Current Events

Unfinished Reality

10. April – 5. June 2026
Group Show, United Art Museum, Wuhan

Well informed. Badly disposed.

15. March – 24. May 2026
Group Show, Galerie Eigenheim, Weimar

Well informed. Badly disposed.
Doomscrolling, Negativbias und die sozialen Herausforderungen

Ort EIGENHEIM Weimar, Asbachstraße 1, 99423 Weimar / Eröffnung 14.03.2026 um 19 Uhr mit dem DJ Set Druck – Resonanz – Kontrollverlust von Christoph Höfferl / Dauer 15.03.2025 – 25.04.2026

beteiligte Künstler*innen: Anna Bittersohl, Aram Bartholl, Simon Baumgart, Jonas Blume, Benedikt Braun, Elisa Jule Braun, Paolo Cirio, Ben Grosser, Esra Gülmen, Susanne Junker, Philipp Kummer, Marc Lee, Kayla Mattes, Signe Pierce, Theresa Rothe, Michal Schmidt, Stefan Schiek

Der Auftakt des Jahresprogramms, das sich Zuversicht, Positivität und kollektiver Lebensfreude widmet, wird durch die Ausstellung “Well informed. Badly disposed.” markiert. Zugleich versteht sich diese erste Ausstellung als bewusste Problemanalyse: Sie benennt die Bedingungen, unter denen ein positives Jahresthema heute nicht naiv, sondern notwendig erscheint – als Haltung, um zunehmender Polarisierung, Emotionalisierung und politischer Vereinnahmung von Information etwas entgegenzusetzen.

Im Zentrum stehen die Mechanismen von Doomscrolling und Negativbias – Phänomene, die unsere Wahrnehmung, unsere Stimmung und zunehmend auch den gesellschaftlichen Diskurs prägen. Eine immersive, düster-dystopische Ausstellungskulisse definiert einen bewusst abstoßenden Raum und schafft einen von Reizüberflutung geprägten Erfahrungsrahmen, der Angst, Erschöpfung, Ekel und Abgründigkeit vermittelt. Die Ausstellung macht jene emotionale Überforderung erfahrbar, die aus der permanenten Konfrontation mit negativen Nachrichten entsteht.

Künstlerische Positionen untersuchen, wie digitale Informationsflüsse, soziale Medien und algorithmische Logiken unser Denken und Fühlen beeinflussen. Dabei wird deutlich: Plattformen sind nicht neutral. Sie spiegeln ökonomische und politische Machtverhältnisse wider, verstärken Polarisierungen und prägen demokratische Öffentlichkeiten weltweit. Zugleich zeigt sich, dass individuelle Mediennutzung eng mit Fragen von Verantwortung, Vertrauen und Bildung verknüpft ist. Die Ausstellung macht sichtbar, wie stark wir dazu neigen, das Negative stärker zu gewichten als das Positive – und wie soziale Medien und Informationsplattformen diesen Bias gezielt nutzen, um Aufmerksamkeit zu maximieren.

„Well informed. Badly disposed.“ beleuchtet bewusst die negativen Einflüsse unserer medialen Umwelt und macht zugleich neugierig auf die weiteren Ausstellungen des Jahresthemas. Sie eröffnet den notwendigen Kontrast, um die Kraft der Zuversicht in den folgenden Projekten umso stärker erfahrbar werden zu lassen. So bildet diese erste Ausstellung den kritischen Auftakt für ein Programm, das Schritt für Schritt Perspektiven auf Optimismus, Empathie und kollektive Freude entfaltet.

Moi et les autres

12. March – 13. September 2026
Group Show, Fondation EDF, Paris

By occupying nearly a third of our waking hours, screens are profoundly reshaping the contours of our relationships with others. In response, numerous journalistic and academic discourses echo concerns about the digital migration of our social lives: the idea frequently arises that the socio-technical systems at work in this migration are making us more resistant to diversity.

Our intention is to nuance this concern by acknowledging a foundational aspect of the internet—its original design to facilitate the virtuous and unprecedented emergence of communities of specific interests, often far more specialized than what our traditional offline social circles can accommodate. This utopia inevitably carries a tension between, on the one hand, the benefits of more efficient and far-reaching sociability, and on the other, the widely discussed risks of a social life limited to alters who are most similar to ourselves.

