Termine

„Kleine wendige Truppen“

13. – 14. February 2020
Performance, Brecht-Haus, Berlin

„Kleine wendige Truppen“ Dead Drop installation and lecture at Brecht Haus Berlin. Curated by Cornelius Puschke.

The Supermarket Of Images

11. February – 7. June 2020
Gruppenausstellung, Jeu de Paume, Paris

Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible.

The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for this exhibition explore the raw materials that go into creating these images, the enormous reserves and databases they accumulate in, the human (or non-human) toil involved in their creation, and the fluctuations in their value as they circulate around the world.
The exhibition offers a critical take and unexpected perspectives on the making of the great image market that structures our gaze.

We live in a world that is increasingly saturated with images. Their number is growing so exponentially – on social networks and on screens of all kinds – that the space in which we live is literally overflowing with images, as if it were no longer possible to contain them, as if there were no more gaps between them. (We could be said to be approaching the limit which, as long ago as 1929, Walter Benjamin described as “a one hundred percent image space”.) Faced with this overabundance and overproduction of images, the question of storing them, managing them, circulating them and transporting them (even electronically), their weight, the fluidity or viscosity of their exchange, fluctuations in their values – in short, the whole business of the image economy – is more pertinent now than ever before. In the book that provided the starting point for this exhibition project (Le Supermarché du visible, published by Éditions de Minuit in 2017), I suggested the word iconomie (“iconomics”) to refer to the economic dimension in the life of images.

The works and artists chosen for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists’ works repeatedly interrogate the future of images and things visible in the age of their globalised iconomics.

In the supermarket on display here, images of the economy always involve the economics of the image. And vice versa, as if there were a recto and a verso to all of them.

Curators : Peter Szendy, Emmanuel Alloa and Marta Ponsa
Exhibition organised by the Jeu de Paume

Link in bio

16. December 2019 – 14. March 2020
Gruppenausstellung, MdbK, Leipzig

The use of social media has become part of everyday life, established and young artists cannot and no longer want to do without it. They work with it. They are where their audience is. Once they were websites, now they’re social media, especially Instagram when it comes to visual arts.

After the protagonists of Net Art, the technology utopians of the early 1990s, soon realized that the Net would not undermine classical art institutions as exhibition venues, the next generation of artists who responded to the Internet took over. The buzzword Post-Internet Art quickly spread. The term was coined by the artist and theorist Marisa Olson: „I’m going to toggle back and forth between video and internet because some of the internet art that I make is on the internet, and some is after the internet.“ What sounds like an attitude to life became a collective term for artists who, instead of making art in the browser, again made art for the exhibition space.

Social Media Art, on the other hand, takes up Net Art’s utopia of being able to democratize the art world. The audience can be reached directly via Instagram, Facebook, YouTube, Tumblr and Twitter. Young artists react to social media and their content, to new features and technologies.

The show „Link in Bio. Kunst nach den sozialen Medien“ at the Museum der bildenden Künste Leipzig curated by Anika Meier presents over 50 works on how the production and reception of art change in the age of social media. The exhibition shows installations, photographs, sculptures, videos and paintings. The show is a follow-up to „Virtual Normality. Net Artists 2.0“ (2018).

Participating artists: Thomas Albdorf, Jeremy Bailey, Viktoria Binschtok, Aram Bartholl, Arvida Byström, Nadja Buttendorf, Petra Cortright, Filip Custic, Constant Dullaart, Hannah Sophie Dunkelberg, Anna Ehrenstein, Oli Epp, Tom Galle, Adam Harvey, Lauren Huret, Andy Kassier, Lynn Hershman Leeson, Olia Lialina, Brandon Lipchik, Jonas Lund, Jillian Mayer, Florian Meisenberg, Marisa Olson, Andy Picci, Sebastian Schmieg, Leah Schrager, Kristina Schuldt, Thomas Webb, Steffen Zillig and many others.

Opening 16.12.2019, 18 o’clock

The exhibition is sponsored by the Kulturstiftung des Bundes.

Translated with www.DeepL.com/Translator

Stadstriennale: Screen It

5. October 2019 – 5. January 2020
Gruppenausstellung, Stadstriennale Hasselt Genk, Hasselt, Genk

The main exhibition SCREEN IT takes place on the Corda Campus, currently one of the fast growing tech incubators in Europe. But also the former basecamp of Philips where technologic innovations as audio and videocassettes or Laservision were invented that help spreading the western visual culture over the world. The dominance of this culture, linked to the omnipresence of screens is the starting point of the exhibition. Artist as Nam June Paik or Wolf Vostell already tackled the possibilities of screens in art and culture in the ’60. Paik’s famous quote “Television tortured the intellectuals for a long time… it is about time that the intellectuals torture television” clearly presents this generation ambiguous positions towards screens. This approach can easily be transferred towards our current society filled with buzz words as big data, social media, VR or augmented reality. The exhibition thus will tackle the current status of the arts towards the cultural impact of the screen fueled culture we live in.

