Current Events

Moving Image Perspectives

22. December 2024 – 30. June 2025

ANNKA KULTYS GALLERY is pleased to present Greetings From Germany! (2024), a single-channel video by German artist Aram Bartholl, a poignant critique of police activities on the streets of Berlin, underscoring the potential of art to confront and illuminate complex truths. This presentation is part of Illuminated: Moving Image Perspectives, the gallery digital programme, which will take place over the course of a year, and offer unique insights into new media artists using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI.

Aram Bartholl’s, video Greetings from Germany! (2024), uses the technology of AI as a space of opportunities to explore disturbing policies around modern urban policing. The ironic title belies a serious underlying message about police activity on the streets of Berlin — a reminder that art can be a powerful tool to consider truth more fully.

For this work Bartholl chose a single image from a recording of an anti-war demonstration in Berlin where police were involved. Using this single frame, Greetings from Germany! presents six alternative realities generated by different AI video systems. The unfolding events are unsettling, playing with notions of certainty. It is difficult to know precisely what is happening as figures morph into one another. Lines are blurred between police, demonstrators and bystanders and precisely what is happening – one figure appears to dance. As the video is shot from the point of view of the audience, (reminiscent of smartphone streaming), the work gives the impression of the viewer being a witness to events unfolding. This creates a sense of immediacy, yet questions of veracity soon arise. The use of a variety of video generators shows how each of these commercial AI models give a slightly different angle to the ambiguous narrative. Shockingly, however, in the final shot, the ambiguity disappears as the viewer is confronted by a distressing clip of found footage of the incident.

This work is about holding a mirror to society, making visible aspects of public policy that might be easily overlooked or disregarded. By using one of the major tools of contemporary society – AI, Bartholl here encourages the viewer to look again, reconsider definitions of what constitutes the real, and catalyse conversations around critical issues.

Grand Snail Tour

26. September 2024 – 29. August 2025

Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

Upcoming Events

material messenger

29. June – 14. September 2025

Group Show, RAUM SCHROTH im Museum Wilhelm Morgner, Soest

The exhibition at RAUM SCHROTH presents international works and artistic concepts that focus on the material itself and explore its elementary nature, characteristics and behaviour. These reflections include, in particular, possibilities of the material that run counter to customary uses, as well as surprising properties that the material does not usually display. The basic material is extremely diverse, ranging from solid substances that are also used to produce goods, to vegetable and ephemeral elements – the reference to the surrounding space, to change and transience is inextricably linked to the concept of material. This opens up the broad field of meanings that are gained in the artistic transformation of the material and which in turn interweave it with existential, everyday and social experiences and concepts.

material messenger is curated by berlin-based artist Elisabeth Sonneck and Juliane Rogge, curator at Stiftung Konzeptuelle Kunst (Conceptual Art Foundation). A programme of musical performances, lectures and talks is being planned to accompany the exhibition.

From Cosmos to Commons: Between Stars and Signals

21. June – 17. August 2025

Group Show, Kunsthaus Hamburg, Hamburg

Participating artists: Aram Bartholl, Zach Blas, Nolan Oswald Dennis, Charles & Ray Eames, Sasha Litvintseva & Beny Wagner, Timo Nasseri, Norbert Pape & Simon Speiser, Trevor Paglen, Katie Paterson, Marie Pietsch, Agnieszka Polska, Jana Schumacher, Hoda Tawakol.

How do we navigate a world in which our actions have a planetary impact? In our post-global era, we cannot see ourselves merely as inhabitants of the Earth. Essentially, we are geological actors whose economic, ecological and political decisions leave profound marks on the globe. From this perspective, the Earth can be viewed as a dynamic system within a much larger cosmic structure.

The group exhibition Between Stars and Signals at the Kunsthaus Hamburg focuses on the bigger picture and spans an arc from humanity’s early understanding of the world and its orientation on the stars all the way to the planetary paradigm and modern technologies such as GPS. The participating artists have engaged in the topic of physical movement through space and time along with its philosophical and social implication. The works on view, spanning video, wall and spatial installations, reflect complex relationships between humans, nature and the cosmos – and make us think. For the question remains whether the digital transformation will lead to a deeper cosmic consciousness or whether it will distance us even further from our immediate experience of the world.

