Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech


Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.


Blog Archive for Month: January 2012

'How To Vacuum Form'

January 31, 2012

How To Vacuum Form from Aram Bartholl on Vimeo., track byDanny Dive Thru
I am very pleased to finally publish this new project I’ve been working on the last couple months (def. not a Speed Project 😉 It was premiered last week at my solo show opening ‘Reply All’ at [DAM] Berlin. If you are in town drop by, check out the show and make your own mask! FOR FREE!!
‘Reply All’
Solo show: Aram Bartholl, January 28 – 10th March 10 2012
[DAM] Berlin, Neue Jakobstr. 6/7, 10179 Berlin


  • polysterol 1-1,5 mm, 23 x 33 cm
  • plaster
  • hose, hose connectors
  • clamps
  • vacuum hand pump, (camping supply)
  • toaster
  • wooden board, rods
  • stop watch
  • original, prototype or master mask to make copies from


  1. positive plaster cast from mask
  2. additional plaster modeling (chin and forehead) optional
  3. negative plaster cast from model to obtain master mold
  4. include hose, hose connector and holes for decompression in the cast
  5. toaster parts rearranged to heating board, mounted on stand
  6. heat 1mm polysterol approx. 2 min in 6cm distance
  7. and keep pumping !!

all pics on flickr!
Vacuum forming is a quite old technique and is used a lot in mass industry especially packaging and such. The lid of your coffee cup is vacuum form i.e. Students in product design are used to vacuum form their prototypes, it’s a very common technique in that field. You also find all kinds of tutorials on the web how to build your own DIY vacuum former (Instructables). The one I am proposing is less flexible in what you can produce but are able to produce the same piece in a rather fast cycle (2:30 min) The setup above was inspired by this video.
I think we live in a super interesting era. This is just the start of a paradigm shift from mass industry production to self DIY fabrication. And it s going to get very interesting with all the patents and copyright issues for physical objects very soon. Like Cory Doctorow puts it: “… to fight what we thought was the final boss at the end of the game, but it turns out it’s just been the mini-boss at the end of the level, and the stakes are only going to get higher.” I am super curious to see someone print a pair of Nike sneakers on the new makerbot replicator or just imagine Apple would sue everyone because your DIY tablet looks like an iPad. It might happen soon. – Aram Bartholl 2012
Build your own vacuum forming gear today. Copy, experiment and remix! Start coping physical things! And keep pumping!! 😉

Transparent Guy Fawkes

“You don’t know the power of the dark side! We are Legion. The force is with you. Expect us. Join the dark side !”

Darth Fawkes
“How To Vacuum Form”
by Aram Bartholl 2012

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Solo Show Opening & Book Launch at [DAM] Berlin, Jan 27

January 11, 2012

… the announcement below is stolen from the [DAM] Berlin website. Expect a couple new pieces, exclusive offline art for the opening!! (… to be published online soon after), lots of DIY and the ARAM BARTHOLL book launch!! I am very excited about all this, hope you can make it!! CU in 2 weeks !! 🙂

Aram Bartholl
Reply All

January 27th, 7–9 pm Opening + Book-Release Aram Bartholl – The Speed Book, Gestalten-Verlag, 2012
[DAM] Berlin, Neue Jakobstr. 6/7, 10179 Berlin
Performance “How to Vacuum Form” by Aram Bartholl
19:30 Uhr: Book launch of Bartholl’s first monograph Aram Bartholl – The Speed Book, which will be published by Gestalten Verlag. The publisher, art critic and curator Domenico Quaranta gives the introduction.
Exhibition: January 28th – March 10th 2012

Gallery [DAM]Berlin presents Berlin based artist Aram Bartholl (*1972, Bremen) in his first solo exhibition, whose works create a dynamic tension between online- and real-life. In 2011 Bartholl was partaking in exhibitions by MoMA, Pace Gallery New York and [DAM]Cologne.

His pieces are cutting-edge – not just product of observation, but formed by thought-provoking impulses that Aram gives and by the subsequent independent existence of the artworks created by the user. His interventions in public space, his readymade-like installations and sculptures are based on a do-it-yourself-culture with regard to personal creation and responsibility as well as the Internet’s popular icons with whom Bartholl confronts us in reality. But Aram Bartholl’s artworks are not to be seen as entirely digital: they deal too much with space, are too haptic in their approach, and the awareness of potential political influence is too intense – his pieces push out of gallery and museum surroundings into the city space, into society.

Things, that seem to be trivial parts of the internet, irritate the viewer as soon as they confront him in the physical world: In Are you human? a CAPTCHA-code, used by web services to differentiate between human request and automated scripts, is applied in aluminium form onto murals and gallery walls. A screen with illuminating pixels turns out to be a hand crafted object operated by a candle. In a subtle but accurate way Bartholl reveals discourses concerning the power of a digitally affected world, e.g. in his successful, often quoted project Dead Drops, consisting of USB-sticks, mured into city walls, that refuse data exchange via the internet structures established by big global companies.