Sometimes as a source of inspiration, as a canvas or as starting point for debate, the current and future generation of artists is touching the limits of technology or the impact on contemporary art esthetics, news gathering, politics, social commitment and more. The generation of digital natives, born with their fingers clued on a screen, is investigating a world with or without screens, questioning virtual worlds and augmented realities in an intriguing way.
Artists (22)
Nam June Paik
Hito Steyerl
Rodney Graham
Mounir Fatmi
Wolf Vostell
Bill Viola
Cory Arcangel
Aram Bartholl
Constant Dullaart
Jonas Lund
Tabor Robak
Tabita Rezaire
Rafaël Rozendaal
Carla Gannis
Émilie Brout & Maxime Marion
Karl Philips
Dries de Poorter
Arvida Byström
Molly Soda
Jeroen Van Loon
Olga Fedorova
Tom Galle

Coventry Biennial of Contemporary Art

4. October – 24. November 2019
Gruppenausstellung, Coventry, Coventry

The highly anticipated second Coventry Biennial will unfold across the city from the 4th October to the 24th November 2019 and we invite people to learn, look, make, talk, think and walk with us.

The biennial’s title this year is The Twin and it comprises a series of exhibitions, events and activities about relationships.

We are an international city; Coventry and Volgograd, Russia, were the first modern twin cities in the world and this year marks the 75th anniversary of that historic bond of friendship.

The core programme of The Twin will unfold across the city in medieval and modernist buildings as well as in artist studios, galleries and museums. We will be exhibiting new and existing artworks by individual artists, duos and groups from Coventry, across the UK and from many of our international twin cities as well as other international locations. We are delighted to be exhibiting the artists listed below and will be announcing a small number of additional practitioners over the coming weeks and months:

Isobel Adderley & Jazz Moreton, Tully Arnot, Art & Language, Jonny Bark, Aram Bartholl, Jordan Baseman, James Birkin, Simon & Tom Bloor, James Bridle, Lorsen Camps, Paul Chan & Badlands Unlimited, David Cheeseman, James Clarkson, Anna Columbine, Maud Cotter, Paul Crook, Matthew Darbyshire, Joseph DeLappe, Lisa Denyer, Jacqueline Donachie, Caitriona Dunnett, EVOL, Anne Forgan, Dylan Fox, Darryl Georgiou & Rebekah Tolley, Zuza Golinska, Noémie Goudal, Lawrence Abu Hamdan, Mona Hatoum, Corey Hayman, Nicky Hirst, Clare Holdstock, Fred Hubble, Andrew Jackson, Juneau Projects, Navi Kaur, Smirna Kulenović, Liz Lake, Ollie Ma, Ioana Marinescu, Tony McClure, Lorna Mills, Anna Molska, MTAA, Alexandra Muller, Edie Jo Murray, Uriel Orlow, OUTLINE & Smirna Kulenović, Paper Rad, Bharti Parmar, Parmar & Piper, Partisan Social Club, Mathew Parkin, Matthew Picton, Duncan Poulton, Adele Mary Reed, Lis Rhodes, Rafaël Rozendaal, Ana Rutter, Richard Scott, Shirana Shahbazi, Larissa Shaw, Thomson & Craighead, Leonid Toprover, Chidera Ugada, Mhairi Vari, Nilupa Yasmin

Immortality – The Ural Bienniale

12. September – 1. December 2019
Gruppenausstellung, uralbiennale.ru, Ekaterinburg

The Ural Industrial Biennial is the largest regional art project with international participation among those existing on the territory of the Russian Federation. The Biennial takes place at former industrial and non-exhibition spaces in Ekaterinburg and other cities of the Ural region.

In its 5th edition, the Ural Biennial explores concepts behind the Immortality, both secular and sacred; it is seen as a powerful utopist idea, as technocratic obscurity, as a symbolic tool and as a condition which might cause evident ethical schisms.

