Current Events

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

On Equal Terms

15. – 25. September 2022
Group Show, Uferhallen, Berlin

From September 15 to 25, the Uferhallen will present the group exhibition On Equal Terms.

A large majority of Berlin-based artists are trying to resist the eco‐ nomic displacement of spaces for artistic experimentation. However, their language is sometimes forced to conform to a similar logic, as workplaces and artistic networks are labelled as “creative hubs” and “cultural capital.” In the struggle against the gentrification of spaces for living and working, these same spaces necessarily become subject to the cultural economy’s valorization process. What is the price to pay for entering the political bidding war for space? What is the relationship between cultural and monetary capital? Are both sides of the conversation on equal terms?

The group show examines, among other things, how art deals with mechanisms of the partly voluntary, partly forced commodification of cultural and artistic values. The exhibition will showcase works by approximately 25 artists from Uferhallen

Recent Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

DeadDrops in H4v4n4

23. – 31. May 2022
Group Show, El Paquete Semanal, Havana

DeadDrops in H4v4n4 and !!!Sección ARTE [No. 37], Paquete Semanal, collaboration with Nestor Siré [May, 2022] Cuba.

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Blog Archive for Tag: how to

How to share a UCLA all day parking ticket

May 17, 2016

ucla-sharing-parking-ticket-how-to-3
How to share a 12,-$ UCLA parking ticket:

  1. Get your 12,- $ all day visitor parking ticket .
  2. Leave it in the car as long as you park at UCLA.
  3. When you leave pass it on!
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How to ANDROID DISCO

February 28, 2013


WARNING:If you are a photosensitive epileptic you might need help to have your phone set back to normal. (looks very much like a JODI piece :)))

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How To Avoid Facial Recognition

May 15, 2012

or ‘YOU GOTTA FIGHT FOR YOUR RIGHT TO PAAARTY (ANONYMOUSLY!!)

How To Avoid Facial Recognition from Aram Bartholl on Vimeo.

This is not a hoax! It really works! But you ll need some extra training for your neck muscles 😉 Don’t be worried about party pictures any more. Just keep your head tilted when ever a friend pulls a camera or you travel to the UK. You’ll be safe! In case you are not an expert in software like Kyle’s ofxFaceTracker you can also test this just with your phone or camera. Facial recognition is default nowadays (especially on all the Faceboogles….)!!


by Kyle McDonald & Aram Bartholl
Berlin 2012
first posted on fffff.at/how-to-avoid-facial-recognition May 9 2012

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How to save 2,30 € for a latte in Berlin

February 14, 2011

[first released on F.A.T.]


How to take a free bus ride from Aram Bartholl on Vimeo.
DISCLAIMER: Don’t do this at home …ähhh … at the city trains U-Bahn or S-Bahn. They check those quite often. The bus driver in the city might ask you for a ticket or yell at you but you can always try to just walk in. At Tegel nobody cares AT ALL …. enjoy the coffee places in Berlin! ( That’s all we have 😉
See also James’ UK bus hack!

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How to make your own MOMA artist pass

February 10, 2011

[first released on F.A.T. , don’t miss the comments there…]
1. Download your pass here.
2. Print it on heavy paper, both sides.
3. Insert your name with a pen.
4. Visit MOMA a whole year for free!

You are only eligible to obtain an MOMA artist annual pass (25,-$) (regular entrance fee 20,- $ !!!) if you can proof  that you had ‘OFF-LINE’ !!!  art shows. Can you believe that? Online art doesn’t count in?!? We need to change that.

The making of the Free MOMA pass:

Let’s scan this!

It seems I am artist number #7156 which got an artist pass. (This year? Since the system was implemented? Doesn t matter in fact.) The  entrance guard will just scan the code and look at the read out if the pass is valid. Code format is CODE_39. Ok nice!

Let’s scan the whole thing in high res!

We better generate that magic code A000000000007156 again at Online Barcode Generator for better print quality  🙂 You might wanna also just become the artist pass owner #7155 in case they kick Aram Bartholl out of the DB for some reason. 😉

Done! I recommend the Andy Warhol: Motion Pictures show on 5th floor. Awesome! Let’s meet for a make out flashmob in that ‘exhibtion’ cinema 😉
[You might also just go to Free Friday Nights, held every Friday evening from 4:00 to 8:00 p.m :-)]
PS: See also James’ http://fffff.at/how-to-sneak-into-the-venice-guggenheim/ 🙂

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How to make money in 5 minutes part II

January 26, 2010

Since I failed so desperately the last time I had to try this again. 🙂

https://arambartholl.com/blog/how-to-make-more-than-1000-e-in-only-5-minutes/
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How to make more than 1000,- € in only 5 minutes!

December 9, 2009


Deutsche Bank runs since a while this stupid fake money campaign.  I always wanted to do this …

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Prinzessin auf der Erbse

June 25, 2009

case-extern-hdd
Nice one, Markus! Your 2,5″ external harddrive is super safe packed for transport!
Quick and dirty is an important quality of DIY. Yes!

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The Free Yacht Saga

June 25, 2009

In the first place a ‘how to’ is a manual but to a certain extend it also always tells a story.
Some people push the story part quite far on Instructables. 🙂 I like that!
Check the full Saga here www.instructables.com/id/The-Free-Yacht-Saga/

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How to fetch an artwork (item) from Berlin (city A) to Essen (city B) as fast as possible for no costs.

June 10, 2009

How to fetch an artwork (item) from Berlin (city A) to Essen (city B) as fast as possible for no costs from Aram Bartholl on Vimeo.

A million thanks to my studio colleague Holger who made this transaction possible!

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