Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archive for Month: March 2016

Regeneration Movement

March 8, 2016

regenaration-movement2
國立臺灣美術館│National Taiwan Museum of Fine Arts
Exhibition Dates: 2016-03-19 ~ 2016-05-22
The development of new technologies and the resulting electronic products, continuously inspire the human imagination for life in the future. The application and consumption of electronic technology has gradually and unconsciously mired us in the logic of commerce and the cycle of innovation and outdatedness. Technological products become obsolete and are replaced at an increasing rate, creating a severe problem of electronic waste. “Waste” is a relative concept that leads us to contemplate how values are formed and abandoned. The process by which value is transformed and rediscovered is what the exhibition seeks to explore.
With the re-creation of electronic waste in daily life as a starting point, the artists participating in this exhibition are like contemporary alchemists who distill renewed value and significance from discarded objects. In biological terms “regenerate” refers to a process of reconstruction, recovery, and growth; this exhibition tries to extend this definition to its aesthetic connotations. How do new media artists who use technology as a creative medium respond to, query, and inspect the ethical issues of contemporary technology through their work? A state of global crisis has been created by the rapid pace of resource consumption, continued production, and discarding. When all aspects of contemporary life has in effect been constructed by that intimate union of technology and capital, human beings find themselves dependent upon nature as they simultaneously attempt to alter it. What future of peaceful coexistence between nature and technology can artists envision? The “Regeneration Movement” goes beyond the reutilization and repair of reclaimed objects, and hints at possibilities for correction, adjustment, and re-innovation in the multiple relationships and contexts between humans and the material environment, nature, and technology.
With the “Regeneration Movement” as a purport, this exhibition presents the creative rendering and contemplations of 16 different groups of artists along two main trajectories: “Transformation and Recycling: the Power of Circulation,” and “Hybridity and Symbiosis : Ecological Imagination from an Interdisciplinary Perspective “Transformation and Recycling” attempts to loosen the preset functional contexts of electronic logic that recreate new technological rules to reverse passive consumption and production settings, and to liberate the intended functions of objects; while simultaneously re-excavating preexisting histories and memories of media. “Hybridity and Symbiosis” brings out possibilities for reversed resource discovery and energy conversion with the fusion of interdisciplinary methodology of art, design, the sciences and imaginative experimental projects; and even portending a direction for future evolution and proffer possibilities for a sustainable coexistence with the environment.“Regeneration Movement” revisits the balanced and circular relationship among technology, human beings and the nature, in an effort to find possible indications for a sustainable co-existence future in the dynamic and intertwined network of our living systems through artistic perspective.
Participating Artists:
::vtol::
Aram Bartholl
CHENG Hsien-Yu
CHI Po-Hao
Gilberto Esparza
Benjamin Gaulon, Gijs Giskes, Karl Klomp, Tom Verbruggen
Kosuke IKEDA
Cecilia Jonsson
Luxury Logico
Yuko MOHRI
SEAD (Space Ecologies Art and Design)
Kentaro TAKI
Unknown Fields Division
WANG Lien-Cheng
XXLab
Pinar Yoldas
Curator:
FAN Hsing-Yu
https://www.ntmofa.gov.tw/

FROM BITS TO PAPER*

March 8, 2016

from-bits-to-paper-le-shadock
Exposition : FROM BITS TO PAPER* du pixel au papier, sortez des écrans !
Le Shadok, Fabrique du Numérique
8.3. – 5.6.2016
Artistes exposés : James Bridle, Darko Fritz, Peter Jellitsch, Vincent Broquaire, Aram Bartholl, Clément Valla, Christopher Baker, Albertine Meunier, Daan Van Den Berg, Felix Heyes et Benjamin West.
Commissaire d’exposition : Filipe Pais
Partenariat : XPO ART Studio

Nervous Systems

March 8, 2016

nervous-systems-hkw-2016-julien-previeux
Julien Prévieux, Patterns of Life (still), 2015

Nervous Systems

Quantified Life and the Social Question
March 11–May 9, 2016

Opening: March 10, 7pm
Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 Berlin
Germany
Contributions and works by Vito Acconci, Timo Arnall, Mari Bastashevski, Grégoire Chamayou, Emma Charles, Mike Crane, Arthur Eisenson, Harun Farocki, Charles Gaines, Melanie Gilligan, Goldin+Senneby, Avery F. Gordon, Laurent Grasso, Orit Halpern, Lawrence Abu Hamdan, Ben Hayes, Douglas Huebler, Tung-Hui Hu, On Kawara, Korpys/Löffler, Lawrence Liang, Noortje Marres, !Mediengruppe Bitnik, Henrik Olesen, Matteo Pasquinelli, Julien Prévieux, Jon Rafman, Miljohn Ruperto, RYBN.ORG, Dierk Schmidt, Nishant Shah, Eyal Sivan & Audrey Maurion, Deborah Stratman, Alex Verhaest, Gwenola Wagon & Stéphane Degoutin, Stephen Willats, Mushon Zer-Aviv, and others. And in The White Room: Jacob Appelbaum & Ai Weiwei, Aram Bartholl, Tega Brain & Surya Mattu, James Bridle, Julian Oliver & Danja Vasiliev, Veridiana Zurita, and contributions by Open Data City, Peng! Collective, Privacy International, Share Lab, Malte Spitz, and others.
An exhibition by Haus der Kulturen der Welt in collaboration with the Tactical Technology Collective, co-curated by Stephanie Hankey, Marek Tuszynski, and Anselm Franke.
Nervous Systems takes place as part of 100 Years of Now. Supported by Open Society Foundations and Pro Helvetia, Swiss Arts Council.

Keep away from children

March 5, 2016


‘Keep Away From Children’ by Nadja Buttendorf & Aram Bartholl, 2016