Current Events

Liebe auf den ersten Blick

26. October – 3. December 2024
Group Show, Springhornhof, Neuenkirchen

Die Stiftung Springhornhof wurde gegründet, um das Lebenswerk der 1998 verstorbenen Ruth Falazik weiterzuführen. Als Galeristin hat sie bereits in den 1960er Jahren aus dem historischen Spring­ hornhof einen Ort für zeitgenössische Kunst ge­ macht. Als spätere Kunstvereinsleiterin gelang es ihr, namhafte internationale Künstlerinnen und Künstler in das Heidedorf zu locken, um neue Werke im Dialog mit Natur und Landschaft zu entwickeln.

Die obere Etage gehört den Künstlerinnen und Künstlern des Ensembles von mittlerweile mehr als vierzig frei zugänglichen Skulpturen und Installa­ tionen, das vom Springhornhof stetig weiter ent­ wickelt wird. Großzügig haben sie Fotografien, Skulpturen und Objekte für den Verkauf zugunsten der Arbeit der Stiftung zur Verfügung gestellt. Die Schau führt eindrucksvoll vor Augen, welche Band­ breite künstlerischer Positionen die Neuenkirchener „Kunst­Landschaft“ mittlerweile umfasst:

Elmgreen & Dragset, Rupprecht Matthies, HAWOLI, Gabriela Albergaría, Hartmut Stielow, Mutter/Genth, Martin Reichmann, Kaori Tomita, Verena Issel, Aram Bartholl, Ulrich Eller, Harald Finke, Stefan Kern, Micha Ullman, Rolf Jörres, Timm Ulrichs, Christiane Möbus, Volker Lang, Carl Vetter, Anna Guðjónsdóttir, Will Beckers, Gisela von Bruchhausen und viele mehr.

Singularity

4. October – 15. December 2024
Group Show, C-Lab - Taiwan Contemporary Culture Lab, Taipei

2024 Future Media FEST-Singularity Embracing the Dawn of the Singularity

In the heart of the 21st century’s digital revolution, technological advancements are reshaping human existence—our lifestyles, thought processes, and societal structures. Underpinning this transformation is the captivating concept of the Singularity, a theory both alluring and profound.

The Technological Singularity, as envisioned by mathematician and computer scientist Vernor Vinge in 1993, designates a pivotal moment when machine intelligence eclipses human intellect. This event is predicted to trigger an exponential surge in technological progress, irrevocably altering the trajectory of civilization. The academic community further understands the Singularity as an inflection point where artificial intelligence reaches a certain threshold, catalyzing a cascade of technological disruptions and an “intelligence explosion.”

Grand Snail Tour

26. September 2024 – 29. August 2025
Group Show, Urbane Künste Ruhr, Xanten Ruhrgebiet

What is the Ruhr area? An exciting metropolitan region centred around the major cities of Dortmund, Essen and Duisburg? Or a collection of scattered towns and villages from Alpen to Xanten? Or both? Does it consist of tranquil river landscapes along the Ruhr, Emscher and Lippe or is it hopelessly damaged by the scars of heavy industry? Ruhrpott, example of transformation, poverty zone – how can art open up, change and enrich this diverse region?

Urbane Künste Ruhr wants to find out and is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr region. Because this is an ambitious endeavour and Urbane Künste Ruhr has set itself the goal of getting to know local players, forming bonds and establishing sustainable networks, this is a three-year project.

Kick-off Grand Snail Tour in Xanten
Urbane Künste Ruhr is launching the Grand Snail Tour in autumn, an artistic-performative journey through all 53 cities in the Ruhr area. The kick-off event will take place on 26.9. in Xanten.

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Upcoming Events

Moving Image Perspectives

22. December 2024 – 30. June 2025
Group Show, Annka Kultys Gallery, London

Coinciding with its 9th anniversary, ANNKA KULTYS GALLERY is delighted to announce the launch of its new digital programme Illuminated: Moving Image Perspectives, which will take place over the course of a year, and elaborates on the gallery’s expertise in moving image and reaffirms its ongoing commitment to this field.

On a weekly basis, Illuminated will offer unique insights into a new media artist using film, video animation, as well as their latest technological explorations, including blockchain and advanced technologies such as AI. This project aims to showcase and contextualise diverse digital art practices, while introducing international artists and their distinctive approaches to the gallery’s audience.

The online streams will be augmented by physical presentations of digital artworks in a private home setting at the gallery founder’s loft in Shoreditch. These installations will be accompanied by regular, invitation-only dinners and carefully curated exclusive viewings for art professionals, fostering deeper connections between artists, collectors, journalists, and museum curators.

Graphic Matters

29. November 2024
Talk, TURF festival, Breda

On Friday 29 November 2024, we are organising an inspiring afternoon for creative makers and tech enthusiasts together with TURF. During Current Characters IV: Wired Wonders , attendees and speakers will discuss the possibilities and ethical challenges of technology in art and design.

The new event TURF highlights electronic music, art, culture and tech. On Friday 29 November during Characters IV: Wired Wonders , three idiosyncratic makers Aram Bartholl (DE), SMACK(NL) and Roos Groothuizen (NL) present their work and share their views on the role of technology in art and autonomous design. They are known for their critical and social engagement. Wired Wonders promises to be a fascinating mix of inspiration and reflection, challenging attendees to think about the impact of technological innovations on the creative process.

Breda-based collective SMACK highlights the ethical dimensions of digital culture, critically visualising the seductions of technology and algorithms; Aram Bartholl explores the boundary between the digital and physical worlds, with critical installations that make technology tangible in the public domain; and Roos Groothuizen is known for her work on digital freedom and privacy, using technology as an activist tool to create awareness about surveillance and control.

Recent Events

Total Screen Time

21. November 2024
Curatorial, Ithakis 28, Kypseli-Athens, Athens


Total Screen Time is a
one night group exhibition on phones! All participating artists will bring a phone with their artwork on it, which will be mounted on the walls of the exhibition space. The idea behind the show is that the audience gets to peep through the hole of the artist’s phones to immerse into the artworks. LET’S BRAINROT TOGETHER! 🧠 In a collective and liberating moment, we also ask the artists  to share their weekly screen time prior to the opening. WE ARE ALL GETTING EXPOSED LOL 🎀

participating artists:
Andreas Angelidakis, Margarita Athanasiou, Cory Arcangel, James Bridle, Constant Dullaart, Chioma Ebinama, Evoulix, Fruitgillette, Agape Harmani, Hristos Hantzis, Kathrin Hunze, 1g.00_0 (Dirk Paesmans), Karl Heinz Jeron, Anna Kalozoumi, Kakia Konstantinaki, Markella Ksilogiannopoulou, Leefwerk, Lynn Hershman Leeson, Lucile Littot, Miltos Manetas, Maria Mavropoulou, Anastasis-Panagis Meletis, Tokisato Mitsuru, Eva Papamargariti, Angelo Plessas, Captain Stavros, Kosts Stafylakis, Mandy Stergiou, Alexandros Touramanis, Connor Willumsen

curated by:
Aram Bartholl, Socrates Stamatatos & Theo Triantafyllidis

curatorial statement:
Our algorithmic life has been reduced to isolation and hostility the last few years. Alone in our echo chamber we are brain rotting endlessly, while each specific algorithm is surveilling our every move and gatekeeping the process of our actions. To quote the famous philosopher and poet, Britney Spears:

“What am I to do with my life?
How am I supposed to know what’s right?
I can’t help the way I feel
But my life has been so overprotected
I tell ’em what I like, what I want, and what I don’t
But every time I do, I stand corrected
Things that I’ve been told, I can’t believe
What I hear about the world, I realize I’m overprotected.”

