Current Events

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

The World In My Hand

18. April – 31. October 2024
Group Show, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

pictures

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Upcoming Events

25 Jahre Stiftung Springhornhof

21. September – 3. November 2024
Group Show, Springhornhof, Neuenkirchen

Flussbad Berlin

11. – 30. September 2024
Group Show, Roter Saal, Berlin

Recent Events

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archive for Month: September 2012

Tic Tac X

September 12, 2012


(found in Wedding, Berlin)

This Way

September 10, 2012


(found at Gerichtstr. 23 , backyard)

Files in the air!

September 7, 2012


Wifi Piratebox at my favorite cafe MÖRDER, now in place up and running, waiting for you to check in.
http://deaddrops.com/db/?page=view&id=1159
thx @daviddarts!!

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Bomb Spot A

September 5, 2012


Three generations of  ‘bomb spot A’  in de_dust: 1999, 2004, 2012
“chsrst … bomb has been planted..chcrtt”  … beep beep beep …

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#OpTrapWire

September 5, 2012


An Anonymous video about #trapwire which features parts of the ‘How to avoid facial recognition’ video Kyle and I did a couple months ago. Yes!!
 

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Capitalism Conserves

September 4, 2012


Beautiful Sticker Series by atari_elle!

Visiting Artist

September 4, 2012


(Thx for the flowers KATSU!! 🙂

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'Each Memory Recalled Must Do Some Violence To Its Origin'

September 2, 2012


Love that show!! 🙂
 
‘Each Memory Recalled Must Do Some Violence To Its Origin
Curated by Aaron Moulton
Undisclosed Location
Artists: William Anastasi, Aram Bartholl, Adam Bateman, Mike Bouchet, Roisin Byrne, John Divola, Constant Dullaart, Urs Fischer, Venessa Gromek, Daniel Kingery, John Kleckner, Stefan Lesueur, David Levine, Jan Mancuska, Jason Metcalf, Lucia Nimcova, Jorge Peris, Benja Sachau, Fred Sandback, Robert Smithson, Nedko Solakov, Kasper Sonne, Jared Steffensen, Michael Stevensen, Piotr Uklanski, Ignacio Uriarte, Lawrence Wiener
When the US troops invaded Iraq and dismantled the civil infrastructure, museums were the first to be looted. Several thousand years of cultural property were converted into clumsy panicked seconds of impossible investment. Art is the first thing an affluent culture flaunts and the last thing a desperate society needs. Priceless becomes worthless in a blink, a panic, a dip or a correction.
As a child I used to break into abandoned homes, enter unlived properties within suburbs fresh-built after a tornado, or spelunk in newly laid culverts buried beneath whatever neighborhood we had just moved to. A thin pane of glass and a second guess separates most from opportunity or anarchy. My first Lascaux caves were the cryptic scrawls of hobo graffiti and depraved Satanist vandal chambers deep in the sewer or in that dark place up on the hill. Some of the latter phenomena presumably manifested as a kind of hoax prop or pre-evidence resulting from the frightened belief or desire in the existence of evil — like a legend preceding its actual occurrence.
Utah boasts a prolific number of abandoned towns and places where the ghost was long ago given up. Slowly these locations recalibrate to earth time or are flattened for strip mine development. They are each a snapshot of their own last day turned into an unromantic and brutal forever.
Taking its title from a quote in Cormac McCarthy’s book The Road this exhibition imagines an existence preserved in a photo, the duration of a gesture when time forgets, the mythologically singular experience in the potential discovery, and the shelf-life of art after civilization. It articulates a language of art with decline, abandon and aftermath as its primary condition. Each project employs the aesthetics of the fall through personal mythologies as a new order.
Cult fictions from Jonestown to Zion, an anthropology of graffiti from Lascaux to Hobo, the Alamo of Tony Shafrazi, the gloryhole of Piotr Uklanski, the moneyshot of Lawrence Wiener, the buckshot of Jan Mancuska, the mugshot of Roberto Cuoghi, the curse of Master Mahan, the Unabomber’s hideout, ancient aliens & out-of-place artifacts, the mouthpiece of Geronimo, the gold from Goonies, the sack of Iraq, the rediscovery of Lemuria, the mark of Yahweh, and a shaman’s last stand. Beginning without an end at a ruin undisclosed. Should you find it, walk away and abandon the results.

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