‘Everything develops extremely fast on the net. I have the urge to create something that deals with the topic, but that endures anyway,’ says Aram Bartholl about this de-digitalisation of the digital. Where media art, urban intervention and interactive performance meet he asks basic sociocritical questions, thinks about our cultural memory. The rapid development of the digital age is slowed down in his artworks, it is liberated of its technological appeal and exposed for intentional examination. For example his new project Dust: Bartholl wants to convey the worlds most played computer game landscape from Counter Strike – a virtual space, a place seen by millions of people that is fixed in their visual memory even though they were never able to really ‘enter’ it – into an accessible 1:1 model made of concrete.

With the performance and installation shown at the exhibition for the first time, Bartholl, who is active in net political circles like the Chaos Computer Club, turns towards the symptom of an already existing frontier crossing of digital and analogue world: The Anonymous-movement and its characteristic comic-inspired Guy-Fawkes-masks, that are its distinctive mark and protection of identity. They have gained huge media presence thanks to the civil movement Occupy Wallstreet as well. The Anonymous-movement pushes forward the idea of a free, net-based information- and creativity-collective – a kind of global brain, that develops political capacity to act without hierarchic organisation and without determined identity.

The exhibition ‘Aram Bartholl. Reply All’ is part of the associate programme of Transmediale 2012.


The Speed Book

Perceptive and entertaining investigations of digital culture.
Publisher: gestalten
Editor: Domenico Quaranta
Design: Manuel Bürger
Release Date: January 2012
Format: 21,6 x 28 cm
Features: 268 pages, full color, hardcover
Language: English

With essays by:

Josephine Bosma,
Jonah Brucker-Cohen,
Jon Cates,
Lindsay Howard,
Alessandro Ludovico,
Evan Roth,
Bruce Sterling,
Brad Troemel

About This Book

Aram Bartholl’s work explores the power structures, the social systems, the cultural innovations, the inner dynamics, the languages, and the products that are shaping our age. This first comprehensive monograph offers entry to an oeuvre in which space and cyberspace mingle and mangle each other, a realm that uses as little technology as possible while still speaking a digital language.
Aram Bartholl: The Speed Book features savvy experiments with transitions from the virtual to the physical: USB sticks embedded into walls, buildings, and curbs; giant real-life versions of Google’s red map markers positioned in public spaces; portraits generated from search results. An introduction by editor Domenico Quaranta as well as essays by science fiction writer Bruce Sterling, art critics, and fellow artists guide readers through a wonderfully skewed version of reality under the influence of the internet, something Sterling refers to as Bartholl’s “self-created twilight zone.”

More About This Book

For a growing number of people, virtual activities on the internet are becoming more significant than the lives they actually lead in the real world. Others are skeptical or even alarmed by the seemingly inevitable technological developments in our digital age. In his work, Aram Bartholl investigates this dichotomy and the blurred dynamics in between with a playfully ironic ingenuity.
This first comprehensive monograph offers entry to Bartholl’s entertaining art in which space and cyberspace mingle and mangle each other—a realm that uses as little technology as possible while still speaking a digital language.

Aram Bartholl: The Speed Book features savvy experiments with transitions from the virtual to the physical: USB sticks embedded into walls, buildings, and curbs; giant real-life versions of Google’s red map markers positioned in public spaces; portraits generated from search results. An introduction by editor Domenico Quaranta as well as essays by science fiction writer Bruce Sterling, art critics, and fellow artists guide readers through a wonderfully skewed version of our society under the influence of the internet, something Sterling refers to as Bartholl’s “self-created twilight zone.”

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Book Glasses

January 8, 2012

A new piece from the glasses series and one of my favorite pages of my upcoming book! 🙂 To be in the shelves very soon!
The Speed Book

Perceptive and entertaining investigations of digital culture.
Edited by Domenicio Quaranta
Design by Manuel Bürger

'S Bahn'

January 7, 2012

S Bahn from Zeitbezogene Medien HAW Hamburg on Vimeo.

Great low(high)tech cartoon reality mix by Markus Neidel, student at HAW Hamburg


January 4, 2012

Just moved into my new temporary work space at Supermarkt, Brunnenstrasse, Berlin. (untill the fire-ashes-mess in Gerichtstr. is cleaned up …) Handwritten wifi passwords are awesome!! (and always wrong 😉

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Offline Bookmark

January 3, 2012

(Birthday present from/by Nico Princen, great read that post, thx man!! 🙂

'The coming war on general computation'

January 2, 2012

Happy new year everyone!!  One of my New Year Resolutions is to get more active on this blog again. ‘Sorry I haven t posted …’ 😉
The anual congress by Chaos Computer Club germany (#28C3, the 28th year) last week was great. I had a lot of fun with a new piece in progress there and as ususal many interesting dicussions. Cory Doctorrows talk on ‘The coming war on general computation’ turned out to be the unofficial keynote. 🙂 He draws a very good picture how closed hardware will affect the freedom in computation. Check it out below!

Check all talk recordings at or direct and torrent downloads at FEM. I also recommend How governments have tried to block Tor or Politik hacken

In a Pecha Kucha Lightning talk I present Dead Drops on day 3!

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