Current Events

Video des Monats

1. – 31. May 2022
Solo Show, HMKV, Dortmund

In the series HMKV Video of the Month, HMKV presents in monthly rotation current video works by international artists – selected by Inke Arns”

“TOP25”, 2018, video, 5:44 min

TOP25 is a series of short 3D animation sequences featuring the 25 most used passwords in the world. Standard, easy-to-guess passwords like ‘123456’ or ‘admin’—frequently the default preset passwords for routers and other devices in the past—still pose a significant security threat to computer systems in general. This collection of well-known passwords is presented in a style of 3D animation often used for YouTube intros. It is very common practice among YouTubers to use short and very to-the-point 3D animations of their logo and name to introduce their channels, and a whole scene of young YouTubers exchange and share the 3D source files (Blender 3D) online to help new channel producers generate their own intros. Though the animations are remixed and altered, the general aesthetics follow a very clear visual concept. All sequences in this video are original designs and arrangements by different creators; the text has been altered to match the top 25 passwords.

 

Art Me!

21. April – 30. July 2022
Group Show, Galerie Charlot, Paris

At the heart of the Art Me! exhibition is the desire to reconsider what unites artists to their artworks, which they inhabit, populate with characters, or open to the public. The idea, therefore, as Allan Kaprow suggested in the Sixties, is that nothing must separate art from life, as attested by his Essays on the Blurring of Art and Life (1993). Nowadays, there are still artists performing happenings whether privately, in the public space, or on the Internet, benefiting from the magic and efficiency of contemporary technologies in order to embody their creations. We must recognise that there are many techniques that encourage artists to rethink the nature of their relationship to the beings that literally ‘populate’ their works, for example: scanning, modelling, or motion capture, and also artificial intelligence. The 3D models thus represented are in the exact measure of real people. It could be a matter of detail, one might think, but in fact this distinction is likely to reinforce the empathy of the audience inevitably recognising itself in a gesture or a posture that is strangely familiar. But revolutions, in art, are also the consequences of the democratisations of the artistic practices due to the emergence of innovations: going from the Kodak film to the Apple iPhone, not to mention the platforms of sharing, precisely where artistic practices mix with those of hobbyists without knowing who influences who! Indeed, how many artists collect their image files by tracking them through their index names in the realm of emojis to create collages that continue well beyond the frames? Finally, there are the artworks of which we are the heroes: the creations that we experience, through manipulation or virtually. By interacting, we magnify technical objects; in immersion, without any body, we become the essential component of the artwork that we complete, in the case that we are not already the artwork itself. Like the artists creating happenings and more widely performers who, in action, not only make an act of creation, but also are the creation itself. This brings us back to the French translation of Allan Kaprow’s book that is even more precise: L’art et la vie confondus. – Dominique Moulon 2022

With: Aram Bartholl – Chun Hua Catherine Dong – Misha Margolis – Matt Pike – Sabrina Ratté – Marie Serruya – Pierrick Sorin – Jeanne Susplugas – Penelope Umbrico – Eric Vernhes – Du Zhenjun

Curation : Dominique Moulon / V.Hasson-Benillouche

Call Me

9. April – 10. June 2022
Group Show, galeriepcp, Paris

In 1979 D. Scott Rogo and Raymond Bayless published their book Phone Calls From the Dead. It brought together reports of paranormal experiences describing phone calls from recently deceased people. The authors connected these narratives to electromagnetic effects and electronic voice phenomenon. These experiences highlight how the phone has become a metaphor for our desire for meaning and communication. The word telephone itself plays on this concept. It comes from the Greek far or distant (τῆλε, tēle), and voice (φωνή, phōnē).

Telephones today are not just audio devices that transform sound into electronic signals. Phones are surfaces onto which we project emotional desire. They are contemporary fetish objects, surveillance devices and encyclopaedias. They isolate and connect. The artworks in this exhibition question this relationship between us and the ‘thing’ in its dumb and symbolic reality.

