Love Parade
Sort of spontaneous piano concert in the street during “Fete de la Musique” Berlin I stumbled into two days ago. Public Space is just the best place for art.
A look at how our online practices leave a trace and shape our rights. Drawing on the Charter of Digital Rights (2021), the exhibition explores seven key areas with humour and everyday examples. Framed within the Observatory of Digital Rights and curated by Fundación Telefónica and Domestic Data Streamers, the show encourages reflection and debate around the safe, responsible, critical, and creative use of technology.
We accept cookies as if they were freshly baked biscuits, without having the slightest idea of what ingredients they contain. We share photos of our children’s birthdays or family trips as if they were WhatsApp stickers, without knowing where they might end up. We use the same password for our bank account and our grocery app (spoiler: not a good idea). We check a website to see if it’s going to rain, only to give away our data like candy on Halloween.
The exhibition Today Is a Good Day to Discuss Digital Rights seeks to raise awareness about the rights and duties that citizens exercise and develop in the digital sphere. Moreover, the show invites us to keep debating and building a system of guarantees around the digital ecosystem — a kind of ethical guide that helps us understand what digital rights and duties are, what they imply, and the opportunities the technological environment offers citizens.
Framed within the initiative of the Observatory of Digital Rights and curated by Fundación Telefónicatogether with the artistic collective Domestic Data Streamers — which presents six installations —, the exhibition features works by contemporary artists such as United Visual Artists, Eva & Franco Mattes, Paolo Cirio, Noemí Iglesias Barrios, Theresa Reiwer, Hasan Elahi, and Aram Bartholl, among others. Their works challenge visitors, help them understand, and encourage reflection on our actions as digital beings. A much-needed exhibition, it fuels the debate around digital rights and duties, and calls for a safe, responsible, critical, and creative use of technology. Because today is a good day to discuss Digital Rights.
By occupying nearly a third of our waking hours, screens are profoundly reshaping the contours of our relationships with others. In response, numerous journalistic and academic discourses echo concerns about the digital migration of our social lives: the idea frequently arises that the socio-technical systems at work in this migration are making us more resistant to diversity.
Our intention is to nuance this concern by acknowledging a foundational aspect of the internet—its original design to facilitate the virtuous and unprecedented emergence of communities of specific interests, often far more specialized than what our traditional offline social circles can accommodate. This utopia inevitably carries a tension between, on the one hand, the benefits of more efficient and far-reaching sociability, and on the other, the widely discussed risks of a social life limited to alters who are most similar to ourselves.
Curated by Aurélie Clémente-Ruiz, director of the Musée de l’Homme in Paris, and Camille Roth, a researcher at CNRS in social sciences.
With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas
GOGBOT 2025
SCROLL PANIC REPEAT
18-21 september @ ENSCHEDE
festival for art music technology
Join us live-in-studio with season two of the Radio Spaetkauf x Europäische Akademie Berlin podcast collaboration. This year we focus on CULTURE. Each episode features fresh voices and perspectives representing a wide array of backgrounds, expertise and disciplines. Host Daniel Stern is joined by researchers, academics, independent artists, journalists and community leaders with unique insights into our evolving cultural interactions.
September 13th: Museums are more than just buildings that house objects. They are sites of memory, meaning, and power – spaces where stories are told, preserved, and sometimes contested. But who decides what’s worth keeping? And how do museums evolve in response to the cultures and technologies of their time?
As boundaries blur between archive and activism, exhibition and experience, we ask: What is a museum today? And what should it be? Together we explore the shifting roles of museums in shaping public understanding, identity, and imagination.
Guests include:
Michael Soltau – Synthesizer Museum Berlin
Aram Bartholl – Media and concept artist
Lilja-Ruben Vowe – PhD in cultural history, curator and inclusive mediator
Dr. Wenke Wegner – Prussian Palaces and Gardens Foundation
Host: Dan Stern
The festival brings artistic short films into public space – presented in a mobile, seemingly improvised exhibition object: a transport cart with pneumatic tires, stacked with various boxes, crates and bags, all secured with colorful tension straps. Through peepholes in these containers, passersby can watch the films on hidden tablets or smartphones. The route leads through five locations in the district (Goslaer Platz, Mierendorffplatz, Österreichpark, Schustehruspark, Lietzenseepark). At each stop, the “mini-museum” stays for about one hour. The project is accompanied throughout the day by the two artists and curators Marian Luft and Moritz Frei, who will be present to assist and engage with the audience.
Curated by Marian Luft & Moritz Frei
With:
Iván Argote, Sophia Süßmilch, Björn Melhus, Hansol Kim, Barış Çavuşoğlu, Lorna Mills, Andrew Birk, Peng Li
This exhibition brings together models by artists whose works have been realized in public spaces across the world. These small-scale forms are not mere sketches; they were once proposals, prototypes, and poetic blueprints — early traces now translated into permanent works in the city.
with: Yasmin Alt, Aram Barthol, Jessica Buhlman, Moritz Frei, Gfeller Hellsgard, Andrea Pichl, Alona Rodeh, Andrea Zaumseil, Joshua Zielinski
curated by: Jay Gard
Sort of spontaneous piano concert in the street during “Fete de la Musique” Berlin I stumbled into two days ago. Public Space is just the best place for art.