From the Cosmos to the Commons marks the beginning of the five-year programme conceived by City Curator Joanna Warsza. In 2025, it includes exhibitions at the Planetarium Hamburg, Stadtpark, the Kunsthaus Hamburg and a symposium at the Warburg Haus. Since 2024, the project City Curator Hamburg has been hosted by Kunsthaus Hamburg.

Curated by Anna Nowak

Echokammer

20. – 22. June 2025

Group Show, Fasskeller, Berlin

mit: Aram Bartholl, Hannah Hallermann, Verena Issel, Anne Mundo, Finja Sander, Moritz Stumm / Stefan Neuberger,Philip Topolovac, Viron Erol Vert
kuratiert von Dirk Teschner

Der Ursprung des Begriffs Echokammer findet sich in der analogen Tontechnik als architektonischer Bestandteil eines Tonstudios und dient der Erzeugung oder Verstärkung des Halls. Ein starker Hall (Nachhall) entsteht mit acht oder mehr Sekunden in Kirchen. Echo ist ein verstärkter Nachhall mit darüber hinausgehenden Zeiten.

Außerhalb von Ton und Hall verweist der Begriff Echokammer auf einen Raum, in dem Aussagen verstärkt und Störgeräusche, etwa anders lautende Meinungen, geschluckt werden. Der Großteil der Menschen neigt dazu, sich mit Gleichgesinnten zu umgeben, um sich gegenseitig in einem geschlossenen Raum in der eigenen Position zu verstärken. In einer Echokammer rezipieren Mediennutzer hauptsächlich Informationen, die ihre eigenen Ansichten unterstützen. Mit Argumenten, die ihre Meinung in Frage stellen, setzen sie sich dagegen kaum auseinander. Dadurch entstehen geschlossene Netzwerke. Die Folge ist eine Verschärfung der politischen Debatte, ohne Hall ins fremde Tal. Die Suche nach einem gemeinsamen Klang kann aber nur außerhalb der engen Kammern gelingen.

Loops Series

22. May 2025

Talk, New Practice in Art and Technology, MA Design & Computation TU Berlin, Berlin

Loops is the public event series of New Practice in cooperation with the Berlin University Alliance exploring current questions facing our society at the intersection of art, science and technology in a unique discursive format. Afterwards, the Bar provides a space for exchange between guests, researchers, students and the public.

This session welcomes Aram Bartholl, a seminal voice in contemporary media art whose work interrogates the blurred threshold between digital systems and physical life. Merging conceptual art, hacker culture, and urban intervention, Bartholl’s installations and performances expose the hidden infrastructures of the internet while playfully reanimating digital symbols into everyday public space.

Recent Events

Jahrestagung Intervenierende Künste

9. – 10. May 2025

Talk, Hau 2, Berlin

Jahrestagung 2025 | Digital Interventions. Bodies, Infrastructures, Politics
09.05.2025 – 10.05.2025

Veranstaltung in englischer Lautsprache | Eintritt frei | Anmeldung erforderlich | teilweise barrierefreier Zugang: Bedarfe bitte bei Anmeldung angeben
Ob wir online sind oder nicht, es gibt kein Außerhalb des Digitalen. Das Digitale ist immer schon in uns und in unserer alltäglichen Umgebung eingewoben. Unsere Körper, Infrastrukturen und Politiken sind grundlegend mit digitalen Technologien und Praktiken verflochten. Die Tagung Digital Interventionsuntersucht die Möglichkeitsräume künstlerischer Praktiken, die darauf abzielen, emanzipatorische Räume des Digitalen zu schaffen und zu sichern oder die vielfältigen Formen von digitaler Überwachung, Ausbeutung und Unterdrückung herauszufordern. An der Schnittstelle von Kunst, Aktivismus und Hacking wird auf der Tagung die konkrete Materialität und Verkörperung des Digitalen als Ort und Mittel digitaler Interventionen analysiert.

Der Begriff „digitale Interventionen“ selbst offenbart dabei grundlegende und unlösbare Widersprüche. Denn die digitale Sphäre ist ein Raum der Zuflucht und des Widerstands, in dem Anonymität und vertrauliche Kommunikation vor Gewalt schützen. Zugleich ist der digitale Raum massiver Überwachung, Trolling und Desinformation ausgesetzt, die den Raum politischer Meinungsäußerung kapern und zersetzen. Wenn soziale Medien von der Aufmerksamkeitsökonomie bestimmt sind, das Internet vom Plattformkapitalismus strukturiert und der politische Diskurs durch Algorithmen untergraben sind, welche Praktiken und Bruchstellen bieten sich Kunstschaffenden und Aktivist*innen, um in diese Entwicklungen zu intervenieren und sie zu hinterfragen? Wann kann Komplizenschaft in Kritik umschlagen?

Mit dem Fokus auf Körper, Infrastrukturen und Politik, folgen wir der Hypothese, dass es eine zentrale Aufgabe der Künste ist, dysfunktionale Prozesse, falsche Kategorien und ideologische Reduktionen sowie die Komplizenschaft von Plattformen und Onlinediensten mit der Staatsmacht und dem militärisch-industriellen Komplex sichtbar zu machen, zu kritisieren und zu entwirren.

Die Jahrestagung 2025 des SFB Intervenierende Künste wird organisiert von der Arbeitsgruppe „Digitaler Aktivismus“ in Kooperation mit dem HAU Hebbel am Ufer.

Programm:

Freitag, 9. Mai 2025
HAU 2
18:00 – 18.30 Begrüßung/Einführung
Sarah Reimann (HAU Hebbel am Ufer)
Karin Gludovatz (Sprecherin SFB 1512)
Simon Teune und Iryna Kovalenko (Tagungsorganisation SFB 1512)

18:30 – 19:45 Keynote
Aria Dean: Labor, Art, and the Vernacular Aesthetic Online
Introduction: Brigitte WeingartWechsel ins HAU 3

21:00 – 21:45 Performance
Claudix Vanesix: Non-Fuckable Tokens (NFTs)
21:45 – 22:30 Artist Talk mit Claudix VanesixFür den Besuch der Abendveranstaltung von Claudix Vanesix: Non-Fuckable Tokens (NFTs) ist der Kauf einer Eintrittskarte erforderlich.

Samstag, 10. Mai 2025
HAU 209:30 – 10.00 Einführung
Florian Schlittgen und Naomi Boyce (Tagungsorganisation SFB 1512)10:00 – 11:00 Keynote
Brigitte Weingart: The (Micro-)Politics of Meme Culture
Introduction: Matthias Warstat

11:00 – 11:15 Pause

11:15 – 12:30 Roundtable
Aram Bartholl, Jean Peters und Şirin Fulya Erensoy: Art Challenging Digital Repression
Facilitation: Simon Teune

12:30 – 14:00 Lunch Break and Workshop
Kill Your Phone mit Aram Bartholl (Workshop 1) ODER Shrink Your Files mit Matthias Grotkopp (Workshop 2)14:00 – 15:15 Roundtable
Pekka Kallioniemi und Muriel Fischer: Desinformation (and) War
Facilitation: Florian Schlittgen und Iryna Kovalenko

15:15 – 15:45 Pause

15:45 – 16:45 Lecture Performance
Azadeh Ganjeh: Not a Body for Burial
Introduction: Matthias Grotkopp16:45 – 17:00 Pause

17:00 – 18:00 Keynote
Joana Moll: Follow the Body: Materiality and Resistance in the Age of Data Extraction
Introduction: Matthias Grotkopp18:00 – 19:00 Abschlussdiskussion
Facilitation: Margarita Tsomou19:00 – 20:30 Pause (Abendessen nicht inklusive)

Critical Art vs. Prank Politics – creative tactics for post-moral paradigms

8. May 2025

Talk, hosted by V2 Lab, Online

Online-symposium, Thursday 8 May 2025, 15:00-17:30 CET, organized by Dani Ploeger

Contributors:
Aram Bartholl, Francis Hunger, Nora Nora O’Murchú, Dani Ploeger, Hito Steyerl, Florian Weigl

In February, Benjamin Netanyahu presented a gold plated pager device to Donald Trump, in reference of last year’s Mossad attack on suspected Hezbollah members, using explosive pagers. Not only did this gift mark another step in a seemingly escalating sequence of official glorifications of acts of state-sanctioned violence that are legally questionable at best (the United Nations Human Rights Office denounced the attack as a “terrifying violation of international law”). Its form also suggests that representatives of nation states in the Global North are shifting their previous focus on keeping up the appearances of an enlightened moral high-ground towards a strategy of prank-like utterances that blatantly display a politics of obscene violence that accompanies globalized power.