Curated by Aurélie Clémente-Ruiz, director of the Musée de l’Homme in Paris, and Camille Roth, a researcher at CNRS in social sciences.

With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas

pictures

Today Is a Good Day to Discuss Digital Rights

20. November 2025 – 3. May 2026
Group Show, Fundacion Telefonica, Madrid

A look at how our online practices leave a trace and shape our rights. Drawing on the Charter of Digital Rights (2021), the exhibition explores seven key areas with humour and everyday examples. Framed within the Observatory of Digital Rights and curated by Fundación Telefónica and Domestic Data Streamers, the show encourages reflection and debate around the safe, responsible, critical, and creative use of technology.

We accept cookies as if they were freshly baked biscuits, without having the slightest idea of what ingredients they contain. We share photos of our children’s birthdays or family trips as if they were WhatsApp stickers, without knowing where they might end up. We use the same password for our bank account and our grocery app (spoiler: not a good idea). We check a website to see if it’s going to rain, only to give away our data like candy on Halloween.

The exhibition Today Is a Good Day to Discuss Digital Rights seeks to raise awareness about the rights and duties that citizens exercise and develop in the digital sphere. Moreover, the show invites us to keep debating and building a system of guarantees around the digital ecosystem — a kind of ethical guide that helps us understand what digital rights and duties are, what they imply, and the opportunities the technological environment offers citizens.

Framed within the initiative of the Observatory of Digital Rights and curated by Fundación Telefónicatogether with the artistic collective Domestic Data Streamers — which presents six installations —, the exhibition features works by contemporary artists such as United Visual Artists, Eva & Franco Mattes, Paolo Cirio, Noemí Iglesias Barrios, Theresa Reiwer, Hasan Elahi, and Aram Bartholl, among others. Their works challenge visitors, help them understand, and encourage reflection on our actions as digital beings. A much-needed exhibition, it fuels the debate around digital rights and duties, and calls for a safe, responsible, critical, and creative use of technology. Because today is a good day to discuss Digital Rights.

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Upcoming Events

Grand Snail Tour

10. – 11. September 2026
Group Show, Urbane Künste Ruhr, Hattingen

The Grand Snail Tour activates public spaces in the region through artistic formats of exchange, participation, and co-production – often in collaboration with local actors. Over the course of three years, it will travel through all 53 cities in the Ruhr region. The project addresses important questions of social coexistence in an experimental and innovative way: Who owns public space and how can we create places for communal activities or activate existing spaces? What role does art play in this? The Grand Snail Tour aims to leave a variety of impressions, offer shared experiences and invite people to join the journey.

Self Storage

6. – 10. May 2026
Group Show, Galerie Ellia, Paris

We are made of memory, but memory itself is a fiction 

The exhibition Self Storage investigates how individuals construct identity through personal and intimate recollections, as well as through the technical and social systems that shape their traces. Memory is not an objective recording: it is an assemblage, a selective construction built from both forgetting and persistence. A memory emerges within a space shaped by desire, loss, and reconstruction. Self Storage foregrounds this subjective and unstable dimension of remembering. Diaries, family archives, obsolete technologies, and bodily reminiscences become raw materials to examine the materiality of memory and its capacity for reinvention.

Hard drives, clouds, online profi les, and social networks are gradually replacing notebooks and photo albums. This massive externalization questions the boundary between private memory and public exposure, between lived traces and standardized data. Self Storage extends this inquiry into a contemporary era where identity is stored, outsourced, and endlessly duplicated. Through the works assembled, the exhibition off ers a poetic and critical drift between real and invented memory, intimate and externalized. It prompts us to consider: What do we need to retain? What do we choose to forget? And what becomes of the “self” when it is reduced to archives, content, and imprints?