(“Fuck you all!”)
Daniel Pflumm 2004
at MOUNT WARNING facade gallery,
on Auguststr. (across KW 😉 , Berlin:
One of the best pieces that gallery ever showed. It’s a pitty they are not active anymore.
This “Installation” looks like a Mark Jenkins piece, but the guy is unfortunately real and serious about his begging effort. I keept seeing him at Hackescher Markt Berlin lately. He reminded me so much of Mark’s “invisible” sculptures. Nobody takes notice.
Great work Mark! Was goo to meet you at the Open City exhibition last year!

Skulpturenpark Berlin do have interesting public space exhibitions (and also made my Sanbox Berlin project possible, thx!)
“LANDSCAPES OF DESIRE” CONTEMPORARY ART STRATEGIES IN THE URBAN CONTEXT.
NOVEMBER 2007 – Skulpturenpark Berlin_Zentrum
Wednesday 28th of November 7:30 pm
The Lecture will take place in the atelier and exhibition space of the artists
Neue Grünstrasse 20 Berlin-Mitte
Subway Stop U2 Spittelmarkt.
Skulpturenpark Berlin_Zentrum is a project by five artists who founded KUNSTrePUBLIK e.V. Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs and Daniel Seiple. Skulpturenpark Berlin_Zentrum is located on an urban wasteland which was formerly the “Mauerstreifen,” the military zone within the Berlin Wall. It remains vacant to this day. With approximately 5 hectares of open lots, it offers a vast space and unique history to host various socio-cultural activities. Modecentrum, a former fashion center, sits on the southwest boundary of this area. On the third floor, KUNSTrePUBLIK e.V. has rented an 800 square meter hall with windows which face this vacant land. Rather than encouraging “plop art” or following the tradition of many open-air museums, Skulpturenpark Berlin_Zentrum is interested in sculpture as a process that has the potential to reveal and critique the social, historical, and structural contexts provided by the site. It is not interested in placing objects into an already cultivated urban or park landscape.
http://www.skulpturenpark.org

BNC in Bremen has organised a city tour questioning role of city planning an PR. And they laser tagged 🙂
“move.it!!
An einem Abend im Oktober zieht move.it!! nach Anbruch der Dunkelheit an verschiedene Plätze der Stadt. Alle diese Orte prägen das Leben in der Stadt. Mit Projektionen, Geschichten, Licht- oder Toninstallationen etc. interpretiert und verändert move.it!! die ursprünglichen Funktionen und Bedeutungen dieser Koordinaten städtischen Lebens temporär…..”
link
pics on flickr
Nice urban intervention by Mexican artist ,Gilberto Esparza. Urban Parasites
via Jonah www.coin-operated.com
The ongoing Urban Interface exhibition in Berlin features some really nice public space pieces and performances. Tomorrow I will definately check out the Mitting performance by Oliver Hangl. I saw his talk at TESLA some days ago and his wireless headphone walk concept for 70 people seamed to be very promising. Who wants to join? By the way I like the name Mitting. A nice combination of Mitte and Wedding.
Thu, April 26, 6 pm Performance-tour Mitting, starting point: uib headquarters. Torstraße 161, Berlin-Mitte. The tour lasts 2-3 hours. the number of participants is limited to 70. Please bring your ID for deposit.
Mirjam and me during the opening event on 1.2.06 in front of the latest interactive fassade project “Magical Mirrors” made by Daniel Michelis and Hendrik Send. Nice piece. Rosenthalerstr. Berlin