Curated by Francesca Gavin

with:
Anthony D Green, Aram Bartholl, Britta Thie, Cecilie Norgaard, Christian Ingemann, Cory Arcangel, Damien Roach, Jermaine Francis, Juliette Blightman, Stephen Dunne

House of Mirrors: Artificial Intelligence as Phantasm

9. April – 31. July 2022
Group Show, HMKV, Dortmund

The exhibition House of Mirrors: Artificial Intelligence as Phantasm will address AI-related issues like hidden human labor, algorithmic bias/discrimination, the problem of categorization and classification, and our imaginations and phantasms about AI, and it will also ask the question about whether (and how) it is possible to regain agency in this context. More than 20 artworks by international artists will be presented in an exhibition which will be subdivided into seven thematic chapters and whose scenography will be reminiscent of a giant house of mirrors. In May 2022, a 200-page bi-lingual catalogue will be published (German/English) as printed matter and as a free online PDF.

Participating artists:
Aram Bartholl, Pierre Cassou-Noguès, Stéphane Degoutin, Sean Dockray, Jake Elwes, Anna Engelhardt, Nicolas Gourault, Adam Harvey, Libby Heaney, Lauren Huret, Zheng Mahler, Lauren Lee McCarthy, Simone C Niquille, Elisa Giardina Papa, Julien Prévieux, Anna Ridler, RYBN, Sebastian Schmieg, Gwenola Wagon, Conrad Weise, Mushon Zer-Aviv

Curatored by:
Inke Arns, Francis Hunger, Marie Lechner

pictures

The Glass Room

18. January – 26. November 2022
Group Show, MOD, Adelaide

The Glass Room MOD
The Glass Room is a public intervention that aims to educate about technology. With a sleek tech shop vibe, visitors can freely and critically discuss their relationships with data privacy.

Having toured Europe and the US, it will be visiting Australia for the first time in 2022.

From the tech boom to tech backlash, our understanding of the digital has become both deeply personal and deeply political. Our desire for convenience has given way to questions about the trade-offs for how much we can control our data and our understanding about how it is used.

The Glass Room is a place to explore these ideas. The objects here bring to life the hidden aspects of everyday technologies and examine how they are changing the way we live. The objects in The Glass Room provide unconventional and unexpected ways of seeing your relationship with your data.

As technology becomes embedded in every part of our lives, The Glass Room helps you look deeper into the digital: Does your personal data say everything about you, or is it an imperfect portrait? Do more tools, apps, and information make us better and more efficient, or are we giving away more than we want in return? What goes on behind the screens and inside the black boxes of the devices we interact with everyday? If we knew, would we still sign in or click ‘I agree’? How much trust do users invest in big tech companies, and what can be done if that trust is broken? If you want to learn more, you can visit our Data Detox Bar to pick up our Data Detox Kit, which offers you simple tips to enhance your digital privacy, security, and wellbeing.

Featured Artists:

Dries Depoorter, Aram Bartholl, Kiki Mager, Bengt Sjölén, Danja Vasiliev, Sebastian Schmieg, !Mediengruppe Bitnik, Tega Brain / Sam Lavigne, Kyriaki Goni, La Loma, and Tactical Tech

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Upcoming Events

DFG-Schwerpunktprogramms „Das digitale Bild”

7. – 9. July 2022
Talk, Online, Munich, Marburg

Metapolitisches Hüpfen

10. June 2022
Performance, Grosse Bergstrasse / Goetheplatz, Hamburg

Symposium und antifaschistische Hüpfburg
Große Bergstraße/ Goetheplatz, Hamburg
13:00-19:00 Uhr

Mohamed Amjahid (Vortrag & Diskussion)
Wie aus der Parallelgesellschaft herausspringen?
Über homogen weisse Räume in der Stadt

Aram Bartholl (Performance & Gespräch)
Greetings from Hamburg!
Wie umgehen mit geschichtsrevisionistischer Architektur?

Eduard Freudmann (Vortrag)
Kontextualisierung, Umgestaltung, Weggestaltung
Künstlerische und aktivistische Auseinandersetzungen mit geschichtspolitischen Manifestationen im öffentlichen Raum

Cornelia Siebeck (Thesen & gemeinsames Nachdenken)
Was wir „vergessen“ haben, oder:
Für eine Erinnerungsarbeit ohne Selbstvergewisserung

Nora Sternfeld (Vortrag)
Errungene Erinnerungen
Kontaktzonen umkämpfter und geteilter Geschichte

