KUNSTSURFER is a browser-based art space. It runs on an add-on that recognises advertisements and replaces them with digital exhibitions. KUNSTSURFER brings art into your daily browsing. It plays with the ways online advertisements look and work. It takes over commercial space to host experimental, digital site-specific curatorial and artistic projects.
FACTS, FAKES AND FEARS
Desinformationen im Zeitalter von künstlicher Intelligenz und Sozialen Medien
Die Auftaktausstellung zum Jahresprogramm von EIGENHEIM Weimar 2025
Ort: EIGENHEIM Weimar, Gärtnerhaus im Weimarhallenpark, Asbachstraße 1, 99423 Weimar
Eröffnung: 21.02.2025 um 19 Uhr
Dauer: 22.02. – 29.03.2025
teilnehmende Künstler*innen: Gökçen Dilek Acay, Benedikt Braun, Cosima Göpfert, Frankfurter Hauptschule, Alison Jackson, Tea Mäkipää, Tommy Neuwirth, Sarah Oh-Mock, Julian Palacz, Michal Schmidt, Julia Scorna, Marcus Sternbauer, Anke Stiller, Addie Wagenknecht, Moritz Wehrmann, Lars Wild, The Yes Man, 庄睿哲 Ruizhe Zhuang
NOME is pleased to announce are we there yet?, a group exhibition that critically examines issues of police brutality, mass incarceration, discrimination, immigration, and state surveillance. The show draws its title from a work by Kameelah Janan Rasheed, whose aphoristic text-based practice often grapples with complex societal questions. As with many of her works, are we there yet? carries multiple meanings, symbolizing both a push for equality and the darker undercurrents of state violence. The exhibition invokes Rasheed’s question to probe the spread of authoritarianism in contemporary society.
Artists: Camae Ayewa, Sadie Barnette, Aram Bartholl, Danielle Brathwaite-Shirley, James Bridle, Paolo Cirio, Cian Dayrit, Priscilla Dobler Dzul, Navine G. Dossos, Igor Grubić, Kite, Kameelah Janan Rasheed, Voluspa Jarpa, Ahmet Öğüt, Dread Scott, Myriam Zarhloul
ANNKA KULTYS GALLERY is pleased to present Greetings From Germany! (2024), a single-channel video by German artist Aram Bartholl, a poignant critique of police activities on the streets of Berlin, underscoring the potential of art to confront and illuminate complex truths. This presentation is part of Illuminated: Moving Image Perspectives, the gallery digital programme, which will take place over the course of a year, and offer unique insights into new media artists using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI.
Aram Bartholl’s, video Greetings from Germany! (2024), uses the technology of AI as a space of opportunities to explore disturbing policies around modern urban policing. The ironic title belies a serious underlying message about police activity on the streets of Berlin — a reminder that art can be a powerful tool to consider truth more fully.
For this work Bartholl chose a single image from a recording of an anti-war demonstration in Berlin where police were involved. Using this single frame, Greetings from Germany! presents six alternative realities generated by different AI video systems. The unfolding events are unsettling, playing with notions of certainty. It is difficult to know precisely what is happening as figures morph into one another. Lines are blurred between police, demonstrators and bystanders and precisely what is happening – one figure appears to dance. As the video is shot from the point of view of the audience, (reminiscent of smartphone streaming), the work gives the impression of the viewer being a witness to events unfolding. This creates a sense of immediacy, yet questions of veracity soon arise. The use of a variety of video generators shows how each of these commercial AI models give a slightly different angle to the ambiguous narrative. Shockingly, however, in the final shot, the ambiguity disappears as the viewer is confronted by a distressing clip of found footage of the incident.
This work is about holding a mirror to society, making visible aspects of public policy that might be easily overlooked or disregarded. By using one of the major tools of contemporary society – AI, Bartholl here encourages the viewer to look again, reconsider definitions of what constitutes the real, and catalyse conversations around critical issues.
What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?
Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.
Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.
As the race to create an artificial general intelligence (AGI) accelerates, questions of surveillance are more important than ever. Is it human or machine? And how can people equip themselves with the tools and knowledge they need to navigate technological futures?
Instruments of Surveillance grounds an age-old and contentious topic in the human and the everyday. From government spooks, data-extraction and activism through to generative AI, this exhibition unravels the interface between human and machine, inviting audiences to unpack the technologies that people use to surveil and their role in it.
Interact with a robotic commission by Louis-Philippe Demers. See an original WWII Enigma Machine, along with wiretaps and prototypes from the Australian Federal Police. Engage with commissions by Leah Heiss and Emma Luke, Kate Crawford, Aram Bartholl and Weniki Hensch among others.
This exhibition is curated by Jemimah Widdicombe (NCM) in collaboration with Dr. Tyne Sumner, current ARC DECRA fellow at the Australian National University.
Die Jahrestagung 2025 des SFB Intervenierende Künste findet statt am:
Freitag, 9. Mai 2025, 18 bis 22 Uhr und
Samstag, 10. Mai 2025, 10 bis 20 Uhr
Sie wird organisiert von der Arbeitsgruppe „Digitaler Aktivismus“ in Kooperation mit dem HAU Hebbel am Ufer.
Programm und weitere Informationen folgen.
Zeit & Ort
09.05.2025 – 10.05.2025
HAU 2, Hallesches Ufer 34, 10963 Berlin
After the success of the Athenian version of Total Screen Time, and after ‘Brainrot’ was voted last year’s word of the year, we are back in Berlin! No,no we are so,so back! Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care.
Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!
Curated by:
Aram Bartholl & Socrates Stamatatos
Participating artists:
!Mediengruppe Bitnik with Selena Savić & Gordan Savičić, Afroditi Panagiotakou & Manolis Manousakis, Aleksandra Domanović, Clusterduck, Constant Dullaart, Cory Arcangel, Danielle Brathwaite-Shirley, Darsha Hewitt, Dirk Paesmans, Esben Holk, Evan Roth, Igor Štromajer, Ingrid Hideki, Ipek Burçak, Jan Berger, Joan Heemskerk, Joana Moll, Joanna Bacas, Jonas Lund, Katerina Baxevani, Kathrin Hunze, Marsunev, Miltos Kontogiannis, Nadja Buttendorf, Nestor Siré, Niko Princen, Nora Al-Badri, Olaf Val, Ria Schöneberger, Theo Trianfyllidis
Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones immersing into their artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment we asked all artists and visitors to share their daily phone screen time during the opening. WE ARE ALL GETTING EXPOSED LOL 🎀
Catalog release of the exhibition ‘Parcel ready for pickup!’ at Kunsthalle Osnabrück (15.7.2023 – 25.2.2024)
On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.
The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.
Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.
Total Screen Time is a one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀
participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen
curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis
curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:
“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ’em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”
Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!
“Sandbox Berlin” is one of the Second Life projects I did last year analyzing the digital space – real life relation.
Sascha who just came back from the Burning Man festival did send me this picture. A litteral sandbox where everything is build from scratch. No more questions on how Linden Lab came up with the idea of the Second Life sandbox. 😉
Sascha’s Burning Man flickr set.
Thx for the pic!
The Sandbox Berlin took place 3.-14.10.2007.
Better quailty quicktime here.
Sandbox Berlin workshop last week was great fun. Before we started I gave a lecture on Second Life sandbox phenonemon at NewBerlin flaggstore at brand new Alexa shopping center. Tobias an Jan have a great off space within this bizzar shopping mall. The following 2 days we were busy building a series of different geometrical objects relating to Second Life sandbox. The formerly part of Berlin Wall is a classic non defined space and perfect spot to create a Sandbox. We had many interesting conversations and reactions with people from the neighbourhood. I also took the opportunity to put up my Google map pin from project Map which I still had in my inventory 😉
It’s fun to see how objects are moved or manipulated over the night. The yellow cube became a house with a “door” and four “windows” in the first night. I am curious for the result on sunday.
Gino who is living next to the sandbox offered me to reuse the sandbox wood after the exhibition for his 100 meter, 4 tracks slotcar racing track he is setting up with some friends. Perfect transformation for theSandbox Berlin.
Sandbox exhibition is still running till sunday 14.10.07. Don’t miss it.
All the pics of Sandbox Berlin on flickr.
Grab your tools and join the Sandbox Berlin! Use your hands and create!
In a two day workshop 4.-5.10.07 everybody is invited to work with their keyboard/mouse spoiled hands in Real Life. 😉
Let’s create a Sandbox. What are we able to invent and create in two days? There is no plan and no rules! Log off from Second Life for two days and enjoy the Sandbox Berlin.
Tonight we will start with an introduction and discussion.
What is the sandbox in Second Life? What is so special about it? Why I am doing this?
7 pm Wendsday 3.10.2007
at NewBerlin Flagstore,
ALEXA shopping centre,
Alexanderplace 10178 Berlin.
Workshop itself will start on thursday 10 am and ends with the exhibition opening friday evening 7 pm. Everybody is invited to drop by and get involved. There will be materials and tools provided but feel free to bring your own stuff. See you around!
Sandbox Berlin
Two-day workshop in the public space
4th – 5th October, 10 am – 7 pm
Skulpturenpark Berlin
Exhibition
How will the city react to a Sandbox?
6th – 14th October
Skulpturenpark Berlin
Opening and workshop wrap party
5th October, 7 -10 pm, Skulpturenpark Berlin
Skulpturenpark Berlin
Google Map
Former Berlin Wall area opposite Bundesdruckerei (Federal Printing Works)
Alte Jakobstrasse 45, on the corner of Kommandantenstrasse.
10969 Berlin
Link – More info on Sandbox project site
Credits
A project by:
Aram Bartholl – www.datenform.de
Funded by:
Senatskanzlei / Kulturelle Angelegenheiten, City of Berlin
Project management:
Susa Pop / Public Art Lab – www.publicartlab.de
Gordana Jovetic
Supported by:
NewBerlin – www.berlininsl.de
Creosa Interior – www.lex7.com
KUNSTrePUBLIK e.V. – www.skulpturenpark.org
KUBIX – www.kubix-berlin.de
Renolit – www.renolit.de
Celing – www.ciling.de
PVC-Plus – pvcplus.de
Unfortunately my concept for Second City “Sandbox” at Pfarrplatz in Linz won’t be realised for Ars Electronica. But I am thinking of doing this project after Ars Electronica in Berlin in autum. In fact I shouldn’t design a whole Sandbox like I did in this image for Linz. I think it’s better to invite people for 3 days to build own objects in sandbox style. I wonder how greefing attacks could look like in RL? 😉 I love sandboxes. It’ll be fun.
Find some typical Second Life sandbox pictures on flickr.