Current Events

Prototypen und andere seltsame Dinge

1. December 2023 – 28. January 2024
Group Show, Kunstverein Arnsberg, Arnsberg

Wenn Künstler*innen nach neuen Ideen suchen, erforschen sie Formen und Gestalten, um ihre Gedanken auszudrücken. Oft lassen sie sich von bestehenden Dingen inspirieren und bringen sie in unerwartete Konstellationen. Neue Bedeutungen und Verständnisse der Welt, in der wir leben, kommen so zum Ausdruck. Kunst entwickelt sich zur Formbehauptung. Das Erstellen eines künstlerischen Prototyps oder ein Prozess, den wir Materialisierung nennen, ist dafür ein Schritt zwischen der Formalisierung und der Bewertung einer Idee. Sie ermöglichen die Projektion und Imagination in etwas, das viel größer ist als die Dinge selbst. Für die diesjährigen Jahresgaben 2023/2024 hab en wir eine Auswahl von Arbeiten getroffen, die sich mit dieser Materialisierung künstlerischer Alternativideen befassen und sowohl nach innen als auch nach außen schauen. Sie sind Gedankenkörper und Schritte, um Ideen neue Formen zu geben, die wiederum neue Anfänge und Orientierung in einer Welt erm ö glichen, in der wir uns in zu vielen Bedeutungen verloren haben.

With: Aram Bartholl, Rana Hamadeh, Neda Saeedi, Marco Bruzzone, Aaajiao, Malte Bartsch, Thomas Kiesewetter, Jeewi Lee, Farkhondeh Shahroudi, Viron Erol Vert, Solweig de Barry, Sarah Kirsch

Ihr Paket ist abholbereit

8. July 2023 – 25. February 2024
Solo Show, Kunsthalle Osnabrück, Osnabrück

On the occasion of its 30th anniversary, the Kunsthalle Osnabrück is showing Aram Bartholl’s most comprehensive solo exhibition to date. Aram Bartholl is one of the pioneers in Germany who deals with socially relevant conflicts of digitality and automation through art. Originally coming from the field of architecture, he uses his performative interventions, sculptures and workshops to question our current media behaviour as well as the public economies that are linked to social networks, online platforms or digital distribution strategies. He puts socially relevant topics such as surveillance, data security or dependency on technology up for discussion by transferring the gaps, contradictions or absurdities of our digital everyday life into spatial settings.

For the Kunsthalle Osnabrück, Aram Bartholl transformed the Kunsthalle´s church space into a walk-in recycling yard for electronic waste. The scenery is illuminated by three sculptures hanging from the ceiling, reminiscent of chandeliers that are made from recycled televisions. The result is a sensual as well as functional installation of complementary exhibition parts that invite us to reflect on the cycles, consequences and future perspectives of our daily consumption of media and goods. The walk-through parcours made of piled up electronic waste makes the amount of recycled material of our belongings visible and creates a unique environment for a diverse art mediation programme  including workshops, plena by local climate activists, repair cafés, excursions, lectures and film screenings. Oversized QR codes on the church walls frame the setting and raise critical questions about our handling of energy resources, raw materials and labour rights in the digital society. Opposing the electronic waste, the exhibition contains a 30-metre-long DHL Packstation, which is put into operation during the exhibition period. Osnabrück citizens and visitors are able to pick up their parcels at the Kunsthalle Osnabrück and drop them off in the respective lockers.

Curators: Anna Jehle and Juliane Schickedanz
Curators public programme: Louisa Behr, Joscha Heinrichs, Anna Holms and Christel Schulte.

Funded by the Stiftung Niedersachsen (Foundation of Lower Saxony) and the Niedersächsische Ministerium für Wissenschaft und Kultur (Lower Saxony Ministry of Science and Culture). The VGH Stiftung (VGH Foundation) is funding the accompanying exhibition’s art mediation programme. With the kind support of Deutsche Post AG, Lerec Elektrorecycling GmbH and Osnabrücker ServiceBetrieb.

