Current Events

Liebe auf den ersten Blick

26. October – 3. December 2024
Group Show, Springhornhof, Neuenkirchen

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

Singularity

4. October – 15. December 2024
Group Show, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an “intelligence explosion.”

Grand Snail Tour

26. September 2024 – 29. August 2025
Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

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Upcoming Events

Moving Image Perspectives

22. December 2024 – 30. June 2025
Group Show, Annka Kultys Gallery, London

Coinciding with its 9th anniversary, ANNKA KULTYS GALLERY is delighted to announce the launch of its new digital programme Illuminated: Moving Image Perspectives, which will take place over the course of a year, and elaborates on the gallery’s expertise in moving image and reaffirms its ongoing commitment to this field.

On a weekly basis, Illuminated will offer unique insights into a new media artist using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI. This project aims to showcase and contextualise diverse digital art practices, while introducing international artists and their distinctive approaches to the gallery’s audience.

The online streams will be augmented by physical presentations of digital artworks in a private home setting at the gallery founder’s loft in Shoreditch. These installations will be accompanied by regular, invitation-only dinners and carefully curated exclusive viewings for art professionals, fostering deeper connections between artists, collectors, journalists, and museum curators.

Recent Events

Graphic Matters

29. November 2024
Talk, TURF festival, Breda

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Total Screen Time

21. November 2024
Curatorial, Ithakis 28, Kypseli-Athens, Athens


Total Screen Time is a
one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ’em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Kill Your Phone (with style!)

16. November 2024
Workshop, Super Duper Store, Athens

KILLYOURPHONE.COM is an open workshop format. Participants are invited to make their own signal blocking phone pouch.📶 In the pouch the phone can’t send or receive any signals. It is dead! 📵This time we are adding a cute twist 🥰 your phone is going down with style 💖

Join @arambartholl & @socratesstamatatos on 16.11.2024 from 12:00-17:00 at our beloved @super_duper_wow 🎀

Low Resolution

19. October 2024
Group Show, Transfergallery / Postmasters, NYC

ʟᴏ ᴀɴᴅ ʙᴇʜᴏʟᴅ, ɪᴛ’ꜱ ᴛɪᴍᴇ ꜰᴏʀ ʟᴏᴡ ʀᴇꜱᴏʟᴜᴛɪᴏɴ. Postmasters 5.0 and TRANSFER present a show within a show to celebrate the finissage of ‘High Resolution’ on October 19th, 6-9PM 🗓️

​🎥 LOW RESOLUTION GIF SCREENING 🎥

Shiny renders, ‘poor images’, generative art, and everything in between – ‘Low Resolution’ features looped moving images from the internet and beyond, screening for one night only in SoHo.

​Featured Artists: @pr_x_s @anamariacaballero @arambartholl @auriea.harvey.studio @danieltemkin_ @fabiolalariosm @asugarhigh @joemckay5 @mrkdrf @machewtops @mayaontheinternet @yoururgetobreatheisalie @moisesdsanabria @made.by.oona @rodellwarner @rothbergrothberg @sashastiles @fakeshamus @nihil_diamond @taramoves @travisleroysouthworth @pipizzy02 + more announced soon.

​Join us for an evening of Animated GIFs from invited artists in the expanded community around ‘High Resolution’ to celebrate the close of the exhibition.

🎥 Sneak peek 👀 a special contribution from Auriea Harvey ‘Madame Archive’ 1996-1999 a sequential archive of the GIF the artist used online on Entropy8.com in the 90s

RSVP link in bio 🔗
https://lu.ma/q9mrjdnm

Blog Archive for Tag: ars electronica

Dead Drops: Honorary Mention – Prix Ars Electronica

June 15, 2011


I am very pleased to announce that Dead Drops won an Honorary Mention at Prix Ars Electronica 2011!

