Upcoming

Coventry Biennial of Contemporary Art

4. October – 24. November 2019
Group Show, Coventry, Coventry

The highly anticipated second Coventry Biennial will unfold across the city from the 4th October to the 24th November 2019 and we invite people to learn, look, make, talk, think and walk with us.

The biennial’s title this year is The Twin and it comprises a series of exhibitions, events and activities about relationships.

We are an international city; Coventry and Volgograd, Russia, were the first modern twin cities in the world and this year marks the 75th anniversary of that historic bond of friendship.

The core programme of The Twin will unfold across the city in medieval and modernist buildings as well as in artist studios, galleries and museums. We will be exhibiting new and existing artworks by individual artists, duos and groups from Coventry, across the UK and from many of our international twin cities as well as other international locations. We are delighted to be exhibiting the artists listed below and will be announcing a small number of additional practitioners over the coming weeks and months:

Isobel Adderley & Jazz Moreton, Tully Arnot, Art & Language, Jonny Bark, Aram Bartholl, Jordan Baseman, James Birkin, Simon & Tom Bloor, James Bridle, Lorsen Camps, Paul Chan & Badlands Unlimited, David Cheeseman, James Clarkson, Anna Columbine, Maud Cotter, Paul Crook, Matthew Darbyshire, Joseph DeLappe, Lisa Denyer, Jacqueline Donachie, Caitriona Dunnett, EVOL, Anne Forgan, Dylan Fox, Darryl Georgiou & Rebekah Tolley, Zuza Golinska, Noémie Goudal, Lawrence Abu Hamdan, Mona Hatoum, Corey Hayman, Nicky Hirst, Clare Holdstock, Fred Hubble, Andrew Jackson, Juneau Projects, Navi Kaur, Smirna Kulenović, Liz Lake, Ollie Ma, Ioana Marinescu, Tony McClure, Lorna Mills, Anna Molska, MTAA, Alexandra Muller, Edie Jo Murray, Uriel Orlow, OUTLINE & Smirna Kulenović, Paper Rad, Bharti Parmar, Parmar & Piper, Partisan Social Club, Mathew Parkin, Matthew Picton, Duncan Poulton, Adele Mary Reed, Lis Rhodes, Rafaël Rozendaal, Ana Rutter, Richard Scott, Shirana Shahbazi, Larissa Shaw, Thomson & Craighead, Leonid Toprover, Chidera Ugada, Mhairi Vari, Nilupa Yasmin

Immortality – The Ural Bienniale

12. September – 1. December 2019
Group Show, uralbiennale.ru, Ekaterinburg

The Ural Industrial Biennial is the largest regional art project with international participation among those existing on the territory of the Russian Federation. The Biennial takes place at former industrial and non-exhibition spaces in Ekaterinburg and other cities of the Ural region.

In its 5th edition, the Ural Biennial explores concepts behind the Immortality, both secular and sacred; it is seen as a powerful utopist idea, as technocratic obscurity, as a symbolic tool and as a condition which might cause evident ethical schisms.

Strike Now!!

11. – 15. September 2019
Solo Show, panke.gallery, Berlin

Strike Now is a platform for discussion and exhibition about today’s working conditions in the so called ‘gig economy’. The rise of service oriented Internet companies like Uber, Amazon and Deliveroo etc created massive amounts app based self employment under often harsh conditions. Is this the new slavery of the post digital Internet commercial revolution? In which ways can workers counteract the algorithmic chains of start-up venture capital? With  lectures, a panel and an exhibition Strike Now at panke.gallery will examine these and further questions. A project by Aram Bartholl, funded by Stiftung Kunstfonds.

Please don’t stand in the middle of the road waiting for me to get you on camera

23. June – 22. July 2019
Group Show, isthisitisthisit.com, Online

Vienna Biennale 2019

28. May 2019 – 27. May 2020
Group Show, MAK Design Labors, Vienna

SF MOMA: Snap + Share

24. March – 4. August 2019
Group Show, San Francisco Museum of Modern Art, San Francisco

SFMOMA: snap+share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
https://www.sfmoma.org/exhibition/snap/

The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.

Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.

curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet

Blog Archive for Category: exhibition-conference-lecture-event

Speed Show: FACE THE FACE

July 2, 2019

FACE THE FACE
A Speed Show on the Post-Digital Self

curated by
Anika Meier & Aram Bartholl
5.7.2019, 7:00 – 10:00pm
Internet Cafe – Midnightshop
Schönhauser Allee 188, Ecke Torstr., 10119 Berlin

Participating artists:
Lisette Appeldorn, Jeremy Bailey, Nadja Buttendorf, Petra Cortright, Constant Dullaart, Tom Galle, Lauren Huret, Johanna Jaskowska, Andy Kassier, Hanneke Klaver, Lynn Hershman Leeson, Echo Can Luo, Ines Marzat, Jillian Mayer, Andy Picci, Selam X

Social media algorithms have a preference for faces. People prefer friends to strangers and are more comfortable with the familiar in general. This preference applies to their own faces, too. Studies have shown that people like their mirror-reflected face most because that is how they are used to seeing themselves. “The selfie,” writes Nathan Jurgenson, “lets us share that mirror-view, what we see when contemplating our self, considering what we are.” Science is not yet convinced of what the critics are absolutely sure of: people who take selfies are narcissistic exhibitionists.

These days, when a person takes a photo to their plastic surgeon, it is of their own face. Smoothed and beautified by Snapchat and Instagram filters, it is the new ideal. Filters make people feel attractive. Masks and filters function as a barrier between the individual and the world, and people have always felt the need to change themselves by wearing makeup, getting plastic surgery, donning masks ,or using filters that simultaneously hide and reveal. Mask culture, thousands of years old, is currently undergoing a digital renaissance. Software-driven face-recognition apps on smartphones enable a new, shared experience of this ancient tradition. “The self one tries to express tends to be new, exciting, confessional, sexy, etc., because it plays as an advertisement. Identity is a series of ads for a product that doesn’t exist,” writes Rob Horning on digital identities.

In the early 1980s Lynn Hershman Leeson addressed the ways media changes the view of the self and promotes stereotypical norms in her series “Phantom Limbs.” Jeremy Bailey has been playing with floating, 3D objects in front of the camera since the early 2000s. The elaborate hardware and tracking programs he began with have now completely disappeared into the smartphone. Petra Cortright started using commercially-available webcam software with basic effects and folklore-inspired filters to create her series of YouTube portraits in 2009.

Now, a new generation of net artists is reflecting on the presentation of faces in the digital age. @AndyKassier, for example, explains in his video how to make the perfect selfie, while @jillianmayer gives tips on how to hide from surveillance cameras with makeup in her tutorial. @andypicci uses filters to criticise the desire for image cultivation in the era of social media and @johwska addresses the sort of beauty ideals promoted by celebrities like Kim Kardashian and Kylie Jenner every day. The @selamxstudio collective, in turn, shows what happens when a beauty AI does Kyle Jenner’s make-up.

http://speedshow.net/speed-show-face-the-face/

The SPEED SHOW exhibition series was conceived by artist Aram Bartholl in June 2010. The basic idea of this exhibition format is to create a gallery like opening situation for browser-based internet art in a public cyber cafe or internet shop for one night. The exhibition format is free and can be applied by anyone at any place.

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‘Map’ at SMFMOMA

March 25, 2019

Map is being installed on the roof of SFMOMA for the upcoming ‘snap+share’ show. I made the first iteration of this piece in 2006, more than a decade ago—an epoch in Internet time. It is fascinating to see how much the context and meaning of this piece have changed over the years. Thirteen years wouldn’t usually be a huge timespan for a work of art to age, but in this particular case the speed of developments mean Map now looks very different. It has already become a historical work.

In 2004, Google bought Where 2 Technologies, a company that had worked on the digital map service that became Google Maps a year later. It was still the mid-early days of the web. The Internet was not as present in society as it is today, but tech giants like Google were already taking shape.

It was part of my practice back then to make such translations, to take an object from a computer game or an icon from a web service and to transform it into a physical sculpture. What would happen if I turned this 15-pixel computer icon into a real thing and put it in the city? Is this the center of the city? These and other projects were an attempt to understand how this new world of computers, networks, and screens would affect society and physical space. They were a sign of what was to come.

Today the situation is very different. We have the famous oligarchy of Internet tech giants who are constantly squeezing more data and money from every bit of communication, movement, and interaction everyone produces worldwide. They have expanded into all kinds of markets in a never-ending run of disruption with little objection or regulation from government. Today, data extraction markets are deeply woven into a very physical fabric of everyday life in cities, business, homes, and personal communication. The dualism of digital versus analog has been obliterated; everything is deeply interconnected.

Of course, it is an honor to show Map in such a prominent location at the SFMOMA in downtown San Francisco. But in a way, it is also an irony of history that this piece from 2006 is ‘coming home’ today to the heart of Silicon Valley in an era dominated by full-blown surveillance capitalism data markets.

Aram Bartoll

Map, 2019
dimensions: 900 x 530 x 20 cm
material: steel, aluminum mesh, steel cables

Thanks to the whole team at SFMOMA making this possible!!

SFMOMA: snap+share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
https://www.sfmoma.org/exhibition/snap/

curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet


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'Your parcel has been delivered (to your neighbour)'

January 12, 2018

parcel-delivered-to-your-neighbour-aram-bartholl-grounded-checkout
 

20.1.2018, 7:00 pm – Installation/performance – ‘Your parcel has been delivered (to your neighbour)’

For his ongoing installation Aram Bartholl collects different objects and materials of the contemporary commerce and public space to rearrange them at the exhibition space. The elements refer to radical shifts in markets, rising control and a life under the influence of constantly improved algorithms, startup pressure and ‘bullshit jobs’. Over the period of the exhibition the installation is rearranged and changes in dialogue with the audience.

25.1.2018, 7:00 pm – Workshop – ‘Got a few minutes?’

Got a few minutes? is an open workshop format which invites the audience to experiment in a series of actions and micro performances. With different tasks involving a range of contemporary devices and objects the participants execute and invent unique interactions. Consume, control and privacy are some of the core topics which serve as a basis for this examination of the hyper commercial contemporary life.
 

IMPORT PROJECTS
KEITHSTRASSE 10
10787 BERLIN
http://import-projects.org/
 

Your parcel has been delivered (to your neighbour)

‘Your parcel has been delivered (to your neighbour)’ is a performance and ongoing installation that involves rental bikes being retrieved from public space and placed in the private gallery space. Rental bikes in public usually fall over at some point, or get kicked over by pranksters. Nobody cares. All rental bikes collected are laid out—their quasi-natural status—on the floor of the gallery. A PTZ (pan tilt and zoom) CCTV dome camera, typical for surveillance in public, auto-tracks and records the process. Visitors are invited to become a temporary owner of one of the bikes by renting it.

In recent years, Internet startup market logic has reached far beyond classic online markets. More and more ‘IRL’ economies are being affected by the ‘disruptive’ force of the new business model from California. With the efficiency of networked software, low-wage outsourced labor, and data delivering customers the only goal is growth. The startup doesn’t need to be profitable. In fact, one of the golden rules is not to make a profit, not to pay tax, and to be much cheaper and smarter than everyone else until competitors go bankrupt.

In the beginning, this ‘game’ was played solely within data-based information business. Google and Facebook led the way and showed us how to make money from user data while giving away products for free. Today, we are witness to slow changes in the cityscape. Streets have been crowded with delivery vans for years. Delivery businesses boomed in the wake of ever-increasing online shopping. Order anything! They’ll deliver it to your neighbour immediately. Instant rental cars, gamified Pokemon crowds, and bicycle food delivery armies followed. Very recently, Berlin’s public space has become crowded with at least 20 different brands of rental bikes. New startups, local and international. All of them have the same old idea: “Rent a bicycle where ever you are!” All of them burn a lot of VC (venture capital) money and bikes increase to possibly become the monopoly in this field.

Public space is increasingly inhabited by advertising and corporate models. The colorful bikes scattered all over the city are a very visible sign of the uberfication of private life and commercialization of public space.

Aram Bartholl, 2018
 

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Stream Capture

January 8, 2018

Ludy_Pond_Wave_2017_WEB_1

Stream Capture explores the role and position of the landscape and natural environment within a world shaped by technology and digital media.

Through the use and lens of digital tools and technology, Stream Capture asks how we might engage with a reimagining of the natural environment if we cannot physically enter it. The work in the exhibition explores human perception, simulation, mapping, time and scale shifts, and historical study and preservation. The exhibition offers a sense of the future and the possibility of movement from place to place (here to there) and from time to time (present to future).

MCAD Gallery
Minneapolis College of Art and Design

Tuesday, January 16, 2018, 9:00 a.m.Sunday, March 4, 2018, 5:00 p.m.
Opening Reception: Friday, January 19, 6:00–8:00 p.m.

The artists featured in the exhibition work in a range of media, including prints, installation, projection, video, software, video games, sculpture, plants, and electronics.

Featured Artists

Stream Capture is curated by Ben Moren, assistant professor of media arts at MCAD.

Image credit: Sara Ludy, Pond Wave, 2017, 4K animation

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Festival Besides The Screen

December 1, 2017

besides-the-screen-mexico


Besides the Screen / Más Allá de la Pantalla, surgió con el objetivo de reunir proyectos de investigación dedicados al cine, sus instancias de distribución y consumo. Hoy en día los modos de comprender este medio se han transformado, las nuevas tecnologías influyen en los medios audiovisuales haciendo de cualquier pantalla, no sólo un dispositivo o soporte, sino una herramienta para la reflexión ambiental y sociopolítica.

En esta ocasión se llevará a cabo una mesa de diálogo, así como una exhibición especial para el cierre del Taller Aproximaciones a la Museografía Actual 2017.

Patio Colón y Auditorio LAA
Sábado 2 de diciembre

Mesa de diálogo | 15 a 17 h
Cine independiente, arte contemporáneo y sus espacios de exhibición.
Imparten: Gabriel Menotti (UFES) y Stefania Charitou (BUAP)

Exhibición | 17 a 22 h
con proyecciones, videos esféricos, instalaciones y otros trabajos audiovisuales de APOTROPIA (Itália), Polliana Dalla Barba (Brasil), Aram Bartholl & Curatingyoutube.net (Alemania), Ignez Capovilla (Brasil), Ricardo Carioba (Brasil), Carla Chan (Hong Kong), Tobias Gaede (Brasil), Claire Hentschker (Estados Unidos), Tadeu Jungle (Brasil), Evan Meaney (Estados Unidos), Chiara Passa (Itália), Giovanni Salice (Itália), Julian Scordato (Itália), Santiago Tavera (Canadá), Patrick Tarrant (Reino Unido).

Entrada libre

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Aluhut workshop, Technische Sammlungen Dresden

October 6, 2017

aluhut-tinfoil-hat-arnsberg-10-1000

ALUHUT/Tinfoil hat workshop & lecture

Saturday 7.10.2017, 4pm;
Technische Sammlungen Dresden

part of the exhibition:

http://www.whenmachinesaredreaming.net/
21.10. – 14.11.2017

Nach dem fulminanten Start mit der Lecture von Joscha Bach, lädt das Netzwerk Medien Kunst am 7.10. zum Artist Talk mit Aram Bartholl sowie anschließendem Aluhut-Workshop. Als Kick-Off im Rahmen der Ausstellung „When machines are dreaming“ und der Konferenz „Datenspuren“ des Chaos Computer Club. Die Ausstellung sowie die Konferenz eröffnen am 21.10.2017.