Credits:

Curated by: Anna Jehle, Juliane Schickedanz (duo team, directors of Kunsthalle)
Curatorial assistance: Anna Holms
Public Programming: Aram Bartholl, Louisa Behr, Joscha Heinrichs, Anna Holms, Christel Schulte
Installation team: Norbert Hillebrand, Timo Katz, Andreas Zelle
Exhibition office: Natali Märtin
Visitor service: Frank Berger, Ulla Brinkmann, Harcharan Gill, Sina Lichtenberg, Kaan Ege Önal, Josef Wegmann
Finances: Viktoria Puskar
Janitor: Wilfried Wienstroer
Janitorial assistance: Frank Berger
PR: Kristina Helena Pavićević
Art mediation and education: Christel Schulte

pictures

Enigma

25. February 2023 – 25. February 2024
Group Show, Museum of Communication, Kopenhagen

Communication pervades our lives more than ever before. With the digital channels, we are constantly accessible and can publish ourselves wherever and whenever we want. But despite the many great opportunities, the tide of information may often appear confusing, polarizing or hateful, and our public conversation is challenged.

On November 19, 2022, ENIGMA will open new exhibition areas and a large children’s area, in which we look forward to welcoming everyone.

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Upcoming Events

Did you get my message?

8. March – 30. May 2024
Solo Show, Kunstverein Rotenburg, Rotenburg

Der Kunstturm
4 Etagen – 122 Stufen – 24 m

Eigentlich sollte der nicht mehr benötigte Schlauchturm der Feuerwehr Mitte der 90er Jahre abgerissen werden, um Parkraum für das Erlebnisbad “Ronolulu” zu schaffen. Aber Peter Möhl, damaliger Geschäftsführer der Stadtwerke und damit Eigentümer des Turms, schwebte eine sinnvolle Nachnutzung vor. Zusammen mit dem 2. Vorsitzenden des Kunstvereins, dem Architekten Jürgen Lohmann, wurde die Idee geboren, den Turm zu einer Galerie umzubauen.
Lohmann entwarf einen modernen Anbau als Entree, ließ vier Ebenen in den Turm einbauen und führte die erforderlichen Sanierungsmaßnahmen mit viel Rücksicht auf die vorhandene Bausubstanz durch. Seit 1996 ist der “Kunstturm” Domizil des Kunstvereins Rotenburg e.V. und, wie es der Kulturminister des Bundes (Beauftragter der Bundesregierung für Kultur und Medien), Bernd Neumann, anlässlich eines Besuchs seinerzeit formulierte, “ein Leuchtturm der Kunst in Niedersachsen”.

Transmediale Exhibition: you’re doing amazing sweetie

31. January – 29. February 2024
Group Show, Kunstraum Kreuzberg, Berlin

Exploring the horror of content, the 37th edition of transmediale you’re doing amazing sweetie questions how logics of content production determine and frustrate our relations to technology. The festival takes place from January 31 to February 4, 2024 at silent green Kulturquartier, Akademie der Künste, and Haus der Kulturen der Welt. The festival’s main exhibition will be on view at Kunstraum Kreuzberg/Bethanien.

Decoding the Black Box

27. January – 2. June 2024
Group Show, Galerie Stadt Sindelfingen, Sindelfingen

Die Ausstellung Decoding the Black Box bringt Künstlerinnen und Künstler zusammen, die Licht in diesen dunklen Raum und die Prozesse werfen, die sich in ihm ereignen. Sie legen dabei nicht nur die Funktionsweisen digitaler Technologien wie beispielsweise von künstlicher Intelligenz offen, sondern visualisieren zugleich die Auswirkungen, die sie auf unsere Wahrnehmung von Realität und unser In-der-Welt-Sein haben. Während sie die ökonomischen und machtpolitischen Strukturen der digitalen Technologien und insbesondere des Internets transparent machen, zeigen sie Gegenentwürfe für eine dezentralisierte, humanere und demokratischere Nutzung ebendieser auf.

Street 3.0

23. – 28. December 2023
Group Show, Osaka Kansai International Art Festival, Osaka

Osaka Kansai International Art Festival Vol.3

Ai Hasegawa / AQV-EIKKKMA / Algorythmic Perfumery / Aram Bartholl / BYNAM / ETAT LIBRE D’ORANGE /FISHKOM / Goo Nakayama / Hisashi Yamamoto / Kimihiko Hino /Makoto Aida / MOCAF / NEANDERTAL / II / Rintaro Hashiguchi / @shashinn / STORA SKUGGAN / Takehiro Ishitani + Chim Pom from Smappa!Group / Thomas Vautier / Tomotosi / VERYONE / Simon Weckert / Yuichi Inoue / YAP / ZOOLOGIST