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TELE-INTERNET video

September 13, 2010

TELE-INTERNET from Aram Bartholl on Vimeo.

more documentation on http://datenform.de/teleinternet/documentation/
bit.ly/teleinternet

TELE-INTERNET pics

September 9, 2010

#TELEINTERNET bit.ly/teleinternet at Ars Electronica last weekend was awesome! Thanks to everyone for participating and thx to the As team for support! Most popular ‘piece’ in the show was our coinopperated coffee machine 🙂
Stay tuned for more documentation …

TELE-INTERNET – The 2010 Ars Electronica Internet Shop!

August 18, 2010
TELE-INTERNET is an organically growing structure, a hacker space, an (un)conference, a stage, an exhibition,  a social performance, Commune 0/1, and a site for anyone who’s  interested in discussing the development of the internet, exchanging  ideas, and presenting their own projects. Ars Electronica festivalgoers are invited to take the plunge and join the fun, to contribute to the  discussion, or to chill out on the couch with a clubmate and a notebook.”
curated by Aram Bartholl , 2010

This  event will take place at the media art festival Ars Electronica, Linz, Austria, 2nd-6th of September 2010. TELE-INTERNETrepresents the Prix Ars Electronica category ‘Digital Communities’ of which the CCC – Chaos Computer Club won the 1st prize Golden Nica 2010. The TELE-INTERNET program includes talks, presentations, discussions, panels, work in progress, projects, pop, performance, meetings, art, workshops, screenings and much more. Get full info on the program and on all participants atbit.ly/teleinternet and follow us on http://twitter.com/teleinternet #teleinternet
OPEN CALL: If you happen to be at Ars in September and you were interested to give a lightning talk or to squad a table with your project please get in touch with the TELE-INTERNET team.
TELE-INTERNET curated by Aram Bartholl at Ars Electronica, Linz, Austria, 2nd-6th of September 2010
Participants:

  • *CBA – Cultural Broadcasting Archive*: Ingo Leindecker (AT) , Thomas Diesenreiter (DE), http://cba.fro.at [honorable mention]
  • *Web2.0 suicide machine*: moddr_ [Walter Langelaar (NL), Gordan Savicic (AT), Danja Vasiliev (RU)]; http://moddr.net[honorable mention]
  • *A Golden Era – making and unmaking of Piratbyrån*: Golden bus + archive (SE) 2003-2010 http://piratbyran.se
  • *Artzilla*: Skate the web! workshops and contests, Tobias Leingruber (DE); 2010 http://artzilla.org
  • *F.A.T. Lab*: Free Art & Technology Lab: Cloud services, Jamie Wilkinson, 2010 http://fffff.at
  • *Metalab Squad of Awesome*:  official delegation from the Viennese hackerspace (AT) http://metalab.at
  • *BOSCO-Uganda*, *ceibalJAM!*, *CulturaDigital.Br*, *FixMyStreet*, *Kloop*, *Puncar Action!*, *Sourcemap*, *TEDtoChina*, (honorable mentions of Digital Communities)
  • and more and more and more ….
[everyone except the last 2 line HM projects, Jamie Wilkinson (remote) and Casey Pugh (remote) will be there]

“A new cultural economy” and Watering Cans

September 14, 2008


“A new cultural economy” was the title of the symposium curated by Joichi Ito at Ars Electronica a week ago. I enjoyed a lot the brillant speakers most of them from the US and Jonah did write a good abstract on the presentations for Rhizome.

Buzz word collection: Intellectual property, copyright, creative commons, sience commons, GPL, open source, closed, amateur, creativity, remixing, sharing, crowd sourcing/computing, citizen journalism, lost authority, chaos, noise, truth, fear ….. and again and again the big examples: Music, Film and Wikipedia.

Sure we are talking about cultural economy and the example of the music economy development in last decade or the success of Wikipedia shows very well what’s going on. But in retrospective I ‘ve been missing some crucial questions:

– How will/can this whole development affect economy in general?
– What is the role of DIY (Do it yourself) and the free instructions culture development?
– In wich way will physical objcts/products be involved? (Just think of the upcoming rapid prototyping era.)
– Are we only talking about cultural/intellectual property?
– Is there a reason to wait for companies to come up with great new products like a green car, alternative energy sources or just day to day life simplicity?
– Where is the DIY mobile medicin prototyping lab kit for the 3rd world? And will medical industry do the same faults like spoiled music people?