Gegenwärtig sind wir mit einer rechten Metapolitik konfrontiert, die mit kulturellen Setzungen versucht zivilgesellschaftliche Überzeugungen und kulturelle Diskurse jenseits von Parlamenten nach eigenen Vorstellungen zu verändern. Während das Konzept der Metapolitik eigentlich für den Aufbau einer demokratischen Zivilgesellschaft gedacht war, zielt die Neue Rechte darauf ab, gesellschaftliche Komplexität auf essentialistische Vorstellungen von Kultur, Nation und Volk zu reduzieren. Mit Rekonstruktionen historischer Architektur, ideologischer Inanspruchnahme von Orten, aber auch Angriffen auf Parlamente versucht sie abgeschlossene Identitäten zu konstruieren. Im Ringen um die kulturelle Hegemonie entwendet die Neue Rechte auch den Künsten ihre Strategien, mit denen zuvor noch für eine offene und vielfältige Gesellschaft eingetreten wurde. Sie richtet die performativen Methoden nun gegen die vielfältige Kultur selbst. Dafür dreht sie das kritische Potential der Künste in eine affirmative Symbolhaftigkeit um und verwendet das progressive Moment der Künste für ihre regressiven Ideen.

Obwohl die permanente Gefahr besteht, die entwickelten künstlerischen Praxen in den Händen von Personen mit autoritären und völkischen Vorstellungen wiederzufinden, besteht nach wie vor die Notwendigkeit mit Kunst Ideen davon zu entwickeln, wie wir als Gesellschaft gerne zusammenleben wollen. Metapolitisches Hüpfen bietet den Anlass, rechte Metapolitik zu diskutieren und schafft zugleich den Raum, um Gegenstrategien zu entwickeln. Um die Frage nach dem Umgang mit symbolischen Räumen so zuzuspitzen, dass sie sichtbar und diskutierbar wird, wird das Hambacher Schloss als Symbol für Demokratie aber auch nationalistische Vereinnahmung in eine antifaschistische Hüpfburg transformiert. Die Architektur wird zur Infrastruktur für ein eintägiges Symposium im öffentlichen Raum, das Widersprüchlichkeit zulässt und auf dem nicht nur theoretisch, sondern auch praktisch und performativ Strategien gegen rechte Metapolitik entwickelt, erprobt und debattiert werden.

Mit: Mohamed Amjahid, Aram Bartholl, Eduard Freudmann, Cornelia Siebeck und Nora Sternfeld
Konzeption: Frieder Bohaumilitzky
Grafikdesign Flyer & Plakat: Torben Körschkes

www.metapolitisches-huepfen.de

Recent Events

Domestic Drama

14. December 2021 – 20. February 2022
Group Show, Halle Für Kunst, Graz

“Alle Gegenstände, die uns umgeben, haben eine eigene Seele, haben menschliche Qualitäten, weil sie nur in einer menschlichen Welt existieren. Es gibt eigentlich keine Gegenstände, die der Mensch wahrnimmt. Es gibt keine rohen, unmenschlichen Objekte. In dem Moment, in dem Möbel, Häuser, Brot, Autos, Fahrräder oder andere Produkte in unserem Leben auftauchen, sind sie mit uns verbunden, sie sind menschlich.”Ernest Dichter, The Strategy of Desire, Martino Publishing, Mansfield, 2012. S. 93.

Domestic Drama möchte durch den bewusst ​„theatralen Auftritt“ der künstlerischen Arbeiten und die gattungsüberschreitende Art der Inszenierung des Wohnraums eine körperliche Teilhabe beim Publikum herausfordern. Im weiteren Schritt erkennt die Ausstellung Emotionalität als einen wichtigen Faktor für unser Handeln an, das längst nicht mehr autonom von uns selbst sondern auch durch die uns umgebenden Objekte und Prozesse gesteuert wird. Die poetische aber dennoch subversiv-kritische Narration, die in Domestic Drama gesponnen wird, versucht so die Vielschichtigkeit der Fragen, Probleme und Mechanismen, die in unserem Alltag im ​„Zuhause” auftauchen, ins Zentrum der Aufmerksamkeit zu rücken.

Curated by Cathrin Mayer

With:
Larry Achiampong, Ayo Akingbade, Aram Bartholl, Camille Blatrix, Oscar Enberg, Vera Frenkel, Nigel Gavus & İlkin Beste Çırak, Antony Gormley, Mona Hatoum, Kaarel Kurismaa, Nicola L., Bertrand Lavier, Olu Ogunnaike, Laura Põld, Bruno Zhu

pictures

Decision Making – L’instant décisif

9. December 2021 – 13. March 2022
Group Show, Canadien Cultural Centre, Paris

Decisions are the result of complex cognitive processes. Considering them collectively when they involve our shared futures makes them harder to make. But, more and more often, we include machines into such processes through algorithms qualified as decisional. Of course, it raises questions that artists know how to put into perspective. Because of the age that we are currently living in, a brief instant regarding the whole history of our planet, is decisive considering the choices available to us for a responsible development of Artificial Intelligence. Therefore, it is now that human rights are at stake, for instance, about what will emerge from the use of our personal data. The consideration of artworks coming from decisive processes connecting humans to machines could only spring us into an immediate future that still belongs to us.