Recent Events

Perspektiven von Kunst im öffentlichen Raum

21. October 2023
Talk, Fachtagung der Kunstkommission Düsseldorf, Düsseldorf

Kunst im öffentlichen Raum – Wirken in der Stadtgesellschaft

5 Jahre Kunstkommission Düsseldorf
Fachtagung zu Perspektiven von Kunst im öffentlichen Raum der Stadt
Zur Sicherung künstlerischer Qualität und um eine neue Planungskultur sowie eine aktive Teilhabe an der Diskussion um die Kunst im öffentlichen Raum zu ermöglichen, hat der Rat der Stadt Düsseldorf die Kunstkommission Düsseldorf etabliert. Diese hat vor fünf Jahren ihre Arbeit aufgenommen und bereits diverse Projekte im öffentlichen Raum realisiert. Aus diesem Anlass lädt die Kommission am Samstag, 21. Oktober 2023, herzlich ein zur Fachtagung zum Thema

Perspektiven von Kunst im öffentlichen Raum.

In Podiumsgesprächen mit Impulsvorträgen sollen die verschiedenen Facetten von Kunst im öffentlichen Raum erörtert werden. Welche Bedeutung hat Kunst für die Stadtgesellschaft? Wie kommt Kunst in den öffentlichen Raum? Oder wie gehen wir mit Bestandskunst um? Das sind nur einige Fragen, die in diesem Zusammenhang diskutiert werden sollen.

Die Veranstaltung ist in zwei Blöcken gegliedert: vormittags werden Strukturen zur Organisation und Realisierung von Kunst für den öffentlichen Raum betrachtet werden, nachmittags liegt der Fokus auf “best practice” mit der Beleuchtung von Herausforderungen an beispielhaften Projekten.

Die Fachtagung findet statt von 10:00 – 18:00 Uhr im Palais Wittgenstein, Bilker Str. 7-9, 40213 Düsseldorf.

*cringe*

29. September – 8. October 2023
Group Show, HGW STD, Athens

The term “cringe” has resurfaced on the internet in recent years. According to Google Trends statistics, there has been a significant increase in searches for this term, which has been steadily rising since 2016. “Cringe” refers to a reaction of embarrassment or social awkwardness. This feeling arises when we become aware of our own uncomfortable actions or when we empathize, or even mock, someone else’s behavior that causes us secondhand embarrassment.

The term “cringe” encompasses a wide range of emotions, making it a versatile word to describe various incidents. However, its usage and application have been shaped by internet communities. Not only is it widely known and used, but it has also managed to bridge divergent identities.

People of different ages, races, genders, political affiliations, and other backgrounds find a common language of communication through “cringe” online. Similar to the existence of metaphorical languages for artistic subjects, “cringe” has spawned a metaphorical language for artistic expression. This is evident in many contemporary works, both digital and non-digital, and has given rise to new artistic media such as memes. “Cringe” has become an overarching concept that encompasses a broader range of social embarrassments.

The universality of identifying with “cringe” when faced with discomfort or socially awkward situations could position it as a contemporary Sublime. Historically, the Sublime has been associated with aesthetic theories heavily influenced by the social dynamics of the time. However, does “cringe” represent a modern form of the Sublime? Has it emerged in response to a shift away from a prescribed aesthetic? We currently exist in a time where collective digital languages are being created to understand a wider range of identities and where a diversity of aesthetic influences is prevalent.

Considering that aesthetics today are multifaceted due to the World Wide Web and the widespread dissemination of information, this exhibition aims to explore these ideas. Through artworks that construct an intimate fusion of references to our digital identity, it presents a familiar chaos that challenges viewers to organize it, while deeply engaging with their present human identity.

*cringe* Curated by: Socrates Stamatatos, Dimi Kalabo 29 SEPTEMBER-08 OCTOBER 2023

Artist talk

16. September 2023
Talk, Neues Museum Nürnberg, Nürnberg

Aram Bartholl stellt im Gespräch mit Kuratorin Susann Scholl seine aktuelle Installation auf dem Klarissenplatz vor. Anhand von weiteren Beispielen gibt er darüber hinaus einen vertiefenden Einblick in sein Werk, in dem Analoges und Digitales häufig auf feinsinnig-absurde Weise aufeinandertreffen.

Kunst Basis Ebertplatz vol.2

15. September – 6. October 2023
Group Show, Ebertplatz Köln, Köln

Zwischen Unort und Denkmal – KUNST BASIS EBERTPLATZ

Un-möglich! Un-verschämt! Un-geheuerlich! So einfach und prägnant wie sich das ‚Un‘ den Worten voran- stellen lässt, voller Überzeugung und Empörung über einen Sachstand, so schnell ist es auch ausgespro- chen und damit in der Welt.

