haven’t used a Schäuble replica for my passport finger scans. But I just wanted to point out the possibility (as suggested by CCC last 24c3) .

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„Skype is a snitch.“

Februar 24, 2008

I am not very good in tracking birthdays of friends, there always manybirthdays in spring. Addtionally skype notifies you when one of your contacts has birthday. Very handy but is it correct? Do I want that? Did I ask skype to tell everybody it s my birthday? Hmm … do I have to respond to a note because I know that he knows that I know …
I decided run an experiment. Since 5 days it s my birthday every day on skype. I got some messages, comments, emails and even phone calls. Some people were doubting, some noticed on the 3rd day. It was fun.

„Skype is a snitch.“ Marius posted in a comment, very true.
(Btw, my birthday is on 27.12.)

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„I.R.A.S.C. Infrared light against surveillance cameras”

Februar 18, 2008


A simple DIY infrared headlight disturbs surveillance cams. I like this very simple but efficient idea. Any proposals for daylight non-IR cams?

The artists U.R.A. / FILOART will present this project tomorrow during Pechakucha night Berlin volume 8. See you there!

Pechakucha vol.8
19.2.2008
20:20 h
at Tapegallery
Heidestr.14
Berlin

„Infrared light against surveillance cameras“ is an infra-red device working as a protection shield from infra-red surveillance cameras. Everybody can rebuild this device without special technical skills.

I-R.A.S.C. is a device giving every citizen a reliable protection from governmental security measures. I-R.A.S.C. is security against security and therefore a response to the dissymmetry of the forces between state and individual. Instead of showing and interaction among human-beings, or between man and machine.

I-R.A.S.C. demonstrates an interaction among machines. This is part of absurd situation – while the time and effort invested into protection measures aims at the alleged safety of the citizens, the individual looses importance in this safety concept.

link

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