Curated by Dominique Moulon & Alain Thibault

pictures

Stampede

26. November 2021 – 9. January 2022
Group Show, Horse & Pony, Berlin

Stampede, Eight Years at Horse & Pony

Opening 26 November, 14-21h
On view 27 November – 9 January, Saturdays & Sundays, 12-18h and by appointment
U-Bhf Leinestrasse / S- & U-Bhf Hermannstrasse
Altenbrakerstrasse 18, 12053 Berlin

Including work from Shahin Afrassiabi, Matt Ager, Josefin Arnell, Diana Artus, Khaled Barakeh, Aram Bartholl, Julie Beugin, David Blandy, Elijah Burgher, Julia Colavita, Beth Collar, Zuzanna Czebatul, Christa Joo Hyun D’Angelo, Caroline David, Lucinda Dayhew, Herbert de Colle, Cheryl Donegan, Claude Eigan, Paul Ferens, Kasia Fudakowski, Dakota Gearhart, GeoVanna Gonzales, Monika Grabuschnigg, Seamus Heidenreich, Nate Heiges, Kathi Hofer, Nick Jeffrey, Jake Kent, kg, Julian-Jakob Kneer, Nuri Koerfer, leckhaus, Carol Anne McChrystal, Ryan McNamara, Liz McTernan, Zoë Claire MIller, Adrien Missika, Robert Muntean, Nightmare City, Yotaro Niwa, Florian Oellers, Omsk Social Club, Anne-Sofie Overgaard, Silas Parry, Tamen Perez, Angelo Plessas, Tobias Preisig, Hannes Ribarits, Tina Ribarits, Liz Rosenfeld, Lorenzo Sandoval, Fette Sans, Isa Schmidlehner, Maximilian Schmoetzer, Jonas Schoeneberg, Sarah Schoenfeld, Pacifico Silano, Louise Sparre, Jennifer Sullivan, Valinia Svoronou, Anna Szaflarski, Johanna Tiedtke, Viktor Timofeev, Titre Provisoire (Marcel Dickhage & Cathleen Schuster), Marie von Heyl, Derick Decario Ladale Whitson, Helga Wretman, Thomas Yeomans, Lauryn Youden, & Anna Zett.

Museum of Cryptography

10. November 2021 – 6. February 2022
Group Show, Museum of Cryptography, Moscow

2021 году в Москве откроется первый в России Музей криптографии.

Широкой аудитории будет представлено прошлое, настоящее и будущее криптографии, математики и смежных дисциплин. Музей криптографии станет новой точкой притяжения на карте города — местом, где доступно и просто говорят о развитии современных технологий.

Здание, в котором будет расположен Музей криптографии, впервые откроет свои двери для широкой публики. В советские годы это была знаменитая «шарашка» в Марфино, где ученые разрабатывали аппаратуру для шифрования телефонной связи.

Важной частью музея станут мультимедийные экспонаты, инфографика и интерактивные островки формата look&feel, а также редкие экземпляры научных трудов.

Внимание! Молодежная команда Музея криптографии сформирована. Подробности

Blog Archive for Tag: talk

Technology Off Screen

October 1, 2020


Aleksandra Domanovic talking about an original robot arm from Yugoslavia of the 70’s.

Vienna Contemporary

Sunday, 27 September 2020, 1:30-2:30 pm

ArtTech Talk: Technology Off Screen

Artists are increasingly using new techniques and materials that address our relationship to a technological world. Artist Aleksandra Domanovic emerged with work that directly addressed a screen context with her collaborative project vvork.com before establishing a largely sculptural practice that incorporates 3D printing and ideas around the use of technology and biological innovations. Aram Bartholl is a Berlin-based conceptual artist whose work unpicks the digital and the physical in inventive ways.