Im Hinblick auf den Eberplatz, den wir in den vergan- genen Jahrzehnten als einen mehr oder weniger un-gepflegten, un-instandgehaltenen und mit un-funk- tionierenden Rolltreppen und un-installierten Beleuch- tungssystemen kennenlernen durften, ist es ein Leichtes, das ‚Un‘ vor den Ort in der Kölner Neustadt
zu setzen. Der Un-Ort ist damit gemacht. Fertig. Und während seit Jahren auch die Empörung über das Un- Mögliche an der Präsenz des Ebertplatzes kultiviert wird – es braucht eben immer einen, der herhält und über den leicht zu schimpfen ist –, so stellt sich hier und da die Frage, wer denn nun genau gescholten wird.

Der Platz selbst kann nichts für sich, aber wer war es dann? Die un-mögliche Stadtverwaltung! Die Vernachlässigung des Platzes ist eine größere Sünde als die Architektur selbst!

Curated by Stefanie Klingemann

Blog Archive for Month: February 2010

A4 – 4A

February 25, 2010

Dear Aram Bartholl,
We are writing to invite you to participate in a group exhibition, entitled You Turn Me On and On and On, at EMBASSY Gallery in Edinburgh. The exhibition will run from 26 February to 14 March 2010. Rather than finished works, the exhibition will feature plans for and descriptions of works that are infinite.
The creation of limitless or endless work is a preoccupation for many artists working with computer technology. The intent of this exhibition is to examine how the idea of an infinite artwork might be interpreted by artists working across a variety of media, both digital and analogue. The brief is intentionally broad; we are curious to see what emerges.
We are fans of your work and believe that your approach to art practice suits the nature of the exhibition. If you would like to participate, please send us a plan for an artwork that is infinite. The plan/description can be textual and/or image-based. We ask that all submissions are sent by email and can be printed in black and white on A4 paper.
We very much hope that you will participate in this project. We apologize for the short notice, but require that all submissions be received no later than 20 February 2010. If you require more information, please do not hesitate to get in touch by email or by phone (Angela Beck: +44 (0) 751 ………..).
We look forward to hearing from you.
Yours sincerely,
EMBASSY Committee
———————————————————————————-
hi angela,
sorry for the delay.
ok, my setup is be very simple:

“4A”

i envision a nice big table in the show with a big pile of A4 sheets sitting in the middle ( 6 packs a 500 sheets ) and a couple chairs around.  tools:  scissors, knife, rulers, pencils, glue sticks, stapler, clips … (typical office equipment)
visitors are invited to sit down and to create something/anything with a sheet of A4 and leave in the end on the table (if they want to). probably it would be good to build some objects and to draw some sheets in advance so people get an idea they are invited to do so too. (paper plane, letters/notes, kids drawing, crumpled-up …)
i envision the table to be more and more  covered with paper objects/sheets over the period of the show. traces of work and snippets on the floor are good.  it should look nice but don’t clean it up too much please.
if you have questions or comments feel free to call!
good luck for the show
ARAM
———————————————————————————-
“You Turn Me On And On And On”
Curated by Angela Beck
EMBASSY
2 Roxburgh Pl,
Edinburgh, UK

Opening 26.02.10 7-9pm
27.02.10 – 14.03.10
Thurs – Sun 12 – 6pm

This exhibition features propositions towards infinite art. Rather than completed works, the artists asked to create plans for and descriptions of works that would be, in some sense, infinite. The creation of limitless or endless work is a preoccupation for many artists working with computer technology. The intent of this exhibition is to examine how the idea of an infinite artwork might be interpreted by artists working across a variety of media, both digital and analogue.

Artists

Aram Bartholl, Simon Biggs, Benjamin Dembrowski, Michael Demers, Olle Essvik, Claire Evans, Martin Kohout, Margot Krasojevic, The Ludic Society, Kelly Mark, Eva and Franco Mattes, Aaron Oldenburg, Marisa Olson, Katie Paterson, Antoine Schmitt, Nathan Shafer, Jason Sloan, Simon Yuill, Grégoire Zabé

Where is 3G?

