Current Events

50 für Bad Berlin

11. – 15. September 2024
Group Show, Roter Saal, Berlin

For Berlin Art Week, the non-profit organisation Flussbad Berlin will be presenting the exhibition and auction “50 Für Bad Berlin” in the Red Salon of the Bauakademie. Fluss Bad Berlin is a civil society initiative for urban development committed to making swimming possible in the Spree Canal and, in the long run, in other sections of the Berlin Spree.

“50 Für Bad Berlin” will present works by mostly Berlin-based artists and architects who show solidarity with the objectives of the Fluss Bad Berlin project and the team behind it. They advocate a sustainable development of Berlin for the common good. They oppose the tendency to restrict for ideological reasons the debate on the future of the city (centre) to the historicising reconstruction of the Berlin of the early 20th century and the attempt to appropriate “art and culture” for that purpose. They want to emphasise instead that art and culture are closely linked to development initiatives such as Fluss Bad Berlin, which promote a more social, ecological, sustainable, and futureproof urban development.

While the works on display cover a wide range of types and techniques, they all relate to themes the Fluss Bad project addresses: for instance, in their interpretation of the essential significance of water for our world and for life, and the diverse relationships between humans and the element. They analyse the sensory, political and technical significance of water as a cultural asset, and the meaning of a free and equal access to it. They remind us that the river belongs to the city, that everyday culture belongs to high culture, and that the city is shaped by social values, which –at the same time– it is capable to mediate.

All of the pieces shown at the “50 Für Bad Berlin” exhibition will be auctioned on September 12.

List of participating artists:
Rosa Barba, Barkow Leibinger, Aram Bartholl, John Bock, Stefanie Bürkle, Thomas Demand, Oswald Egger, Olafur Eliasson, Elmgreen & Dragset, Estudio Herreros, Nina Fischer & Maroan El Sani, Simon Fujiwara, Filomeno Fusco & Victor Kégli, Graft, Katharina Grosse, Esra Gülmen, Asmund Hansteen-Mikkelsen, Annette Hauschild, Heide von Beckerath Alberts, Robert Hermann, Katharina Hinsberg, Moon Hoon, Bjarke Ingels, Inges Idee, Christian Jankowski, Peter K. Koch, Annette Kisling, Mischa Kuball, Götz Lemberg, Susanne Lorenz, Regula Lüscher, Maciej Markowicz, Maix Mayer, Jürgen Mayer H, Bjørn Mehlhus, Fernando Menis, Christian Möller, Olaf Nicolai, Lewis Pugh, Raumlabor, realities:united, Anselm Reyle, Shirin Sabahi, Michael Sailstorfer, Karin Sander, Tomás Saraceno, Sauerbruch Hutton, Erik Schmidt, Something Fantastic, Carlo Stanga, Wolfgang Tillmans, Clement Valla x Certain Measures, Michael Wesely, Haegue Yang, Tobias Zielony

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

Staged at the UNESCO World Heritage Site Völklingen Ironworks, the Urban Art Biennale is one of the world’s largest exhibitions of this anarchic form of art. Departing from a conventional white cube aesthetic, the entire site of the Völklingen Ironworks is given over to a fruitful dialogue with an art form that has evolved from street art or graffiti. Established in 2011, the 2024 edition will focus on participatory urban art projects as well as political works in situ.

The World In My Hand

18. April – 31. October 2024
Group Show, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

pictures

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Upcoming Events

Catalog release: “Ihr Paket ist abholbereit”

16. November 2024
Talk, Kunsthalle Onsabrück, Osnabrück

25 Jahre Stiftung Springhornhof

26. October – 3. December 2024
Group Show, Springhornhof, Neuenkirchen

Grand Snail Tour

26. September 2024 – 29. August 2025
Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Recent Events

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archive for Month: July 2007

Crates

July 30, 2007


No, this is not de_dust Public Space intervention by Aram Bartholl. It’s a pic from the streets of NY taken by Jonah. The very classic crate in everyday life, nice!

There will be more crates (in SL style) at Ars this year.

Thx for the pic Jonah!

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Vacation

July 13, 2007

I will be on vacation for the next two weeks. More news and links in August. Take care.

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Silver Cell at “Our Cyborg Futures: Me or Machine?”

July 12, 2007


Silver Cell mobile phone pouches will be part of this exhibition at Newcastle’s Discovery Museum , opening mid august.

Our Cyborg Futures: Me or Machine? looks at the shrinking divide between us and the technology we use. From prosthetic body parts, to smart textiles and wearable computing, a range of technologies is penetrating the different ‘skins’ we surround ourselves with – from our biological skin, to the clothes we wear, the buildings we live in, and the communication networks we connect through.
The Cyborg show will range from robots designed to help elderly people, through state-of-the-art devices for health, care, fashion and sport, to devices that connect our minds to communication networks….

via and read on at http://www.dott07.com

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David in action!