curation : Nicolas de Chérisey & Philippine de Salaberry in collaboration with Ellia gallery

participating artists:
Joël Andrianomearisoa, Maxime Antony, Marcella Barceló, Aram Bartholl, Federica Belli, Matthias Bitzer, Borgial, Victor Boyer, Amélie Caussade, Salomé Chatriot, Coucou Bébé, Nick Coutsier, Fleur Cozic, Paul Créange, Corentin Darré, Oli Epp, Léonor Fini, Nan Goldin, Gregor Hildebrandt, Ryoji Ikeda, Victoire Inchauspé, Éloïse Labarbe-Lafon, Octave Lauret, Louis Lekien, Inès Longevial, Keegan Luttrell, Shiva Lynn Burgos, Matisse Mesnil, Sabine Mirlesse, Polina Osipova, Louise des Places, Joséphine de Rohan-Chabot, Philippine de Salaberry, Tehotu, Egon Thuile, Thu-Van Tran, Louis Verret, Francesco Vezzoli, Rose Vidal, Xolo Cuintle, Kai Yoda, Yugnat999.

Recent Events

readOn Konferenz

31. March 2026
Talk, LUX Pavillon, Hochschule Mainz, Mainz

Am 31. März findet im LUX Pavillon der Hochschule Mainz die ganztägige, vierte Ausgabe der readOn Konferenz unter dem Titel AT THE EDGE OF KNOWING statt.

Die Konferenz richtet den Blick auf jene Momente, in denen Wissen brüchig wird – wenn sich zwischen Gewissheit und Vermutung, Erkenntnis und Ahnung ein offener Raum auftut. Ein Raum, der sich eindeutigen Definitionen entzieht: Fragen werden wichtiger als Antworten, Prozesse bedeutsamer als Ergebnisse – und Unsicherheit erscheint nicht als Mangel, sondern als produktive Kraft.

AT THE EDGE OF KNOWING lädt dazu ein, diese Schwelle des Verstehens bewusst zu betreten. Gemeinsam suchen wir nach neuen Perspektiven auf Gestaltung, Begegnung und das Denken möglicher Zukünfte. Nicht-Wissen wird dabei nicht umgangen, sondern als Ausgangspunkt ernst genommen.

In Vorträgen und Diskussionen untersuchen geladene Gäste, welche Rolle Unsicherheit in gestalterischen Prozessen, in der Forschung und in unserer Haltung zur Zukunft spielen kann. Die Konferenz versteht sich nicht als abgeschlossener Zustand, sondern als Reflexion eines Prozesses, der sich in die Ungewissheit hinein entfaltet – und lädt dazu ein, gemeinsam an den Rand des Wissens zu treten und die Weite des Unscharfen zu erkunden. In ungewissen Zeiten möchten wir Raum schaffen, um zusammenzukommen – und statt am scheinbar Sicheren festzuhalten, bewusst loszulassen und neu zu denken. Die Teilnahme ist gegen eine freiwillige Spende möglich.

Organisiert von den Studierenden des Masterstudiengangs Kommunikationsdesign der Hochschule Mainz.

Bring Your Phone!: TOUCH FARM

16. January 2026
Curatorial, panke.gallery, Berlin

🤳🏾Bring Your Phone! : TOUCH FARM 🌾👩‍🌾 reclaims the idea of the farm for the screen age. If farming once organized land, labor, and life, today it organizes attention and clout. TOUCH FARM takes the architecture of click farms and flips it from extraction to participation.

Bring your phone. Exhibit your work. Everyone participates.
🐷🐐🐰🐖🐴🐑🐓🐖🐔🐮🐇🌾🚜👩‍🌾
Curated by @arambartholl & @socratesstamatatos.

🎉 #Vorspiel 2026 Opening Party at @panke.gallery

📍panke.gallery, Friday, 16 January 2026 at 7 PM (Gerichtstr. 23, Hof 5, 13347 Berlin)

Spazi di Transizione

9. – 11. December 2025
Talk, Spazio Murat, Bari

Blog Archive for Tag: surveillance

‘DeafenYourPhone’ – How to make sure your phone is not listening on you

August 23, 2016

The ‘DeafenYourPhone’ tube is a mobile, low-cost, DIY sound dampening solition to prevent supposedly hacked phones from eavesdropping on its owner.