February 25, 2010


by theriverislife.com
via openstreetmap

VIER

February 20, 2010


Just received the latest issue of “VIER” a magazine designed and edited by students of the University of Arts Bremen. The whole issue is dedicated to questions around cyberspace and virtuality. Among many interesting articles it also features an interview with myself (german).  Thx to the VIER team Andrea, Caspar & Romas looks good!

andrea, caspar & romas
Tagged with:

“Curating Youtube”

February 18, 2010


Love the Curating Youtube show! (online version here, play all clips at the same time!) A pitty we could t make it to that one night event at Basso during TM …

Solitude

February 18, 2010

I agree on most of what he says and many of these questions were raised during the “Friends” workshop I ran at Futuresonic in 2008 . Unfortunately this won t reach my 359 ex-facebook friends any more… haha.  I quit 2 days ago ….
“The End of Solitude” by William Deresiewicz

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“Freedom in the Cloud”

February 17, 2010

Very interesting talk by Eben Moglen!
via@Monki
Eben Moglen, Professor of Law and Legal History at Columbia University, and founder, Director-Counsel and Chairman of the Software Freedom Law Center, spoke about “Freedom in the Cloud: Software Freedom, Privacy and Security for Web 2.0 and Cloud Computing” on Friday, February 5, 2010.
Everyone wants a piece of you these days: Google, Facebook, Flickr, Apple, AT&T, Bing. They’ll give you free e-mail, free photo storage, free web hosting, even a free date. They just want to listen in. And you can’t wait to let them. They’ll store your stuff, they’ll organize your photos, they’ll keep track of your appointments, as long as they can watch. It all goes into the “Cloud.”
How we got here is quite a scary story. But nowhere near as scary as getting out again. Eben Moglen, a Professor of Law and Legal History at Columbia University and the founding director of the Software Freedom Law Center, warned you about privacy and the cloud before. At a public meeting of the Internet Society of New York on February 5, Moglen asked you to consider how much worse things have become since then and explain what you can do to reclaim your freedom in the era of Web 2.0.

Tagged with:

How to build a fake Google Street View car

February 15, 2010

How to build a fake Google Street View car from Aram Bartholl on Vimeo.

Full docu on fffff.at.

Tagged with:

bike = your content

February 12, 2010

Love the ‘The More you know’ clips Evan released on fffff.at during TM last week. I put them together and uploaded them to a safe place ;-). Free beer for the first 3 who manage to embed the vide on on a blog!

Tagged with: + +

Esemplasticism

February 10, 2010


I enjoyed this exhibition by Tag a lot (partner event of CTM10). It’s worth to take a look at and still open till 27th of Feb…

Wednesday 10.02 – Saturday 27.02 – 12:00h – 17:00h
Address: Spandauerstrasse 2, 10178 Berlin
Fee: €3,-

Esemplasticism: The Truth is a Compromise
Our brains are esemplastic. They are perfectly evolved for pattern recognition, designed to shape disconnected elements, like the incomplete or ambiguous information we get from our senses, into the seamless whole of our experience. What we see, hear, touch and feel is folded into an amalgam of data, emotions and cultural baggage. And in the contemporary world, this esemplastic power is pushed to the limit in the sea of information that we are floating in: data-visualizations, scientific studies and computer analyses become increasingly abstract and disconnected from our normal experiences. Are we losing our sense of meaning as we fail to join the billions of dots? What compromises are we making when we try to settle on a particular interpretation?
The works in Esemplasticism – the truth is a compromise are mostly low-tech, using everyday objects and media. Employing sound, objects and synchronicity; relatively ‘old’ technologies like field recordings, music, video, and projection, each piece lifts the curtain on the perceptual tactics that our esemplastic/apophonic/pattern recognising brains employ to negotiate the world; with wit and irony, they have much to say about verisimilitude as each exposes a different fracture between our expectations, our perceptions and our compromises about the objective ‘truth’ that exists ‘out there’.

Participating artists

Artists: Edwin Deen, Daniël Dennis de Wit, Lucinda Dayhew, Anke Eckardt, HC Gilje, Terrence Haggerty, Yolande Harris, Alexis O’hara, Pascal Petzinger, Mike Rijnierse, Willem Marijs, Bram Vreven, Katarina Zdjelar, Valentin Heun, Sagarika Sundaram, Gijs Burgmeijer.

“Are you evil?”

February 8, 2010

How many Google services do you use?







Order now or download the “Are you evil?” printable version here! Based on “Are you social?“. Inspired by Kosmars’ microbutton  collection!
Aram Bartholl 2010