Podcasts of all talks
Unfortunately there are no videos, but I can recommend the talk of Yochai Benkler.

Picture:
Watering cans on a graveyard in Berlin. Instead of having a few public cans everybody has its own one looked to a stand. A very good symbol on a current mindset of property in society. (with a maybe typical german twist.)

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L'Homme au Chapeau Melon

September 9, 2008


The Image Fulgurator by Julius von Bismarck (winner of a Golden Nica) was of course my favorite piece at Ars Electronica. In addition to the groundbreaking idea he did a really good job in documenting his latest interventions for the Cyberarts show at Ars Electronica. Besides a crucifix he added to Obamas speakers desk during the Berlin speech he traveled to Beijing and manipulated the most symbolic place of official China. He projected a pigeon related to the Magritte’s painting “L’Homme au Chapeau Melon” on top of Mao’s face which was then only visible to chinese tourists with digi cams. Wow! A very good way of showing the Image Fulgurator’s power. I hope that he will release that beautiful video documentation online.

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Apeel

September 8, 2008


A very simple, again paper based and fun interactive project by Richard The » Gunnar Green » Frédéric Eyl » Willy Sengewald got an honary mention and was exhibited at Ars Electronica this year. It reminded me of a picture of an ‘interactive’ facade I posted a while ago.

Appeel is a virus spreading through interacting individuals. Surfaces are covered by thousands of colored stickers laid out in a grid. Peeling a sticker off leaves a white spot in the grid, hence people start individually and collectively changing its appearance. Once off the wall, the stickers ask to be stuck somewhere: people begin putting them on objects, walls, people; they collect them, they compose new images, they write messages. Slowly, the little stickers spread, appearing further away from their source and occupying space.

Prix Ars Electronica 2008, Honorary Mention Interactive Art

link www.thegreeneyl.com/appeel

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Image Fulgurator

June 24, 2008


Ars Electronica announced golden nica winners for 2008! In the category INTERACTIVE ART Julius von Bismarck got a golden nica for the Image Fulgurator. This piece is just awesome. Congrats Julius! Good job, jury!
The Image Fulgurator is a kind of inverted photo camera physically manipulating other peoples pictures in realtime. The exact moment someone takes a picture the Fulgurator does a flash projection onto the photographed object. A sensor detects other camera flashes and synchronizes the flash projection to them. In case of the movie below tourists end up having weird text messages in their pictures. A Checkpoint Charlie sign has an additional message on it but you can’t see it in real. This is a good picture explaining the setup.
Wow! I really like this piece a lot. Just imagine what you could do with this technology. (That’s why he is going for patent.)

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“Second City” documentation

February 22, 2008


I finally managed to put together a documentation about Second City Ars Electronica 2007. The festival invited me to make a design for Marienstrasse, to show my work and to involve other artists in collaboration for the Second City all relating to metavers and Second Life.

Pics info and more on the project page.

I had a great team! Thx to everybody!

“Tree” during Ars Electronica, documentation & movie

September 21, 2007


A forest, half virtual, half real, on Marienstraße, Second City, Ars Electronica 2007. As in most computer games and 3D worlds, objects from the real world are “copied” or simulated in simplified form and in accordance with programming constraints. Textures are applied to 3D structures and, depending on lighting conditions, the images making up the virtual scenery are computed in real time during the game. Most trees are constructed out of two interlocking surfaces, each of which is covered with the same tree-view texture. The transparency of the gaps between the leaves and branches is provided by a so-called alpha channel in the graphics file. From a certain distance and the corresponding perspective, this abstracted form of a tree in virtual space doesn’t stand out as a simplification.

…read on & more pics on project page

Better quality quicktime movie here.

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