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The Matryoshka tube in a tube concept works well to isolate a phone sound proof from its environment.
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To avoid impact sound transmission the tubes are isolated with foam. Add another tube if you want to increase the sound proofing quality.
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Dimensions: 12 x 12 x 30 cm ; weight: 1 kg ; material cost: 24,- €
The problem
Once targeted a standard mobile phone can be hacked by an attacker and easily be modified to record sound at any time. This might sound like a farfetched spy story to you but in the year 3 after Snowden politicians, lawyers, NGOs or journalists have to deal very much with these kind of questions. Recently Edward Snowden & Bennie Huan presented the project “Introspection Engine”, a hardware modification for iPhones that monitors and signals radio traffic on a hardware level to make sure the phone is ‘really off’. Different voices in the hacker community pointed out that this device cannot prevent phones from listen to a conversation and to relay the data ‘later’ to the ‘attacker’. It is generally advised for i.e. journalists who are meeting a ‘source’ to leave their phones ‘at home’ or in a sound dampening closet like a fridge nearby. However, depending on the local situation this is not necessarily a practical solution. You might need the phone to plan the meeting and maybe the place where you meet has no fridge or similar appliances accessible.
How does it work?
Like a russian Matryoshka doll the phone is locked into a foam isolated plastic tube with screw cover, which again is placed in an isolated plastic tube. After a series of tests with different containers it showed that a round tube of hard plastic provides good properties to block sound. It is very important to disrupt direct contact of the phone case and plastic tubes to avoid impact sound transmission. The double layer tube in a tube approach can be improved with a 3rd or more layers of plastic tubes. Surprisingly it is quite difficult to prevent a phone microphone from ‘hearing’ something. Try it yourself! I did tests with pouches, boxes, kitchen containers, glass containers, pelican cases and so on. Often there the recorded sound is already very low but always good enough to listen to a conversation once you pull up the volume in post-production audio software. Heavy high density material would work best to block sound waves but to walk around with a concrete block seems not very practical. However if you find out other better solutions please share your ideas!
Tutorial:

  1. Get different size plastic drain tubes and covers with rubber seals from your local DIY store. Screw covers are advised but sometimes harder to get. In german the grey tubes are called ‘HT-Rohr
  2. Buy some foam. I used just 10 mm standard foam but there is also special foam for sound canceling available i.e. in the auto mobile market available. Total cost of tubes and foam ca 24,- €
  3. Place the phone in the isolated tube and close the cover tight. Make sure the phone cover is not touching the tube directly. Place the small tube in the big tube and also close this one tight.
    ( The small tube I got only has diameter of only 7,5 cm. Small size smart phones still fit in here. Any new iPhone or Samsung will need a bigger tube. )

Disclaimer!
Make sure to test your setup! Put your phone to record audio and lock it in the tubes. Try different sound sources in a variety of distances to the DeafenYourPhone tube and check the results in audio software on your computer. In a normal medium sound environment, with a distance of 1-2 meters and normal voice speaking level I wasn’t able to extract any usable audio from the recordings. Only rely on this proposal for a sound proofing capsule if you have tested and proofed its function properly. Tips and recommendations from audio/eavesdropping experts are welcome! 😉
History
I presented this sound proof tube concept along with the killyourphone.com pouches workshop end of 2013 at the #30C3 conference, the annual congress of the CCC (Chaos Computer Club) but haven’t documented it properly since then. This blog post is dedicated to Linus Neumann and Tim Pritlove from Logbuch Netzpolitik.org. ;))
Audio test!!
This is an audio test with the above shown setup. “Logbuch Netzpolitik” #190 is running at a decent volume (normal voice level). The tubes are closed and then placed ca. 1m away from the speaker. If you are able to extract the conversation of Tim and Linus while the phone (iPhone 5) is in the tube please let me know!

‘Nice to see you’

May 31, 2009


It’s kind of natural nowadays that a meeting point is monitored by a surveillance cam. But in this particular case (at airport Tegel, Berlin, DE) it is interesting that the logo of the meeting point looks exactly like the cam itself.

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