Current Events

Kunst gegen Rechts

18. November 2022 – 8. January 2023
Group Show, https://www.haeselburg.org, Mieze Südlich, Häselburg Gera

Eingeladene Künstler:innen:
Ulf Arminde, Stefan Alber, Aram Bartholi, Fehmi Baumbach, Marc Bijl,  Jessica Buhlmann/Zao, Zuzanna Czebatul, Moritz Frei, Jana Gunstheimer, Christian Henkel, Verena Issel, Zoe C. Miller, Anne Mundo, Rainer Neumeier,  Angelika Nguyen, Thomas Prochnow, Regina Schmeken, Schroeter&Berger, Kristina Schuldt, Raul Walch, Christian Werner, Ina Wudtke

Die siebte Ausstellung der Reihe KUNST GEGEN RECHTS nimmt den 30. Jahrestag der Pogrome von Rostock-Lichtenhagen als Anlass, um kritisch auf aktuelle, gesellschaftliche Konflikte einzugehen.

Deutschland ist eine postmigrantische Gesellschaft der Vielen. Immer noch wird diese Tatsache viel zu wenig zur Kenntnis genommen. Der Wiedervereinigung am 3. Oktober 1990 folgten rassistische Ausschreitungen und Mordanschläge in Rostock, Mannheim, Hoyerswerda, Mölln und Solingen bis zur Terrorserie des NSU. Es folgten Anschläge auf jüdische Friedhöfe und emanzipatorische Projekte. Eine wiedererwachte deutsche Volksgemeinschaft kroch aus den Löchern hervor.

Der rechte Populismus, der die Kultureinrichtungen als Akteure einer gesellschaftlichen demokratischen Vision angreift, steht der Kunst der Vielen feindselig gegenüber. Die Neue Rechte hat die Kulturpolitik als Kampffeld entdeckt, um ihre völkischen Vorstellungen umzusetzen. Rechte Gruppierungen und Parteien stören Veranstaltungen, verhindern Ausstellungen, greifen in Theater-Spielpläne ein, polemisieren gegen die Freiheit der Kunst, gegen Dekoloniale Erinnerungsprojekte und arbeiten an einer Renationalisierung der Kultur. Es wird einFeldzug gegen zeitgenössische, „undeutsche“ Kunst geführt, die als „neumodische Extravaganzen“ und „exzentrische Randgruppenkunst“ bezeichnet wird, wie aktuell gegen den Kunstverein in Zwickau.

Seit dem Ausbruch der Pandemie, stehen viele Dinge auf dem Prüfstand. Es zeigte sich, wer ein solidarisches Miteinander praktiziert und wer als Pandemiegewinnler oder Coronaleugner die Krise für eigene Interessen nutzt. Bei den sogenannten Querdenken-Demonstrationen kommt es zu einer fatalen Zusammenarbeit verschiedener Akteure. Rechte Gruppierungen und Parteien gewinnen immer mehr an Einfluss. Antisemitismus ist in der neuen Bewegung stark vertreten, wie auch eine Verharmlosung der Shoa und der Gleichsetzung der NS-Zeit mit der aktuellen Situation.

Playmode

26. October 2022 – 16. January 2023
Group Show, CCBB – Centro Cultural Banco do Brasil, Sao Paulo

Since very early on, artists have understood the power of transformation of play, integrating it into their works with distinct purposes -evasion of reality, social construction and transformation, subversion or criticism of the very mechanisms of play and games. The exhibition Playmode proposes a reflection on these aspects and on the period of ludification that contemporary societies are going through, bringing together the work of several artists who adopt the theme and explore new ways of seeing, participating in, and transforming the world, using play in a critical manner.

with:

Aram Bartholl, Bill Viola + Game Innovation Lab, Bobware, Brad Downey, Brent Watanabe, Coletivo Beya Xinã Bena + Guilherme Meneses, David OReilly, Filipe Vilas-Boas, Harum Farocki, Isamu Noguchi, Jaime Lauriano, Joseph DeLappe, Laura Lima + Marcius Galan, Lucas Pope, Mary Flanagan, !Mediengruppe Bitnik, Milton Manetas, Molleindustria, Nelson Leirner, Pippin Barr, Priscila Fernandes, Raquel Fukuda + Ricardo Barreto, Samuel Bianchini, Shimabuku, Tale of Tales (Auriea Harvey e Michaël Samyn) e The Pixel Hunt.

