Current Events

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

Staged at the UNESCO World Heritage Site Völklingen Ironworks, the Urban Art Biennale is one of the world’s largest exhibitions of this anarchic form of art. Departing from a conventional white cube aesthetic, the entire site of the Völklingen Ironworks is given over to a fruitful dialogue with an art form that has evolved from street art or graffiti. Established in 2011, the 2024 edition will focus on participatory urban art projects as well as political works in situ.

The World In My Hand

18. April – 31. October 2024
Group Show, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

pictures

?>

Upcoming Events

Catalog release: “Ihr Paket ist abholbereit”

16. November 2024
Talk, Kunsthalle Onsabrück, Osnabrück

25 Jahre Stiftung Springhornhof

26. October – 3. December 2024
Group Show, Springhornhof, Neuenkirchen

Singularity

4. October – 15. December 2024
Group Show, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an “intelligence explosion.”

Grand Snail Tour

26. September 2024 – 29. August 2025
Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Recent Events

50 für Bad Berlin

11. – 15. September 2024
Group Show, Bauakademie Berlin, Berlin

For Berlin Art Week, the non-profit organisation Flussbad Berlin will be presenting the exhibition and auction “50 Für Bad Berlin” in the Red Salon of the Bauakademie. Fluss Bad Berlin is a civil society initiative for urban development committed to making swimming possible in the Spree Canal and, in the long run, in other sections of the Berlin Spree.

“50 Für Bad Berlin” will present works by mostly Berlin-based artists and architects who show solidarity with the objectives of the Fluss Bad Berlin project and the team behind it. They advocate a sustainable development of Berlin for the common good. They oppose the tendency to restrict for ideological reasons the debate on the future of the city (centre) to the historicising reconstruction of the Berlin of the early 20th century and the attempt to appropriate “art and culture” for that purpose. They want to emphasise instead that art and culture are closely linked to development initiatives such as Fluss Bad Berlin, which promote a more social, ecological, sustainable, and futureproof urban development.

While the works on display cover a wide range of types and techniques, they all relate to themes the Fluss Bad project addresses: for instance, in their interpretation of the essential significance of water for our world and for life, and the diverse relationships between humans and the element. They analyse the sensory, political and technical significance of water as a cultural asset, and the meaning of a free and equal access to it. They remind us that the river belongs to the city, that everyday culture belongs to high culture, and that the city is shaped by social values, which –at the same time– it is capable to mediate.

All of the pieces shown at the “50 Für Bad Berlin” exhibition will be auctioned on September 12.

List of participating artists:
Rosa Barba, Barkow Leibinger, Aram Bartholl, John Bock, Stefanie Bürkle, Thomas Demand, Oswald Egger, Olafur Eliasson, Elmgreen & Dragset, Estudio Herreros, Nina Fischer & Maroan El Sani, Simon Fujiwara, Filomeno Fusco & Victor Kégli, Graft, Katharina Grosse, Esra Gülmen, Asmund Hansteen-Mikkelsen, Annette Hauschild, Heide von Beckerath Alberts, Robert Hermann, Katharina Hinsberg, Moon Hoon, Bjarke Ingels, Inges Idee, Christian Jankowski, Peter K. Koch, Annette Kisling, Mischa Kuball, Götz Lemberg, Susanne Lorenz, Regula Lüscher, Maciej Markowicz, Maix Mayer, Jürgen Mayer H, Bjørn Mehlhus, Fernando Menis, Christian Möller, Olaf Nicolai, Lewis Pugh, Raumlabor, realities:united, Anselm Reyle, Shirin Sabahi, Michael Sailstorfer, Karin Sander, Tomás Saraceno, Sauerbruch Hutton, Erik Schmidt, Something Fantastic, Carlo Stanga, Wolfgang Tillmans, Clement Valla x Certain Measures, Michael Wesely, Haegue Yang, Tobias Zielony

pictures

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archive for Month: August 2012

0dayart

August 21, 2012


OHH NOO! 0dayart.net  STOLE the HOT show (on DVD) and is seeding it now ILLEGALY on the INTERNT! thepiratebay.se/torrent/7542702 😉 Love the picture @nullsleep!! THX!!
Project page DVD Dead Drop

Tagged with:

Interview Hyperallergic

August 21, 2012

Full interview at http://hyperallergic.com/55777/somewhere-between-cyber-and-real-an-interview-with-aram-bartholl/ THX Jillian!!