The hyperbolic representation and aestheticization of political transgression to expose the perverse implications and undercurrents of hegemonic power have long been a prominent tactic in critical art practices. Now that this approach has been co-opted by the representatives of power themselves, thus normalizing the public display of violent excesses, what artistic and critical tactics – if any – might still have the potential to raise moral concerns and motivate resistance?

Critical Art vs. Prank Politics is a one-day online symposium organized by Dani Ploeger, Professor of Performance and Technology at the University of Music and Theatre Munich in collaboration with V2_Lab for the unstable media.

GALLERY SURFING – chat is this real

29. April 2025

Workshop, panke.gallery, Berlin

Join us for a live Gallery Surfing session at panke.gallery with NYC-based net artist Maya Manand Berlin-based media and concept artist Aram Bartholl as they browse the web together. The artists will talk about their practices, showcase current projects, surf their favorite websites, and share their open tabs and personal desktops.

In their works, Maya and Aram explore online economies, social media, and current technologies, as well as their aesthetic, personal and societal implications. Having participated in the early developments of AI applications – from glitchy GAN-generated animations, random text generators, and face filters to the current AI models that generate sophisticated videos from single images – Aram and Maya share the experiences they have gained by using these tools and reflect on the effects they’ve had on their own artistic practices, as well as the online and offline environments they inhabit.

As both Maya and Aram have been at the forefront of bringing net art into physical spaces, they will also share insights into the curatorial formats they have developed: from Aram’s speed showsand one-night group exhibitions on phones – one of which recently happened at panke.gallery – to Maya’s sacred screenshots, taken from the phones of 20 artists and exhibited at her project space HEART in NYC.
At panke.gallery, both artists will share the space and their screens.

Come surf the net with us!
…and don’t forget to visit the gift shop on your way out.

International Day Against Police Brutality

15. March 2025

Workshop, Refuge Worldwide, Berlin

This Saturday (11AM-5PM) we welcome Ides Of March, a grass-roots initiative organised by local citizens seeking to raise awareness around the topic of police brutality, in collaboration with KOP Berlin, a campaign for victims of racist police violence.

On March 15th, 1997, the first observation of the international day against police brutality took place in Montreal, Canada, initiated by the Collective Opposed of Police Brutality as a response to extremely violent and racist behaviours perpetrated by authorities. We take this opportunity to explore the topic of police brutality on a local and global level, as well as interlinked practices of racial profiling. With the backdrop of weekly, if not daily, reports of police violence against protestors in Berlin, the topic is more relevant than ever. The event comprises an installation curated by Ides Of March with guest contributors including Aram Bartholl, which is open throughout the event, plus a panel talk from 2:30-3:30PM and free toolkits. The panel talk is titled Beyond The Shields: The Contemporary Function Of Police Brutality In Our Society and will take place in English. The speakers are Ignacio Rosaslanda (Unpublished), Gonca Sağlam (KOP Berlin), reporter Julian Daum and moderator Rahim Chattaika.

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Blog Archive for Tag: 016

How to Live? Visions of the Future Yesterday and Today

November 24, 2015

Wie leben?
Zukunftsbilder von Malewitsch bis Fujimoto
5. Dezember 2015 – 28. Februar 2016
Wilhelm-Hack-Museum Ludwigshafen am Rhein
www.wilhelmhack.museum
http://www.ludwigshafen.de/lebenswert/wie-leben-zukunftsbilder-von-malewitsch-bis-fujimoto/

People have been dealing with concepts and visions for shaping the world of tomorrow since time immemorial. How do we want to live? What kind of housing do we want to live in? How do we want to work? Our society is influenced by visions of the future, in particular those put forward by artists, architects, and scientists. And yet our present is always the future of yesterday, because many of these ideas remain visions, others have been brought to fruition. The exhibition How to Live? Visions of the Future Yesterday and Today at the Wilhelm-Hack-Museum presents designs for the future from the areas of art, architecture and design ranging from the Russian avant-garde to our current digital era, and plots a multifaceted history of the future.
participating artists: Otl Aicher, Josef Albers, Gerd Arntz, Aram Bartholl, Bernd und Hilla Becher, Max Bill, Martin Boyce, Marcel Breuer, Richard Buckminster-Fuller, Lee Bul, Ulrich Burandt, Vincent Callebout, Hussein Chalayan, Charlie Chaplin, Christo, Luigi Colani, Joe Colombo, Constant, Kate Cooper, COOP Himmelb(l)au, Le Corbusier, Karsten Crohn, CUCULA, Chris Cunningham, Björn Dahlem, Guy Debord, Theo van Doesburg, César Domela, Wolfgang Döring, Franz Dutler, Charles und Ray Eames, Hans-Georg Esch, Herbert Falk, Harun Farocki und Antje Ehmann, Luka Fineisen, Hermann Finsterlin, Christine Francis, Sou Fujimoto, Naum Gabo, Hans Rolf Garnich, Gebrüder Lumière, Frank Gehry, Sigfried Gideon, Christoph Girardet, Jean Gorin, Eileen Gray, Walter Gropius, Hans Gugelot, Andreas Gursky, Simon Gush, Haus-Rucker-Co, Pascal Häusermann, Robert Häusser, Paul Hildinger, Ryōji Ikeda, Arata Isozaki, Karl Hans Janke, Pierre Jeanneret, Walter Jonas, Hans von Klier, Frauke Koch-Weser, Rem Koolhaas, Paul Klee, Kisho Kurokawa, Hanns Lack, Mierle Laderman Ukeles, Fritz Lang, Hans-Jörg Lannoch, Bart van der Leck, Van Bo Le-Mentzel, Ila Bêka und Louise Lemoine, Hans Lindinger, El Lissitzky, Adolf Luther, Heinz Mack, Kasimir Malewitsch, Enzo Mari, Mathieu Mercier, Marlies Matthis, Bernd Meurer, Ludwig Mies van der Rohe, Ernst Möckl, Piet Mondrian, László Moholy-Nagy, Lucia Moholy-Nagy, Nicolas Moulin, Hans Nagel, Oskar Nerlinger, Constant Nieuwenhuys, Verner Panton, Charlotte Perriand, Giancarlo Piretti, Davide Quayola, Dieter Rams, Willi Ramstein, Heinz Rasch, Tobias Rehberger, Tejo Remy, Gerhard Richter, Gerrit Rietveld, Günter Ferdinand Ris, Alexander Rodtschenko, Hans Nick Roericht, Eric Rossicci, August Sander, Richard Sapper, Tomás Saraceno, Hans Scharoun, Antje Schiffers, Oskar Schlemmer, Klaus Schmitt, Jean-Louis Schoellkopf, Franz Wilhelm Seiwert, Herbert Selldorf, Dan Tobin Smith, Mart Stam, Anton Stankowski, Andrew Stanton, Philippe Starck, Markus Sternlieb, Robert Stieler, Jane Stockdale, Giotto Stoppino, Ian Steyaer, Jacques Tati, Bruno Taut, Terreform ONE, Augustin Tschinkel, Günther Uecker, Friedrich Vordemberge-Gildewart, Wilhelm Wagenfeld, Michael Wallraff, Bruno Weil , Len Wiseman, Michael Wolf, Peter Würmli, Erwin Wurm, Tokujin Yoshioka, Walter Zeischegg, Heimo Zobernig,

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0,16 at Kasseler Kunstverein

October 2, 2013

Stefan Bast introduces 0,16 to a school class during a tour of ‘Hello World!‘ at Kasseler Kunstverein, October 2013.

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0,16 at Sonar Festival

March 22, 2012

0,16 at Sonar from Aram Bartholl on Vimeo.

It took a bit longer but here is a short video of 0,16 at Sonar Festval Barcelona last year. Thx to @__ANF for support!!