Meanwhile, everyone seems to be obsessed with their screen time. Some are trying to downsize it, some are accepting their ‘terminally online’ identity, some perceive it as a competition, and some—as always, simply don’t care. Enough with the heavy! We invited thirty artists to present digital works through their own personal devices, extending an intimate invitation for audiences to peer through the artist’s screen—a portal into their unique, brainrot-filled worlds. From personal and collective imagery to camp, critical takes on surveillance, viral memes, and wholesome escapism—artworks from every corner of the digital psyche are on display. This one night exhibition is about connecting, sharing in the joy of deep-frying our brains, rather than in isolation. And we think THAT’S HOT!

Kill Your Phone (with style!)

16. November 2024
Workshop, Super Duper Store, Athens

KILLYOURPHONE.COM is an open workshop format. Participants are invited to make their own signal blocking phone pouch.📶 In the pouch the phone can’t send or receive any signals. It is dead! 📵This time we are adding a cute twist 🥰 your phone is going down with style 💖

Join @arambartholl & @socratesstamatatos on 16.11.2024 from 12:00-17:00 at our beloved @super_duper_wow 🎀

Fix your phone shop

19. – 27. October 2024
Workshop, Dutch Design Week, Eindhoven

Your smartphone is broken – and it’s not just a cracked screen. The problem is in the apps, the operating system, the hardware, and it affects your privacy, your health, and the health of our planet. During Dutch Design Week, visit the Fix Your Phone Shop by Waag Futurelab and learn what to do to fix it!

Killyourphone.com workshop at Fix Your Phone Shop

Low Resolution

19. October 2024
Group Show, Transfergallery / Postmasters, NYC

ʟᴏ ᴀɴᴅ ʙᴇʜᴏʟᴅ, ɪᴛ’ꜱ ᴛɪᴍᴇ ꜰᴏʀ ʟᴏᴡ ʀᴇꜱᴏʟᴜᴛɪᴏɴ. Postmasters 5.0 and TRANSFER present a show within a show to celebrate the finissage of ‘High Resolution’ on October 19th, 6-9PM 🗓️

​🎥 LOW RESOLUTION GIF SCREENING 🎥

Shiny renders, ‘poor images’, generative art, and everything in between – ‘Low Resolution’ features looped moving images from the internet and beyond, screening for one night only in SoHo.

​Featured Artists: @pr_x_s @anamariacaballero @arambartholl @auriea.harvey.studio @danieltemkin_ @fabiolalariosm @asugarhigh @joemckay5 @mrkdrf @machewtops @mayaontheinternet @yoururgetobreatheisalie @moisesdsanabria @made.by.oona @rodellwarner @rothbergrothberg @sashastiles @fakeshamus @nihil_diamond @taramoves @travisleroysouthworth @pipizzy02 + more announced soon.

​Join us for an evening of Animated GIFs from invited artists in the expanded community around ‘High Resolution’ to celebrate the close of the exhibition.

🎥 Sneak peek 👀 a special contribution from Auriea Harvey ‘Madame Archive’ 1996-1999 a sequential archive of the GIF the artist used online on Entropy8.com in the 90s

RSVP link in bio 🔗
https://lu.ma/q9mrjdnm

Blog Archive for Tag: friends

Solitude

February 18, 2010

I agree on most of what he says and many of these questions were raised during the “Friends” workshop I ran at Futuresonic in 2008 . Unfortunately this won t reach my 359 ex-facebook friends any more… haha.  I quit 2 days ago ….
“The End of Solitude” by William Deresiewicz

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Marriage Market

November 3, 2008


There has been a lot of discussion on how we can reclaim, revive and engage Public Space in Europe/West. It was very interesting to see how Public Space is still naturally used in Shanghai, China. The picture shows a kind of public marriage market wich takes place once a week (month?) in the very centre of Shanghai on People’s Square. Parents advertise their grown up kids by short notes and try to find a good match for them. A very classic offline social network, serious dating platform. 🙂

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eARTS Shanghai

October 16, 2008


I’ll be be part of the workshop “Urban Space. Time to Play” 19th – 22th Oct. next week at eARTS Shanghai. I am looking forward to it and I am curious to test China for some paper based realtime urban adventure action. Stay tuned! More info

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Essay on “Friends”

September 24, 2008


Thanks to Theo Honohan who did write an interesting essay on my latest project “Friends“.

Friends

Aram Bartholl’s workshop Friends actualizes the processes of abstraction and distancing which are involved in the construction of contemporary social networking websites. By turning these immaterial processes into physical action and representations, the work offers a critical model of current software practice on the web.
Under the general name of Web 2.0, social networking sites provide various facilities for publishing content on the web. In the case of Flickr, the content is images; in the case of Delicious, bookmarks; Last.fm, music playlists; Facebook and myspace, general personal information. The material published on these sites is often not particularly interesting to a general viewer. Its value consists primarily in the availability of information to friends. The ability to explicitly create links of friendship between users is therefore the central feature of these sites, and the feature from which the name “Social Networking” is derived.
Bartholl’s work, which could have been titled Friends?, calls into question the value and meaning of these explicit declarations of friendship. For one thing, the mechanical nature of the process gives it a simplistic quality. Two people are either friends or they are not, according to the system. This binary coding of relationships leaves no room for gradations of familiarity from intimacy to acquaintance. This initial observation is enriched by the level of detail into which the piece goes in representing the internal abstractions of a site such as Facebook. Each level of abstraction can be seen as a distancing from reality and the site of a possible slippage between image and actuality.
The process of creating a personal profile in the system begins with a digital photograph. This image of the user is transformed digitally into a black and white stencil. Affixing a printout of the stencil to a rubber stamp, the user cuts out the white areas to create a reusable stamp of their own image. In creating a reusable stamp, the work captures the infinitely reproduceable nature of a digital image. The image can appear over and over within the “site”, rather than existing just as a single original.
The creation of a profile continues with the preparation of a blank booklet for use as a register of friends. The booklet gains structure entirely through a series of rubber stamps which mimic the process of formatting a blank computer database. Data slots are created for name, email address and website, and a further grid of spaces is prepared to hold references to the user’s details on other social networking sites. The process of registering friends involves stamping, carbon-paper transfers, and the gluing of pre-prepared adhesive stamps into the “data slots”. The complexity of this process parallels the degree of indirection and formality involved in the software behind a social networking site, if not the experience of creating friends on Facebook. Bartholl, by calling attention to this complexity, illustrates the degree to which the information we share fits into an elaborate structure.
The process of adding friends to one’s personal profile is a reciprocal one; each of you ends up with a new page in the booklet showing the details of your new friend. The piece has another component, however, a central volume which includes a page for each user which records their friends (affixed as stamps) and pending friend requests (unglued stamps are held in a plastic pouch.) The analogy here is with a central database on a system such as Facebook. The whole graph of relationships is held in one place, rather than being stored in private, personall relations between profiles/booklets. This central volume is of course the way social networking systems are actually implemented, while the “peer-to-peer” architecture of the booklets, while offering potential advantages in security and privacy, has not been pursued (except, to a degree, in the case of Skype.)
The presence of a central database is a reminder of the industrial scale and automation of the process. Bartholls’ work problematizes the mass production of social contacts. While the concrete formal techniques of the workshop (sheets of repeated portraits) evoke images of an artistic practice such as that of Andy Warhol’s “Factory”, the abstract structure revealed by the development of a profile and network of friends shows the potentially dehumanizing nature of social networks. The choice of black and white for all representations produces an impression of direct simplicity but also unyielding control. The idea of a computerized social network, in the end, is a formalism, while social relationships are blurry, vital and inevitably exceed the terms of any fixed representation.
23 September 2008

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“Friends” documentation online!

June 9, 2008


I just finished the documentation for my latest project “Friends” which has been premiered at Futuresonic 2008 a month ago. It was a lot of fun and it came out really well. Friends will be shown again during Futuresonic-Leeds and Futuresonic-London sometime 2008/2009. Don’t miss to become part of the Friends network. 😉

link – Friends project page.

Credits:
– Thanks to Veronika Becker and Holger Lindmüller for advice, design and production assistance during preparation phase in Berlin.
– Thanks to Kit Turner (Futuresonic art production assistance) and Ben Harding (Futuresonic tech. and exhibition architecture) for the production in Manchester.
– Thanks to my exellent Friends workshop assistance Charlotte Barnes and to the volunteers: Josephine, Dan, Sofia, Maya … among others.
– Thanks to the whole Futuresonic 2008 team for support!

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“Friends” pics!

May 6, 2008




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The Factory

May 3, 2008

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Friendsnetwork “online”!

May 1, 2008


New project “Friends” started today at Futuresonic. Finally the workshop is up and running. If you are in Manchester drop by CUBE gallery and get your own Friends book.

All recent posts on “Friends”.

Friends

The project Friends is a workshop which translates the so-called social web – online services such as Facebook, Myspace, etc. – into a paper-based form in physical space.All workshop participants contribute a profile page to the big Friends Book and make their own personal friends booklet in which to collect as many friends as possible. With their own hand-made profile photo stamp and a large amount of prefabricated web 2.0 service stamps, users trade among each other information about their favorite online services and web activities. In order to be recognized as Friends workshop participants, users can wear a button with their own profile photo or display their Web 2.0 preferences on Friends Tattoos.

Social networks in the internet, which have become hugely popular over the last few years, have given the term “friend” a completely new meaning. In contrast to the usually restricted and time-consuming circle of friends in everyday life, in the internet it is possible to find a large number of friends quickly with just a few clicks.And only a few of these friends are actually personally known by the user. Without a great deal of effort it is possible to have hundreds, thousands or even hundreds of thousands of friends in the Internet. Who has the most friends? Who is the best-known and the most often to be seen? The development of the internet in recent years enables the individual to gratify his/her desire for recognition and attention in quite a new way.

With reference to the classic German poetry album or the friendship book in the USA, the Friends workshop takes this development as the central theme and opens a debate over the many-layered types from friendship. The time-honored paper-based technology and tools used in the workshop as well as the handicraft skills of its participants contrast with the screen-limited but highly efficient online world of the social networks. In contrast to the obvious open contact with private information in the social web, the classic paper document conceals a high degree of obligation and protects privacy.The data from the web services documented on paper during the Friends workshop pose anew the question of the private and public nature of web identities.

Who is my friend? How well do we know each other? Where do we meet?
How does the Social Web effect inter-personal relationships?

Aram Bartholl 2008

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agoasi

April 24, 2008

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“Friends” stamps

April 23, 2008


Stamps for “Friends” workshop at Futuresonic arrived. 🙂
(more than 30)
Join the Friends network at
Futuresonic 2008!
Get to know cool new friends and hook up. Find out which online social networks they belong to. Extend your list of friends and let new people discover you. Get ready and take offline networking to the next level!

Join the Friends workshop to create your own paper profile page in the ground breaking big Friends network book. And take away your personal Friends booklet, to carry on collecting new friends around the city. Create your handmade profile picture and leave your mark with special stamps and ink on all your friends’ booklets. A wide range of tools and materials are provided. Show off your Web 2.0 identity in paper mode!
Instructions:
1. Sample your personal Friends booklet from high end manufactured paper sheets to start your unforgettable collection of new friends!
2. Use your hands! Cut a stamp with your web profile picture. This personal tool plays a central role in all Friends communication. Leave your traces in real life!
3. Connect! Coin your basic profile data by using Dymo label tape. All your friends can get an easy carbon copy of your basic contact info!
4. What Social Web services are you on? Stamp and customize your personal Web 2.0 info. Create a collection of Web 2.0 stamps to distribute and inform all your friends about your online activities.
5. Contribute to the big, public and constantly growing Friends book. All users of the Friends network have a profile page here! Take a look at who is already part of it! Create your personal profile page and share your digital life!
6. Find new friends! Place friend requests on user profile pages and exchange info directly via carbon copy and Web2.0 stamps. Collect and share your online identity in your Friends booklet.
7. “Yes, I am using Friends and it is great!” Create your personal button badge to find other Friends users and extend your network during Futuresonic 2008.
8. Customize and wear Friends tattoos. Wear Web2.0 on your skin! Inhale Social Web!

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