Somewhere Between Cyber and Real: An Interview with Aram Bartholl

The DVD Dead Drop at the Museum of the Moving Image (all photos by the author for Hyperallergic unless otherwise noted)
Somewhere along one of the exterior walls of the Museum of the Moving Image, there is a slot. It’s barely noticeable — a small, dark crevice cut into the wall, incredibly thin and not more than five inches long. If you happened to see it, you’d probably think it looks a lot like a CD/DVD drive — and you’d be right. It is a drive, meant for blank discs. If you bring a DVD, insert it into the slot and then wait a few minutes, the drive will eventually return your disc to you. On it will be a curated exhibition of video art — for the next month, at least. After September 15, the content being offered will change. It will change again a month later, and then again, and on and on indefinitely (or until the museum decides to uninstall the drive).
This installation, titled “DVD Dead Drop” (2012), is the work of German artist Aram Bartholl. Bartholl uses his art to explore the line between the digital and physical worlds, often bringing the former into latter in an exaggeratedly literal way. For a project titled “Are You Human?” he took web-based CAPTCHA images and turned them into text sculptures installed on the street and in galleries. In this way, his work both embraces digital culture and questions what may be missing from it.
The DVD drive at the Museum of the Moving Image isn’t Bartholl’s first dead drop. In 2010, while in residence at Eyebeam, the artist embedded 5 USB flash drives into the walls of buildings around New York City. Those were the first dead drops: free, physical file-sharing networks available for public use, if you could find them. The idea has spread massively — there are now almost a thousand dead drops worldwide. But this is Bartholl’s first time using DVDs. I sat down with him at the Museum of the Moving Image to discuss the new project, as well as some old ones, and whether there’s any difference between cyber and real anymore.
*   *   *
Jillian Steinhauer: This isn’t your first dead drop. The other ones, the USB ports, seem to be much more about file sharing: you load whatever you want and take whatever you want. Is that where the idea came from?
Aram Bartholl: There’s many layers to this whole development. Dead drops started, for me, with this picture of your flash drive in the wall, and just the gesture of — you walk up with your laptop and you connect it to the building, to the city. The files are literally cemented into the building, instead of all this server-based connection. You have to go to the place, you don’t know what’s on there, it’s dangerous because there might be a virus — it has all these implications.
But it started with a picture, and back then I wouldn’t know what to put on there, and I was like, “Oh, it’s empty and everybody can put something on there. It’s file sharing, actually.” So it kind of came up as a second step. And it made so much sense with the whole idea of having it in public, accessible to everyone, and the internet censorship discussion.
For the history of the DVD dead drop: I think at the very beginning, there were people from Brazil, for example, journalists writing, “Oh, that’s a great idea, but you can’t really do it here, because not everybody has a laptop and you don’t pull out your laptop in the street.” So there was always this question of, “Hm, what are the other ways to do it, to make it more accessible for everyone?” That was the start to think about DVDs.
Also, I had a piece before the dead drops where I had a USB device in a drawing, and you could get files on the drawing with a USB — it would copy on your stick. Going to dead drops kind of flipped the whole thing, that the USB drive is in the wall and you have to bring your whole computer. Of course, to embed a DVD drive in a wall, you need a computer in the back; it involves more effort and structure. And still, it’s not magic, right? It’s feasible….
read on at  http://hyperallergic.com/55777/somewhere-between-cyber-and-real-an-interview-with-aram-bartholl/

DVD Dead Drop THX!!

August 20, 2012



flickr set

The DVD Dead Drop opening last week at MMI was awesome! Thx to everyone for showing up!! Thx to all the artist participating in the first show ‘HOT‘!
Thx to MMI staff for dedicated production and support! Thx to Jonas Lund for code! And special shoutout to Jason Eppink at MMI for making all this happen!
Project page DVD Dead Drop
 

Tagged with:

Night & Day

August 16, 2012


DVD Dead Drop at MMI
Project page DVD Dead Drop
 

Tagged with:

Slot In

August 14, 2012

 

(everything ready to launch! CU on Thursday!)
Project page DVD Dead Drop

Tagged with:

HOT

August 11, 2012


HOT
A group show about video that is not video
Curated by Aram Bartholl
Served on DVD through the DVD Dead Drop install at the Museum of Moving Image, NYC
Opening reception Thursday, August 16, 6:00–8:00 p.m.
Acessible to the public 24/7 , August 16–September 15, 2012
Participating artists:
0100101110101101.org (Eva & Franco Mattes), Constant Dullaart, Curating YouTube (Robert Sakrowski), Joel Holmberg, JODI, JK Keller, Olia Lialina, Jonas Lund, Rosa Menkman, Katja Novitskova, Niko Princen, Casey Reas, Evan Roth, Andrew Salomone, Borna Sammak, UBERMORGEN.COM
Curator’s Statement:
“If it had been possible to distribute video online from day one, there would be no Web as we know it today. Instead, during the long wait for shareable online video, artists developed a distinctive language that we still value today, applying clever montages, modular visuals constructed form reusable, repeatable elements, and minimal activity…”
—Olia Lialina (2010). “Early Experiments Online,” article published on ‘The Take,’ at Guggenheim.org
Technological developments over the last three decades have generated a vast range of production and distribution methods for the moving image that have significantly deconstructed the linearity of film and video. The rapidly changing landscape of the web, code, vectors, 2D, 3D, games, glitches, and GIFs has profoundly influenced the way we perceive video today. Works produced by these new processes and software tools often have very little in common with traditional video: some are closer to paintings, some loop in micro movies, and others exploit system faults. Many of these moving images are software processes that result in a wide range of visualizations, and a lot of them exist in single frames, code-generated vectors, manipulated computer games, or screencasts of operating systems.
The moving image has been hacked, transformed, and infiltrated from multiple directions and digital sources, but over the last ten years it also conquered the Internet. The show HOT represents a wide range of artistic positions analyzing, reinterpreting, and deconstructing the moving image. New and classic works from well-established digital artists will be served to a public hot on silver disc 24/7.
DVD Dead Drop
Made possible by the Harpo Foundation, with support from the Consulate General of the Federal Republic of Germany, New York.
——————————————
Project page DVD Dead Drop

Tagged with:

iPhone live

August 8, 2012


iPhone live
by Johannes P Osterhoff
2012
Currently on show at bauer & ewald, Berlin,
iPhone live party upcoming Saturday, 11th 8pm 🙂
I, Johannes P Osterhoff, shall do another one-year performance piece.
The piece is called “iPhone live” and documents the activities performed on my mobile phone during this year.
Activities can be seen streamed on http://www.iphone-live.net and on public projections.
The performance shall start on June 29, 2012 and shall end on June 29, 2013.
I shall not use other mobile phones during this year.
 

HOT sauce?

August 7, 2012


From next week on the MMI will be serving HOT discs to the public 24/7 right here! (pic by @jasoneppink thx!!)
Project page DVD Dead Drop

Tagged with:

Git Art

August 7, 2012


Pretty clever idea by Raphael to combine the software development platform Github and its repository tools for open source projects with the making and remixing of an art installation. like.
1962
Sculptures conceptualized using a revision control system and represented physically.
by Raphael Bastide
2012

'Curiosity'

August 7, 2012


**love it** 🙂
Curiosity
by Olia Lialina
2012

Tagged with: