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Berlin – LA connect

7. – 20. June 2019
Group Show, panke.gallery, Berlin

Vienna Biennale 2019

28. May 2019 – 27. May 2020
Group Show, MAK Design Labors, Vienna

Modell und Ruine

25. May – 9. June 2019
Group Show, Werkleitz Festival, Dessau

On the occasion of the Bauhaus anniversary, the Werkleitz Festival 2019 will take place from May 25th to June 9th in Dessau-Roßlau. In the title model stands as a model for a future to be created and ruin as a testimony of a mostly idealized past. The aim of the festival is to locate the Bauhaus in a broader historical context. Thirteen artists are invited to this project, who dedicate themselves in Dessau from the current perspective to the poles of power model and ruin.

If birds in a truck fly, does the truck get lighter?

11. – 30. April 2019
Group Show, Drugo More, Rijeka, Croatia

SF MOMA: Snap + Share

24. March – 4. August 2019
Group Show, San Francisco Museum of Modern Art, San Francisco

SFMOMA: snap+share
transmitting photographs from mail art to social networks
March 30–August 4, 2019
https://www.sfmoma.org/exhibition/snap/

The exhibition snap+share gives visitors a new way to visualize — and experience — how photographs have become so ubiquitous in our daily lives. Whether through early examples of 1960s and ’70s mail art, physical piles of pictures uploaded to the Internet over a 24-hour period, or a working refrigerator that allows participatory meme-making, visitors can trace the evolution of sharing photographs.

Spanning the history of mail art to social networks, the show presents a variety of artists working in various media, from framed paper-based art to immersive installations. Some of these artists include On Kawara, Ray Johnson, Moyra Davey, Erik Kessels, Corinne Vionnet, and David Horvitz. Exploring how networks are created through the act of sending images out into the world, this exhibition reveals just how those networks have changed in the age of the Internet.

curated by Clement Cheroux
with: Thomas Bachler, Ray Johnson, Aram Bartholl, On Kawara, Joseph Beuys, Erik Kessels , Moyra Davey, William Larson, Jan Dibbets, Eva and Franco Mattes, Walker Evans, Peter Miller, Jeff Guess, Ken Ohara, Lynn Hershman Leeson, Stephen Shore, Kate Hollenbach, Endre Tót, David Horvitz, Corinne Vionnet

Blog

Top25 at “Die Informale”

November 26, 2018

Top25 at

“A night at the pool”, Colmegna Spa, Oct 20
part of Die Informale,  Buenos Aires
Videoramas, Sep/Oct 2018

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Wenn aus Überwachung Kunst wird

November 25, 2018

Interview and portrait by fluter magazine:

Aram Bartholl mauert USB-Sticks ein, sammelt gestohlene Passwörter und zeigt Kameras, die hilflos sind wie Kleinkinder. Seine Kunst hinterfragt unseren Umgang mit Daten und Geräten.

Ariana Dongus und Christina zur Nedden

fluter – Magazin der Bundeszentrale für politische Bildung , 23.11.2018, Daten 5 Min.

0 likes

November 13, 2018

Post Snowden Nails by Nadja Buttendorf & Aram Bartholl 2016

Part of the exhibition “berlin zentrum, der netzkunst damals und heute”  at panke.gallery, workshop with Aram Bartholl:

0 likes – Curatorial practice in times of post social media.

In this workshop we will look into different models of curatorial practice around art online, net.art & art on the internet. Visitors are invited to discuss a wide range of approaches from online exhibitions, to Speed Shows to latest concepts like gallery.delivery. What is the status of art on the internet? How do artists and institutions cope with the fading presence of the web? What to do with the ever growing hell of likes with no links to the web? Let’s discuss ideas and concepts! What’s your idea for curating a show?

Date : 17 November 2018, 15:00 - 19:00
Location : panke.gallery, Berlin

Update: Incomplete linklist of curatorial projects resulting from the workshop -> https://pad.arambartholl.com/p/0likes

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Kasseler Dokfest 2018

November 13, 2018

Monitoring at Kasseler Dokfest,
14.-18.11.2018, Kassel

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Post Snowden Nails at Media City Biennale Seoul

October 17, 2018

Post Snowden Nails” with Nadja Buttendorf, installation view at Media City Biennale Seoul, 2018.

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Berlin, Zentrum der Netzkunst

October 11, 2018

Yesterday I did a fun 40 min extended video tour with curator Sakrowski of the group show “Berlin, Zentrum der Netzkunst – damals und heute”, with special guest Anika Meier. Enjoy!

Berlin, Zentrum der Netzkunst – damals und heute at Panke Gallery, Berlin
4 October – 23 November 2018 | opening times: Wed, Thu, Fri, Sat 15:00 - 19:00
curated by Sakrowski and Tabea Rossol

with: Nadja Buttendorf | Simon Denny | Harm van den Dorpel | Constant Dullaart | Holger Friese | Eva Grubinger | Internationale Stadt Berlin | Jodi | Jonas Lund | Sebastian Lütgert | Katja Novitskova | Sebastian Schmieg | Cornelia Sollfrank

funded by Berlin Senatsverwaltung für Kultur und Europa

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Miete Strom Instagram

September 24, 2018

Walch&Winkler: Miete Strom Instagram

Am Moritzplatz, Oranienstr. 58,10969 Berlin / 26.09. – 30.09.2018

Curated by: Raul Walch & Eric Winckler

With: Akim, Aram Bartholl, Peter Behrbohm, Dirk Bell, Bianca Benenti, Ekaterina Burlyga, Jan Bünnig, Black Palm, Maurizio Cattelan, Zuzanna Czebatul, Mariechen Danz, Broken Dimanche Press, Nadja Buttendorf, Gabi Dziuba, Charlotte Dualé, Leon Eisermann, Ólafur Elíasson, Jeschkelanger (Marie Jeschke, Anja Langer), Anne Duk Hee Jordan, Kevin Kemter, Lilli Kuschel, Julius Lehniger, Dennis Loesch, Jonas Lund, Michaela Meise, Simon Mullan, Mylasher, Anna Lucia Nissen, Ahmet Öğüt, Laure Prouvost, R&D ((Maru Mushtrieva & Emilia Kurylowicz), Robben & Winkler (Eric Winkler), Natalia Rolón, Fette Sans, Seriennummer (Vincent Grunwald), Hanna Schwarz, Clemence Seilles, Anna Szaflarski, Jan Timme, The Internet Shop, Rosemarie Trockel, Urara Tsuchiya, Ugemfo, Und. Studio, Viron Erol Vert, Vova Vorotniov, Raul Walch, Franz West, Marie Rømer Westh, Philip Wiegard, Helga Wretman

25.09.2018, 5 pm opening reception
28.09.2018, 3 pm FOOD program with Raul Walch
30.09.2018, 2 pm FITNESS FOR NORMAL PEOPLE with Helga Wretman
30.09.2018, 3 pm FOOD program with Anne Duk Hee Jordan
30.09.2018, 6 pm Panel with Jeschkelanger, Ahmet Ögut and Philipp Wiegard (german/english)

„Miete Strom Instagram“ (Rent Electricity Instagram) by Walch&Winkler is an event designed to reflect the work and living conditions currently prevalent among artists in Berlin. Rather than an invitation to passively view commercialised exhibition and market processes, the works put together here reflect the art scene’s current sense of identity, which emerges from a desire to independently analyse and participate in the fast-growing commercial interest in contemporary visual art. The aim of this study is to nurture artistic empowerment.

Beyond their artistic and geographic context, the works on show share a common functionality owing to the circumstances of their production, namely: in their obvious manifestation in the form of lamps, shoes and clothes, the objects highlight the artist’s existential need to create alternative means of income. The objects assembled at the Walch&Winkler event reveal a whole host of strategies and work methods that have arisen out of necessity among the community.

The event is being launched by two Berlin-based artists, Raul Walch and Eric Winkler. In their independent artistic practice, both are known to explore the de-, and re-contextualisation of created objects by continuously challenging the genre limitations of sculpture, conceptual art and performance.

Walch and Winkler see “Miete, Strom, Instagram” as a platform for introducing a range of business initiatives and a space to share and discuss experiences thereof. Besides hosting talks and presentations the event includes dining, with a variety of chefs initiating a reinterpretation of the New York artists’ restaurant FOOD.

“Miete Strom Instagram” runs an own daily shuttle service between the Art Berlin Fair and the exhibition
space.

 

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Gallery.Delivery

September 13, 2018

Gallery.Delivery — by Sebastian Schmieg, presented by Roehrs Boetsch

Gallery.Delivery is both a group exhibition and a performance that can be ordered online. It will be delivered by bike courier in a “White Cube” courier bag to the address stipulated in the order, where it will be temporarily installed.
22.-30.9.2018

With: !Mediengruppe Bitnik & Low Jack, Andy Kassier, Aram Bartholl, Bastiaan de Nennie, Banz & Bowinkel, Grażyna Roguski, Jonas Lund, Milena Milosavljevic, Nadja Buttendorf, Olia Lialina, Peggy Pehl, Shawn Maximo, Silvio Lorusso

Concept and curation “by Sebastian Schmieg

Available during gallery.delivery -> “Forgot your password?” (Berlin 123), mousepad, Aram Bartoll 2018

 

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August 28, 2018

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Solo show at Emmanuel gallery, Denver University of Colorado
August 31 – November 17, 2018
Opening August 30, 6:00 pm

Le Grand Monnayage

June 20, 2018

Le Grand Monnayage

Biennale d’art contempoirain de Melle

30.6. – 23.9.2018, preview 29.6.2018
Melle, Deux-Sèvres, France
https://biennale-melle.fr

curated by: Chloé Hipeau-Disko & Frédéric Legros

with:
Ghada Amer, Jannis Kounellis, Aram Bartholl, Jean-François Krebs, Xinyi Liu, Cécile Beau & Emma Loriaut, Renata Lucas, Brognon Rollin, Clemens Botho Goldbach, Pierre Mercier, Guglielmo Castelli, Otobong Nkanga, Ali Cherri, Yoko Ono, Pauline Curnier Jardin, Christodoulos Panayiotou, Hubert Duprat, Pieter Vermeersch, Jimmie Durham, Philip Wiegard, Elsa Fauconnet, Kimsooja, Gloria Zein

Statement

The city of Melle is unique because of the presence of its mines and its minting which placed it in the heart of Europe for centuries. Quickly, this specificity of the city seemed to us a quite contemporary angle which allowed us to approach subjects such as money, exchange, circulation, value and quite simply stone and ore.

With “Le Grand Monnayage” we had this desire to tell stories and share experiences and as such Melle is a considerable source of inspiration. Here, no white cubes, but a multitude of heritage places open to artists and visitors: three Romanesque churches, one of which was a prison, an ancient court that inspired Jean de La Fontaine, and the silver mines, forgotten for several centuries, which remind us that Melle was the city whose production of silver and coins was the most important in all Western Europe at the time of Carolingians and until the tenth century.

Melle and its many curiosities are a reality that one contemplates only by staying there. Carried by the stories specific to each place, the artists’ investment in this adventure has been total. Fascinated by the Mines, walking the streets of Melle, taking advantage of this unique framework of creation and exchanges, they have made the city a place of projects and production, a territory of art.

Translated with www.DeepL.com/Translator

 

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