Curators: Filipe Pais and Patrícia Gouveia.

 

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Upcoming Events

Ihr Paket ist ab sofort abholbereit!

8. July 2023 – 25. February 2024
Solo Show, Kunsthalle Osnabrück, Osnabrück

Enigma

23. February 2023 – 23. February 2024
Group Show, Museum of Communication, Kopenhagen

Communication pervades our lives more than ever before. With the digital channels, we are constantly accessible and can publish ourselves wherever and whenever we want. But despite the many great opportunities, the tide of information may often appear confusing, polarizing or hateful, and our public conversation is challenged.

On November 19, 2022, ENIGMA will open new exhibition areas and a large children’s area, in which we look forward to welcoming everyone.

Behind the screens. 50 Jahre Komputerkunst.

22. January – 4. June 2023
Group Show, CODA Museum, Appeldorn

Recent Events

Safe Mode: Amplified Realities

8. October 2022 – 8. November 2022
Group Show, TILT Platform, The Project Gallery, MISC, BHD Hub Athens, Athens

The current mutated “epidemiological” societies within which we exist reveal that any previous indication we had about the term “safety” is now in limbo. TILT Platform has started exploring and developing the concept “Safe Mode” likening it to the indication safe mode appearing on our computers and smart devices, when they stop functioning properly after a major technical crisis. The process of safe mode emerges as the only possible solution. Comparing this state of technological malfunction to the processes of contemporary life, psychology and human behaviour, the term safe mode acquires an anthropological character.

Participating Artists
Nikos Arvanitis (GR), Aram Bartholl (DE), Browser Based (Zsolt Mesterhazy & Alex Zakkas) (NLD / GR), Sofia Caesar (BR), Paolo Cirio (IT), Manja Ebert (DE), Adrianos Efthymiadis (GR) & Iria Vrettou (GR), For Cancel (Makis Faros, Zoi Pirini, Takis Zerdevas) (GR), Elisa Giardina Papa (IT), Basim Magdy (EGY), Theophanis Melas (GR), Simon Menner (DE), Yorgos Papafigos (GR), Michalis Zacharias (GR), Apostolos Zerdevas (GR)

Curated by
Foteini Vergidou in collaboration with TILT Platform (Makis Faros, Zoi Pirini, Apostolos Zerdevas, Takis Zerdevas)

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Bridging Differences

1. – 30. October 2022
Group Show, T3 Photo Festival Tokyo, Tokio

T3 PHOTO FESTIVAL TOKYO is a photo festival that develops three pillars: (1) photo exhibitions, (2) talks and events, and (3) student projects, with the vision of becoming “an Asian hub for nurturing the next generation of photography culture. After holding its predecessor “Tokyo International Photography Festival” in Jonanjima, Ota-ku, Tokyo in 2015, the first festival was held in Ueno Park in 2017 as Tokyo’s first outdoor international photography festival. From 2020, the Tokyo International Photography Festival will be held as an urban outdoor photography festival using public open spaces in Tokyo Station and the east side area (Yaesu, Nihonbashi, Kyobashi). The festival will take the margins of the city as a medium to challenge new interpretations of urban space and the possibilities of photography by exhibiting works by photographers and developing events that will generate new human interaction.

 

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I am not a Robot

16. September – 27. November 2022
Group Show, Ludwig Múzeum, Budapest

I am not a Robot. On the Borders of the Singularity.

As a harbinger of the (supposedly) imminent arrival of the Singularity, the exhibition explores the powerful impact of technological development on our daily lives.

One of the defining global phenomena of our time is digitalisation, which has transformed human life in an evolutionary leap over the past decades, rewriting centuries of fixed habits, forms and behavioural patterns. The digital turn is still ongoing, with our lives moving from offline to online, and the digital presence growing rapidly. Digital technology in its current state is a new normativity that is part of work and life: not an enemy, not a friend, but a natural part of life…

with:
Memo AKTEN, BarabásiLab, Aram BARTHOLL, Katriona BEALES, BINAURA (NAGY Ágoston & SAMU Bence), BIRKÁS Mona, BIRÓ Dávid, Zach BLAS & Jemima WYMAN, James BRIDLE, Arvida BYSTRÖM, Juan COVELLI, Jake ELWES, FÜLÖP Szabolcs, Fabien GIRAUD & Raphaël SIBONI, Neil HARBISSON & Pol LOMBARTE, Vladan JOLER & Kate CRAWFORD, KÚTVÖLGYI-SZABÓ Áron, Lawrence LEK, Cristina DE MIDDEL, Joana MOLL, PÁLL Tamás, Wilfredo PRIETO, SoniLab (Marco Buongiorno Nardelli), ZÁMORI Eszter

Curators: KÉSZMAN József, MAJ Ajna, NOLASCO-RÓZSÁS Lívia, ÜVEGES Krisztina

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On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

With:
Stefan Alber , Aram Bartholl , Antje Blumenstein , Benedikt Braun , Lou Cantor , Peter Dobroschke , Maria Eichhorn , FORT , Heiner Franzen , Wolfgang Ganter , Asta Gröting , Christian Henkel , IOCOSE , Šejla Kamerić , Bianca Kennedy , Peter Klare , Werner Liebmann , Tommy Neuwirth , Manfred Peckl , Alona Rodeh , Hansjörg Schneider , Bettina Scholz , Ann Schomburg , Mark Wallinger , Klaus Weber , Nicole Wermers

Curated by  Sophia Gräfe und Arkadij Koscheew.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Blog Archive for Month: March 2016

Regeneration Movement

March 8, 2016

regenaration-movement2
國立臺灣美術館│National Taiwan Museum of Fine Arts
Exhibition Dates: 2016-03-19 ~ 2016-05-22
The development of new technologies and the resulting electronic products, continuously inspire the human imagination for life in the future. The application and consumption of electronic technology has gradually and unconsciously mired us in the logic of commerce and the cycle of innovation and outdatedness. Technological products become obsolete and are replaced at an increasing rate, creating a severe problem of electronic waste. “Waste” is a relative concept that leads us to contemplate how values are formed and abandoned. The process by which value is transformed and rediscovered is what the exhibition seeks to explore.
With the re-creation of electronic waste in daily life as a starting point, the artists participating in this exhibition are like contemporary alchemists who distill renewed value and significance from discarded objects. In biological terms “regenerate” refers to a process of reconstruction, recovery, and growth; this exhibition tries to extend this definition to its aesthetic connotations. How do new media artists who use technology as a creative medium respond to, query, and inspect the ethical issues of contemporary technology through their work? A state of global crisis has been created by the rapid pace of resource consumption, continued production, and discarding. When all aspects of contemporary life has in effect been constructed by that intimate union of technology and capital, human beings find themselves dependent upon nature as they simultaneously attempt to alter it. What future of peaceful coexistence between nature and technology can artists envision? The “Regeneration Movement” goes beyond the reutilization and repair of reclaimed objects, and hints at possibilities for correction, adjustment, and re-innovation in the multiple relationships and contexts between humans and the material environment, nature, and technology.
With the “Regeneration Movement” as a purport, this exhibition presents the creative rendering and contemplations of 16 different groups of artists along two main trajectories: “Transformation and Recycling: the Power of Circulation,” and “Hybridity and Symbiosis : Ecological Imagination from an Interdisciplinary Perspective “Transformation and Recycling” attempts to loosen the preset functional contexts of electronic logic that recreate new technological rules to reverse passive consumption and production settings, and to liberate the intended functions of objects; while simultaneously re-excavating preexisting histories and memories of media. “Hybridity and Symbiosis” brings out possibilities for reversed resource discovery and energy conversion with the fusion of interdisciplinary methodology of art, design, the sciences and imaginative experimental projects; and even portending a direction for future evolution and proffer possibilities for a sustainable coexistence with the environment.“Regeneration Movement” revisits the balanced and circular relationship among technology, human beings and the nature, in an effort to find possible indications for a sustainable co-existence future in the dynamic and intertwined network of our living systems through artistic perspective.
Participating Artists:
::vtol::
Aram Bartholl
CHENG Hsien-Yu
CHI Po-Hao
Gilberto Esparza
Benjamin Gaulon, Gijs Giskes, Karl Klomp, Tom Verbruggen
Kosuke IKEDA
Cecilia Jonsson
Luxury Logico
Yuko MOHRI
SEAD (Space Ecologies Art and Design)
Kentaro TAKI
Unknown Fields Division
WANG Lien-Cheng
XXLab
Pinar Yoldas
Curator:
FAN Hsing-Yu
https://www.ntmofa.gov.tw/