 

 

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immaterial, Kunstverein Bochum

May 29, 2017

immaterial-kunstverein-bochum

immaterial
Vier Positionen zeitgenössischer Skulptur
www.kunstverein-bochum.de
18.6. – 3.9.2017

A/A (Andreas Greiner und Armin Keplinger)
Aram Bartholl
Reiner Maria Matysik
Katrin Wegemann

Eröffnung am Sonntag, den 18. Juni 2017 um 11 Uhr
Es sprechen: Richard Hoppe-Sailer (1. Vorsitzender Kunstverein Bochum)
Reinhard Buskies (Kurator der Ausstellung)

Das Ausstellungsprojekt immaterial untersucht gegenwärtige Optionen von Skulptur unter der Prämisse eines wechselsei- tigen Verhältnisses von Präsenz und Transzendenz. Mehr als andere Kunstformen erscheint die Skulptur bestimmt von einer spezifischen Dialektik, von einem essentiellen Bezug zur Welt der Dinge und einer zugleich über das Dingliche hinaus- weisenden Dimension. Grundsätzlich bewegt sich Skulptur in einem Spannungsfeld zwischen dinghaftem Objekt und ikonischem Zeichen, zwischen materieller Gestalt und imma- teriellem Gehalt. In heutigen Zeiten, in denen sich zusehends materielle und nichtmaterielle, insbesondere digitale Sphä- ren ergänzen und gegenseitig durchdringen, erweist sich Skulptur als Medium der Reflexion für neuartige Strukturen und Prozesse, deren Auswirkungen inzwischen nicht nur alle Bereich des privaten wie des öffentlichen Lebens betreffen, sondern mehr noch unseren Begriff von Wirklichkeit verän- dern. Die vorgestellten Positionen agieren an Schnittstellen von Kunst, Naturwissenschaft und avancierten Technologien wie Bio- und Geo-Engeneering oder weltumspannenden Datennetzen. Sie fragen nach Material und Materialität sowie nach Prozess und Form, spüren stabilen und labilen Zustän- den sowie den Eigendynamiken geschlossener oder offener Systeme nach.

Begleitprogramm:
am Sonntag, den 9. Juli 2017 um 11 Uhr
Kuratorenführung mit Reinhard Buskies
am Freitag, den 28. August 2017 um 19 Uhr
Podiumsdiskussion

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Calendar update

March 1, 2017

Current & upcoming shows / talks / workshops

10.6.-1.10.2017
Skulptur Projekte Münster
LWL-Museum für Kunst und Kultur, Münster
curated by Britta Peters, Kaspar König, Marianne Wagner
with: Ei Arakawa, Aram Bartholl, Nairy Baghramian, Cosima von Bonin, Andreas Bunte, Gerard Byrne, “Camp” , Michael Dean, Jeremy Deller, Nicole Eisenman, Ayşe Erkmen, Lara Favaretto, Hreinn Fridfinnsson, Monika Gintersdorfer, Pierre Huyghe, John Knight, Xavier Le Roy, Justin Matherly, Sany, Christian Odzuck, Emeka Ogboh, Peles Empire, Alexandra Pirici, Mika Rottenberg, Gregor Schneider, Thomas Schütte, Nora Schultz, Michael Smith, Hito Steyerl, Koki Tanaka, Oscar Tuazon, Joelle Tuerlinckx, Cerith Wyn Evans, Herve Youmbi, Barbara Wagner,

12.-13.5.2017
Re-Configuring Anonymity
Symposium 2017, Uni Bremen

17.3.-30.4.2017
BoCA
Biennial of Contemporary Arts, Lisboa & Porto, Portugal
with: Ana Borralho & João Galante, Anastasia Ax, Anthony Hamilton & Alisdair Macindoe (AUS), Aram Bartholl, Cecília Bengolea & Nigga Fox , Crinabel Teatro & Digitópia, Diogo Evangelista, Filipa Francisco & Pedro Tudela, Florentina Holzinger & Claudia Maté, François Chaignaud & Marie-Piere Brébant, Damien Jalet & Gilles Delmas, Héctor Zamora, Ivan Argote, Jan Martens, Jenny Hval, Jérôme Bel , João Maria Gusmão & Pedro Paiva, …. among others

16.3.-2.4.2017
Das ist kein Bild. Das ist ein Bild
Burg Galerie im Volkspark, Halle

15.3.-15.4.2017
evanescence
peer to space Online

6.3.2017
Artist talk:Never Worry Again
Bard College Berlin

4.-26.3.2017
Jeu et Diversion
La Festival Art Souterrain, Montreal

4.3.-27.4.2017
Nothing to hide?
Real Art Ways Hartford, CT, USA
curated by Edward Shanken & Jessica Hodin
with: Franco and Eva Mattes, Aram Bartholl, Paolo Cirio, Eric Corriel, Hassan Elahi, Rafael Lozano-Hemmer, Jonas Lund, Julian Oliver, Trevor Paglen, Ryder Ripps, Bjorne Schuelke, Michelle Teran,

13.1.-31.3.2017
Iconomania
MAIF Social Club, Paris

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more ….

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Artist Talk – Bard college Berlin

February 28, 2017

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On Monday, March 6th 2017 at 5:00pm, Bard College Berlin has the pleasure to host conceptual artist Aram Bartholl for a guest talk titled “Never Worry Again.” The artist will be speaking about his artistic practice as well as sharing and discussing a wide range of recent works. This talk is open to the public. Refreshments will be served afterwards.

Time: Monday, March 6, 2017 from 5:00pm
Venue: Bard College Berlin, Lecture Hall
Platanenstrasse 98a, 13156 Berlin (map)
Admission free

http://www.berlin.bard.edu/news/events/eventsview/archive/2017/february/article/march-6-never-worry-again-artist-talk-by-aram-bartholl/

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Kill your phone machine…

April 19, 2016

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KILLYOURPHONE at Machine project LA
http://machineproject.com/2016/events/kill-your-phone-crypto-nails/Saturday, April 30, 8:00pm–10:00pm
1200 N Alvarado St, Los Angeles, CA 90026, USA

“Join us in the Machine Project storefront on Saturday, April 30th at 8pm for an evening of counter-surveillance fun organized by the Cryptoparty team, featuring special guests Aram Bartholl and Nadja Buttendorf.

Your phone is the window to your soul. Keeper of credit cards, holder of location data, archive of incriminating voice memos. Kill Your Phone! In this open source workshop, Aram Bartholl and the LA Cryptoparty crew will teach you to make a special signal-blocking phone pouch, to keep your ever-vulnerable Glowing Brick of Light safe from the vast array of threats facing the modern citizen, including but not limited to: CIA operatives, Russian teenagers, NSA contractors, and Glop-dwelling cyber-urchins. Feel free to bring clothes of your own to modify for wearable wave-blocking.

But that’s not all! After your phone is shielded safe and sound, it’s time to weaponize your fingers with Nadja’s Magnetic Nail Art Studio. Equip your nails with custom EXPLANTS, as we magnetize our fingertips for crypto-defense. Blank credit cards with the swipe of a finger, conveniently hold metal objects, feel the magnetic waves, change your report cards!

This event is open to all. $5 suggested donation to cover material costs. Bring a sewing machine if you have one!”

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