CURATOR:
Xiaoyu Weng

ARTISTS:
Zarouhie Abdalian & Joseph Rosenzweig | Agency of Singular Investigations (Stanislav Shuripa, Anna Titova) | Carlos Amorales | Petr Antonov | Evgeny Antufiev & Lyubov Nalogina | Elena Artemenko | Aram Bartholl | Yin‑Ju Chen | Anya Cherepanova & Vitalik Cherepanov | Ali Cherri | Bruce Conner | Danilo Correale | Vladislav Efimov | Ilya Fedotov-Fedorov | Cyprien Gaillard | Claudia Martínez Garay | Felix Gonzalez-Torres | Gorod Ustinov | Ivan Gorshkov | Ilya Grishaev | He Xiangyu | Francisco Camacho Herrera | James T. Hong | Chia-Wei Hsu | Geumhyung Jeong | Tarik Kiswanson | Egor Kraft | Gabriel Lester | Liu Chuang | Liu Qingyuan | Qinmin Liu, Pan Lu & Bo Wang | Cristina Lucas | Tala Madani | Jill Magid | Ksenia Markelova | Chris Marker & Alain Resnais | Sara Modiano | Yuko Mohri | Christian Nyampeta | Adrian Piper | Pavel Pepperstein | Ivan Petrokovich | Gala Porras-Kim | Charlotte Posenenske | Diana Fonseca Quiñones | Araya Rasdjarmrearnsook | The Recycle Group | Ana Roldán | Roee Rosen | Maria Safronova | Aki Sasamoto | Kirill Savchenkov | Masha Sedyaeva | Lieko Shiga | Shimabuku | Alexander Shishkin-Hokusai | Timur Si-Qin | Nikolay Smirnov | Maria Taniguchi | Diana Thater | Anastasiya Tsayder | Franco Vaccari | Stan VanDerBeek | Anton Vidokle | Peter Watkins | Wong Ping | Ustina Yakovleva | Yan Xing | Arseny Zhilyaev

Playmode

10. September 2019 – 28. February 2020
Gruppenausstellung, Maat, Museum of Art, Architecture and Technology, Lisbon

The exhibition Playmode offers a reflection on these aspects and on the era of gamification that contemporary societies are now experiencing, bringing together pieces by several artists, such as Brad Downey, Gabriel Orozco and Ana Vieira, who incorporate the theme while exploring new ways of seeing, participating and transforming the world, using gaming in a critical light. Picture: House of Cards #3. Brad Downey, 2007. Photo: Brad Downey

Blog Archiv für Schlagwort: privacy

Speculative Privacy: Practical and impractical things you can do to your phone

August 24, 2016

„Speculative Privacy: Practical and impractical things you can do to your phone“ is a lecture-workshop-performance format I presented at the Datapolitics conference track during the annual International Summer festival, Kampnagel, Hamburg on August 20th.

First the audience got stickers on their smart phone cameras at the entrance (in true Berghain manner) and then was instructed to do a few tests and look up settings on their devices during the talk. In the second half of the presentation everyone was invited to the stage to test different tools and materials on their phones while we kept discussing todays privacy questions. Some of the ‚mini workshops‘ are useful others don’t really make sense but offer a strong therapeutic moment to ‚grill‘ your mobile phone in a non destructive way.  You always wanted to flush your phone in the toilet or bury it in cement? This is your chance! Have it vacuumed in a plastic bag and dip it in paint or through it in other actions!

All slides of the talk and related links here! : http://datenform.de/talks/kampnagel/

Aram Bartholl, 2016

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…more pictures on flickr!!


How to cement in your phone in a non-destructive way!

Aram Bartholl: Speculative Privacy
Aram Bartholl ist Konzept- und Medienkünstler. Im Mittelpunkt seines Interesses steht die kritische Auseinandersetzung mit der zunehmenden Digitalisierung unseres Alltags. In seinen oft humorvollen Arbeiten überführt er Items aus der Netzwelt ins Analoge, um bspw. die Allgegenwärtigkeit von Internetunternehmen wie Google sichtbar zu machen. In seinem performativen Workshop TRANSPARENCY zeigt er welche digitalen Spuren bei der Benutzung von Smartphones entstehen und welche Möglichkeiten es gibt, diese zu verwischen.

Thanks to the Kampnagel team for making all this possible!

http://www.kampnagel.de/de/programm/datapolitics/
20. August 2016, 18:00 – 19:30 (Halle P1)
Kampnagel, Hamburg

„Fuck You Cookie“

September 29, 2009

fuck-cookies„Fuck You Cookie“ Performance
Fridericianum Museum, Kassel
16.01.2009

by Philipp Teister and Kim Asendorf.

You want a cookie too? Check this!

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Gott sieht alles

Juli 13, 2009

goog-540

I am waiting for the day when Google will ask us to ’streetview‘ our own houses and apartments. „Look, Tobi has a new kitchen table. Ah, here is his bathroom.“

Check the Google streetview bike on searchengineland!

Transparent Society

Juni 17, 2009

5zehe_li

I feel so transparent today.  😉
‚Hey Google Health! Could you plz archive this for me. Thx!“
(Aua)

'Nice to see you'

Mai 31, 2009

Secure Lock

Juni 23, 2008
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German Finger

Mai 27, 2008
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„Skype is a snitch.“

Februar 24, 2008
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„I.R.A.S.C. Infrared light against surveillance cameras”

Februar 18, 2008
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