Speakers:
Aleksandra Domanovic, artist
Aram Bartholl, artist
Moderated by Francesca Gavin, art theorist, curator and writer

 

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Online, Offline and all-over the city

May 7, 2015

re:publica 2015 - Tag 3
pic by re:publica/Jan Zappner
aram-barhtoll-rp15
picture by Gonvalo Forte (Thx for uploading this to the piratebox.cc I had running on stage :)))

Talk: Online, Offline and all-over the city
Thursday, May 7, 2015 – 13:45 to 14:15
https://re-publica.de/ conference, Berlin
“Art projects with and about the Internet, computers and society! Aram Bartholl will present an overview of his past , often site-specific works and projects including USB ‘DeadDrops’ (they caused a lot of alarm lately) , IRL ‘Map’ marker or ‘KILLYOURPHONE.COM’ mobile phone blocking pouches. ”
Slides & LINKS! -> http://datenform.de/rp15/

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My talk at CCC congress

January 2, 2014

30c3-talk-hello-world-link
http://www.youtube.com/watch?v=WJBv-4uDdmY
My talk at 30C3 congress in Hamburg last weekend. You can find all recordings of all talks also here http://media.ccc.de/browse/congress/2013/index_1.html Good stuff!

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ADP Lecture Series

November 26, 2012

I ll give a talk on Wednesday afternoon, November 28 at UCLANADP Lecture Series

The ADP Lecture Series is an exciting and dynamic yearly guest-lecture programme which invites internationally distinguished designers, artists, performers and theorists to engage with and inspire students, staff and researchers both within and outside of the University of Central Lancashire.

ADP Lecture Series 2012-13

CULTURE RE-CODED:
Location, Identity and Reality in the Digital Age

OVERVIEW:

ADP LECTURE SERIES
The lecture series presents a fantastic opportunity for undergraduates, postgraduates and professionals to engage first-hand with the ideas, practices and concerns of renowned creative practitioners in a way that brings together areas of art, design and performance, stimulating debate and provoking critical dialogue.
A total of eight lectures* will take place on afternoons throughout the 2012/13 academic year, each one featuring a different guest speaker.

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“me you and everyone we know is a curator”

December 16, 2009

220
Upcoming saturday I’ll present my work at this symposium. If you happend to be in Amsterdam drop by chek it out …
A symposium about quality in an age of visual overload
While museums are developing strategies to digitalise their collections, online cultural production is growing steadily, with hundreds of thousands of new images posted each day. A lot of potentially interesting work is being produced online, which never reaches the physical world. The distribution of this high quality work is increasingly decentralised, leaving museums, foundations and professional magazines at a loss on how to redefine their role as gatekeepers. On the other hand, the time spent daily behind the computer on internet networking is pushing the demand for a physical experience of our fleeting culture. Designers, artists, mediators and policy makers need to redefine their position, because new technologies define to a large extent today’s possibilities and means of presentation and archiving. The search is for new quality criteria, new frames of references, and alternative methods for enabling connections between the virtual and the physical space of today’s culture.
Venue: Paradiso, Weteringschans 6, Amsterdam
Entrance: €25, €10 (students)
Pre-sale : AUB Ticketshop Amsterdam, Ticket Service Nederland
Reservations: symposium@graphicdesignmuseum.com
Language: English

Program Saturday December 19th 2009
10.00    Doors open
10.25    Mieke Gerritzen: Welcome
10.30    Bruce Sterling: Envisioning tomorrow’s digital culture
11.15    Julia Noordegraaf: Performing archival material online
11.35    Sarah Cook: Curatorial strategies for online artistic production
11.50    Coffee break
12.05    Rick Poynor: Design criticism in the blogosphere
12.35    Sophie Krier: me you and everyone we know is a curator
12.45    Metahaven: Visual identity in the age of digital standards
13.00    Lunch break
14.00    Andrew Keen: Digital Vertigo: selecting talent in the age of social media
14.45    Aram Bartholl: Online visual culture in physical space
15.00    Dagan Cohen (Upload Cinema): Bringing web films to the big screen
15.15    Willem Velthoven (Mediamatic): Please try a new search to see less results
15.30    Coffee break
15.45    Henk Oosterling: Introduction
16.00    Debate on the changing position of policy makers and institutions with representatives
of Dutch funds and museums
16.30    Drinks
Moderator: Koert van Mensvoort (artist/scientist)
Visual Interventions: Sander van der Pavert (LuckyTV)
Organization: Graphic Design Museum
Concept: Sophie Krier, Mieke Gerritzen
Design: Metahaven

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Talk at Weissensee

November 8, 2009

weissensee
I’ll give a talk at the Art School Weissensee Berlin tomorrow.  Prof. Barbara Junge runs a “Virtual/Real” course within the Visual Communication department this semester and invited me to show my work.