FROM BITS TO PAPER*

March 8, 2016

from-bits-to-paper-le-shadock
Exposition : FROM BITS TO PAPER* du pixel au papier, sortez des écrans !
Le Shadok, Fabrique du Numérique
8.3. – 5.6.2016
Artistes exposés : James Bridle, Darko Fritz, Peter Jellitsch, Vincent Broquaire, Aram Bartholl, Clément Valla, Christopher Baker, Albertine Meunier, Daan Van Den Berg, Felix Heyes et Benjamin West.
Commissaire d’exposition : Filipe Pais
Partenariat : XPO ART Studio

Nervous Systems

March 8, 2016

nervous-systems-hkw-2016-julien-previeux
Julien Prévieux, Patterns of Life (still), 2015

Nervous Systems

Quantified Life and the Social Question
March 11–May 9, 2016

Opening: March 10, 7pm
Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 Berlin
Germany
Contributions and works by Vito Acconci, Timo Arnall, Mari Bastashevski, Grégoire Chamayou, Emma Charles, Mike Crane, Arthur Eisenson, Harun Farocki, Charles Gaines, Melanie Gilligan, Goldin+Senneby, Avery F. Gordon, Laurent Grasso, Orit Halpern, Lawrence Abu Hamdan, Ben Hayes, Douglas Huebler, Tung-Hui Hu, On Kawara, Korpys/Löffler, Lawrence Liang, Noortje Marres, !Mediengruppe Bitnik, Henrik Olesen, Matteo Pasquinelli, Julien Prévieux, Jon Rafman, Miljohn Ruperto, RYBN.ORG, Dierk Schmidt, Nishant Shah, Eyal Sivan & Audrey Maurion, Deborah Stratman, Alex Verhaest, Gwenola Wagon & Stéphane Degoutin, Stephen Willats, Mushon Zer-Aviv, and others. And in The White Room: Jacob Appelbaum & Ai Weiwei, Aram Bartholl, Tega Brain & Surya Mattu, James Bridle, Julian Oliver & Danja Vasiliev, Veridiana Zurita, and contributions by Open Data City, Peng! Collective, Privacy International, Share Lab, Malte Spitz, and others.
An exhibition by Haus der Kulturen der Welt in collaboration with the Tactical Technology Collective, co-curated by Stephanie Hankey, Marek Tuszynski, and Anselm Franke.
Nervous Systems takes place as part of 100 Years of Now. Supported by Open Society Foundations and Pro Helvetia, Swiss Arts Council.

Keep away from children

March 5, 2016


‘Keep Away From Children’ by Nadja Buttendorf & Aram Bartholl, 2016