July 12, 2007


Good old friend David, conceptual artist is performing. Nice!
Piece for solo dancer and solo musician created by Matthew Shlomowitz and performed by Mark Knoop and David Helbich at the University of York in July 2007. check also: http://www.shlom.com/ , http://www.markknoop.com/ , http://davidhelbich.blogspot.com/

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Second City at Ars Electronica 2007

July 11, 2007


Ars Electronica invited me as main artist of “Second City” which is part of the festival this year (4.-11.9.07). I am developing a concept and design involving other artists in collaboration. Besides some solo pieces like the “Tree” installation or “Chat” intervention there will be a series of workshops and installations. Most of them are especially developed for 2nd city, some like “WoW” are already known. As the title “Second City” implies metaverses like Second Life are the main topic of this part of the festival. Second City takes place in a deserted shopping street in the center of Linz. Shopping, trading and creating stuff in workshops is one of the undelaying themes in 2nd City. Beside Meatvers related pieces there will be also the the theme exhibtion and more stuff in Marienstrasse.

Artists in collaboration are: Linda Kostowski & Sascha Pohflepp, Eva & Franco Mattes, Joachim Stein, Walter Langelaar, Andreas Lange as well as Jan Northof & Tobias Neiseke and Jürgen Höbarth in the workshop and Second Life support team.

More detailed infos to come….

Second City

This year’s festival is “going public” too before the backdrop of our (involuntary) digital transparency and the (voluntary) relinquishment of our privacy. “We are very intentionally running this “public sphere risk” because this step—going public, going into the public realm—is the only logical and consistent way to approach GOODBYE PRIVACY,” said Ars Electronica Artistic Director Gerfried Stocker. In going about this, urban spaces and infrastructure serve not only as a stage but also as a medium that blends with artistic interventions and, in turn, becomes a message. The epicenter of this “infiltration” is Marienstraße, a street that seems to be a dead zone in the middle of downtown Linz. The prevalence of vacant retail spaces here strongly evokes the atmosphere of a stage set and makes pedestrians feel like they’re walking past the artificial buildings of a virtual city. Ars Electronica will put these premises to use and transform Marienstraße into Second City, into the portal between reality and artificiality. What will be staged here during the week of September 5-11 is not some sort of urban renewal program; rather, this initiative has a strictly transient, virtual character. It is real artificiality and, conversely, artificial reality. The festival’s traditional propagation is thus endowed with a new quality—not just out into the city but throughout the cityscape.

www.aec.at

Toilet paper

July 10, 2007


Is this a new form of street art? Found at Nordbahnhof Berlin this morning.

Tesla – time´s up hub – salon III

July 9, 2007

This looks like an intersting panel discussion at tesla on thursday. Several berlin based (media)art institutions/groups present their way of working, artist practices and share experiences. I am afraid I won't have time to join but.

do 12.07.07 um 20:30
time´s up hub
salon III

ideale bedingungen: organisation, produktion und vermittlung

verschiedene berliner projekträume, initiativen und institutionen stellen ihre künstlerischen ansätze und organisationsformen vor: welche produktionsbedingungen und vermittlungsmodelle werden gedacht? welche erfahrungen zeigt die praxis?

mit:
carsten seiffarth [tesla]
jan rohlf / oliver baurhenn [disk/general public] http://www.generalpublic.de
torsten oetken / michael weinholzer [m12] http://m12.visomat.com
gregor hotz [ausland] http://www.ausland-berlin.de
stephen kovats [transmediale.de] http://www.transmediale.de
martin howse [pickled feet] http://1010.co.uk
anschlaege.de http://www.anschlaege.de

moderation: meike jansen [taz]

Fire extinguisher

July 8, 2007


First fire extinguisher piece in KR style I have seen in Berlin so far. (But maybe I don’t pay attention enough.)
Linienstr./Kleine Auguststr.

White glove

July 7, 2007

White Glove Tracking is an open source project initiated by Evan Roth and Ben Engebreth with support from the Rhizome Commissions Program and the Eyebeam OpenLab. Zach Lieberman used this White Glove Tracking Project to reedit this 1983 performance of Billie Jean around the real star of the show: the white glove. More at http://whiteglovetracking.com/
I love this video

via turbulence.org

Big Brother is tracking you.

July 6, 2007


A GPS / gsm tracking device of BKA (german FBI) found on a car of a G8 oponent will be sold during an auction/party at SO36 Berlin 7.7.07.
Big brother in a very classic way.

read german article here.

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