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“Art in the age of digital distribution”

July 3, 2009

Sounds very interesting! Unfortunately I won’t be in Berlin that day.

art in the age of digital distribution

kunst unter den verhältnissen digitaler distribution

artist talk at newthinking store

künstlergespräche bei newthinking

how has the internet changed art? how about artists? is there a diversification of art forms, places, practices, and theories that has accompany the rise of the net? is art something to be open sourced, or does it come from a tradition of openness? in 1936, walter benjamin wrote about the ways in which mechanical reproduction had altered the very idea and spirit (aura) of art. to re-imagine that essay, what is the work of art in age of digital reproduction and global networked culture? wie hat das internet die kunst verändert? und die künstler? gibt es veränderte kunstformen, orte, praktiken und theorien, die die entstehung des internets begleitet haben? ist kunst etwas, das öffentlich zugänglich gemacht werden soll, oder kommt die kunst aus einer tradition der offenheit? 1936 schrieb walter benjamin darüber in welcher art und weise die mechanische reproduzierbarkeit die idee und die aura der kunst verändert hat. wenn wir in uns diesen aufsatz wachrufen, was ist dann die funktion der kunst im zeitalter digitaler reproduktion und globaler netze?

branda miller and steve pierce

media-artists, -activists and -organizers, professors and founders of

medienkünstler, -aktivisten und -organisatoren, professoren und gründer von

the sanctuary for independant media

http://www.mediasanctuary.org

“the sanctuary for independent media” is a telecommunications production facility dedicated to community media arts, located in an historic former church at in north troy, ny. the sanctuary hosts screening, production and performance facilities, training in media production and a meeting space for artists, activists and independent media makers of all kinds. “der zufluchtsort für freie medien” ist eine produktionsstätte für telekommunikation, die freien medienkunstprojekten zur verfügung steht. es ist eine ehemalige, historische kirche in der 6.straße in 3361 nord troy, new york. dort gibt es einrichtungen zur filmproduktion und vorführung, kurse in medienproduktion und freien raum sich zu treffen für künstler, aktivisten und freie medienproduzenten jeder art.

susanne gerber and kathy rae huffman in conversation with branda miller, steve pierce

susanne gerber und kathy rae huffman im gespräch mit branda miller, steve pierce

friday july 10th 2009 7.00 pm

newthinking store tucholskystr. 48 10117 berlin

freitag 10.juli 2009 19.00 uhr

newthinking tucholskystr. 48 10117 berlin

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Upgrade! Berlin presents, Jon Cates

March 21, 2009


I am going to see Jons talk at Art Claims Impulse Berlin tonight. Come and join!

Art Claims Impulse invites Upgrade! Berlin

Saturday 21.03.09, 8pm

Upgrade! Berlin presents, Jon Cates (Chicago)
a selection of his work:

jonCates makes, organises and teaches experimental New Media Art. His projects have been presented internationally at various events in locations such as Beijing, Madrid and Mexico City; nationally in Chicago, New York and Boston and are widely distributed online. Art Games, video, experimental Machinima, Computer Witchcraft, digitalPunk and Noise music are some of the unstable categories that his work playfully moves through.

jonCates teaches in the New Media path of study of the Film, Video & New Media Department at The School of the Art Institute of Chicago. His research and writings are on Media Art Histories and related subjects. In 2007, he initiated the Phil Morton Memorial Research Archive to archive and freely distribute the Media Art work of Phil Morton and associated research. He writes on these topics for Furtherfield.org as well as in other online and offline publications.
For more information about Jon please see here: http://systemsapproach.net/

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Artzilla @25C3

December 29, 2008


During the lightening talks today at 25c3 Tobi-X presented his Artzilla platform and I brievly introduced our (+Evans) ChinaChannel addon. 10 talks of 4:30 min is a very effecient format for presentations.

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60 seconds

June 6, 2008

3Minutes from Steffen Kasperavicius on Vimeo.

Steffen Kasperavicius counts three times 60 seconds layered in one movie. Nice vid!
Thanks for the invitation to Halle Burg Giebichenstein / Werkleitz Gesellschaft, Steffen!

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