Current Events

Urban Art Biennale

26. April – 10. November 2024
Biennial, Völklinger Hüttte, Saarbrücken

The World In My Hand

18. April – 31. October 2024
Group Show, Alexanser Tutsek-Stiftung, München

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

With works by:
Tornike Abuladze, James Akers, Ai Weiwei, Kate Baker, Aram Bartholl, Tillie Burden, Edward Burtynsky, Yvon Chabrowski, Julia Chamberlain, Rachel Daeng Ngalle, Erwin Eisch, Ariane Forkel, Shige Fujishiro, Valentin Goppel, David Horvitz, Artem Humilevskyi, Gudrun Kemsa, Zsuzsanna Kóródi, Brigitte Kowanz, George McLeod, Sergey Melnitchenko, Jonas Noël Niedermann, Julian Opie, Cornelia Parker, Katie Paterson mit Zeller & Moye, Julija Pociūtė, Rebecca Ruchti, Karin Sander, Jeffrey Sarmiento, Alejandra Seeber, JanHein van Stiphout, Jolita Vaitkute, Sascha Weidner, John Yuyi, Jeff Zimmer

pictures

?>

Upcoming Events

25 Jahre Stiftung Springhornhof

21. September – 3. November 2024
Group Show, Springhornhof, Neuenkirchen

Flussbad Berlin

11. – 30. September 2024
Group Show, Roter Saal, Berlin

Recent Events

Killyourphone workshop

13. April 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Stitch Incoming!!

25. March 2024
Curatorial, Speed Show at Web Cafe, Athens

Monday 25th of March, 7:00 PM at Web Cafe, Eptanisou 40, 113 61 , Kypseli – Athens

with:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić , Ingrid Hideki, Joanna Bacas, Kyriaki Goni, Maria Mavropoulou, Marina Gioti, Marsunev, Nadja Buttendorf, Theo Triantafyllidis

Curated by Aram Bartholl & Socrates Stamatatos

Speed Show lands in Greece, the country of souvlaki, the sun (yes we can claim that they originated a celestial body), ouzo, feta, an enormous financial debt. Currently, Greece is also trending for all the wrong reasons namely, gentrification, queerphobia, state crimes and more dystopic incidents.
As 2024 unfolds, we find ourselves amidst a whirlwind of confusion, bombarded with a cacophony of online horrors to consume, an attention span further abbreviated by TikTok’s algorithm and the barrage of incoming stitches.

Stitches Incoming serve as a conduit for creators to engage and converse, traversing from one topic to the next. They have evolved into a new social fabric, weaving connections within an ever-shifting digital and physical landscape while also serving as a testament to personal and collective traumas, both past and present.

What unites the participating digital artists? Perhaps everything and nothing simultaneously… Departing from the traditional Speed Show setup, where artworks are carefully stacked inside internet cafe computers, and drawing inspiration from the structure of TikTok stitches, each piece seems to propel the conversation forward, or perhaps uses the next as a springboard for its own narrative.

Stitch this and stitch that, we have everything you ever wanted (maybe) ! Are we stuck in an infinite loop of sh*tposting, valuable content, the highlight of social issues, personal and interpersonal experiences?
Maybe! Come and find out…

More info on Speed Shows at https://speedshow.net/stitch-incoming/

Killyourphone workshop

23. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Killyourphone workshop

9. March 2024
Workshop, Transmediale exhibition hosted by Kunstraum Kreuzberg, Berlin

14:00 – 16:00

Killyourphone is an open workshop format. Participants are invited to make their own signal blocking phone pouch. In the pouch the phone can’t send or receive any signals. It is dead! This workshop was run for the first time at the Chaos Communication Congress in Hamburg end of 2013.