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'Curious Minds: New Approaches in Design'

December 14, 2011

Curious Minds: New Approaches in Design
The Israel Museum
December 16, 2011-April 30, 2012
Location: Nathan Cummings Building for Modern and Contemporary Art
Curator by Alex Ward
The exhibition presents about 30 international designers from Europe, Asia, and the US whose works map out new territories and encourage a new discourse about the role of design in shaping the world of tomorrow. Some of these designers also address – under the umbrella of Critical Design – social, political, and environmental concerns, bringing together new partnerships between designers and researchers of other fields such as science or biology.
Participants in the exhibition:
rAndom International
Troika
Studio DRIFT
Simon Heidjens
Aram Bartholl
Elio Caccavale
Sascha Pohflepp & Alexandra Daisy Ginsberg
Veronica Ranner
Kevin Grannen
Hwang Kim
Ka Fai Choy
Studio Fons Hickman m23
Studio Mrmann (Geoffrey Mann)
Studio Glithero
Studio Unfold
Marie Blaise
Studio Makkink & Bey
Studio El Ultimo Grito
Freddie Yauner
Julian Bond
Raw Edges Design Studio
Alon Meron
David Bowen
Julius Popp
Studio Karlssonwilker Inc; New York
Studio Stefan Sagmeister
Noam Toran

Participants in the exhibition:
rAndom International
Troika
Studio DRIFT
Simon Heidjens
Aram Bartholl
Elio Caccavale
Sascha Pohflepp & Alexandra Daisy Ginsberg
Veronica Ranner
Kevin Grannen
Hwang Kim
Ka Fai Choy
Studio Fons  Hickman m23
Studio Mrmann (Geoffrey Mann)
Studio Glithero
Studio Unfold
Marie Blaise
Studio Makkink & Bey
Studio El Ultimo Grito
Freddie Yauner
Julian Bond
Raw Edges Design Studio
Alon Meron
David Bowen
Julius Popp
Studio Karlssonwilker Inc; New York
Studio Stefan Sagmeister
Noam Toran

Tagged with: 016

Pictures of '0,16' at 'Shadow Dance'

September 20, 2010

Pictures of ‘0,16‘ at ISEA 2010 Ruhr and at show ‘Shadow Dance‘ in Amersfoort on flickr.

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'Shadow Dance' at KAdE

September 14, 2010

I am showing the piece ‘0,16‘ at the museum KAdE Amersfoort Netherlands. Opening upcoming friday 17th, 6pm. I am glad my name is not printed white on the flyer below , hehe … 😉
“From 18 September 2010 to 9 January 2011 on show at Kunsthal KAdE, the exhibition ‘ShadowDance’.
‘ShadowDance’ is a group exhibition featuring work by more than thirty visual artists, all operating on the international art scene and all fascinated by the effect of shadow. The exhibits will vary in terms of content and form. The common denominator will be the use of shadow – and more particularly moving shadows – as a crucial means of visual expression. The artists use shadow as a metaphor for a range of (sometimes heavy-weight) themes: time – alter ego – evil – death. But the shadow phenomenon also inspires more light-hearted work involving the creation of illusions and shadow ‘play’.
At ShadowDance the electric light goes out for a while as, with an imaginary candle flickering in your hand, you are drawn into the sometimes dark but also whimsical worlds evoked by the art. ‘ShadowDance’ is the first major exhibition about the use of shadows in art ever to be staged in the Netherlands.”
Thirty-six international operating artists
Vito Acconci (USA), Charles Atlas (USA), Dirck van Baburen († NL), Aram Bartholl (DE), Christian Boltanski (FR), Jim Campbell (USA), David Claerbout (BE), Haim Elmoznino (IL), Mounir Fatmi (MA), Ellis Gallagher (USA), Hanna von Goeler (DE), Samuel van Hoogstraten († NL), Mella Jaarsma (NL), William Kentridge (ZA), Ralph Kistler (DE), Germaine Kruip (NL), Couzijn van Leeuwen (NL), Gabriel Lester (NL), Zilla Leutenegger (CH), Mark Lewis (UK), Rafael Lozano-Hemmer (MX), Wolfgang Munch & Kiyoshi Furukawa (DE & JP), Serge Onnen (FR/ NL), Lotte Reiniger († DE), Viviane Sassen (NL), Tomas Schats (NL), Hyo-Jung Seo (KR), Teresa Serrano (MX), Conrad Shawcross (UK), Sam Taylor-Wood (UK), The One Minutes (NL), Dimitri Vangrunderbeek (BE), Kara Walker (USA), Andy Warhol († USA), Diet Wiegman (NL).

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tagr.tv – ISEA2010

September 13, 2010

Documentation on ISEA 2010 by tagr.tv featuring ‘0,16‘ a.o. works. The umbrella is nice!

Tagged with: 016 + press

0,16 at ISEA

August 16, 2010

0,16 from Aram Bartholl on Vimeo.

I am showing 0,16 at the ISEA2010 RUHR exhibition. Opening upcoming Thursday 19th at 7 PM. See you there!
20.8. – 5.9.2010
ISEA2010 RUHR Exhibition
ISEA 2010, International Symposium on Electronic Art, Dortmund U, Germany
with: Siegrun Appelt (at), Eve Arpo & Riin Rõõs (ee), Lucas Bambozzi (br), Aram Bartholl (de), BCL (at/jp), Natalie Bewernitz & Marek Goldowski (de), Daniel Bisig (ch) & Tatsuo Unemi (jp), Juliana Borinski (br/de), Martin John Callanan (uk), Işil Eğrikavuk (tk), Verena Friedrich (de), Terike Haapoja (fi), Aernoudt Jacobs (be), Márton András Juhász & Gergely Kovács & Melinda Matúz & Barbara Sterk (hu), Yunchul Kim (kr), Thomas Köner (de), Mariana Manhães (br), Soichiro Mihara (jp) & Kazuki Saita (jp), Krists Pudzens (lv), Christopher Salter (qc/ca), Bill Seaman (us), Saso Sedlacek (si), Mark Shepard (us), Charles Stankievech (qc/ca), Vladimir Todorovic (rs/sg), Bruno Vianna (br), Ei Wada (jp), Herwig Weiser (at), Norah Zuniga Shaw (us).

Tagged with: 016

'Shadow Dance'

June 17, 2010

18 September – 9 January 2011
ShadowDance
‘ShadowDance’ is a group exhibition featuring work by more than thirty visual artists, all operating on the international art scene and all fascinated by the effect of shadow. The exhibits will vary in terms of content and form. The common denominator will be the use of shadow – and more particularly moving shadows – as a crucial means of visual expression. The artists use shadow as a metaphor for a range of (sometimes heavy-weight) themes: time – alter ego – evil – death. But the shadow phenomenon also inspires more light-hearted work involving the creation of illusions and shadow ‘play’.
with:
Vito Acconci (US), Charles Atlas (US), Dirck van Baburen (NL), Aram Bartholl (DE), Christian Boltanski (FR), Jim Campbell (US), David Claerbout (BE) , Haim Elmoznino (IL), Ellis Gallagher (US), Hanna von Goeler DE), Samuel van Hoogstraten (NL), Mella Jaarsma (NL), William Kentridge (ZA), Ralph Kistler (DE), Germaine Kruip (NL), Couzijn van Leeuwen (NL), Gabriel Lester (NL), Zilla Leutenegger (CH), Mark Lewis (UK), Rafael Lozano-Hemmer (MX), Munch & Furukawa (DE & JP) , Serge Onnen (FR), Lotte Reiniger (DE), Viviane Sassen (NL), Tomas Schats (NL), Hyo-Jung Seo (KR), Teresa Serrano (MX), Conrad Shawcross (UK), Sam Taylor-Wood (UK), The One Minutes (NL), Dimitri Vangrunderbeek (BE), Kara Walker (US), Andy Warhol (US), Diet Wiegman (NL)
at
Kunsthal KAdE Amersfoort The Netherlands ,KAdE

Tagged with: 016

0,16

December 15, 2009

0,16 from Aram Bartholl on Vimeo.

I am pleased to publish the documentation of my latest work which premiered last week during a one night event at Serge’s studio. ‘primitive projections’ ONE NIGHT, Studio BKVB, Berlin, November 2009.
“0,16”
Dimensions: 35 x 100 x 280 cm
Materials: chipboard 10mm, corrugated board 2mm , transparent paper, ETC Source Four zoom 25-50° 750W, tripod, dimmer
Full project documentation on datenform.de

Thanks to Serge Onnen for organizing the event!
Thanks to all who showd up!
It was a great night!

Tagged with: 016