Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech


Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.


Blog Archive for Tag: chinachannel

Open Email Conversation

February 13, 2009

> Hi,
> I came across your website,
> and I’m just curious as to a few things.
> 1) Why are you so interested in China’s affairs to the extent that you
> have to create this website?
> 2) Don’t you think that it’s none of your business to comment on other
> countries’ affairs when every country is run in its own way and has
> its own unique circumstances?
> 3) Who do you think you are to criticize how another country is being
> run when you probably have not even truly experienced life in that
> country, and have most likely only read biased Western media reports
> about that country?
> As a Chinese person, I am very proud of the accomplishments my country
> has made in recent years, both economic-wise and politically. No
> doubt, China still has many problems to deal with. BUT, China is a
> large country with 4 times the population of the US, and governing
> such a large, developing country has its many many difficulties. It’s
> like saying leading a team of 10 vs a team of 40 — a lot more rules
> and procedures have to be established when directing a larger group.
> In early 20th Century Germany, was human rights a big feature of your
> government? Weren’t the two World Wars both started by your
> government, leading to thousands of deaths, rapes, and mutilations.
> What about the Holocaust, the propaganda, the SS and military police.
> Let me assure you that China is today nowhere close to anything your
> German government has ever done. I have lived in China for years and
> live there is almost just as normal as any Western country.
> If you have ever been to mainland China, you would have probably
> noticed that local Chinese people are generally VERY friendly and
> genuinely kind to foreigners like yourself. Contrary to what the media
> portrays Chinese as being hostile, evil, or cunning, we are actually
> very nice towards Westerners, and genuinely so. I’m appalled that you
> guys reciprocate us with such hostile attitudes.
> As for your website, I do applaud you for your IT capabilities.
> Regards,
> Jonathan


hi jonathan,

thx for your detailed email and critisism.
i ve been in shangahi last october for 10 days and this was the most
interesting trip i did in the last years. i enjoyed it a lot. yes,
your people are very friendly. yes, you should be proud about the
accomplishments and yes the west has a lot of prejudice about china,
very true. there is a lot to learn about china and i recommended everybody to go there

we a re not judging on the whole country and on everybody. there is
also cristisism on western companies on our page. it s not about
comparing who is better.

yes, germany has a dark history. we are quite aware of that and we are
not hiding that. but i hope we learned a lot from that history. and
exactly cause of that it is so important to take care of human rights,
freedom of speech and democracy. we are living in a globilized and
digitized era. its good to be interested in other countries affairs. it
s good to have constructive critisim on each other. because of the fact
that china does so well and is so big (and yes you guys definately doing
a good job in getting 1,4 billion people organized) it also gains a lot of
attention. when you are famous and well known a lot of people talk about
you and look very exactly at what you do. (same for USA). i think china
has to get used to that to some extend. critisism does not mean you are
bad! but i think there is also a big cultural difference in this
point and west is not quite aware of that.

on the other hand this whole project is an awareness campaign on how
important free internet is for the west. a lot of countries do censor the
internet (and china just became the best example). in europe
and especially in germany right now there are groups in politics
and currents who are trying to censor the internet, too. a free internet
is very crucial for getting things improved anywhere. the uncensored net is not
saving the world just by being there but it is a basic layer in the
digital age. we have to learn a lot on how to deal with the new
connectedness and there are fundamental changes going on in many fields.

maybe you wanna also take a look at the project i did in shanghai and
what my thoughts were then.

i hope my response did made clear that we are not on a hostile mission
at all. i hope that western media becomes less snobish and prejudiced on
china. i hope the best for your country and all your people.

congrats! your english is much better than mine.

best regards

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Take a trip to China

October 28, 2008

While I was still in Shanghai (eARTS festival) our Firefox add-on ChinaChannel went finally online. Being in China this tool is kind of useless because the web there is just like that. It feels kind of normal and sometimes slow but it is very hard to tell the difference between ‘real’ or censored timeouts while you surf on political limits.
But after 10 days of Shanghai I recommend everybody not just to take a virtual but a real trip to China. It is kind of easy to sit in Europe/America and to discuss the problems of Asia/China without having experienced these countries. There is a lot to talk about. Go there and take a look.
The Firefox add-on China Channel offers internet users outside of China the ability to surf the web as if they were inside mainland China. Take an unforgetable virtual trip to China and experience the technical expertise of the Chinese Ministry of Information Industry (supported by western companies). It’s open source, free and easy.
Become a Chinese Internet tourist:
A new project by Evan, Tobi and myself, with input from Michael, and Jamie.

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Web2.0 – China Channel

October 5, 2008

Evan Roth and myself in collaboration with Tobi, Michael, and Jamie are showing a new piece at Videotage, Hong Kong consisting of an installation (titled: “Web 2.0”) and a Fire Fox Plugin (titled: “China Channel“)

Videotage Hong Kong
Exhibition: October Contemporary 2008 – SECOND LIFE
Opening: Oct 4 (Sat), 7-11pm
Exhibition Period: Oct 6 (Mon) to Nov 4 (Tue)

Pictures, documentation and text on Evans blog. Project page coming soon.

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