Blog Archive for Month: December 2009

Gothic High Tech vs. Favela Chic

December 28, 2009

myaewkiac25
Of course it is much better to see Bruce Sterling perform but luckyly Morgan Currie published a full transcription of his speech from the symposium in Amsterdam last weekend. I was blown away ….
Bruce Sterling on Gothic high tech and favela chic
The next decade we’re entering into the teens. It’s a decade inhabited by digital natives, rather than digital revolutionaries, though this is something that has already happened. It’s already behind us, after 1989,when we switched from analogue to digital, from actual to virtual, from scientific to user-centric, local to global, multinationals to financial moguls.
Most of my life has been spent talking about this change. This next decade is in the hands of people who don’t care about that. They don’t know what a typewriter ribbons was. They don’t remember older ways of doing things abolished by these revolutions. Digital natives are growing up in a depression, when banks make people poor, and healthcare makes people sick. Digital natives never have to be told to digitize anything. The hardware is all around. Their immediate response is to grab for a mobile or a laptop.
The driving forces of the digital revolution continue and intensify, but there is no previous order left to rebel against. We don’t get a digital new world order. Digital culture is too fluid and inherently destabilizing, there are too many small pieces to join, and it’s always in beta form. The digital is a tool, but not a tool that interest groups can use to advance their own interests. We don’t get prosperity or governance from it. It’s not a force for good or ill but a phenomenon like electrification, the railroad, or other transformative infrastructures. Railroad natives were bored to death by people who explained railroads as if they were impressive. They’re just there once they’re there.
…. read on !!!!

Tagged with:

Free like a bird!

December 28, 2009

web 2.0 suicide machine – untwitter from moddr_ on Vimeo.

“Tired of being stalked and reading tweets of people you actually don’t really care about? Liberate yourself with a twitter suicide and feel free like a real bird again! Visit suicidemachine.org to find out more.”

Tagged with:

gereserveerd

December 22, 2009

gereserveerd
(my favorite dutch word of the year, found in Amsterdam last weekend. Bruce Sterlings talk was uitstekend! He scared the hell out of the museums people … )

“Sight”

December 16, 2009

clip_image002
And another group show on almost the same date as Liverpool with First Person Shooter. Thx to Damiano Colacito (great works!) for the invitation! Would love to join!
“Sight”
museo laboratorio
18.12.2009 – 23.01.2010
vernissage 18.12.09 7:00 pm
Museolaboratorio ex manifattura tabacchi
Vico Lupinato 1, 65013
Città Sant’Angelo (PE), Italy
Tel. +39 (0)85 960555
Direttore Enzo De Leonibus
info@museolaboratorio.org
please find below the full exhibition info provided by the
FREE-TEXT-FROM-JPGS-LIBERATION-FRONT

(there might be some minor spelling mistakes, sorry.)

4
Sight
o curo di    o De Lean
ARTIS Aless
Emanuela.
ARTISTI
Nicola Di Copri° Roberto Piloni Alessandro Roma
• roto Campione E o De Leonibus
o • d Herzog Ru
Domi o Colocito
Gionmarco    tesori°
Franco Possolacqua
18 dicembre 09 /
vernissage: venerdì 18 dicem
sirno Pianese Lucrezia Schlavorelli Diego Zuelli
orlo Dell'Amico
orlalo l
9. ore 190
M USEQ laboratorio
E
.711 ••••••••••`"'" 71 ,t
Ars
dr
110
Aperto tutti isdp.r.n1dolle ore 17.00 *IVO 715 • chiuso kmedi e mortedl
Vsco Lupind.o.111:!‘i3CiltòZ9S(07; 085%O5S5/wwwrrno.dobceotonoocq/rjStwnoPcbcr#.ozìocg
Tagged with:

“Space Invaders”

December 16, 2009

First Person Shooter will be part of the upcoming game art show “Space Invaders”at FACT Liverpool UK.
Exploring the blurred boundaries between video-game space and real space

FACT launches a season of gaming with Space Invaders, a group exhibition that brings art and gaming cultures together. From retro text-based role-playing games, to the detailed city maps found in the latest Grand Theft Auto, Space Invaders draws on these sources of artistic inspiration and explores the increasingly blurred boundaries between video-game spaces and real spaces.
Friday 18 December 2009 – Sunday 21 February 2010
FACT, 88 Wood Street, Liverpool

with
Blast Theory, Aram Bartholl, Bill Viola, Cao Fei, Ludic Society, Riley Harmon, Jeremy Bailey, Ubermorgen.com, Julian Oliver, Yuichiro Katsumoto, Anita Fontaine and Michael Pelletier, Mark Essen, …

Tagged with:

“me you and everyone we know is a curator”

December 16, 2009

220
Upcoming saturday I’ll present my work at this symposium. If you happend to be in Amsterdam drop by chek it out …
A symposium about quality in an age of visual overload
While museums are developing strategies to digitalise their collections, online cultural production is growing steadily, with hundreds of thousands of new images posted each day. A lot of potentially interesting work is being produced online, which never reaches the physical world. The distribution of this high quality work is increasingly decentralised, leaving museums, foundations and professional magazines at a loss on how to redefine their role as gatekeepers. On the other hand, the time spent daily behind the computer on internet networking is pushing the demand for a physical experience of our fleeting culture. Designers, artists, mediators and policy makers need to redefine their position, because new technologies define to a large extent today’s possibilities and means of presentation and archiving. The search is for new quality criteria, new frames of references, and alternative methods for enabling connections between the virtual and the physical space of today’s culture.
Venue: Paradiso, Weteringschans 6, Amsterdam
Entrance: €25, €10 (students)
Pre-sale : AUB Ticketshop Amsterdam, Ticket Service Nederland
Reservations: symposium@graphicdesignmuseum.com
Language: English

Program Saturday December 19th 2009
10.00    Doors open
10.25    Mieke Gerritzen: Welcome
10.30    Bruce Sterling: Envisioning tomorrow’s digital culture
11.15    Julia Noordegraaf: Performing archival material online
11.35    Sarah Cook: Curatorial strategies for online artistic production
11.50    Coffee break
12.05    Rick Poynor: Design criticism in the blogosphere
12.35    Sophie Krier: me you and everyone we know is a curator
12.45    Metahaven: Visual identity in the age of digital standards
13.00    Lunch break
14.00    Andrew Keen: Digital Vertigo: selecting talent in the age of social media
14.45    Aram Bartholl: Online visual culture in physical space
15.00    Dagan Cohen (Upload Cinema): Bringing web films to the big screen
15.15    Willem Velthoven (Mediamatic): Please try a new search to see less results
15.30    Coffee break
15.45    Henk Oosterling: Introduction
16.00    Debate on the changing position of policy makers and institutions with representatives
of Dutch funds and museums
16.30    Drinks
Moderator: Koert van Mensvoort (artist/scientist)
Visual Interventions: Sander van der Pavert (LuckyTV)
Organization: Graphic Design Museum
Concept: Sophie Krier, Mieke Gerritzen
Design: Metahaven

Tagged with:

Paint II

December 16, 2009

photoshop-paint
(Another photoshop painting of my 5 year old son. )

Tagged with:

0,16

December 15, 2009

0,16 from Aram Bartholl on Vimeo.

I am pleased to publish the documentation of my latest work which premiered last week during a one night event at Serge’s studio. ‘primitive projections’ ONE NIGHT, Studio BKVB, Berlin, November 2009.
0,16
Dimensions: 35 x 100 x 280 cm
Materials: chipboard 10mm, corrugated board 2mm , transparent paper, ETC Source Four zoom 25-50° 750W, tripod, dimmer
Full project documentation on datenform.de

Thanks to Serge Onnen for organizing the event!
Thanks to all who showd up!
It was a great night!

Tagged with:

Perpetual Energy

December 13, 2009

Perpetual motion energy production that really works! from Niklas Roy on Vimeo.

Niklas is getting serious request for his super nice inventions, haha … Niklas, I want one too!

Tagged with:

World Wide Web

December 12, 2009

www
(Thx to Dirk for pointing out the beautiful ornaments we have on our studio building. Yes, that’s original early 20th century. Found on Gerichtstr. Berlin, Wedding)

Tagged with: